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1917AMO-4501S.d. (1917) [pour l'éditeur J. Chevrel] 12 planches (frontispice et 11 planches) en deux états soit un ensemble de 24 planches. En feuilles. 29 x 20 ou 20,5 cm pour les feuilles 15 x 10 cm pour les cuivres (mesuré à la cuvette) - 12 planches tirées sur Japon avant la lettre avec remarque. Etat définitif. - 12 planches tirées sur Japon avant la lettre avec remarque. Etat non terminé, eau-forte pure. Le frontispice de l'état définitif est signé au crayon par l'artiste Martin Van Maele (en bas à droite). Chaque planche de l'état définitif est légendée au crayon en bas à droite. - 12 planches tirées sur vergé d'Arches avant la lettre (remarques grattées. Chaque planche, à l'exception du frontispice (ce qui est normal), est légendée à l'encre à la plume par l'artiste. Le tirage courant est sur vélin de Rives. Celui-ci, un des rares exemplaires sur Japon (quelques exemplaires seulement) avant la lettre, état définitif et eau-forte pure, avec remarque. Avec le rare tirage avant la lettre légendée sur Vergé d'Arches.
19141477Imprimé pour Charles Meunier, La Maison du Livre, Paris 1914. 1 volume in-folio (370 x 280 mm) entièrement monté sur onglets, couverture muette de papier marbré gaufré, portefeuille à rabats, dos et coins de percaline bleue, pièce de titre (de l'éditeur). 10 EAUX-FORTES ORIGINALES EN COULEURS HORS-TEXTE DE LOBEL-RICHE dont un frontispice, une vignette gravée sur le titre, 10 illustrations dans le texte et nombreux ornements. Édition de luxe tirée à 30 exemplaires seulement. EXEMPLAIRE SUR JAPON IMPÉRIAL contenant 5 ÉTATS DES EAUX-FORTES dont un état sur parchemin signé à la mine de plomb (1e, 2e, 3e épreuves en états d'eau-forte, 4e état terminé sur parchemin, signé pour chacune au crayon par l'artiste, 5e état en couleurs à la poupée sur vélin blanc), une suite sur Japon de 12 petites eaux-fortes reprenant les vignettes in-texte, la gravure de titre avant la lettre et 2 très jolis DESSINS ORIGINAUX signés au crayon en noir et bistre sur le faux-titre. English description: LES BARS. Size plate or paper : 37 x 28 cm, 10 original etchings in 5 states : 1rst state (eau-forte pure), second state in black, state in black signed and printed on parchemin, in black with aquatint, and final state in color (à la poupée). cumulatively 50 plates. Also 20 pages of text with small drawings printed in red. All these drawings are reinterpreted in original etching (pointe-sèche) : 12 (tltle + 11), and printed on Japan paper. 2 ORIGINAL DRAWINGS signed on the half-title page.
1925868921925. BIRDS & FLOWERS Tsuchida EISHO Takeuchi SEIHO artists. EISHO HYAKUCHO GAFU. 4 vols. complete 22.7 X 33.1 cm. Kyoto Unsodo Taisho 3 3 12 14 1914 14 23 25. Profusely illustrated set of images of birds often quite surreal renderings ostensibly after design by Tsuchida Eisho the mid-19th century painter here re-interpreted by Seiho the 20th century master and subtly printed by the Unsodo. Very unusual work complete in a clasped chitsu case. Very good colors impressions condition. A brief notice can be seen at Mitchell p. 249 referencing Brown p.202. unknown books
1957534842Guadalajara México: Et Cætera 1957. Softcover. Very Good. Offprint. Translated by Miguel Rodríguez Puga misspelled "Juga". Small slim quarto. 99-108pp. Stapled printed wrappers. Text in Spanish. Wrappers with tiny chips at the bottom corners and a couple of very short splits staples lightly oxidized and paper evenly toned a very good example of a relatively delicate pamphlet. From the library of noted Spanish philologist librarian and linguist Tomás Navarro Tomás with a six-line note on the first page some bracketing and underlining in the text and 27 lines in Spanish at the end all in red ink.<br /> <br /> While the practice of combining the words "magic" and "realism" had been around since the 1920s - with entire books having been written on the subject - this is the paper that popularized the term "magical realism" for the genre of Latin American fiction as we know it today. Flores who found the movement's genesis in Borges' publication of A Universal History of Infamy in 1935 first presented this paper at the Spanish 4 Group Meeting of the 69th Annual Meeting of the MLA in New York December 27-29 1954. It was published in English in the journal Hispania in May 1955 Vol. 38 No. 2. This offprint is from its Spanish-language publication in the important Guadalajara literary magazine Et Cætera Nos. 23-25 July 1957 - March 1958. This is quite likely the offprint of its first Spanish-language publication; information appears to be slight but we do find it cited next to the English-language edition in a footnote of Luis Leal's classic 1967 essay on the subject "Magical Realism in Spanish American Literature" accessed online via an English anthology published by Duke. A rare and early offprint of a pivotal essay on Latin American literature with annotations by a noted Spanish philologist and linguist. OCLC locates no copies of this Mexican offprint nor does it locate any copies of an offprint in English if one was even published. Et Cætera unknown
194665877Exemplaire numéro un du tirage à 296 exemplaires, un des 18 exemplaires sur vélin de Rives à la Cuve comprenant une suite des 6 eaux-fortes originales et un état en couleur des 19 cuivres gravés, un des 5 exemplaires comprenant en outre un dessin original et tous les essais ou états, exemplaire nominatif pour M. Alfred Duhamel, 1 vol. in-4 en feuillets sous chemise, chemise cartonnée et étui, Victor Michel, Compagnie Française des Arts Graphiques, Paris, 1946, 186 pp. et 1 f. avec une aquarelle originale signée, un dessin original, 3 suites des illustrations (6 eaux-fortes originales, suite de 13 essais ou états, décomposition en couleurs en 25 planches).
