Omojola, BodeBiblio.com
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2016124624Peter Lang Inc. International Academic Publishers. New. 2016. Hardcover. 1433134012 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . Peter Lang Inc., International Academic Publishers hardcover
191832535Berlin: Rudolph Lepke's Kunst-Auctions-Haus. As New. 1918. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in German. 44 lots catalogued and illustrated in black and white plates. Among the artists represented: A. Van Dyck; David Teniers the Younger; Frans Hals E. De Witte; Velasquez; J. Ruisdael; and others. Front cover loose; else fine. Decorative endpapers. -- with a bonus offer-- . Rudolph Lepke's Kunst-Auctions-Haus hardcover
191937171Leipzig Germany: Verlag Von E. A. Seemann. As New. 1919. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- Text in German. Corresponds to / earlier German Language edition of ASIN: B0006BR3QM. Among the artists represented: Rembrandt A. Brouwer Rubens Hobbema F. Hals and many others. -- with a bonus offer-- . Verlag Von E. A. Seemann hardcover
191751259Berlin Germany: Paul Cassirer; Hugo Helbing. As New. 1917. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine - COMPLETE TWO 2 VOLUME SET. Text in German. Volume 1 catalogues lots 1 - 66 with many lovely black and white illustrations. Among the artists represented in this volume: Don Lorenzo Monaco Matteo di Giovanni Gregorio Schiavone Marco Basaiti and others. Volume 2 catalogues lots 67 - 164b many of which are illustrated in black and white plates. Among the artists represented in Volume 2: Jan Gossaert Marcellus Coffermans Barthel Bruyn der Altere Hans von Kulmbach and others. -- with a bonus offer-- . Paul Cassirer; Hugo Helbing hardcover
192127837Berlin: Im Propylaen-Verlag G. M. B. H. As New. 1921. Leather. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - . A little abrading to edges and corners of coverboards and spine; spotty fading and very small nicks to coverboards. -- with a bonus offer-- . Im Propylaen-Verlag G. M. B. H. hardcover
0308-25Hamburg Ernst Bode 1776. Zwote verb. Aufl. 9 Tle. in 3 Bdn. kl.-8°. 4 Bll. 160; 166 S.; 1 Bl. 180 200; 142 142 136 128 112 S. Mit 2 gest. Frontispizen von C. L. CRUSIUS nach W. HOGARTH 6 Kupfertaf. v. Dan. Berger nach Daniel Chodowiecki 2 Ss. mit Schwarzdruck Tl. I 65/66 u. 2 Ss. mit 3-farbigem Schablonendruck T.III 149/150. HLdr.-Bde. d. Zeit mit bedruckten Rückenschildchen in Rot u. Grün. Bd. 3 abweichend gebunden m. Wappen-Exlibris u. Oval-Stempel a. d. flieg. Vors. u. Bl. 2. Kanten etwas berieben innen stellenweise leicht gebräunt. Innendeckel m. Exlibris v. F. L. Gerlach. Goedeke IV 1 586 12; vgl. Slg. Borst 133; Rosenberg/Hollein Hrsg. Turner Hugo Moreau. Entdeckung der Abstraktion. S. 278-290 - Zweite Ausgabe von Johann Joachim Christoph Bodes 1730-1793 berühmter Übersetzung von Laurence Sternes 1713-1768 "Tristram Shandy". Sprachlich wie auch druckgraphisch steht die hier vorliegende Übersetzung von Bode klar vor der bereits ab 1761 durch Gottlieb August Langen veranlassten Ausgabe. Die sogenannte "black page" entspricht in Bodes Ausgabe weitgehend der Englischen sie ist unregelmäßig schwarz gedruckt. Die berühmte "marbled page" die in den frühen englischen Ausgaben tatsächlich mit der Marmoriertechnik gestaltet wurde für die erste Englische Werkausgabe wurde ein Stück marmoriertes Papier eingeklebt wurde von Bode durch einen 3-farbigen Schablonendruck rot gelb blau ersetzt. Sterne rezipiert auch die Linientheorie "line of beauty" William Hogarths 1697-1764 indem er im Teil VI plötzlich 5 "erträglich gerade Linien" einfügt S. 139/140. "Sterne der sich des Witzes seiner unerwarteten Vorgehensweise bewusst ist demonstriert dass nicht nur Figuren und Bewegungen sondern auch Romane auf Linien reduziert werden können." Entdeckung der Abstraktion S. 276. - Die beiden Frontispize stammen von Carl Leberecht Crusius 1740-1779 nach William Hogarth 1697-1764. Die 6 Kupfertafeln von Daniel Berger nach Daniel Chodowiecki. Hamburg, Ernst Bode 1776. unknown
