1 277 résultats
1998Q-0811819213Chronicle Books 1998-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Chronicle Books hardcover
2000Q-0895872285Blair 2000-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Blair paperback
1999Q-0439099412Scholastic Paperbacks 1999-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Scholastic Paperbacks paperback
1996Q-0590673084Scholastic Press 1996-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Scholastic Press hardcover
1998Q-0590674080Scholastic Incorporated 1998-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Scholastic Incorporated hardcover
1996DADAX0590673084Scholastic 1996-10-01. hardcover. New. 8.25x0.50x10.75. Buy with confidence. Excellent Customer Service & Return policy. Scholastic hardcover
1969736858PN. New. 1969. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1989798387PN. New. 1989. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1989798248PN. New. 1989. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1949214405London: The New Zealand Shipping Company Limited 1949. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. The New Zealand Shipping Company Limited hardcover
194929783Privately Published 1949. 8vo. First Edition with frontispiece 4 plates and a full-page map; original red cloth gilt back a very good clean copy in dustwrapper. An elusive line history documenting the loss of 19 vessels over 53% of the fleet at the outbreak of war. Includes statistical appendices with ROH. SCARCE IN THE DUSTWRAPPER. Privately Published, hardcover
1998161364Baltimore: N.p. 1998. Vintage one color flyer for actress Mink Stole's website www.minkstole.com featuring an image of Stole as Taffy Davenport from John Waters' 1974 cult classic "Female Trouble" with the proclamations "Visit My Wbsite" "Get Good Gossip!" "Buy Cool Stuff!" and "See me in 3-D!" circa 1998.<br /> <br /> Born Nancy Paine Stoll Mink Stole has appeared in nearly 50 films between 1966 and 2013 and is best known for her work in the films of Baltimore auteur John Waters. Stole is one of only three "Dreamlanders" Waters' ensemble of regular cast and crew who has appeared in all of Waters' feature films to date.<br /> <br /> Stole began established an online presence in 1998 to promote her writing merchandising performances and film work.<br /> <br /> 8.5 x 11 inches. Light edgewear else Near Fine. N.p. unknown
1975168474N.p.: N.p. 1975. Vintage photograph of Muddy Waters with trombonist Chris Brubeck and Bob Dylan whom Waters invited onstage during a show at the Bottom Line in New York on June 30 1975. Provenance stamp and annotations in manuscript ink identifying subjects on the verso.<br /> <br /> 9.5 x 7 inches. Very Good plus. N.p. unknown
1979158453Austin TX: Antone's Nightclub 1979. Vintage poster for a performance by Muddy Waters at Antone's Nightclub in Austin Texas on Friday December 7 1979. Poster design by Austin-based illustrator Danny Garrett. Early issue with pale colors and thin paper stock. Printed by the artist. Extremely scarce.<br /> <br /> In 1979 Waters had just completed work on the third of four albums made with friend and fellow blues musician Johnny Winter "Muddy 'Mississippi' Waters Live" preceded by "Hard Again" and "I'm Ready" in 1977 and 1978. All three were Grammy Award winners.<br /> <br /> Antone's was established in 1975 by Clifford Antone. It has been an iconic blues and R&B venue in downtown Austin for over 40 years.<br /> <br /> Austin illustrator and designer Danny Garrett is best known for his work for Antone's serving as the in-house illustrator for the club's posters from 1976-2005. Garrett currently lives in New Zealand and teaches art and design at the Auckland University of Technology.<br /> <br /> 11.5 x 17.5 inches. Very Good plus with light creasing and two small closed tears to the margin otherwise bright clean and unfaded. Antone's Nightclub unknown
191160981911. Hard. GOOD. 1911 HC/no jacket. First Edition. Cloth boards have some light wear & soiling. Appears to be a minor dampstain on some pages. No damage odor etc. Clean text. unknown
1965WRCLIT68610Np: Paramount 1965. 4pp. leaflet. Folio 47 x 31 cm. Heavily illustrated. Horizontal fold some edge creasing else very good. Publicity pressbook for the US release of the film adaptation of MacDonald's 1958 novel SOFT TOUCH. Directed by Edmond O'Brien starring Jeffrey Hunter David Janssen and Stella Stevens. Press cuttings and promotional paper. Paramount unknown books
