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184152094London: Printed by J. & H. Cox Brothers 74 & 75 Great Queen Street Lincoln's-Inn Fields 1841. First edition. 4to. 4 pp. Aside from a few faint pinpoint spots of foxing this is a fine as new copy. Housed in a custom made cloth chemise and slipcase titled in gilt along the spine. Shortly after the presentation of his paper before the Royal Society on 31 January 1839 Talbot at his own expense printed the text as a pamphlet of 14 pages; "Some Account of the Art of Photogenic Drawing."became the world's first separate publication on photography. Through this process an ordinary piece of writing paper was immersed in a sensitizing solution dried placed in a camera and exposed in daylight to a subject for upwards of an hour or longer. Upon examination a tonally reversed rendering of the subject was visible. It was then soaked in a solution of salt and washed and dried then the process was essentially repeated exposing the first print to the new sensitized sheet reversing the tones to produce an image with the tonality as in nature. Through a series of further experiments over the next months Talbot discovered that a "latent" image always existed and that through chemical development it could be brought to life. This allowed for speeding the exposure in the camera to be cut to a mere 30 seconds and the enriched chemical solutions would produce a sharper and tonally richer image. This process he first called the Calotype from the Greek kalos - beautiful. <br/><br/>On June 10 1841 Talbot presented the Calotype process at a meeting of the Royal Society and at his own expense he published a four page description of his process. Unlike his earlier publication on Photogenic Drawing here he states in detail the full process. <br/>Upon the urging of John Herschel and David Brewster he began to call his process the Talbotype rather than Calotype. His intention was to license this process and likely this printed description was printed to distributed to potential licensees. <br/><br/>Aside from changing the name from Calotype to Talbotype in the title of this publication and the slight alteration in the printer's imprint the text of the two issue are identical - the word Calotype remains in the body of the text This is the foundation stone of the negative-positive process that has been in use since it was first published.<br/><br/>This printing is much rarer than the Calotype variant with WorldCat locating only Harvard University - Houghton Library and Cornell University. Gernsheim Incunabula No. 655 listing only the Calotype variant. Roosens and Salu No. 10285 listing only the Calotype variant. Weaver HENRY FOX TALBOT SELECTED TEXTS AND BIBLIOGRAPHY No. 87 listing only the Calotype variant. <br/><br/> Printed by J. & H. Cox, Brothers, 74 & 75, Great Queen Street, Lincoln's-Inn Fields hardcover books
184152094London: Printed by J. & H. Cox Brothers 74 & 75 Great Queen Street Lincoln's-Inn Fields 1841. First edition. 4to. 4 pp. Aside from a few faint pinpoint spots of foxing this is a fine as new copy. Housed in a custom made cloth chemise and slipcase titled in gilt along the spine. Shortly after the presentation of his paper before the Royal Society on 31 January 1839 Talbot at his own expense printed the text as a pamphlet of 14 pages; "Some Account of the Art of Photogenic Drawing."became the world's first separate publication on photography. Through this process an ordinary piece of writing paper was immersed in a sensitizing solution dried placed in a camera and exposed in daylight to a subject for upwards of an hour or longer. Upon examination a tonally reversed rendering of the subject was visible. It was then soaked in a solution of salt and washed and dried then the process was essentially repeated exposing the first print to the new sensitized sheet reversing the tones to produce an image with the tonality as in nature. Through a series of further experiments over the next months Talbot discovered that a "latent" image always existed and that through chemical development it could be brought to life. This allowed for speeding the exposure in the camera to be cut to a mere 30 seconds and the enriched chemical solutions would produce a sharper and tonally richer image. This process he first called the Calotype from the Greek kalos - beautiful. <br /> <br /> On June 10 1841 Talbot presented the Calotype process at a meeting of the Royal Society and at his own expense he published a four page description of his process. Unlike his earlier publication on Photogenic Drawing here he states in detail the full process. <br /> Upon the urging of John Herschel and David Brewster he began to call his process the Talbotype rather than Calotype. His intention was to license this process and likely this printed description was printed to distributed to potential licensees. <br /> <br /> Aside from changing the name from Calotype to Talbotype in the title of this publication and the slight alteration in the printer's imprint the text of the two issue are identical - the word Calotype remains in the body of the text This is the foundation stone of the negative-positive process that has been in use since it was first published.<br /> <br /> This printing is much rarer than the Calotype variant with WorldCat locating only Harvard University - Houghton Library and Cornell University. Gernsheim Incunabula No. 655 listing only the Calotype variant. Roosens and Salu No. 10285 listing only the Calotype variant. Weaver HENRY FOX TALBOT SELECTED TEXTS AND BIBLIOGRAPHY No. 87 listing only the Calotype variant. Printed by J. & H. Cox, Brothers, 74 & 75, Great Queen Street, Lincoln's-Inn Fields unknown
184649London: Printed by J. and H. Cox Brothers 74 and 75 Great Queen Street Lincoln’s-Inn Fields 1846. First edition under this title. Privately printed reprint of Talbot’s memoir that was published with variant title and imprint Process of Calotype Photogenic Drawing … London: J. L. Cox & Sons 1841. The printers J. & H. Cox were active from 1844–1846. Housed in blue cloth folder. In fine condition. First edition under this title. Privately printed reprint of Talbot’s memoir that was published with variant title and imprint Process of Calotype Photogenic Drawing … London: J. L. Cox & Sons 1841. The printers J. & H. Cox were active from 1844–1846. Housed in blue cloth folder. 4 p. In this paper Talbot 1800–1877 photographer inventor announced his invention of the photographic process the first permanent negative process on paper that he called Calotype and later – first in print in the title of this paper – Talbotype. His process was the forerunner of most photographic processes of the 19th and 20th century. It also had the advantage of fastness compared to other photogenic drawing processes of the time. <br /> An extremely rare and early paper on photography as Talbot printed privately in limited number for presentation to his friends and editors. Printed by J. and H. Cox, Brothers, 74 and 75, Great Queen Street, Lincoln’s-Inn Fields unknown
