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36 pages. This book will: teach you about the many different sea animals we share our marine environment with; help create an understanding and appreciation for the smaller and more delicate creatures that live on our beaches and rocky shores; amuse younger and older readers with startling facts and interesting activities. Illustrated with many line drawings. Excellent condition. Very light wear. Some pencil marks upon hide-a-word puzzle on page 18, else unmarked. Book
Acquaforte, 1700 circa. Da un disegno di Ferdinando Galli Bibiena. Magnifico esemplare, ricco di toni e ben contrastato, impresso su carta vergata coeva filigranata - “cerchio sormontato da trifoglio - rifilato alla linea marginale, nel complesso in ottimo stato di conservazione. Della serie: Varie opere di Prospettiua inventate da Ferdinando Galli d:o il Bibiena Bolognese Pittore, et Architetto dell A: SS.ma del Sig:re Duca di Parma Raccolte da Pietro Abbati, et intagliate da Carlo Antonio Buffagnotti. ‘Le diede in Luce, e Stampò Giacomo Camillo Mercati in Bologna’ 1701. Le Varie opere di Prospettiua sono una raccolta di 72 tavole, per lo più di grande formato, che documentano la prima attività di Ferdinando Galli Bibiena come disegnatore di scenografie teatrali e architetture effimere. Fu assemblata da Pietro Giovanni Abbati (fl. 1683-1745), allievo di Ferdinando Bibiena durante il suo mandato di "Pittore di Corte" dei Farnese Duchi di Parma, in collaborazione con Carlo Antonio Buffagnotti, un operoso stampatore bolognese. Un oscuro stampatore, Giacomo Pelegrino Longhi, fu responsabile della ristampa, che incorpora undici stampe di scenografie disegnate da Bibiena ed eseguite da Abbati per spettacoli rappresentati a Torino nel 1699. Bibliografia M. Pigozzi, F. G.B.: varie opere di prospettiva. Traduzione e diffusione di modelli e tipologie in centri e periferie, in “Il barocco romano e l'Europa”, Atti del Corso internazionale di alta cultura (1987), a cura di M. Fagiolo - M.L. Madonna, Roma 1992, pp. 637-642. Etching, 1700 circa, unlettered. After a drawing by Ferdinando Galli Bibiena. Magnificent example, rich in shades and well contrasted, printed on contemporary watermarked laid paper (circle surmounted by trefoil), trimmed at the marginal line, overall in excellent condition. From the series: Varie opere di Prospettiua inventate da Ferdinando Galli d:o il Bibiena Bolognese Pittore, et Architetto dell A: SS.ma del Sig:re Duca di Parma Raccolte da Pietro Abbati, et intagliate da Carlo Antonio Buffagnotti. ‘Le diede in Luce, e Stampò Giacomo Camillo Mercati in Bologna’ 1701. The Varie opere di Prospettiua is a collection of 72 mostly large-format plates documenting Ferdinando Galli Bibiena’s early activity as a designer of theatrical scenery and ephemeral architecture. It was assembled by Pietro Giovanni Abbati (fl. 1683-1745), a pupil of Ferdinando Bibiena during his tenure as “Pittore di Corte” to the Farnese Dukes of Parma, in collaboration with Carlo Antonio Buffagnotti, an industrious printmaker from Bologna. An obscure printseller, Giacomo Pelegrino Longhi, was responsible for the reissue, which incorporates eleven prints of scenery designed by Bibiena and executed by Abbati for spectacles performed in Turin in 1699. Bibliografia M. Pigozzi, F. G.B.: varie opere di prospettiva. Traduzione e diffusione di modelli e tipologie in centri e periferie, in “Il barocco romano e l'Europa”, Atti del Corso internazionale di alta cultura (1987), a cura di M. Fagiolo - M.L. Madonna, Roma 1992, pp. 637-642.
bross. edit., lieve brunitura in cop.