1952967F52London: Putnam & Co 1952 . First edition. Cloth. Fine/Very Good Indeed. 8" by 5.5". None. An excellent example of the charming first edition of this collection of recipes from the stars of the West End with contributions from Laurence Olivier Peter Ustinov Vivian Leigh Laurence Olivier and more. The first edition first impression of this uncommon work.In the publisher's original unclipped dust wrapper.This delightful work featuring 250 recipes contributed by iconic figures from British theatre was published as a fundraiser for the Actors" Orphanage.The collection showcases a fascinating mix of homely comfort foods and aspirational mid‑century glamour with Sir Laurence Olivier offering a classic blanquette de veau and Vivien Leigh sharing a simple brandy snaps recipe while Noel Coward contributes the intriguingly named "Warsaw concerto".Compiled by Mrs Prince Littler and edited by Naomi Waters the work includes facsimile signatures from contributors In the publisher's original cloth binding with unclipped dust wrapper. Externally fine. Light handling marks to dust wrapper front wrap with small losses to back strip head and tail with tape repairs to dust wrapper reverse at back strip head and head of rear wrap. Internally firmly bound. Pages clean and bright. Fine Putnam & Co hardcover
1952355490724718London: Putnam 1952. First Edition. Hard Cover. Dust Jacket. London: Putnam & Co Ltd 1952. First UK Edition. Compiled by Mrs. Prince Littler. Recipes contributed by Members of the British Theatrical Profession London: Putnam & Co Ltd 1952. First UK Edition. Compiled by Mrs. Prince Littler. The royalties raised from the publication were donated to the Actor's Orphanage. Contains recipes by inter alia Vivien Leigh Ralph Richardson John Gielgud Peter Ustinov Gracie Fields Sybil Thorndike Rex Harrison Laurence Olivier Ivor Novello Richard Attenborough Jack Hawkins Noel Coward et al. Publisher's red boards with black lettering to the spine. Boards exceptionally bright and clean. A near fine copy in a dustwrapper that is in VG condition with price of 12s 6d net to the inside flap with a slither of loss to the spine tips and with a chip to the top left-hand corner of the front panel that just affects the lettering. Rare. Highly recommended. A practical kitchen guide that avoids all chef's language and uses straight-forward ingredients. Photographs/scans available upon request. Putnam hardcover
19722083002116411601Heibonsha 1972. Soft Cover. Fine. The book is in fine condition. Heibonsha paperback
1991Q-089672235XTexas Tech University Press 1991-01-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Texas Tech University Press hardcover
1939215624New York: Lee Furman 1939. Hardcover. Near Fine. First edition. Boards a trifle soiled near fine in very good modestly chipped dustwrapper. Travel account of author's journey on Southern rivers and lakes many in Florida including Lake Okeechobee the Okefenokee Swamp the Everglades Suwannee River the St. Johns River the Oklawaha the Tennessee River and others. Scarce especially in jacket. Lee Furman hardcover
1993Q-1564583481Dorling Kindersley 1993-09-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Dorling Kindersley hardcover
1994355490725252London: Chatto & Windus 1994. First Edition. Hard Cover. Dust Jacket. First Edition in like dustwrapper. Brown boards with gilt lettering to spine. Subsidiary Rights Chatto stamp on front end-paper. Slight dustiness and foxing to top edge with slightly pushed spine tips otherwise a near fine copy in a near fine dustwrapper. Dustwrapper spine slightly faded to a lighter hue with minuscule creasing to top and bottom spine. Photographs available on request. Chatto & Windus hardcover
1908NL-02426<p><strong>Spectacular 1908 panoramic aerial photograph of Oakland documenting the city's rapid growth after the 1906 San Francisco earthquake.</strong></p><p>This monumental 1908 panoramic aerial photograph of Oakland California taken by R. J. Waters & Co. captures the city in the midst of its early 20th-century expansion. Shot from roughly 1000 feet in elevation the image looks northeast over downtown toward Lake Merritt and the rolling East Bay hills offering a richly detailed view of the city's grid architecture and civic growth. The intersection of 14th and Broadway dominated by the Oakland Tribune building and early department stores anchors the composition while a dense pattern of Victorian homes brick commercial blocks and broad unpaved streets extends toward the horizon.</p><p>R. J. Waters a San Francisco photographer renowned for his panoramic and aerial work produced this image at a time when such high-altitude photography was still experimental—likely achieved from a tethered balloon. The photograph's fine clarity and tonal range exemplify the studio's technical mastery and reflect Oakland's transformation into a modern metropolis in the years following the 1906 San Francisco earthquake.</p><p>By 1908 Oakland had become a key node in the post-earthquake migration and rebuilding of the Bay Area drawing residents and industry displaced from San Francisco. The city's population more than doubled between 1900 and 1910 fueled by transbay rail connections the development of the Key System and new civic projects surrounding Lake Merritt and the waterfront. This view preserves that pivotal moment—when Oakland emerged from San Francisco's shadow to define its own urban identity as the industrial and residential heart of the East Bay poised between Victorian domesticity and modern industrial ambition.