Talbot, William Henry FoxBiblio.com
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201190001KWS Publishers. New. 2011. Hardcover. 0981773664 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pp. -- with a bonus offer-- . KWS Publishers hardcover
199793101Pandanus Press. New. 1997. HARDCOVER. 064630898X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. 152 pages; well-illustrated with color and with black and white images. -- with a bonus offer-- . Pandanus Press hardcover
199380494Rizzoli. New. 1993. Hardcover. 0847814866 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 414 pages many color illustrations biog. bibliog. chrono. 4to. -- with a bonus offer-- . Rizzoli hardcover
199581492Yale University Press. New. 1995. Paperback. 0300064489 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B002Y299GI. Xi 398 pages; illustrated; 8vo. -- with a bonus offer-- . Yale University Press paperback
199982413Harry N. Abrams; Museum. New. 1999. Paperback. 0810969238 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0810969238. 192 pages 242 illus. 158 in color 4to. -- with a bonus offer-- . Harry N. Abrams; Museum paperback
199883278Harry N. Abrams. New. 1998. Hardcover. 0810941384 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pages 95 illus. 85 in color 8vo. -- with a bonus offer-- . Harry N. Abrams hardcover
200979481D. A. P. New. 2009. Hardcover. 8492480386 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Immediately available. Ships within one business day. Text in English. With 56 ills. 22 x 22 cm. -- with a bonus offer-- . D. A. P. hardcover
199281491Random House Distribution. New. 1992. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xi 398 pages illus. 8vo. -- with a bonus offer-- . Random House (Distribution) hardcover
5952249-nnew. unknown
159260391Rostock Stephan Mölleman 1592 4to. In contemporary limp vellum. Extremities with light soiling and miscolouring. Front free end-paper annotated in contemporary hand. Three leaves T-Tiii with repairs with loss of text and woodcut. Title-page and colophone supplied in facsimilie. Internally with light occassional browning but in general good condition. 272 ff f. 272 erroneously printed as f. 273 with 44 woodcut illustrations in text. <br/><br/><em>Later Rostock edition of the famous epic. Circulating from the 12th-century and derived in part from Aesop Reynard the Fox is one of the most popular and enduring beast-epics. Reynard the Fox is a collection of fables that originated in medieval Europe and the exact authorship is unknown. The stories were likely passed down orally before being written down in various versions over the centuries. The fables with the wily fox as a central character lent themselves to satire and it became a vehicle used by the Protestant reformers and others. The Low-German version first appeared at Lubeck in 1498 and the Rostock editions which followed from 1517 facilitated the spread of the epic towards the east. The woodcuts had previously illustrated the 1539 Rostock edition of which 36 are attributed to Erhard Altdorfer. Stylistically they depend on the first Lubeck and Rostock editions. </em> hardcover
19696567Somerville MA: Abyss Publications 1969. First Edition. Quarto 28cm; mimeographed sheets recto and verso side-stapled into pictorial card covers; ii1211pp. While not called for this copy has been signed by Bukowski on the title leaf. Subtle toning to margins of first and last leaves light wear and handling to wrappers with a few very faint splash marks to front cover which is pulling away slightly from the upper staple; contents clean complete; Very Good or better. Offered together with a set of unbound proof sheets for a later revised edition apparently unpublished of the same title - this one bearing an introduction not printed in earlier editions dated November 1988. Mild handling else Fine housed in a dark yellow clasp-bound envelope with "Fox / Proofs" written in pencil in an undetermined hand.<br /> <br /> Offered together with four pieces of correspondence between Fox Jeffrey Weinberg John Martin and Charles Bukowski regarding publication:<br /> <br /> 1. 2pp typed letter signed from Fox to Jeffrey Weinberg dated October 31 1985 on a sheet of Fox's pale grey laid paper stationary measuring 8.5" x 11". 61 lines signed "Hugh / Connie" in red pencil. Fox relays some information regarding the publication history of Charles Bukowski: A Critical and Bibliographical Study expressing his interest in Weinberg publishing a revised edition and soliciting his input on any changes he felt necessary. He also goes on at length quite candidly regarding long history as a transvestite his recent visit to "a sex-change doctor" in New York undergoing hormone therapy and the tension between "being MALE FATHER IRISH CATHOLIC TEACHING AT A CATHOLIC UNIVERSITY and feeling FEMALE MOTHER PAGAN all my life.". Old horizontal folds from mailing some handling else well-preserved.