tela edit. con sovrac. ill., ex-libris di Flores d'Arcais
78 pages. The third yearbook published by/for the International School Eerde. Includes lists of students and staff. Profusely illustrated with reproductions of black and white photos. Oblong 19cm x 30cm. Unmarked. Moderate wear. A sound vintage copy. Book
90 pages. Hundreds of reproductions of black and white photos. Generous section of nostalgic local ads. Few autographs. Above-average wear and soiling. A worthy copy of this wonderful vintage yearbook. Book
99 pages. Frontis illustration of author. Originally published in 1906, this simple yet profound work will be of immense interest and value to parents deciding whether or not to homeschool their children. Luther Burbank was and remains the world's champion plant breeder, having single-handedly increased the world's food supply by many percent. In this work he applies his wondrous knowledge of raising plants to the nurture of children. The best-seller "The Secret Life of Plants" refers to this book. Moderate wear. Prior owner's name upon front endpaper. Binding intact with moderate lean to spine. Black textured cloth-covered boards. A sound copy. Book
Xilografia, 1514 – 1516 circa, fermata col monogramma “H B” sul capitello della Colonna. Della serie Der Weisskunig (Il Re Bianco). Si tratta di una biografia idealizzata di Massimiliano I d’Asburgo (1459 – 1519), con due sezioni iniziali sulla vita dei suoi genitori, e la sua nascita ed educazione, che sono state compilate dal segretario di Massimiliano, Marx Treitzsaurwein, e una terza sezione più lunga che tratta la storia politica del regno di Massimiliano, per la quale l'imperatore stesso era il principale responsabile. A tutti i personaggi vengono dati degli pseudonimi, molti dei quali derivano dalle loro armi araldiche; così, per esempio, Massimiliano è il Giovane Re Bianco, Federico III il Vecchio Re Bianco, e il Re di Francia è il Re Blu. Il testo fu dettato da Massimiliano a Treitzsaurwein ed è sopravvissuto in vari manoscritti nella Österreichische National-bibliothek di Vienna (vedi 'Maximilian I, 1459-1519', exh. cat., Vienna, 1959, pp.26f, con letteratura). Il suo stato confuso si riflette nelle illustrazioni xilografiche che furono eseguite ad Augusta sotto la supervisione di Peutinger. Alcuni soggetti sono stati tagliati due volte, altri sono stati omessi, e alcuni rappresentano soggetti non presenti nel testo, nella misura in cui è stato completato. Su 236 illustrazioni, di cui 223 blocchi sono sopravvissuti (Vienna, Albertina), Burgkmair fu responsabile, secondo Dodgson, del disegno di 121. L'altro disegnatore principale fu Leonhard Beck; Hans Springinklee e Hans Schäufelein contribuirono con alcuni disegni al progetto. I blocchi furono intagliati tra il 1514 e il 1516 da un gruppo di xilografi supervisionati da Jost de Negker, e alcune serie di prove contemporanee sono sopravvissute, le più importanti delle quali sono a Vienna, Stoccarda e precedentemente nella collezione Liechtenstein, ora a Boston (vedi Musper, pp. 102ff). Nel 1526 il nipote di Massimiliano, l'arciduca Ferdinando, commissionò a Treitzsaurwein di completare e pubblicare 'Der Weisskunig', ma questo progetto rimase incompiuto a causa della morte di Treitzsaurwein nel 1527. Fu solo nel 1775, dopo che i blocchi furono trovati a Graz, che fu pubblicato in forma di libro da Hoffstätter a Vienna. Bella prova, in ottimo stato di conservazione. Quando l'imperatore Massimiliano I si recò a Treviri in occasione della riunione del parlamento del regno del 1512, chiese di vedere la Sacra Tunica. L’arcivescovo Richard von Greiffenklau fece aprire l’altare, alla presenza non solo dell’Imperatore, ma anche dei numerosi principi e prelati recatisi alla città per l’assise parlamentare. Fu celebrata una Santa Messa in memoria della defunta consorte di Massimiliano I. Woodcut, 1514-1516 circa, signed with monogram H B on the upper column, From the series Der Weisskunig (the White King); It is an idealised biography of Maximilian, with two early sections on the life of his parents, and his birth and education, which were compiled by Maximilian's secretary, Marx Treitzsaurwein, and a longer third section dealing with the political history of Maximilian's reign, for which the Emperor himself was primarily responsible. All