189855051Berlin: F. Fontane & Co. / Genossenschaft PAN 1898. First edition. Softcover. Good- to very good condition. Large Folio. 6 73-137 1pp. Original illustrated brown stiff wraps with black lettering and ruling on cover. Engraved head and endpieces and initials. General edition of 1000 copies with copperplate prints. Laid in a PAN bookmark.<br /> <br /> The journal PAN is regarded as one of the most important voices of Jugendstil Art Nouveau in Germany publishing art literature theater and music. As the journal Jugend it took a critical approach to the artistic policy of the German Empire under Emperor Wilhelm. Published in Berlin by the cooperative PAN the journal spans five volumes with five issues in 1985/96 and four issues each in the subsequent years up to 1900. Due to its high quality art reproductions PAN was the most expensive German artistic magazine of its time. The journal was published in a standard a luxury and an artist edition of the same content with a run of 1200 to 1600 per issue. It stopped publication in 1900 and was re-launched under the direction of the Berlin art dealer and publisher Paul Cassirer for a run of three additional three years.<br /> <br /> This copy is illustrated with nine full page copperplate engravings with tissue guards by Albert Krüger 2 Hans Olde Walter Leistikow Wilhelm Volz Arnold Böcklin Peter Behrens Johan Rohde and F. Hammerschöj and numerous head and endpieces and in-text engravings. The list of contributors to the magazine included famous protagonists as well as unknown young international artists. <br /> <br /> This issue includes the famous image "The Kiss" by Peter Behrens considered among the most iconic images of the Jugendstil/ Art Noveau movement.<br /> <br /> In addition there are literary contributions by by Hugo von Hofmannsthal Richard Dehmel Wilhelm Bode Rudolf Schick Friedrich Carstanjen on Peter Behrens A. Brunnemann N. V. Dorpb Woldemar von Seidlitz and a facsimile reproduction of Theodor Fontane's last poem found on his writing table. With table of contents and colophon in two colors at rear.<br /> <br /> Text in German. Wraps with light wear along edges and water stain "framing" the illustration on front cover not affecting illustration. Water-staining in margins of front free endpaper title page first full page print diminished on page with Fontane's poem. Water stain along gutter of pages 110-112. Light foxing on page 11 and p.116-117 including the "Kiss" print but mostly in the margins. Starting at the few places in the book block. F. Fontane & Co. / Genossenschaft PAN unknown
1816917Po’sonyban Bratislava: Wéber Simon Péter és fijának betűivel 1816. First Hungarian edition. In 20th century hard paper. In fine condition. With an engraved folded map of Solar System Orbits. With an engraved folded map of Solar System Orbits. First Hungarian edition. In 20th century hard paper. 24 1–136 2 errata p. and 1 engraved folded plate. <p><br /> First Hungarian edition of Bode’s “Allgemeine Betrachtungen über das Weltgebäude†after the 1804 Berlin edition. which was originally a part of Bode’s most famous work “Anleitung zur Kenntniss des gestirnten Himmelsâ€. With a printed dedication a foreword and a short vocabulary by the translator.<br /> <p><p><br /> Johann Elert Bode 1747–1826 was a German astronomer who determined the orbit of Uranus and suggested the planet’s name that was discovered by his friend William Herschel. Also known for his reformulation and popularization of the Titius-Bode law and credited with the discovery of Bode’s Galaxy Messier 81 NGC 3031. Bode was the director of the Berlin observatory the Astronomisches Rechen-Institut and he was elected member of the Royal Swedish Academy of Sciences and fellow of the Royal Society.<br /> <p>. Wéber Simon Péter és fijának betűivel unknown