<br /> <br /> 2. Typed letter signed from John Martin to Jeffrey Weinberg dated June 16 1989 on a single sheet of Black Sparrow Press stationary measuring 8.5" x 11". 26 lines signed "Sincerely John." Bukowski's friend and long-time publisher mentions discussing Weinberg's plan to publish a revised edition of Fox's Charles Bukowski: A Critical and Bibliographical Study sending him a copy of the book to gauge his thoughts. "Hank called to say that he had always disliked the book and didn't want it reprinted. I explained to him that we had no control over the narrative portions of the book but that we could withhold permission to quote from his poems." Old horizontal folds from mailing some handling one small spot of correction fluid and a faint diagonal crease. <br /> <br /> 3. Photocopied computer-generated TLS from Bukowski to John Martin dated 6-16-89 on white bond measuring 8.5" x 11". The text is brief confirming Bukowski's thoughts on republication of Fox's work: "I'd rather that the Hugh Fox work on my early books not be reprinted. I find the work both hasty and a bit dull. No good purpose could come of a reprint." Old horizontal folds from mailing with some mild handling.<br /> <br /> 4. Photocopied TLS from Fox to Jeffrey Weinberg printed on white bond measuring 8.5" x 11" dated June 25 1989 and signed in ink "Best Hugh". A brief but strongly-worded letter responding to both Martin's and Bukowski's sentiments regarding republication of his book. "Poets and other writers have no censorship control over what is written about them -- including reasonably short quotes from their works. Bukowski has no say over the reprint of this book. When I first sent it to him he was delighted by it. Whatever the old poet now on the brink of death thinks lashing out in anger at Time and Dissolution is totally irrelevant. My advice is -- GO AHEAD AND PUBLISH THE BOOK AND DON'T LET EMBITTERED LITTLE HITLERS DESTROY THE FIRST AMENDMENT." Old horizontal folds from mailing with some light handling.<br /> <br /> The first critical and bibliographical study of the works of Charles Bukowski predating Sanford Dorbin's A Bibliography of Charles Bukowski published by the Black Sparrow Press the same year. Fox 1932-2011 was an author and scholar who taught American literature at Loyola University in Los Angeles. In addition to critical studies of Bukowski and Lyn Lyfshin they wrote numerous volumes of poetry under the name Connie Fox and in 1968 founded Ghost Dance: The International Quarterly of Experimental Poetry which they edited for 27 years. The first edition of his critical work on Bukowski is uncommon in commerce and this is the first example we've seen signed by Bukowski himself. Abyss Publications unknown
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br /> <br /> A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown
1931320507New York: Scribner 1931. Limited. hardcover. fine. N.C. Wyeth. 14 tipped in color plates tissue guards deckled edges 4to vellum backed spine with gilt lettering. decorative blue and gold textured cloth original glassine wrappers and original board box. New York: Scribner 1941. A fine copy in a lightly worn box.<br/> <br/> Number 13 of 512 copies signed by the Illustrator of which the first 12 were for presentation.<br/> <br/> Scribner unknown
77430Paris Boulet 1799. Oblong broadsheet over 48.5 x 60.5 cm. Colour etching finished by hand. Framed and glazed. Simple modern green wooden frame. = A fine lively powerful illustration of an angered tiger attacking a porcupine in vain - being deterred by the porcupine's sharp and painful spines. After an original drawing by the British artist James Northcote 1746-1831 whose illustrations of lions and tigers are among his most captivating. Northcote was a pupil of the great British portrait painter Sir Joshua Reynolds 1723-1792 first president of the Royal Academy of Arts. The French engraver Renard about whom little else is known he is not listed by Bénézit enhanced Northcote's original by a skilful use of shades. Published by the firm of Boulet rue Chabannais in Paris. Some spotting but hardly visible. A small defect in the upper margin otherwise very good. Very rare. We found no auction records. unknown
