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2021bsdt 0000302 89jhg op 200<p>Probable First Printing First Edition; Does not comply with McBride7 but has "1st printing" on copywrite page.</p><p>From chef and food activist Alice Waters an impassioned plea for a radical reconsideration of the way each and every one of us cooks and eats<br /><br />In We Are What We Eat Alice Waters urges us to take up the mantle of slow food culture the philosophy at the core of her life's work. When Waters first opened Chez Panisse in 1971 she did so with the intention of feeding people good food during a time of political turmoil. Customers responded to the locally sourced organic ingredients to the dishes made by hand and to the welcoming hospitality that infused the small space—human qualities that were disappearing from a country increasingly seduced by takeout frozen dinners and prepackaged ingredients. Waters came to see that the phenomenon of fast food culture which prioritized cheapness availability and speed was not only ruining our health but also dehumanizing the ways we live and relate to one another.<br /><br />Over years of working with regional farmers Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu as well as about the dangers of pesticides the plight of fieldworkers and the social economic and environmental threats posed by industrial farming and food distribution. So many of the serious problems we face in the world today—from illness to social unrest to economic disparity and environmental degradation—are all at their core connected to food. Fortunately there is an antidote. Waters argues that by eating in a "slow food way" each of us—like the community around her restaurant—can be empowered to prioritize and nurture a different kind of culture one that champions values such as biodiversity seasonality stewardship and pleasure in work.<br /><br />This is a declaration of action against fast food values and a working theory about what we can do to change the course. As Waters makes clear every decision we make about what we put in our mouths affects not only our bodies but also the world at large—our families our communities and our environment. We have the power to choose what we eat and we have the potential for individual and global transformation—simply by shifting our relationship to food. All it takes is a taste.</p> Penguin Press hardcover
20219780525561538-2025Penguin Press 2021. Hardcover. New/New. <p><strong>Author:</strong> Alice Waters</p><p><strong>Publisher:</strong> Penguin Press</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780525561538</p><p><strong>Release Date:</strong> 2021</p><p><strong>Number Of Pages:</strong> 208</p><p><strong>Details:</strong> From chef and food activist Alice Waters an impassioned plea for a radical reconsideration of the way each and every one of us cooks and eatsIn We Are What We Eat Alice Waters urges us to take up the mantle of slow food culture the philosophy at the core of her life’s work. When Waters first opened Chez Panisse in 1971 she did so with the intention of feeding people good food during a time of political turmoil. Customers responded to the locally sourced organic ingredients to the dishes made by hand and to the welcoming hospitality that infused the small space—human qualities that were disappearing from a country increasingly seduced by takeout frozen dinners and prepackaged ingredients. Waters came to see that the phenomenon of fast food culture which prioritized cheapness availability and speed was not only ruining our health but also dehumanizing the ways we live and relate to one another. Over years of working with regional farmers Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu as well as about the dangers of pesticides the plight of fieldworkers and the social economic and environmental threats posed by industrial farming and food distribution. So many of the serious problems we face in the world today—from illness to social unrest to economic disparity and environmental degradation—are all at their core connected to food. Fortunately there is an antidote. Waters argues that by eating in a “slow food way†each of us—like the community around her restaurant—can be empowered to prioritize and nurture a different kind of culture one that champions values such as biodiversity seasonality stewardship and pleasure in work. This is a declaration of action against fast food values and a working theory about what we can do to change the course. As Waters makes clear every decision we make about what we put in our mouths affects not only our bodies but also the world at large—our families our communities and our environment. We have the power to choose what we eat and we have the potential for individual and global transformation—simply by shifting our relationship to food. All it takes is a taste.</p> Penguin Press hardcover