193059525Hannover: Schneidermister ca. 1930-1933. Oblong elephant folio. 23.5 x 14.5 in. 25 leaves unnumbered. Original women’s fashion patterns in pencil throughout many with tipped-in pattern cutouts mounted on the sheets as well as colour images of the finished design tipped-in and mounted manuscript pencil notes & directions in some colour pencil additions to a a few patterns. Stiff limp beige covers black cloth spine title mounted on front cover scutting edgewear repair to corners of front cover corner still a remarkable manuscript w/ tipped-in instructions for taking measurements and fashion by the Nazi Party on first leaf including one entitled “Ein Modewart macht Propaganda.†This German fashion pattern tailoring and pattern manuscript provides an exceptional original artifact of the period when the Nazi Party began to force educational and cultural changes upon German Society against the tailoring and fashion industry in Germany during the early 1930’s. By 1930 Berlin had emerged as an international fashion capital drawing Parisian fashion designers and most of the tailoring schools and fashion houses were operated by generations of Jewish family owners. Tailors and fashion designers were constantly reminded that they must create a wholly Aryan fashion and that they were to avoid French or other outside influences. Despite the pressure most women tailors and fashion designers in the tailoring or cutting schools continued to still draw their influences from Parisian and American couturiers by creating their own patterns and pattern books from which these internationally themed clothing designs could be made. This fashion pattern book by Bode focuses on women’s suits skirts capes coats and knickerbockers. However the Party never succeeded in creating a unique Fashion industry especially because of the drive to dress women in peasant costumes or uniforms even as the Nazi Party would confiscate the assets of over 2700 Jewish fashion houses retailers and manufacturers with 1000’s of tailors and seamstresses forced into labor and concentration camps to produce clothes for military and high society. See: Uwe Westphal Fashion Metropolis Berlin 1836-1939: The Story of the Rise and Destruction of the Jewish Fashion Industry 2019. Schneidermister, hardcover
10407San Francisco CA 2006. Unique. Fine. Unique. Phil Frank original cartoon drawing Shield of St. James done in pen and ink and signed with inscription by Frank "To Margo - Long may your banner wave!" Sex Pots Extension "Text: Margo St. James signed by Mark Bode. Sex Pot: A True Story signed by Bode and St. James. From Margo's private library. Margo St. James founded the organization C.O.Y.O.T.E. Call Off Your Old Tired Ethics. The bulk of COYOTE's records are archived at Harvard University in the Schlesinger Library. An American self-described prostitute and international activist on and for sex workers rights. Founder and headliner of the infamous "HOOKERS' MASQUERADE BALLS" in San Francisco. St. James ran for President of the United States as a Republican in 1980 and for San Francisco Board of County Supervisors in the late 1990s. She was married to Paul Avery investigative journalist notably of Zodiac killer and Patti Hearst until his death in 2000. She was instrumental in founding the St. James Infirmary a medical and social service organization serving sex workers in San Francisco. A remarkable and powerful figure in the women's movement and sex workers' rights. One shows mount tabs in the corners else tight bright and unmarred. Two in black and white one in full color. 13.25x10" Sex Pot: A True Story; 11x8.5" Sex Pot Extention; 4.75x13.25" Shield of St. James. Signed by artists and Sex Pot by Margo as well. unknown