1930016108Barcelona: Editorial Cervantes 1930. 1st Edition. Soft cover. Very Good. Signed by Authors. A rare copy of the first appearance in Spanish of T. S. Eliot's "The Waste Land" here translated by Angel Flores. Inscribed by Flores to Amy Loveman one of the founding editors of the Saturday Review of Literature. Printed wrappers. Some light soiling and uneven toning to wraps. Interior clean. 25cm. 48 pp. Housed in a green cloth-backed chemise and matching slipcase with gilt stamped black morocco label on spine. Gallup D556. Inscribed ''To Amy Loveman / this translation of ''The Waste Land'' Angel Flores / July 21 1930 / New York''. Angel Flores 1900-1992 was a literary critic teacher translator and publisher. In addition to being the original translator of The Waste Land he was also an early translator of Pablo Neruda and was the first person to apply the term ''magical realism'' to literature in his 1955 essay ''Magical Realism in Spanish American Fiction''. During the 1930's he served on the faculty of Cornell University where he also founded the Dragon Press. His papers are held at the University of New Mexico. Amy Loveman 1881-1955 was an influential literary editor who helped shape the reading choices of generations both as a contributor and co-founder 1924 of the Saturday Review of Literature and through her work at the Book-of-the-Month Club which she joined in 1926 serving on the reading committee and later becoming its head editor. Editorial Cervantes paperback
1951530781London: Cowles Magazines Inc. 1951. Softcover. Very Good. Periodical. Quarto. 120pp. Heavily illustrated. A bit musty. Cover with a split and a bit of loss at the spine staples somewhat oxidized modest interior toning very good. Signed by John Steinbeck editor Fleur Cowles and contributor William Ward Beecher.<br /> <br /> The final issue of this very interesting magazine sent by editor Fleur Cowles along with a warm Typed Letter Signed to artist William Ward Beecher to commemorate the collaboration. Fleur has Signed the magazine on the first page. Beecher allowed the use of a black and white reproduction of a Steinbeck-themed trompe l'oeil painting to illustrate the article "Tortilla B Flat: A Serenade to John Steinbeck Composed on the Typewriter" by Eddie Condon also illustrated with a portrait of Steinbeck by Robert Capa. A note in Beecher's hand laid in says: "N.B. this copy autographed by Fleur Cowles is also signed by John and me-" and indeed Steinbeck has Signed above the painting and Beecher beneath it. Also laid in is a Typed Letter Signed from a Flair employee to Beecher asking him to sign an agreement to reproduce the artwork.<br /> <br /> A 2001 letter from Steinbeck's son Thom written to supply details about sitting for a portrait by Beecher called the artist a family friend and that his father "maintained an abiding fascination for Beecher's work through the years. A half-dozen examples of the artist's best canvases still brighten our house in New York." A nice association. Cowles Magazines, Inc.) unknown
19484116Paris Marcel Sautier 1948 in-4 en feuilles Paris, Marcel Sautier, 1948-1952. 2 volumes in-4, 32,5 x 26 cm, (10) - II - 140 (8), (8) 172 (8) pp., 269 lithographies originales en noir dont 4 en couvertures, 2 frontispices et 263 encadrant le texte à pleine page dont 33 à double page, en feuilles sous couvertures illustrées, chemises et étui de l'éditeur.
197932866Geneve: Cabinet D'Amateur. As New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Includes works by A. Giacometti D. V. Orsi A. Del Castillo y Aguado and others. -- with a bonus offer-- . Cabinet D'Amateur paperback
196223522New York: Bantam. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- with no writing or markings to the text. -- with a bonus offer-- . Bantam paperback
200081405W. W. Norton & Company. New. 2000. Paperback. 0393322378 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0393322378. 336 pages over 480 illus. 280 in color bibliog. sm. 4to. -- with a bonus offer-- . W. W. Norton & Company paperback
1933895941933. FLOWERS. KANJI SHÔHIN GASHÛ Kyoto MARIA Gabo Showa 8 1933 29.5 x 41.6 cm. 15 oblong color woodblock prints of flowers many in fan format. Maria Gabo was a very skillful woodblock printing house in the 1930s. Their aesthetic sense differs from others of the period the pallette is subtler the printing more "boneless" - overall a more painterly effect is achieved in this group of prints by two of the most celebrated Kyoto artists of the day Kobayashi Kanji 1892-1974 and Matsumura Suiho. Here MARIA has created prints embellished with all the effects of a deluxe production bokashi mica overprinting etc. etc. The original ribbon-bound boards with printed papertitle label are worn the prints themselves are very good. Very unusual collection MARIA Gabo productions have almost always been broken up for the prints. Complete. unknown books
19914410DBLuzern, Faksimile-Verlag, 1991. Kl.-8°. Faksimile-Band: 219 Seiten, (2) Blatt, Mit 70 Miniaturen und über 300 verzierte Seiten; Kommentarband: 431 Seiten, 1 Blatt, 45 Tafeln. Rote Samtbände mit 2 Metall-Schliessen sowie mit dreiseitigem Goldschnitt. Acryl-Schuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 2 Bände in Acry-Kassette und Verkaufsdokumentations-Mappe.
