Frohawk, FWBiblio.com
1 407 résultats
19076537London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076512London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076539London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076509London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076517London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076516London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
19076515London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1966013316E.P. Dutton & Company 1966. Ex-library - Green hardcover cloth binding has tape marks on covers back pocket partially intact some usual stamps and marks text block secure and clean. DJ has spine sticker price-clipped. 188 0ages. Good reading copy. 15 year old Denny teams up with veterinarian Jeff Sutherland because they both believe the colt Endeavor will be a great racehorse - then Jeff loses the colt as part of a gambling debt. Illus. by Crowell Pers - frontispiece only. 8vo - over 7¾ - 9¾" tall. Hardcover. Good/Good. E.P. Dutton & Company Hardcover
003484New York: Dodd Mead & Co. 1971. Illustrated boards with a hint of rubbing to bottom of spine else fine; matching dust jacket. When a train breaks down Fletcher and Zenobia come to the rescue. Great color illustrations throughout by Chess. . First Edition. Fine/Near Fine. Illus. by Victoria Chess. Square 8vo. Dodd, Mead & Co. hardcover
1920BOOKS00296594 pages with 22 color illustrations including frontispiece. Duodecimo 5 3/4" x 4 1/4" issued in original purple with red cloth spine and black lettering color pictorial to front cover. Illustrations by John Rea Neill. Early reprint. In 1904 Altemus published the first six books of a series of fairy tale books that would prove to be an extremely popular and a very long running series. "An entirely new series of books for children especially adapted for Christmas or birthday gifts" Altemus Catalogue 1904-1905. These books had three different formats. The first is the scarest while the third is more common. As time went on Altemus discontinued most of its other fairy tale books to concentrate on this group of books. New books were added year and spin-off series combined into one large umbrella listing. Later after Henry Altemus went out of business Platt and Munk reprinted many of the books. This work is from the format III series. The earliest format III books 1918-21 had blank endpapers. In about 1922-1923 the endpapers appeared green illustrating a group of fairy tale creatures dancing around a circle. Between 1923 and 1926 the endpapers were blue. In about 1926 the color changed to grayish. In 1931-2 the endpapers became brightly multicolored. This continued until 1933. The end papers in this edition are green. The listing of ads is through The Little Puppy that Wanted to Know Too Much Henry Altemus Company John Rea Neill was a magazine and children's book illustrator primarily known for illustrating more than forty stories set in the Land of Oz including L. Frank Baum's Ruth Plumly Thompson's and three of his own. His pen-and-ink drawings have become identified almost exclusively with the Oz series. He did a great deal of magazine and newspaper illustration work which is not as well known today. Condition: Spine ends rubbed some sun toning to edges one signature sprung; jacket soiled chips to corners fold over edges hinges and spine ends else about very good in a good to very good scarce jacket. Henry Altemus Company hardcover
1938013418G.P. Putnam's Sons 1938. Blue hardcover cloth binding with gilt titles and gilt dog head on front has a bit of wear on corners faded spine Illustrated endpapers with a previous owner name fep some spots and smudges hinges good. Inscribed by author on half-title page - there is a stain over inscription. Interior clean and tight. DJ minimal shelfwear not price-clipped. Delightful illustrations and prose - principle dog illustrated terrier - most likely an Irish terrier. Other breeds shown are Scottish Terrier Dachshund Collie Old English Sheepdog Pqpillon Cairn Terrier Cocker Spaniel Wire Fox Terrier Boston Terrier Beagle Great Dane English Setter Irish Setter German Shepherd Dog and a few others. 40 pages. Size: 8vo - over 7¾ - 9¾" tall 1st Printing. Illus. by Dennis Morgan. Inscribed by Authors. 1st Edition. Hardcover. Good/Near Very Good. G.P. Putnam's Sons Hardcover
19025377New York:: Forest Fish and Game Commision c. 1902. First printing. Fine condition. . A Fine original chromolithograph printed on heavy coated stock. Quarto 9 x 12.5 Inches. Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph for which a separate stone was used for the application of each color thus requiring meticulous registration to recreate the subtle tones of blended color . Archivally double matted in Forest Green rag board sized to 14 x 18 inches suitable for framing. Forest, Fish and Game Commision, unknown
