Weyerman, Jacob Campo,Biblio.com
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1729ABC_45605The Hague widow of E. Boucquet H. Scheurleer F. Boucquet J. de Jongh 1729 vols. 1-3; 1729. 4to. Dordrecht Ab Blussé & son 1769 vol. 4. Contemporary blind-tooled vellum with manuscript titles on spines. Sprinkled edges. With an engraved frontispiece title pages in red and black and with engraved vignettes a folding portrait of Willem Karel Hendrik Friso 1711-1751 Prince of Orange and from 1747 hereditary Stadtholder Willem IV a portrait of the author 40 engraved plates by Houbraken with multiple portraits of artists on each plate 1 plate with a night scene 1 mezzotint and 118 engraved vignettes. 4 volumes. 16 412 6; 4 412 6 4 446 4. First edition of richly illustrated biographies of more than 100 Dutch painters male and female still of interest for the history of Dutch art. The author Jacob Campo Weyerman 1677-1747 was one of the foremost Dutch authors of the Enlightenment and was known for his merry style. For this history of Dutch art he leans on Houbraken's De groote schouburgh der Neder-lantsche konstschilders en schilderessen 1718-1721.The first three parts were all published in 1729; the fourth - 40 years later - is mainly devoted to the painters from the Art Academy at The Hague. All 40 plates with artists' portraits the frontispiece 2 other portraits and the night scene are in the first 3 volumes the later volume 4 has no plates. The lavish vignettes throughout the volumes are worth mentioning as well mostly executed by Picart and apparently made for the present publication.The plates seem to be from a rare early state avant la lettre: all other copies we have seen have lettering on the plates but the present copy has the information written on the plates in ink. The title-page lettering seems to be very slightly moved compared to other copies but positions of the quire signatures all match. Perhaps this was a first impression or proof.From the library of Belgian artist/curator Philippe Jacques van Brée 1786-1871 with his owner's inscription on the front paste-down of each volume: "P.J. van Bréé". He was curator of the Royal Museum of Fine Art in Brussels from 1831-1861.With a few neat annotations in pencil in the margins of the plates and a small tear in the foot margin of a text page. Vellum slightly thumbed. Otherwise in very good condition.l Kunst op schrift 243-245; Arntzen/ Rainwater H129. ABE CAT Art History hardcover
1729196806Gravenhage: de Wed. E Boucquet H. Scheurleer F. Boucquet en J. De Jongh 1729. Hardcover. SOLD AS IS Boards are detached; spine strip is almost completely missing; interior is toned/foxed; bookplates ifc and ffep; marginalia in pencil in a few places. Half-leather and red marbled boards; marbled textblock edges; 412 pp.; richly illustrated. Text in Dutch. de Wed. E Boucquet, H. Scheurleer, F. Boucquet, en J. De Jongh hardcover
576324o gebonden in geheel leer uit de tijd. Bijgebonden: J.C. Weyerman Den Maagdenburgsche Alchimist of den gewaanden Baron van Syberg ontmaskert. Blijspel. Utrecht v. Paddenburg en Muntendam 1733 50 p. Dit exemplaar van 5 titels komedies en toneelspellen en tevens de Maagdenburgsche alchimist wordt genoemd onder nr. 345 in de Naemrol der Nederduitsche tooneelspellen verzameld door Johan v.d. Marck verkocht door Delfos en Hoogeveen 1774. Met gegraveerde frontispiece door A.V.L.B.: naar Cornelis Troost. Titelblad gedrukt in rood en zwart. Jacob Campo Weyerman 1677-1747 was een van de meest besproken en verafschuwde literaire figuren uit zijn tijd. Hij was briljant en zeer getalenteerd maar moest vaak het land uitvluchten wegens zijn liefdesaffaires. Hij had zo'n scherpe pen dat Het Hof Den Haag in 1739 hem tot levenslang veroordeelde. Rug beschadigd aan de bovenkant. Verder in uitstekende staat. Uniek exemplaar. unknown
1104644525.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165918188.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1178606708.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1179350642.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