195753749New York: Harry N. Abrams 1957. First edition. Hardcover. vg to near fine. Quarto. xxxviii 151pp. 1. Illustrated purple and red dust jacket. Beige cloth boards with illustration in black on the front cover black lettering on the spine. Illustrated endpapers. Original torn publisher's belly band laid in at the interior front cover. This unique copy contains two inscriptions to former president of Israel Zalman Shazar 1889-1974 in pen on the title page. One at the top is a 75th birthday gift inscription in Hebrew from a unidentified friend of Shazar and below it is another warm inscription from artist Marc Chagall in Yiddish dated 1964. Chagall writes: "In honor of the president and my good friend Z. Shazar with love Marc Chagall Jerusalem 1964". It can be assumed that Shazar's friend gave him the book as a gift and Marc Chagall who was present at the time also inscribed it to him.<br /> <br /> This monograph showcases Marc Chagall's graphic work from the years 1922-1957 and includes a total of 148 images reproducing the artist's work. Most images are in b/w with six in color and can be divided roughly into five major stages of Chagall's career: etchings for his autobiography - illustrations for Gogol's "Dead Souls" 1923-27 - etchings for La Fontaine's "Fables" 1927-30 - illustrations for the Bible - his post-war lithographs. All images are finely printed mostly in high quality offset with a few b/w images being lithographic.<br /> <br /> Dust jacket with some minor to light rubbing and creasing to extremities. Binding with very minor age toning along the bottom edge of the front cover. A few light stains to the top edge of the book block. Interior clean throughout with book block tight overall. Dj in very good binding and interior in very good to near fine condition overall. Harry N. Abrams hardcover
19313189New York: Charles Scribner's Sons 1931. Fine. Exceptional copy of the signed limited edition for this Civil War-set novel one of 500 numbered copies signed by Wyeth retaining both the original box and glassine. 11'' x 8.5''. Quarter vellum blue cloth boards. Top edge gilt other edges uncut; partially unopened. In original glassine and publisher's blue box. Illustrated by Wyeth with 16 mounted tissue-guarded color illustrations including frontispiece and title page surrounded by boxed borders in gold. 324 pages. Bookplate to verso of box lid. Light rubbing to box no repairs slightest bit of toning to glassine and vellum; overall exceptionally bright and fresh. Charles Scribner's Sons unknown
1931118697New York: Charles Scribner's Sons 1931. Signed limited edition in the uncommon glassine jacket Signed limited edition number 323 of 500 copies signed by the illustrator; 12 presentation copies were also issued. The trade issue was published the same year. Fox's classic Civil War tale was originally published by Scribner's Sons in 1903 with illustrations by F. C. Yohn. A handsomely illustrated copy with the uncommon glassine jacket. Large octavo. Colour frontispiece title page and 14 plates tipped in with tissue-guards. Original japon-backed blue and yellow check cloth spine lettered in gilt top edge gilt others untrimmed blue endpapers. With the glassine jacket. Housed in the blue box japon label to lid numbered in manuscript. Contemporary Christmas ownership inscription to inside cover of box lid. An excellent copy partly unopened in the lightly yellowed glassine jacket with slight loss to foot of front flap laid-in. In the lightly browned box slight wear to extremities. hardcover
9259Cincinnati: Squiggle Dot Press 2007. Full Leather. Fine binding. 2.25" x 2.5." 18 pp. 3 plates. Limited edition number 5 of 45 copies. In gray morocco with gilt embellishments on both covers and spine; patterned endpapers. Text printed using heated silver foil on handmade Japanese tissue. Three original wood engravings by Fox. Housed in a silk-moire lined slide-through box. A lovely miniature book designed illustrated and printed by one of the foremost American miniature book makers and binders. Squiggle Dot Press unknown
189878088Paris: Librairie Charpentier et Fasquelle 1898. Fine. Librairie Charpentier et Fasquelle Paris 1898 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with the famous bookplate of Jules Renard designed and engraved by Henri de Toulouse-Lautrec. Librairie Charpentier et Fasquelle unknown
190278085Paris: Charpentier 1902. Fine. Charpentier Paris 1902 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with Jules Renard's celebrated ex-libris designed and engraved by Henri de Toulouse-Lautrec. Charpentier unknown
2994Newcastle T and J Hodgson 1827 pp. 2 xxii 312 complete with engraved frontis. and seven plates 4 illustrations in the text and 2 double-page pedigrees. Bound in modern cloth-backed marbled boards fore and bottom edges untrimmed. Some foxing of plates and adjacent pages but very good condition. Armorial bookplate of Willam Henry Brockett and with inscription by John Trotter Brockett recording the book's gift to him by the author and his gift of it to his son W H Brockett. The Brocketts were a prominent family in Newcastle and Gateshead. The collection survives in Newcastle and is notable for its inclusion of specimens brought back by Captain Cook. Two of the cuts are by Thomas Bewick and there are copper engravings of the Rakkelhan Grous and the Wombat by Robert E Bewick Hugo 472. Newcastle, T and J Hodgson, 1827, hardcover
1582120609New. Brand new and still unused unknown
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