189997129Paris: Floury 1899. Toulouse-Lautrec's masterpiece of the illustrated book First edition number 84 of 100 copies only one of the most celebrated and sought-after of all livres d'artiste some of Lautrec's finest illustrations and the prototype of nearly all modern bestiairies Garvey. Lautrec and Jules Renard met first in 1894. The artist asked to illustrate some of the charming and witty portraits of animals and his first sketches were made at the Jardin d'Acclimatation and Jardin des Plantes in 1896. The last two illustrations printed were executed by Lautrec while he was a patient at the Neuilly clinic of Dr Sémalaigne. Renard's Histoire naturelles "contains some of Toulouse Lautrec's most refined draftsmanship and with Yvette Guilbert it is considered one of the masterpieces of the illustrated book. It was Lautrec who requested the pleasure of illustrating Renard's bestiary and Renard agreed hoping for descriptions that 'would please the animals themselves'. The two creative personalities clashed. Lautrec resented the book's limitation to mundane animals while Renard although paid homage to by a cover design of a fox objected to a number of Lautrec's drawings. Today we are amazed that it took Floury twenty years to sell out the edition of 100 copies" Donson/Gripp. Small folio 310 x 220 mm. With an original transfer lithograph to front wrapper on Japan paper and 22 throughout the text on vélin paper by Toulouse-Lautrec. Finely bound in 1973 by Pierre Lucien Martin 1913-1985 in olive green modelled calf titles to covers in raised lettering. Housed in a matching quarter calf chemise and slipcase. Foot of spine lightly rubbed with one small nick contents fresh; slipcase slightly sunned and rubbed. A finely bound copy. Adhémar 333-355; The Artist and the Book 304; Delteil 297-319; Donson/Gripp Great Lithographs by Toulouse-Lautrec nos. 78/79; Garvey 304 "Now one of the greatest rarities of the 19th century. Not only does it contain some of Lautrec's finest illustration but it is the prototype of nearly all modern bestiaries"; Rauch 17; Wittrock Toulouse-Lautrec I 202-224. unknown
184148243London.: Printed by J. L. Cox and Sons. 1841. Loose as issued later morocco-backed portfolio. 4to. 229 x 182 mm. Leaf with drop-head title and note above opening text printed text recto and verso on following leaves folded as issued. The rare first edition of the first announcement of William Henry Fox Talbot's calotype method - the negative / positive photographic process - the most important innovation in the history of photography.Although Talbot had announced his researches and progress in the field of what was to become photography in his 1839 lecture to the Royal Society 'Some Account of the Art of Photogenic Drawing . &c.' that lecture although ground-breaking dealt largely with the achievement of an image on treated paper and only alluded briefly to the possibility of a more versatile development. It was not until his 1841 lecture to the same body the title as per the present publication is 'The Process of Calotype Photogenic Drawing . &c.' that the details of his refinements and most particularly his successes with the negative / positive process were delineated. Those successes and Talbot's development of the resultant negative / positive process for photographic reproduction and duplication remained the predominant methodology in the field for more than 150 years; all subsequent refinements whether in the chemicals used differing methods for image capture printing and so on were merely variations on Talbot's original scheme. Talbot had patented his method in secret he was awarded 'Her Majesty's Royal Letters Patent No. 8842' in February 1841 prior to his lecture to the Royal Society concerned by Arago's announcement of Daguerre's discoveries the efforts of Hippolyte Bayard and the priority of his own work.'In 1841 William Henry Fox Talbot announced an improvement of his photogenic drawing process which he named 'calotype' from the Greek meaning 'beautiful picture'. Previously he had allowed his sensitized paper to remain exposed to light until an image became visible. He now made a remarkable discovery: a much shorter exposure so changed the characteristics of the silver salts that they could be reduced to silver by chemical after-treatment. This principle of the 'development of the latent image' is basic to most subsequent photographic processes . To make a calotype negative Talbot bathed a sheet of paper in two solutions one of silver nitrate the other of potassium iodide . After exposure the paper was bathed again in this solution a mixture of gallic acid and silver nitrate which acted as a physical developer and gradually brought out the image . He printed them the resultant negative with his original silver chloride paper.' Beaumont Newhall. 'Privately printed for the author for distribution to friends and editors.' Gernsheim.'Between 1835 and 1839 Talbot and Henneman continued their experiments motivated by a desire . for reproducing images from nature. Following Arago’s announcement to the Académie des Sciences 7 January 1839 of the existence of Daguerre’s photographic process Talbot became concerned over the priority of his work; he frantically sought to improve his process prior to the disclosure of Daguerre’s . In 1840 Talbot would develop a latent image on paper and he called this new process the calotype. He patented and then disclosed the process in a paper presented to the Royal Society in June of 1841 . '. DSB.Talbot's document is scarce: COPAC locates no copies in the UK and the catalogue for the British Library reports no example; OCLC lists two copies in Germany at Marburg and Stuttgart's Staatsgalerie and four in the US at Syracuse Columbia Harvard and Princeton.The document was reprinted with an altered title 'The Process of Talbotype formerly called Calotype Photogenic Drawing . &c. in 1846.Gernsheim 655; see Beaumont Newhall's 'The Calotype: The Pencil of Nature' in 'The History of Photography' New York 1997 pg. 43. Printed by J. L. Cox and Sons. unknown