#[18762]4º: pi1 4 A-Z 4 2A-3F 4 gepag.: 2 8 1-184 369-376 193-416. Met een gegraveerde titelpagina waarop Weyerman zittend is afgebeeld pen in de hand met achter hem de godinnen van de Waarheid en de Schilderkunst. Contemporain perkament op de plaats van de ontbrekende aflevering 24 is aflevering 47 ingevoegd verder goed exemplaar alleen eerste deel van twee delen. Buijnsters/Geerars 5; De Vries Weyerman 18; Scheepers I 331; Van Someren 6121; Waller 1851 Altena e.a. Het verlokkend ooft. Proeven over Jacob Campo Weyerman Amsterdam 1985; Hanou Nederlandse literatuur van de Verlichting 1670-1830 Nijmegen 2002 p.35-64; Altena e.a. De satiricus Jacob Campo Weyerman de luis in de pels van de Verlichting Catalogus Weyerman-tentoonstelling KB 1987; Hoogma 'Schimpschriften en gestempelde penningen. Over de voorrede bij de Amsterdamsche Hermes' in: MedJCW 12 1989 1; Vieu-Kuik Geschiedenis der letterkunde der Nederlanden VI p.167-173; NNBW II 1542 l Ruim drie weken nadat hij met 'Den Rotterdamschen Hermes' was gestopt begon Jacob Campo Weyerman een nieuw weekblad: 'Den Amsterdamschen Hermes' en in het voorwoord van dit tijdschrift zette hij zijn bedoelingen uiteen die volgens Riet Hoogma neerkomen " unknown
1175829706.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1179274814.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1178919374.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
#[18763]4º: 4 A-3F 4 gepag.: 8 416 pp.; 4 A-3F 4 gepag.: 8 416 pp. Titelpagina eerste deel in zwart en rood gedrukt alle 104 afleveringen met een identiek vignet in houtsnede. Geheel lederen banden goede set. Buijnsters/Geerars 13; De Vries Weyerman 30 31; Scheepers I 333 Altena e.a. Het verlokkend ooft. Proeven over Jacob Campo Weyerman Amsterdam 1985; Altena e.a. De satiricus Jacob Campo Weyerman de luis in de pels van de Verlichting Catalogus Weyerman-tentoonstelling KB 1987; Wetzels De vrolijke tuchtheer van de Abderieten Amsterdam 2006 l Alles wat verschenen is van het satirisch tijdschrift 'Den echo des weerelds'. Het eerste nummer kwam uit op maandag 29 oktober 1725 het 104de en laatste op maandag 13 oktober 1727. Frans Wetzels: "Zo gevarieerd als de inhoud is zo groot is de verscheid unknown
#[18766]4º: -2 4 pi1 A-R 4 S 2 gepag.: 18 1-140 pp. titelpagina in zwart en rood gedrukt. Latere halflinnen band. De Vries Weyerman 33 l Titelpagina en voorwoord zijn identiek aan die van de verzameluitgave L3838 maar de band bevat alleen het eerste stuk 'Den Persiaansche zydewever'. unknown
172914238s'Gravenhage u. Dordrecht vol. 4 Bouequet Scheurleer Blussé en Zoon 1729-69. 4to. Bound in 4 contemporary half calf. Gilt backs. Engraved frontispiece 2 engraved folded portraits 41 fine engraved plates by Houbraken. Numerous engraved vignettes and other engravings in the text R. Vinkeles B. Picart etc. Printed on good thick paper. <br/><br/><em>This fine work exhibits the roccocco-style in all is aspects both by is portraits by Houbraken but also in its numerous vignettes and textengravings by other famous artists. </em> unknown
3578307Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1700. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3578309Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1700. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3578308Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1700. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3578306Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1700. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
172914238s'Gravenhage u. Dordrecht (vol. 4), Bouequet, Scheurleer, Blussé en Zoon, 1729-69. 4to. Bound in 4 contemporary half calf. Gilt backs. Engraved frontispiece, 2 engraved folded portraits, 41 fine engraved plates by Houbraken. Numerous engraved vignettes and other engravings in the text (R. Vinkeles, B. Picart etc.) Printed on good thick paper.