1932569CGZürich, 1932. Öl auf Holzpanel. Bildformat: 61 x 50 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 569CG
1999BN110181Thoemmes Press 1999. 1999. Portraits of Wittgenstein 1-4 <br/><br/>Portraits of Wittgenstein 1-4 Thoemmes Press unknown
19712091502135704030Hara shobo 1971. Soft Cover. Fine. The book is in fine condition. Hara shobo paperback
1946Arm208Paris Victor Michel 1946 In4 - En feuilles sous emboitage et chemise - Edition limitée à 296 exemplaires celui-ci n.197 un des 236 sur vélin pur fil de Lana - 6 eaux fortes en couleur de Flores - Dos de la chemise insolé - une tache sur l'emboitage
1946Arm208Paris Victor Michel 1946 In4 - En feuilles sous emboitage et chemise - Edition limitée à 296 exemplaires celui-ci n.197 un des 236 sur vélin pur fil de Lana - 6 eaux fortes en couleur de Flores - Dos de la chemise insolé - une tache sur l'emboitage
1991Bio-Green-9780849368650Bio-Green 1991. Hardcover. New. Bio-Green hardcover
1991Bio-Green-9780849368650Bio-Green 1991. Hardcover. New. Bio-Green hardcover
1991DBS-9780849368653Crc 1991. 1. Paperback. New. Crc paperback
1991DBS-9780849368653Crc 1991. 1. Paperback. New. Crc paperback
1953015769Paris Cercle d'Art 1953 In-8 Broché, couverture illustrée Edition originale Dédicacé par l'auteur
1973340041ª Edición en todos los volúmenes.- Madrid pero Impreso en Bilbao: Aguilar 1973 vols. 1-2-3 1976 vol. 4 y 1977 vol 5.- 5 volúmenes XXII 1 h. 427 p. 1 h.; 543 p. 2 h.; 555 p. 1 h.; 402 p. 3 h.; 446 p. 2 h.: Profusión de ilustraciones en negro y color; Gran Folio 335 cm; Tela Ed.- Col. Imagen de España.- CONTIENE: Vol. I 556 ilustraciones en blanco y negro y 79 en color; Vol. 2 736 ilustraciones en blanco y negro y 111 en color; vol. 3 693 ilustraciones en blanco y negro y 123 en color; vol. 4 535 ilustraciones en blanco y negro y 96 en color; Vol. 5 511 ilustraciones en blanco y negro y 135 en color. En todos los volumenes las fotografías son del propio autor con excepción en el vol. 5 de las que expresamente se indica. La obra está en perfecto estado presentando un aspecto excelente. ARQUITECTURA Y URBANISMO ESPAÑOLES Libro en español Aguilar hardcover
1903016498Paris: Lucien Laveur 1903. Quarto pp 130 6 60 colour chromolithograph plates on thick stippled paper the text pages uncut and unopened the plates with a facing protective page containing the name these facing page are a bit aged and browned and fraying at the edges the plates are still clean sound and unmarked all pages are loose as issued in this form in an original green folder with silver lettering slightly worn and marked and lacking the upper ties of three. A duplicate from the Royal Horticultural lLndley Library this copy being the Reginald Cory bequest copy with two labels on the front endpaper but no other markings. Cory had a passion for plants and botany and in the early 1930s he undertook a number of plant hunting expeditions and commissioned others some of the results of which are exhibited at Dyffryn. He would also share plants with other gardens including the Cambridge Botanic Garden. Amongst other features the gardens bear evidence of his trips to Italy. Cory was a writer on horticulture a researcher and liveryman of the Ancient Guild of Gardeners and became a vice-president of the Royal Horticultural Society RHS and was a major benefactor of the Society and other botanical resources including the Cambridge Botanic Garden where his friend Humphrey Gilbert-Carter was Director. The residence of the Director the construction of which he funded in 1924 is named Cory Lodge after him. Today it houses the Cory Library and Garden Herbarium. When he died in 1934 he bequeathed his papers and manuscripts to the RHS library the Lindley Library the largest bequest they had ever received. The bequest was catalogued by the then new librarian William Stearn. Loose in folder. Good. Lucien Laveur Paperback