Klickmann, Flora [Editor]Biblio.com
3 189 résultats
2011Q-0486421546Dover Publications 2011-11-02. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2003Q-0486432718Dover Publications 2003-10-17. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
9788516107895-11-65970Moderna. New. Moderna unknown
0843928018New. paperback. New. Satisfaction Guaranteed or your money back. paperback
256961989 CHENE. NEAR FINE COPY IN NEAR FINE DUSTWRAP. ROYAL QUARTO. PROFUSELY ILLUSTRATED IN BLACK AND WHITE AND COLOUR. FRENCH TEXT. 1989 CHENE, unknown
2513Venetiis: Apud Ioannem Baptistam Bertonum sub insigne Peregrini 1600. Hardcover. Good. Quarto. No pagination. 132pp. a4-d4 A4-N4 O2. Incomplete lacks B1 & B4 D3 H1-H4 seven leaves. Eighteenth-century colored paper boards repaired. Illustrated. <br/> <br/> Venetiis: Apud Ioannem Baptistam Bertonum, sub insigne Peregrini, 1600. hardcover
61034Innsbruck Edition Galerie Bloch 1983. Quer-8° 16 Bl. durchgeh. s/w Abb. Broschur. Min. gebrauchsspurig sonst tadell. Vom Künstler auf erstem Vakatblatt signiert. 010 Innsbruck, Edition Galerie Bloch, 1983 unknown
1983014532Innsbruck: Edition Galerie Bloch 1983. First Edition . Soft cover. Fine/No Jacket as Issued. Signed by the artist Paul Flora on the free front endpaper. Not inscribed. The book is in fine condition without jacket as published. First Edition. <br/> <br/> Edition Galerie Bloch paperback
1966563306Dublin: Allen Figgis 1966. Hardcover. Fine/Fine. First edition. Introduction by the Earl of Wicklow. Illustrated in color by the author. Quarto. ix 101pp. Light foxing to the page edges and a tiny bit of tanning on the endleaves else fine in a fine dust jacket with just a hint of foxing and creasing at the crown. Inscribed by Mitchell to a couple "To remember Dublin as they knew it." Fifty of Mitchell's critically acclaimed watercolors of Dublin are reproduced here along with descriptions. Only 600 copies were printed and the plates used to reproduce the paintings were destroyed shortly after. A beautiful copy. Allen Figgis hardcover
1966241018Dublin: Allen Figgis 1966. First Edition. Hardcover. Very Good Plus/Very Good. 4to - over 9¾" - 12" Large. N/a. 100pp. 1966. First edition. 4to. large. A scarce book that fairly regularly pops up at auction and can sometimes make considerably in excess of what I am asking for this copy. Original publisher's black boards - gilt embossed to the spine. 100 lovely colour plates after Flora H. Mitchell with accompanying text. A very good plus copy in very good jacket. No inscriptions. A bump to the upper rear board corner and a slight bump to the upper front board corner. A light bump to the head of the spine. The jacket hasn't been price-clipped. Two short tears to the peripheries have been repaired to the verso with what appear to be strips of sellotape no browning. There are also a couple of slight nicks to the head / tail of the spine of the jacket which appear to have been repaired with tiny strips of archival tape. Light rubbing to the jacket - head and tail of the spine and a tiny strip of rubbing close to the 'A' of vanishing. A very good plus copy in very good jacket of a book that has a rare virtue - intrinisc value. Allen Figgis hardcover
196663524Allen Figgis Dublin 1966. 1st edition. Hardback. Cloth dj F/VG. x102pp 50 colour illustrations a fine copy in a slightly edge rubbed dustjacket more so to the top edge small brown mark to the top L of the upper dustjacket panel. A series of 50 paintings some copies are listed as having 100 illustrations - this is incorrect 100 on the list of illustrations refers to the relevant page number of old Dublin architecture much of which had disappeared even at the time when this book was printed. The plates used to produce the illustrations were not kept after the initial print run of just 600 copies. Flora Mitchell 1890 - 1973 was an American-born Irish artist. Allen Figgis, Dublin hardcover
1966009525Dublin: Allen Figgis 1966. Hardcover. Near Fine. Hardcover dark green covers are fine; gilt spine lettering bright; no dust wrapper; 8 1/2" x 11 1/4" book near fine - all text and images are fine and clear personal bookplate on inside cover and a price clip at top right of endpaper. SIGNED BY THE AUTHOR ON THE TITLE PAGE X101 pages with 50 color plates prepared by the author to the right with text to the left <br/> <br/> Allen Figgis hardcover
1966002985Dublin Ireland: Allen Figgis 1966. First Edition 1st Printing. Hardcover. Very Good/Very Good -. Water colours of Dublin architecture by the U.S- born Irish painter 1890-1973. Intro by The Earl of Wicklow. 600 copies were printed many were broken up for sale of individuals prints. The green cloth hardcover is in nice shape except for slight foxing on upper pages edge and minor paper fragments left on inside front cover where a paste-down label was removed. The DJ VG- to VG condition has minor rubbing to corners and edges with few tiny tears. 4to - over 9¾" - 12" tall <br/> <br/> Allen Figgis hardcover
1999Q-0892817992Healing Arts Press 1999-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Healing Arts Press paperback
1927030585New Haven Connecticut: privately printed 1927. Book. Fine. Hardcover. Inscribed by Authors. 12mo - over 6¾ - 7¾" tall. Inscribed by the author to an unnamed friend on the front free endpaper A fine otherwise unmarked copy. privately printed Hardcover
192734260New Haven CT: Privately Printed 1927. 1st. Hardcover. Very Good/None. 52 pages hardcover. Blue paper boards with a black cloth spine have light shelf wear and the top and bottom of the spine have been mildly bumped. Covers are still in very good condition overall. Interior pages with deckled edges are clean and bright. Binding is solid. This book is a privately published collection of poems. Contains a frontispiece portrait of the author with original solarized photograph laid-in. Author's inscription to previous owner on the front end page reads: "H is all I have. Will you share it with me With best love Flora Louise Hunn Feb. 10 1927." Clean copy. Privately Printed hardcover