1792314449Berlin: Himberg 1792. hardcover. very good. 15 folding copper plates and a general map of the sky. Frontispiece portrait of Johann Bode. XXIV 611 pages with some engraved vignettes and tables. Short thick 8vo full contemporary mottled calf red edges ornately gilt spine with red spine label leather crackled some general browning to pages inner hinges reinforced small bookplate on inside front cover. Berlin: Himberg 1792. Sixth revised edition. Very good.<br/> <br/> Guide to the knowledge of the starry sky.<br/> <br/> Himberg unknown
10221Hals Frans. Hals Frans. FRANS HALS - SEIN LEBEN UND SEINE WERKE by Wilhelm Von Bode. Photographische Gesellschaft Berlin 1914. Two volumes folio 16 inches 41 cm vellum over cloth. Copy #158 of the edition of 200 copies on Van Gelder paper there were also 15 copies on Japan paper. 96 pages text in German by M. J. Binder and 299 b/w illustrations on 194 plates. A supebrly produced set in Fine condition throughout. The size and weight of this set about 22 pounds 10 kilos will require extra postage estimate US$75-90. hardcover
19863992RIP OFF PRESS 1986. 1. softcover. Maloftege! RIP OFF PRESS paperback
2g1493Galle Bln. 1920/1921 u. 1929. VIII/225/283/318 S. mit 2 Frontispiz sowie zahlr. Abb. u. Karten. 2 Pappbände 1 Leineneinband. Pbde. mit kl. Rückenfehlstellen/1 Bd. verblichen/WidmaV. - 1. Teil: Von der Mobilmachung bis Mitte Oktober 1915/2. Teil: Von Mitte Oktober 1915 bis Januar 1919/3. Teil: Bilder und Karten. Beiliegen: 2 x Mitteilungen der Kameradschaft Berlin des ehem. 2. Garde-Reserve-Regiments. Jahrgänge 1938 u. 1939/Der Durchbruchsversuch der Engländer auf der Vimy-Höhe im frühjahr 1917 und die 1. G.R.D. in der Abwehrschlacht bei Oppy-Gavrelle vom 24.4. - 6.5.1917/Das 2. Garde-Reserve-Regiment bei Villers-lez-Cagnicourt am 2. September 1918 - unknown
BN128319Stahlbau. Hardcover. DASt-Forschungskolloquium Stahlbau 11. <br/><br/>DASt-Forschungskolloquium Stahlbau 11. Bode H /Saal H Stahlbau hardcover
196901268THE GOTHIC BLIMP WORKS LTD. Volume 1 #1 East Village Other / Peter Leggieri 1969 first edition some light wear and tear as only natural for a near 40 year old newspaper else a vg/near fine copy of this historic underground publication. Printed in both color and black & white. Quite uncommon. East Village Other / Peter Leggieri unknown
1901190396Paris: Charles Sedelmeyer 1901. Softcover. Good- heavy shelfwear and tears to front cover missing spine and rear cover light smudging to text pages light age toning to pages all plates are present and otherwise clean. Brown wraps with gilt printing bw portrait mounted on front cover with gilt frame; 29 text pages plates numbered 401-485 each with descriptive text page and tissue guard sheet. Printed in edition of 75 numbered copies on Japan paper this being number 68. Text by Wilhelm Bode from the German by Florence Simmonds. 18x14x2.5" Charles Sedelmeyer paperback
198738293Berlin: Edition Brusberg 1987. Rolf Szymanski. A monograph on Ruschmeyer's painting. Dozens of high-quality full-page color plates. Edition limited to 2000 copies of which this is ONE OF 111 NUMBERED COPIES WITH TWO LOOSE ORIGINAL ETCHINGS BY RUSCHMEYER PRINTED ON FINE WOVE PAPER JUSTIFIED AND SIGNED IN PENCIL. Folio. Laminated boards. FINE AND BRIGHT. <br/><br/> Edition Brusberg hardcover
2016Atlantic-9780128027257Acad Pr 2016. Hardcover. New. Acad Pr hardcover
2016Atlantic-9780128027257Acad Pr 2016. Hardcover. New. Acad Pr hardcover
2005CBS-9783540261452Sp Springer 2005. New. Sp Springer unknown
2005CBS-9783540261452Sp Springer 2005. New. Sp Springer unknown