br. Il 26 ottobre 1932 Stalin si presenta a una riunione di scrittori a casa di Maksim Gor'kij. «I nostri carri armati non valgono niente», dice, «se le anime che devono guidarli sono di argilla». Spetta agli scrittori, «ingegneri di anime», forgiare l'uomo nuovo sovietico. Nasce così l'estetica proletaria della costruzione e della produzione, utile per celebrare quelle colossali opere idraulico-ingegneristiche dei primi piani quinquennali che, grazie al lavoro forzato dei Gulag, stanno domando la «nemica» natura del territorio sovietico: deviazioni di alvei fluviali, migliaia di chilometri di canali, impianti di desalinizzazione dell'acqua di mare. Dalla lettura di un libro di Konstantin Paustovskij del 1932 sulla «eliminazione dei deserti» prende le mosse il viaggio narrato in "Ingegneri di anime", che porta Frank Westerman, giornalista d'inchiesta con studi di ingegneria agraria alle spalle, dalle rovine industriali del golfo di Kara-Bogaz fino al canale Belomor, il progetto che il collettivo di scrittori guidato da Gor'kij fu chiamato a cantare come «storiografia istantanea del socialismo». Un viaggio concreto, quello di Westerman, che si intreccia con l'esplorazione della vita e delle opere di chi, tra dubbi, debolezze e scetticismo, dedicò penna e capacità espressive al rafforzamento dell'URSS postrivoluzionaria. Concentrandosi non sui grandi dissidenti ma sui «più o meno accomodanti», come lo stesso Paustovskij, o il tormentato Platonov, o il grande Pil'njak morto in un Gulag dopo alterne vicende, Westerman ricostruisce con accenti personali il rapporto tra potere e artisti, e il loro sofferto sforzo di trovare uno spazio possibile tra diktat e ispirazione.
pp. vi, 360. Bookplate of Esther and Harry Klein. 8vo. Original full blue cloth binding. Spine and edges spotted. Fourth printing. Coldwar/Economics 8
ill., br. Campagna d'Italia: sul morire della notte del 2 dicembre 1943, anche mentre i proiettili delle pistole della Quinta Armata continuavano a esplodere intorno a loro, le truppe tedesche sul Monte La Defensa si sentivano sicure, nella consapevolezza che i ripidi picchi che li circondavano non potevano essere scalati. Ciò che non sapevano era che una nuova forza speciale mista statunitense-canadese stava già inerpicandosi sulle cime scoscese, non vista e pronta a lanciare un improvviso assalto a sorpresa per supportare l'attacco principale. Ma i difensori tedeschi erano esperti, induriti dalle battaglie, e avevano preparato le loro difese con cura: pur essendo stati colti alla sprovvista ci sarebbero voluti giorni di acceso combattimento per scacciarli. Questa fu la prima operazione della First Special Service Force, raccontata in una narrazione avvincente accompagnata da vivide illustrazioni e mappe accurate, in grado di rendere i dettagli dì una disperata battaglia combattuta nell'oscurità e nel gelo.
Features: photos of the PAS mid-winter Board of Directors; Great photo inside front cover shows many Pierce-Arrow army trucks in Buffalo prior to shipment to World War I; One of a Kind - photos of a regal town car prior to and after restoration; The Big Car, by John M. Powers - fond memories of a giant Pierce-Arrow touring car written by a PAS member in 1934; reproduction of the entire August 1958 12-page "The Arrow", the first issue of this publication - very informative - includes a textual/chronological description of the evolution of the Pierce-Arrow Car; Selling the '66' - reproduction of article from the Feb. 1916 issue of 'The Pierce-Arrow Salesman', plus other articles from other issues of that publication; Great reproduction of a four-page folder which describes the 1923-1924 Model RE (of which 270 were built) Pierce-Arrow Truck and the Model RF (of which 405 were produced); Back cover features reproduction of a Pierce-Arrow ad which features dancing nymphs in countryside. Average wear and soiling. Bit of writing in upper corner of front cover. A sound copy. Book