1974011519-NEdinburgh Scotland: Edinburgh Scottish National Gallery of Modern Art 1974. Book. Illus. by Author. Very Good. Soft cover. 1st Edition. 1st. Edition only printing Illustrated soft cover staple bound 1974 28 page book with black & white photo illustrations . Condition : Very Good with light edge rubs and very light soiling . Size: Elephant Folio - over 15 - 23" tall. Edinburgh , Scottish National Gallery of Modern Art Paperback
1953013279Dodd Mead & Company 1953. Brown hardcover binding clean square and tight. DJ not price-clipped. Clean and crisp with minimal shelfwear. Stated 2nd printing. 241 pages. Scarce. Size: 8vo - over 7¾ - 9¾" tall 2nd Printing. Hardcover. Very Good/Very Good. Dodd, Mead & Company Hardcover
1937013061Cleveland: The Harter Publishing Company 1937. Red pictorial hardcover binding shows wear along spine and rubbed edges. Front cover has b/w photo of a mare and foal. Illustrated endpapers. Interior clean bright and tight. Foreword is by Marshall Saunders author of the beloved dog book Beautiful Joe. Includes preface by the author. This abridged version for young children from the original book White-Saddle published in 1934 includes a cut-out of White Saddle on stiff paper. White Saddle was a real pony from the Shetland Islands. Born in 1903 she came to America from the Shetland Island. Ethel her husband Messenger and daughter Jane had a log cabin on a plot of land in Ohio. The pony won several awards at the Ohio State Fair. She died in 1940. Size: 8vo - over 7¾ - 9¾" tall 1st Printing. Illus. by Anderson Virginia. 1st Edition. Hardcover. Near Very Good/No Jacket. The Harter Publishing Company Hardcover
1978002608Washington: Smithsonian Inst Press 1978. Photos ills. 574pp. Scarce. Previous owner's name rubber stamped in a few places. Large Paperback. Very Good. Smithsonian Inst Press Paperback
1973012827St. Martin's Press 1973. Brown hardcover binding clean square and tight with bumped corners back library pocket intact minimal library markings. Overall clean bright and tight. 216 pages. Price-clipped dj has been laminated - some water stains visible on underside only. Protected from damage in clean Brodart jacket. When Suzy's cousins are orphaned and come to live with her she has to share not only her parents' horse farm with them but her parents as well. Size: 8vo - over 7¾ - 9¾" tall 1st Printing. Illus. by Savitt Sam. 1st Edition. Hardcover. Good/Near Very Good. St. Martin's Press Hardcover
2011005890New York: Schwartz & Wade 2011 Pictorial boards in matching dust jacket. First state jacket without BIB imprint. A wordless picture book about a dog that loses her ball but finds a new one. Illustrated in color on every page. 2012 Caldecott Award Winner. First Printing. As New/As New. Square 4to. Schwartz & Wade hardcover
1932011718New York: Macmillan 1932. Blue hardcover binding has wear at corners some rubbing. Name fep. some staining on endpapers. 214 pages. Scarce copy of third book in Robin series following Robin and Tito and Robin and Angus. This one is about Robin with a pony named Heather and includes Angus the terrier. Author was a professor who helped many young writers get their start and wrote a number of books for children with dogs as many subjects. Size: 8vo - over 7¾" - 9¾" tall. Illus. by Vibberts Eunice. 1st. Hardcover. Good/No Jacket. Macmillan Hardcover
1955013383New York: The Viking Press 1955. Yellow hardcover cloth binding with four black horse shoes on front is square and tight a bit soiled along slightly rubbed edges. Illustrated endpapers. Bookplate removed from front endpaper. Pages slightly yellowing. DJ rubbed along edges with a few closed tears and chips a bit soiled protected from further damage in clean Brodart. Not price-clipped. NOT ex-library. 222 pages. Tim and his new friend Kate buy a donkey and cart to start their horse rental business while Tim investigates the rumor of a gray ghost horse and rider who jump fences while dashing wildly cross-country. Size: 8vo - over 7¾ - 9¾" tall 1st Printing. Illus. by Weaver Jack. 1st Edition. Hardcover. Good/Good. The Viking Press Hardcover
17902263London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17902262London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17903245London:: George Shaw and E. Nodder 1790. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. George Shaw and E. Nodder, unknown
17901955London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17902266London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
