KANO-HA (School?).Biblio.com
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0227-26Japan. Antique hanging paper scroll. Bordered with block printed paper. Heigth 71". Width 23" ca. 181 3 x 58 cm. Wooden roller ends. Folding lines visible slightly rubbed. Japanese paper hanging scroll depicting the Japanese legend where a carp becomes a dragon. Probably from the Kano-Ha school. With an unknown signature seal. Japan. unknown
191615490New Haven Connecticut : Roger Sherman Studio 1916. First Edition. Photograph. Near Fine. First Edition. An original silver print mounted on board. Image is 10 1/2 inches x 13 1/2 inches. Overall mount size 13 3/4 x 16 3/4 inches. Very nice tonality presents nicely in person. Photograph. A photograph of what is no doubt the 1916 Civil Engineering class at Yale showing students teachers and the" tools of the trade". It was taken in front of Winchester Hall then part of Yale's Sheffield School of Engineering. The building is no longer standing but we have included an reproduced image of the building for the new owner's reference. <br /> <br /> Much like medical class photographs which are prized for skeletons and other medical oddities collectors prize surveying instrumentation in Civil Engineering class photographs. This one has lots of great surveying instruments including four instruments on tripods surveying sticks an axe and a model of a bridge span. Several equations are chalked on the building pillars. "FUNDAMENTALS" is chalked on the street in front of the subjects.<br /> <br /> Photographs this large are very scarce on the marketplace this is the largest we have owned in the last 15 years. A fine addition to any surveying civil engineering Yale or Connecticut collection. Roger Sherman Studio unknown
1998x-0521632552Cambridge Univ Pr 1998. Hardcover. New. 607 pages. 10.25x7.25x1.50 inches. Cambridge Univ Pr hardcover
19802111902160301926Ishiyama Acupuncture and Moxibustion Medicine 1980. Soft Cover. Fine. The book is in fine condition. Ishiyama Acupuncture and Moxibustion Medicine paperback
0222W847090Hardcover. Very Good. Hotchkiss School yearbook of 1945. The chairman of MISCHIANZA and graduate of this year is Peter Mathiessen the naturalist and author who then was in the English Club and the Hunting and Fishing Club among others. Very good quarto pics. binding all VGood. This copy has the initials in gilt on front cover of Emory H. Niles Jr. Very little edgewear touch of spotting to front endpaper and small bend to back endpaper. hardcover
1986ZB393032Washington Law Review Association 1986. Volumes 61 & 62 1986-1987 partly bound library markings textually clean & tight price is for the lot. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Washington Law Review Association unknown
18398712Rugby 1839. 1839 2 340 p. Publisher's embossed cloth binding spine titled in gilt. A Fine copy. Armorial bookplate of Edward Pretty 1792-1865 sometime drawing master at the school and another of Maidstone Museum which he later curated. Two neat embossed stamps are the only other signs of ownership or use. Rugby, hardcover
2006x-0750310235Inst of Physics Pub Inc 2006. Hardcover. New. 1st edition. 344 pages. 9.25x6.25x1.00 inches. Inst of Physics Pub Inc hardcover
2010x-0415491495Routledge 2010. Hardcover. New. 1st edition. 400 pages. 9.53x6.42x1.06 inches. Routledge hardcover
1994x-1563243989M E Sharpe Inc 1994. Hardcover. New. 288 pages. 9.50x6.50x1.25 inches. M E Sharpe Inc hardcover
1987ZB394307Knoxville Tenn. : School of Social Work University of Tennessee Knoxvill 1987-1993. volumes 11; 17. 1987-1993. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Knoxville, Tenn. : School of Social Work, University of Tennessee, Knoxvill unknown
1995x-075070408XFalmer Pr 1995. Hardcover. New. 1st edition. 220 pages. 10.00x6.75x1.00 inches. Falmer Pr hardcover
38044201Canton 1860-80's Cheungqua. A single pith or Tongcao color painting usual minimal issues clean & solid example brilliantly vivid colors rarely found in such clean & fine condition. A RARE EXAMPLE ! . . . . FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE IMPERIAL COURT LADY . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . A stunning Chinese Imperial Court. She wears a golden-embroidered outer dress with elaborate collar sleeves and hem. She wears pink silk-embroidered pants and her "lotus" bound feet are on a wooden stool. She sits on a Ming dynasty style Huahuali wood chair with a fan in her right hand and silk-embroidered accessory in her left. Adjacent to her is a matching Ming table with three ripe 'You' fruits pommel. . This is a typical studio trade painting" executed by Chinese native artists hand-painted color pith painting for foreign traders visiting Canton or Macao during the early to mid-19th century. . "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET Chanzu: This like most illustrations of the period show the woman with bound feet peeking out below her pant cuff. Chanzu bound feet was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . DESCRIPTION OF THE PAINTING ART WORK AND CONDITION: . This painting is in brilliant vivid and stunning colors. Skillfully painted with a fine hand delicate fine-point brush with great detail incredible reality texture and appeal. . As usual this paintings was tipped to a contemporary stiff backing paper card. . This painting is approximately 19.5 x 27.5 cm. . There are a few old mends on the verso the image is not impacted it remains quite solid and very stable. By and large a far and above average excellent