Bode, StefanieBiblio.com
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2021x-1032082488Routledge 2021. Paperback. New. 184 pages. 9.02x5.98x0.47 inches. Routledge paperback
2019x-0367421933Routledge 2019. Hardcover. New. 176 pages. 9.25x6.25x0.75 inches. Routledge hardcover
38596451-nnew. unknown
43059362like new. unknown
43059362-nnew. unknown
38596451like new. unknown
DADAX0367421933Routledge 2019-12-09. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1032082488.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9780367421939_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Offering a comprehensive overview of research on adjuncts and foundational minimalist principles this book will be of particular interest to graduate students and practicing researchers interested in syntax. hardcover
ria9781032082486_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Offering a comprehensive overview of research on adjuncts and foundational minimalist principles this book will be of particular interest to graduate students and practicing researchers interested in syntax. paperback
A9781032082486Paperback / softback. New. paperback
A9780367421939Hardback. New. hardcover
190731364Paris France: Charles Sedelmeyer Editeur. As New. 1907. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - CORRESPONDS TO ASIN: B0000DPVES -- Volume 1. Includes works by Rembrandt Cuyp Jacob van Ruisdael and many others each work illustrated in black & white. Text in French. Rare. -- with a bonus offer-- . Charles Sedelmeyer, Editeur paperback
1907191964Paris: Charles Sedelmeyer 1907. Hardcover. Good light age toning throughout overall scuffing and shelfwear to covers wrinkled ffep hinges split internally pages are otherwise clear. Oversized green cloth boards with gilt spine lettering; plates 97-170 with tissue guard sheets and each with a descriptive text page. Volume 2 of a 4 volume set. Pictures of the Netherlandish and German Schools of the XVth and XVIth Century. 17x13x2" Charles Sedelmeyer hardcover
1907191970Paris: Charles Sedelmeyer 1907. Softcover. Fair heavy wear and tears to covers spine missing most of front cover missing light age toning and soiling mainly to block and edges dampstaining along bottom edge of pages prior to plate 100 all plates present. Oversized burgundy wraps with gilt lettering; plates 97-170 with tissue guard sheets and each with a descriptive text page. Volume 2 of a 4 volume set. Pictures of the Netherlandish and German Schools of the XVth and XVIth Century. 17x13x2" Charles Sedelmeyer paperback
1907191972Paris: Charles Sedelmeyer 1907. Softcover. Fair wear and tears to covers spine missing light age toning and soiling mainly to block and edges plates are otherwise clear and all plates present. Oversized burgundy wraps with gilt lettering; bw portrait frontsipiece XXV 1 pp plates 1-96 with tissue guard sheets and each with a descriptive text page. Volume 1 of a 4 volume set. Pictures of the Netherlandish and German Schools of the XVth and XVIth Century. 17x13x2" Charles Sedelmeyer paperback
1391664590.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396613285.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1950RO80003599MOUNASTRE-PICAMILH. 1950. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 86 pages. Notes sur le 1er plat de couverture. Rousseurs sur les plats de couverture.. . . . Classification Dewey : 10-Bibliographies
185335504296Paris, Imprimerie de Pommeret et Moreau, 1853 ; in-8, broché, couverture impr. 40 pp. sur 2 colonnesCatalogue daté du 10 décembre 1853. Ce libraire d’Alençon proposait, en soldes, une grande quantité de livres publiés dans les années 1830-40. “Tous les ouvrages sont garantis neufs et complets, tels qu’ils ont été publiés par les éditeurs. Presque tous ont des couvertures imprimées” précise une note en couverture. Les rabais consentis sont souvent considérables. Un exemple : le Voyage d’Espagne du Comte A. de La Borde, 4 vol. grand in-folio avec 275 planches est cédé à 175 frs. au lieu de 1008. Bel exemplaire.
1966R240059418A COMPTE D'AUTEUR. 1966. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 52 pages - quelques copies de reproductions en noir et blanc hors texte - quelques prix annotés à côtés des intitulés des oeuvres.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
19079737Paris, Charles Sedelmeyer, 1907. 2 volumes grand in-folio de XXV-[94] et de [7]-82-[2] pages, demi-percaline framboise à coins, titre, fleurons, roulettes et filets dorés au dos. Reliure à peine frottée, rares rousseurs.
2017TK222108Film and Video Unbrella London 2017. 1st Edition. HARDCOVER. Large 4to thick glossy card folder with 26pp on various types of paper colour photos etc __CONDITION : An almost AS NEW unmarked copy few spots of slight shelf rub to cover edges. . __We always ship in PROTECTIVE CARD PARCELS Film and Video Unbrella, London hardcover
26477On letterhead of 'Via Marsilio Ficino 12 Firenze'. 24 September 1913. A significant letter filling gaps in the provenance of Bellini's Crucifixion now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi from whose heirs it was acquired by the Louvre in 1970. The present item reveals that the painting was acquired from the recipient Fisher probably the auctioneer George Fisher by the London art dealer Agnew by whom it was sold to Kann. Nor has Murray's ownership of the painting hitherto been noted and it seems that Bonacossi acquired it as he did several other works at the sale of Murray's collection in 1923. 4pp. 12mo. Bifolium. In fair condition on aged and creased paper. After explaining that he has sent the letter in expectation that Fisher has returned from a foreign trip Murray continues: 'I have a little piece of news that will interest you. Two days ago I re-purchased this time definitely for myself your Bellini "Crucifixion". I have been very sorry ever since Agnew London art dealer sold it to that ignoble Jew German Kann the banker Rodolphe Kann that I was unable to purchase it then. The subsequent history is curious. When the Kann collection passed into the hands of Duveen in 1907 it remained unsold partly no doubt owing to the subject & partly to its being unsigned. It requires happily for me an intelligent art lover to appreciate its beauty. Duveen presented it to Dr. Bode Wilhelm von Bode in recognition of his help in selling the greater part of the collection. For some reason monetary perhaps he Bode did not present it to the Berlin Museum. but placed it in the hands of his crony Volpi Count Elia Volpi here for sale. Volpi included it in an auction he had here some time back but not getting the sum hoped for bought it in. It has remained in his hands since.' Murray had 'long ceased to visit' Volpi but after writing to him was 'well received. I promptly seized the occasion to re-possess myself of the long coveted treasure together with a very fine bust of a cardinal ascribed to Bernini. So both now decorate my picture gallery since yesterday.' He concludes by giving his plans for returning to London and in the hope that 'Mrs Fisher is better'. On letterhead of 'Via Marsilio Ficino 12 | Firenze'. 24 September 1913. unknown
LITG0218Berlin Mittler 1910. Goethe - 21 x 14 cm. XXVI 628 Seiten 3 Bl. Verlagsanz. zahlr. Ill. im Text u. auf Tafeln Buchschmuck u. Einbandgestaltung von E.R. Weiß handgefertigter brauner Original-Ganzlederband mit reicher Einband- u. Rückengoldpräg. Kopfgoldschnitt Lesebändchen. Sehr gut erhalten. Erste Ausgabe. Berlin, Mittler 1910. unknown