61028Innsbruck Edition Galerie Thomas Flora 1998. 4° 27 Bl. 50 ganzs. s/w Abb. Broschur. Umschlag etw. gebräunt min. gebrauchsspurig sonst gutes Exemplar. EA. Mit Widmung des Künstlers auf erstem Vakatblatt. 010 Innsbruck, Edition Galerie Thomas Flora, 1998 unknown
1997Q-0333663039PAPERMAC 1997-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! PAPERMAC paperback
1905002735Los Angeles: By the Proprietors 1905. First Edition. Very good. First edition; 9 x 6; pp. 4; salmon-colored stock printed and illustrated in black; a few small nicks to edges; several old creases to margins; in very good condition. The Unique Theatre situated at 629 S. Broadway in Los Angeles opened its doors sometime in early 1903 under the proprietorship of Flora Hentz and John Zalee. Known as pioneers of "popular-priced vaudeville" in Southern California they also had a "Unique-O-Scope" which ran movies at the theater. Interestingly enough among the listed performances the program also highlighted several features of the building itself. Asbestos fire curtains fireproof scenery and automatic sprinklers were followed by a sketch of the floor and the assertion that per the Unique's efforts ".against fires and panics.the entire eighty feet of width of the building back of the stage can upon a moment's notice be opened up to the sidewalk and full width of the street running back to the Theatre thus insuring complete safety of all patrons of the Unique." The program contained several advertisements for local businesses as well including one for the Imperial Perfume Company stating that the theater was perfumed every day by the latter. The theater was moved to a new location in 1909 and its building was demolished. By the Proprietors unknown
1986Q-2721002902DES FEMMES 1986-06-04. Paperback. New. In shrink wrap. Looks like an interesting title! DES FEMMES paperback
1843150437Paris: Prévot and Rouanet 1843. Coining the slogan "workers of the world unite!" five years before the Communist Manifesto First edition of the revolutionary French socialist's most famous work urging the working class to unite a call for international emancipation which appeared five years before the Communist Manifesto. Tristan is "perhaps the most celebrated of all 19th-century French feminists" Moses p. 107. Tristan's struggles as both the poverty-stricken illegitimate daughter of a Peruvian noble and as the wife of a violently abusive husband forced her to travel at various points in her life to England as a ladies' companion and Peru in the hopes of re-establishing her family ties. Upon returning to Paris in 1835 Tristan fought her husband André Chazal for custody of her two surviving children and succeeded in regards to her daughter. It was not until 1836 after Chazal shot Tristan that she was granted legal separation and the right to take back the name Tristan. Both as respite from and because of this domestic turmoil Tristan became enthusiastically involved in a number of feminist and socialist groups and activities - she published pamphlets on female immigration petitioned in favour of divorce and for the abolishment of capital punishment attended meetings of the Gazette des femmes group and engaged with the utopian socialism of the Fourierists. "In Union ouvrière Tristan rallies the French working class urging them to create a national organization that would be financed by subscriptions from the twenty-five million workers. She believed that any change among the working class must be initiated by the workers themselves: 'Now the day has come when one must act and it is up to you and only you to act in the interest of your own cause'. Despite her call to action Tristan maintained a firm stance against violence and called only for passive resistance; she believed that destructive acts would only heighten workers' problems. She tried to enlist the bourgeoisie in her plan on the basis that it would help prevent begging and theft. The second part of Tristan's crusade was her attempt to improve the position of women within the workplace and society. She argued that all classes of women should participate in the Workers' Union to lobby simultaneously for feminism and socialism. Her third chapter entitled 'Why I Mention Women' aims to establish continuity between the desires of the workers and those of women" Orlando. Unable to find a publisher willing to print the unorthodox tract she funded the book's publication herself through donations from friends acquaintances and public appeal. From these donations 14000 copies of this first edition were printed stated as "Edition populaire" which she sold for 50 centimes each. In Lyons the fundraising efforts of her working-class followers underwrote a further printing of 10000 copies. Such circulation was very high for the time: the print run of the Communist Manifesto in 1848 by contrast was 2000 copies. "Increasing scholarly attention is revealing her as a pivotal figure in the shift from early nineteenth-century utopian to Marxist economic socialism. Her insistence on the inextricability of class and gender oppression makes her a foundational socialist feminist theorist" ibid. Duodecimo. Uncut in original yellow wrappers printed in black. Housed in quarter calf chemise and slipcase. Slight split to front joint but holding wrappers and contents clean a very good well-preserved copy. Claire Goldberg Moses French Feminism in the Nineteenth Century 1984. unknown
2277214507.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6208788889.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2014G8898391285I4N00OEIL ESPRIT 2014. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. OEIL ESPRIT paperback
0252033809.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