example. Suitable for framing and display. . Please review the photograph posted to our website for details. . "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name "Pith" paper paintings also can be called "Tung Tsao." . THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own thus replicating the techniques subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao the main resting and gathering place of foreigners during part of the year. . REFERENCE: . CLUNAS Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments see color plates on pp.50-53 especially plates on pp.66-67 plates 39 & 40 are particularly similar to our examples that is to say by the same or an artist who was in the same house of Cheungqua or that school. CHU Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE pp.62-66. THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. Crossman Carl L. The decorative arts of the China trade : paintings furnishings and exotic curiosities. LEVY Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. JACKSON Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . . unknown
51-6233France: early 19th century. Black pencil and estompe. 40.8 x 32.8 cm Tears and small chips traces of old mounting.Crayon noir et estompe 408 x 328 cm Déchirures et petits manques traces d’un ancien montage.Expertise: Cabinet DE BAYSER Paris. France: early 19th century unknown
18822082402113506633Nagasaki normal school 1882. Soft Cover. Fine. Volume: 1 Nagasaki normal school paperback
191021531910. Watercolor and ink light wove paper 9 1/4 x 6 inches 235 x 152 mm the full sheet. In very good condition. A skillful watercolor study of a collection of Greco-Roman redware vases housed at the Louvre. unknown
2154Watercolor with brush and ink on light cream wove paper 9 1/4 x 6 inches 235 x 152 mm the full sheet. In very good condition with light minor toning. A skillful watercolor study of two pieces of Greco-Roman redware housed at the Louvre. unknown
1919RFACSTU00twUniversity of Pittsburgh School of Medicine 1919. Very Good. Faculty of the School of Medicine. University of Pittsburgh. Studies on Epidemic Influenza comprising Clinical and Laboratory Investigations. Pittsburgh: University of Pittsburgh School of Medicine 1919. 294pp. Illustrated. 4to. Brown buckram with gilt lettered backstrip. Book condition: Very good. Hospital library bookplate on front pastedown. rubber stamps on all edges of textblock. Internally very clean. Folding charts and color plates. Scarce. University of Pittsburgh School of Medicine hardcover
19982081502112501903A5 boxed old Kokura Junior High School 31st class 1998. Soft Cover. Fine. Number of books: 1 A5 boxed old Kokura Junior High School 31st class paperback
1250Drypoint etching and aquatint in sepia on cream wove paper 10 x 8 inches 254 x 201 mm full margins. Signed in pencil lower left. Minor toning with evidence of very minor moisture damage along the lower quadrant on the verso. Non-archival adhesive residue at the top corners on the verso and nickel-sized area of minor skinning at the top left sheet edge verso. Light pencil notation in the lower left corner verso. Otherwise in good condition with rich inking. "Delteil 24" marked in pencil on verso. unknown
175024971750. Ink and wash on laid paper laid down to a wove paper matrix 3 1/4 x 2 inches 83 x 50 mm the full sheet. In good condition with uniform toning that is consistent with age. St. Vincent is traditionally shown with wings because he was likened to the angel who flies through the heavens proclaiming the Last Judgment in Revelation 14:6. The figure's left hand is raised with a pointed finger a classic "Vincentian" gesture symbolizing his constant preaching and warning of the coming Judgment "Fear God and give Him honor.". unknown
195016031950. Two engravings with extensive hand coloring in watercolor on cream wove paper each measures 7 x 8 5/8 inches 177 x 218 mm each with full margins. Each sheet is clean with bright extensive coloration. Each with the Made in France ink stamp on the verso. unknown
272Pen and brown ink on cream laid paper with a partial crown and shield watermark 7 1/4 x 4 7/8 inches 184x 123 mm matrix. In good condition with top right corner loss and small 1/4 inch loss at top-left sheet edge well outside of image area. Dog-eared lower left corner. Scattered light surface soiling. All consistent with age. A lovely early drawing of the Roman god Mercury. unknown
169025001690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. During Medici festivals it was common to have a credenza-a massive tiered sideboard displaying hundreds of pieces of silver and gold plate to signal the wealth of the family to visiting dignitaries. These objects are piled together in a "horror vacui" style filling all available space which suggests that they are either meant to be seen as a pile of "spoils" or riches on a parade float. This image may also be a pattern sheet for an engraver. unknown
169025011690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. On the verso is a similar decorative design in brown ink. This work is a classic example of an "apparato" design. In the 16th and 17th centuries artists were frequently commissioned to design ephemeral architecture and "festival machines" for royal entries weddings or religious processions. These festival machines were often made of temporary materials like wood plaster and gilded papier-mâché to be used once during a city-wide celebration and then dismantled. This image may also be a pattern sheet for an engraver. unknown