20219780525561538-2025Penguin Press 2021. Hardcover. New/New. <p><strong>Author:</strong> Alice Waters</p><p><strong>Publisher:</strong> Penguin Press</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780525561538</p><p><strong>Release Date:</strong> 2021</p><p><strong>Number Of Pages:</strong> 208</p><p><strong>Details:</strong> From chef and food activist Alice Waters an impassioned plea for a radical reconsideration of the way each and every one of us cooks and eatsIn We Are What We Eat Alice Waters urges us to take up the mantle of slow food culture the philosophy at the core of her life’s work. When Waters first opened Chez Panisse in 1971 she did so with the intention of feeding people good food during a time of political turmoil. Customers responded to the locally sourced organic ingredients to the dishes made by hand and to the welcoming hospitality that infused the small space—human qualities that were disappearing from a country increasingly seduced by takeout frozen dinners and prepackaged ingredients. Waters came to see that the phenomenon of fast food culture which prioritized cheapness availability and speed was not only ruining our health but also dehumanizing the ways we live and relate to one another. Over years of working with regional farmers Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu as well as about the dangers of pesticides the plight of fieldworkers and the social economic and environmental threats posed by industrial farming and food distribution. So many of the serious problems we face in the world today—from illness to social unrest to economic disparity and environmental degradation—are all at their core connected to food. Fortunately there is an antidote. Waters argues that by eating in a “slow food way†each of us—like the community around her restaurant—can be empowered to prioritize and nurture a different kind of culture one that champions values such as biodiversity seasonality stewardship and pleasure in work. This is a declaration of action against fast food values and a working theory about what we can do to change the course. As Waters makes clear every decision we make about what we put in our mouths affects not only our bodies but also the world at large—our families our communities and our environment. We have the power to choose what we eat and we have the potential for individual and global transformation—simply by shifting our relationship to food. All it takes is a taste.</p> Penguin Press hardcover
065630250X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333548842.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2016132196Ann Arbor MI: Legacy Press 2016. cloth dust jacket. large 8vo. cloth dust jacket. 496 pages. In Waters Rising: Letters from Florence renowned calligrapher Sheila Waters recounts the story of the role that her husband Peter Waters 1930-2003 played as the person in charge of organizing the monumental efforts to save severely damaged books in the Biblioteca Nazionale Centrale di Firenze National Library Florence after the devastating flood in 1966 fifty years ago. To give the most complete picture of the events that occurred initially in the recovery mission Sheila presents nearly 50 of Peter's letters written between the end of November 1966 and April 1967 in which he describes day-to-day happenings and her letters back which kept him informed about things at home and boosted his confidence when problems seemed to be overwhelming.<BR><br /> <BR><br /> In addition to these letters and Sheila's narrative diary and timeline of events Randy Silverman Head of Preservation University of Utah has written a thought-provoking introduction that puts those conservation efforts into the context of today's practices. Also Valerii P. Leonov has written an appreciation of Peter's assistance in the aftermath of a fire in 1988 that ravaged the Library of the Russian Academy of Sciences.<BR><br /> <BR><br /> The accompanying DVD features a digital remastering of Roger Hills film Restoration of Books Florence 1968.<BR><br /> <BR><br /> Waters Rising is dedicated to the people whose names appear herein and to those unnamed Mud Angels who salvaged the books that the flood waters left behind.<BR><br /> <BR><br /> In 2016 conservators around the world focused on those events that occurred 50 years ago because in many ways the work that Waters and his colleagues initiated then gave birth to modern book conservation. Legacy Press unknown books
2016G1940965004I2N00The Legacy Press 2016. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. The Legacy Press hardcover
66019The Legacy Press. Ann Arbour Michigan. 2016. pp. x 482 iv. 283 illustrations mostly in colour showing both damaged and repaired books and many of Peter Waters' own bindings. A lovely copy in dust wrapper TOGETHER WITH a related and separately issued DVD of ROGER HILL'S film Restoration of Books Florence 1966. The Legacy Press. Ann Arbour, Michigan. 2016. unknown
1940965004.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