</p><p><strong>Census and publication information</strong></p><p>Issued as a sepia-toned gelatin silver panorama the print bears the caption "Oakland California 1000 Ft. Elevation. Copyright 1908 by R. J. Waters & Co. 370 Market St. San Francisco." A number of US institutions hold collections of R. J. Waters' panoramas including the Library of Congress and Bancroft Library in which this photograph is likely to occur. A specific listing of this particular panorama is available in public online image repositories linked to Library of Congress cataloging OCLC no. 456374167.</p><p><strong>Context is Everything</strong></p><p>In the first decade of the twentieth century Oakland was a rapidly growing port and commercial center in the East Bay. The present photograph copyrighted 1908 captures some of this downtown growth as well as the city's integral relationship to Lake Merritt which in 1908 was already an established civic amenity within the urban fabric.</p><p>R. J. Waters was a San Francisco-based commercial and panoramic photographer active in the late 19th and early 20th centuries. His studio produced a range of these panoramic views of Californian cities specializing in aerial panoramas that were used both for commercial display pieces and as documentary records.</p><p>Panoramic photographs like this were typically stitched together from individual images taken from elevated vantage points such as balloons kites or even early aircraft. As such they constitute an essential documentation of American urbanism at the beginning of the 20th century. They were routinely used by municipal city planners rail and shipping interests and photographic studios to advertise a city's size infrastructure and civic landmarks. R. J. Waters' panoramas fit squarely within that commercial/documentary practice and are today considered critical primary sources for reconstructing turn-of-the-century urban form in California.</p><p>Cartographers:</p><p><strong>Raper James R. J. Waters</strong> 1856–1937 was a commercial photographer active in California and Nevada whose studio produced a wide range of documentary and panoramic photographs around the turn of the 20th century. Waters opened a commercial studio in San Francisco in the 1890s and became especially known for panoramic city views and commercial photographic services. His photographs are held in significant collections including those of the Library of Congress the Getty and the Metropolitan Museum among others.</p><p>Aerial photos of urban landscapes were among the most common genres of images that R. J. Waters's studio produced in the late 1910s. These include multiple aerial and panoramic images of cities like San Francisco Oakland Fresno and Sacramento. These prints were often made in large sizes for display and municipal record-keeping and now form a valuable visual record of how California cities looked before the ubiquitous transformations of the mid-20th century.</p><p>Condition Description</p><p>Scattered wear and soiling. Minor spots of loss. Lower right corner chipped.</p> R.J. Waters Company
1910NL-02428<p><strong>1910 R.J. Waters panoramic aerial photo of Fresno California.</strong></p><p>The present photograph is a horizontal panoramic aerial view of downtown Fresno taken at the beginning of the 20th century from an elevation of approximately 1000 feet. The white-printed caption in the lower center of the photograph confirms both the place and elevation and identifies the maker as <em>R. J. Waters Aerial Photograph Co.</em></p><p>The photograph depicts Fresno's urban core downtown. From our vantage point we look north across Fresno's railroad hub and into the town proper. A central landmark is the white rotunda or dome of the old Fresno County courthouse. Around it the streets are lined with residential housing and small businesses. Important foreground features include railroads and industry. Fresno was served by multiple railroads including the iconic Southern Pacific and Santa Fe Railroads. The bottom half of the panorama is dominated by extensive trackage and a range of railroad-related buildings including warehouses freight houses train sheds and at least one passenger platform. On the right side of the panorama a large industrial area with warehouses workshops and multiple derricks sits in proximity to the tracks. Towards the middle of the image an underpass or bridge connects the two sides of the many parallel tracks. In unison these elements reflect downtown Fresno's status as a vital rail and freight hub at the time.