192534360München: C H Beck 1925. Later printing. Hardcover. vg. Quarto. VI 2 55 2 pp. XVI 4 plates. Original illustrated orange paper covered boards with black lettering on spine and dancers on front cover. Fascinating work on Gymnastics methodology and bodily expression profusely illustrated with 20 b/w photographic plates. Text in German Gothic script. Top and bottom of spine paper reinforced. Binding in overall good interior in very good condition. C, H, Beck hardcover
191435497Berlin: Photographische Gesellschaft 1914. Limited edition. Hardcover. vg. 1/200. Elephant Folio. 46 2 95 plates 50pp. 99 plates. Rebound in red library buckram with gilt lettering on spine. Gilt top edge and initials. Four photogravure reproductions in text of volume one: Frans Hals' son Harmen's "Portrait of a Man" Johan Woutersz' "The Intendant's Office" Frans Hals' "Portrait of Himself" and "The Open-Air Banquet" by an unknown painter by "not unlikely that we have an early work by Frans Hals before us M. J. Binder." Illustrated with 299 extraordinary b/w photogravures on 194 plates. Both volume contain catalog of paintings. Volume 2 with an additional catalog of paintings arranged according to locality. Bindings rubbed with light wear along edges and gilt library markings on spines. Ex-library. Santa Monica Public Library book plates 4 and Discard stamp on front endpapers of both volumes. Date and name of library stamped on title pages in both volumes as is a perforated library stamp. Book block lightly age-toned. Binding in overall good interior in very good condition. Photographische Gesellschaft hardcover
26477On letterhead of 'Via Marsilio Ficino 12 Firenze'. 24 September 1913. A significant letter filling gaps in the provenance of Bellini's Crucifixion now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi from whose heirs it was acquired by the Louvre in 1970. The present item reveals that the painting was acquired from the recipient Fisher probably the auctioneer George Fisher by the London art dealer Agnew by whom it was sold to Kann. Nor has Murray's ownership of the painting hitherto been noted and it seems that Bonacossi acquired it as he did several other works at the sale of Murray's collection in 1923. 4pp. 12mo. Bifolium. In fair condition on aged and creased paper. After explaining that he has sent the letter in expectation that Fisher has returned from a foreign trip Murray continues: 'I have a little piece of news that will interest you. Two days ago I re-purchased this time definitely for myself your Bellini "Crucifixion". I have been very sorry ever since Agnew London art dealer sold it to that ignoble Jew German Kann the banker Rodolphe Kann that I was unable to purchase it then. The subsequent history is curious. When the Kann collection passed into the hands of Duveen in 1907 it remained unsold partly no doubt owing to the subject & partly to its being unsigned. It requires happily for me an intelligent art lover to appreciate its beauty. Duveen presented it to Dr. Bode Wilhelm von Bode in recognition of his help in selling the greater part of the collection. For some reason monetary perhaps he Bode did not present it to the Berlin Museum. but placed it in the hands of his crony Volpi Count Elia Volpi here for sale. Volpi included it in an auction he had here some time back but not getting the sum hoped for bought it in. It has remained in his hands since.' Murray had 'long ceased to visit' Volpi but after writing to him was 'well received. I promptly seized the occasion to re-possess myself of the long coveted treasure together with a very fine bust of a cardinal ascribed to Bernini. So both now decorate my picture gallery since yesterday.' He concludes by giving his plans for returning to London and in the hope that 'Mrs Fisher is better'. On letterhead of 'Via Marsilio Ficino 12 | Firenze'. 24 September 1913. unknown