201664593E-285: The Legacy Press. Very Good. 2016. Hardcover. Hardcover. Large 8vo. Published by Legacy Press Ann Arbor MI. 2016. 482 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. In Waters rising: letters from Florence renowned calligrapher Sheila Waters recounts the story of the role that her husband Peter Waters 1930-2003 played as the person in charge of organizing the monumental efforts to save severely damaged books in the Biblioteca nazionale centrale di Firenze National Library Florence after the devastating flood in 1966 fifty years ago. To give the most complete picture of the events that occurred initially in the recovery mission Sheila presents nearly 50 of Peter's letters written between the end of November 1966 and April 1967 in which he describes day-to-day happenings and her letters back which kept him informed about things at home and boosted his confidence when problems seemed to be overwhelming. In addition to these letters and Sheila's narrative diary and timeline of events Randy Silverman Head of Preservation University of Utah has written a thought-provoking introduction that puts those conservation efforts into the context of today's practices. Also Valerii P. Leonov has written an appreciation of Peter's assistance in the aftermath of a fire in 1988 that ravaged the Library of the Russian Academy of Sciences. The accompanying DVD features a digital remastering of Roger Hill's film Restoration of Books Florence 1968. EB; 10.3 X 7.4 X 1.7 inches; 496 pages . The Legacy Press hardcover
1693590034.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
28 pages. Black and white illustrations. Unmarked. Moderate wear. Solid copy. Book
32 pages. Unmarked. Average wear. Solid copy. Book
1409289575.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
10626-0415735947Paperback. New. Book Condition is in New Paperback Eastern Economy Edition/Indian Edition textbook with identical content as the US version. May have been Printed in India with cover stating Not for sale in US. Fast shipping through the DHL FedEx Aramex And Delivered In 8-12 Days to all worldwide. paperback
334 pages including numerous black and white photographic plates plus excellent map stored in pocket inside back board. A reconnaissance survey of the water-powers of these provinces prepared owing to the paucity of published or available pertinent information. Also covers portions of the Yukon and Northwest Territories. Fold-out frontis plate taped together at fold. Average wear. Unmarked. Binding intact. Gilt lettering worn from spine and partially form front board. Book
46890934like new. unknown
46890934-nnew. unknown
3758339723.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011333984-KL20New York NY : Gagosian Gallery 2011. Hardcover. Good. Original pictorial boards numerous full page illustrations in colour and b/w 4to. New York, NY : Gagosian Gallery hardcover
20112989New York City: Gagosian Gallery 2011. Hardcover. Fine/None. Fine hardcover 124 pages heavily illustrated. The book was published on the occasion of the exhibition Warhol: Liz at Gagosian West 21st Street New York which presented the portraits Andy Warhol made of Elizabeth Taylor between 1962 and 1963. A child star Taylor became one of the world’s most famous actresses through her on-screen roles and a highly public life charged with drama tragedy and romance. Warhol made more than fifty portraits of Taylor in all her incarnations—from the ethereally beautiful child actress in National Velvet to the commanding voluptuous screen goddess of Cleopatra. The paintings isolate her features on monochrome fields using abstraction and repetition to create contemporary icons of celebrity. Gagosian Gallery hardcover
This is a near fine hardcover copy without dust jacket as issued. Small handling crease to first two pages at right edge. Completely clean. This monograph was prepared to accompany the exhibition at Gagosian in New York from September 16 to October 22, 2011. Essays by John Waters and Bob Colacello. Illustrated mostly in color, with one fold-out. List of works. 12" high X 11" wide, 123 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking
2011016611Gagosian Gallery 2011. This is a near fine hardcover copy without dust jacket as issued. Small handling crease to first two pages at right edge. Completely clean. This monograph was prepared to accompany the exhibition at Gagosian in New York from September 16 to October 22 2011. Essays by John Waters and Bob Colacello. Illustrated mostly in color with one fold-out. List of works. 12" high X 11" wide 123 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Near Fine. Gagosian Gallery Hardcover
1896306962New York: G.F. Diehl 1896. 20pp. 12mo. Stapled self wrappers. Slight finger soiling. In half blue morocco and cloth drop box with red leather label. 20pp. 12mo. Pro-capitalist pamphlet by someone claiming to "work in a machine shop in a little New England town. G.F. Diehl] unknown
186539Paris, Le Jay fils, 1789 in-8, VIII-327 pp., basane brune marbrée, dos lisse orné de filets dorés, double encadrement doré sur les plats, un monogramme a été contrecollé sur le premier plat (rel. post. à l'imitation). Petit choc en queue de dos. Qqs rousseurs.