</p><p>Beyond the rail yards we note the city's commercial core which appears as a dense cluster of low brick and masonry commercial blocks surrounding a tree-lined civic square situated slightly to the right of center. The orthogonal grid of streets is buzzing with vehicular traffic. At the north end of civic square is the splendid dome and colonnaded façade of the old Fresno County Courthouse which was built in 1875 and hailed as "<em>the grandest and noblest edifice that has ever been planned and contemplated in this valley</em>". After surveys revealed structural weaknesses in the building and a new courthouse had been constructed this California landmark was demolished in 1966. Today the spot is occupied by the aptly named Courthouse Park. Taking note of the infrastructure a major street extends between the courthouse and the railyards. This not only prompted new arrivals to approach the city center via this axis but also created the perspective of a town centered on the rule of law.</p><p><em>A cityscape reconfigured</em></p><p>During the 20th century transportation and industrial patterns in downtown Fresno underwent significant changes. Over time everything from passenger services and yard configurations to freight and production facilities moved away from the city center. The large freight depots were either moved or repurposed and new urban needs led to rail-adjacent streets altering their character in fundamental ways. This photograph captures a time when the rail yards still physically dominated the downtown zones of many California cities and towns.</p><p>Yet even though the urban fabric of Fresno has changed dramatically since this image was copyrighted in 1910 a number of visible historic structures still stand. A significant remnant of Fresno's days as a railway hub is the <em>Southern Pacific Railroad Depot</em> at Tulare and H Streets in downtown Fresno. This was completed in 1889 and was an unusual departure from the traditional Southern Pacific architectural style.</p><p>About a block to the left west of the old Courthouse the panorama includes another iconic Fresno landmark one that still survives to this day. The Old Fresno Water Tower was designed by George Washington Maher and was completed in late 1894. It ceased operation in 1963 but was maintained and has served as a visitors' center since 2001.</p><p>While time and modernization may have altered Fresno's urban landscape it remains a city defined by stunning natural beauty. Set in the lovely San Joaquin Valley Fresno is set against the spectacular profile of the Sierra Nevadas which run across the entirety of this panorama forming a distant and dramatic horizon.</p><p><strong>Census</strong></p><p>The Library of Congress holds this panorama both as an original gelatin silver print and as a digital reproduction LoC Call Number: PAN US GEOG – California no. 48; OCLC no. 451307781. It is listed as a copyright deposit dated July 5 1910.</p><p><strong>Urban aerial photography in early 20th-century America</strong></p><p>Aerial and panoramic views of towns and cities became popular documentary and commercial subjects in the late 19th and early 20th centuries as photographic technology and airborne platforms matured and merged. Early panoramic aerials were sometimes taken from tethered balloons or kites but by the early 1900s photographers and specialist companies such as R. J. Waters were producing high-resolution panoramic prints that stitched a wide field of view into a single long panorama suitable for display. The Library of Congress and other collections hold many such panoramas because they capture a combination of urban form transportation infrastructure and civic landmarks at a moment when American cities were undergoing rapid change.</p><p>Beyond novelty early aerial panoramas were also practical: they recorded rail and industrial layouts useful for planners and businesses showed street grids and property patterns for municipal records and captured iconic civic views e.g. of courthouses parks capitols etc. which cities used to promote themselves. The technical limitations film size lens coverage and platform stability encouraged the panoramic format. Multiple exposures or rotating-camera techniques were combined into long prints that emphasize the horizontal sweep of a city—precisely what we see in this Fresno image.</p><p>Cartographers:</p><p><strong>Raper James R. J. Waters</strong> 1856–1937 was a commercial photographer active in California and Nevada whose studio produced a wide range of documentary and panoramic photographs around the turn of the 20th century. Waters opened a commercial studio in San Francisco in the 1890s and became especially known for panoramic city views and commercial photographic services. His photographs are held in significant collections including those of the Library of Congress the Getty and the Metropolitan Museum among others.</p><p>Aerial photos of urban landscapes were among the most common genres of images that R. J. Waters's studio produced in the late 1910s. These include multiple aerial and panoramic images of cities like San Francisco Oakland Fresno and Sacramento. These prints were often made in large sizes for display and municipal record-keeping and now form a valuable visual record of how California cities looked before the ubiquitous transformations of the mid-20th century.</p> R.J. Waters Company