the characters are given pseudonyms, many of which are derived from their heraldic arms; thus for example, Maximilian is the Young White King, Frederick III the Old White King, and the King of France is the Blue King. The text was dictated by Maximilian to Treitzsaurwein and has survived in various manuscripts in the Österreichische National-bibliothek in Vienna (see 'Maximilian I, 1459-1519', exh. cat., Vienna, 1959, pp.26f, with literature). Its confused state is reflected in the woodcut illustrations which were carried out at Augsburg under Peutinger's supervision. Some subjects were cut twice, others were omitted, and some represent subjects not in the text, as far as it was completed. Out of 236 illustrations, of which 223 of the blocks have survived (Vienna, Albertina), Burgkmair was responsible, according to Dodgson, for the design of 121. The other main designer was Leonhard Beck; Hans Springinklee and Hans Schäufelein contributed a few designs each to the project (see 1837,0616.308). The blocks were cut between 1514 and 1516 by a group of cutters supervised by Jost de Negker, and a few contemporary sets of proofs have survived, the most important of which are in Vienna, Stuttgart and formerly in the Liechtenstein collection, now in Boston (see Musper, pp. 102ff). In 1526 Maximilian's grandson, the Archduke Ferdinand, commissioned Treitzsaurwein to complete and publish 'Der Weisskunig', but this plan was frustrated by Treitzsaurwein's death in 1527. It was not until 1775, after the blocks had been found at Graz, that it was published in book form by Hoffstätter in Vienna. There are ninety proof impressions of the series in the British Museum which would have been taken while work on the blocks was in progress during the life of Maximilian. Good example, printed on contemporary laid paper, very good condition. When Emperor Maximilian I came to Treves for the Imperial Diet in 1512, he asked to see Holy Coat which was kept in the Cathedral. Archbishop Richard von Greiffenklau arranged the opening of the altar that had enshrined the tunic since the building of the Dome and exhibited it. The people of Treves heard about that and demanded to see the Holy Coat. Hollstein V.117.448; Bartsch VII.224.80-35; Dodgson II.93.58.
138 p. Endpapers foxed. The music printed on four line staves. 12 mo. 160 mm. Leather backed plain paper boards. Spine chipped. Hardbound. Very good. Autograph ownership of Ellen Bigelow (probably the person that the Ellen Bigelow School in Athol, Worcester County, Massachusetts is named after). John Freckleton Burrowes (1787-1852) was the organist at St. James's Piccadilly; as well as a composer and music educator. This First American Edition of his little handbook is rather scarce. **PRICE JUST REDUCED! W145
24p. 8vo. Original printed wraps. PA69/MID STACK
Hardback in-12, 108 pp.,reliure demi basane, titre doré. Bel exemplaire. [TX-12]
96 pages. Printed upon glossy stock. Many black and white photos and ads for local businesses. Lengthy Honor Roll inside red card front cover. Moisture exposure to lower corner of first 28 pages has left some discoloration and rendered small patches of several pages illegible. Binding intact. Unmarked with average wear. A worthy vintage copy. Book
St Andrew's Day, Nov 30th, 1934. Poems, stories and rather good engravings. Edited by R. G. Wells and D. T. Llewellyn
167 p. Title page ruled in black and decorated with an American eagle. Numerous text woodcuts of animals and birds. Ruled in black throughout. XLib stamp of Lebanon County Historical Society on first fly leaf. Also a Spangler ownership in light pencil. Text mildly foxed. Front inner hinge cracked. 12mo. 170 mm. Original leather spine over paper covered boards. Hardbound. Very Good. S&S/AI 36486. PAIMP 25
156 pages. Features: Nice Christmas-theme 1-page color ad for General Electric's 'Daylight Television'; Half-page color Christmas ad for REO deluxe Trimalwan mowers; 2-page color-photo ad for Elgin watches features 'best dressed' Mrs. Mandel of Chicago and James (Jimmy) Stewart, starring in 'Broken Arrow'; Color ad for Knapp Monarch appliances features Claudette Colbert; Nice 1-page color Christmas ad for Eversharp Pens; 2-page color Christmas ad for Bulova watches; Nice 1-page color ad for General brand winter tires; Detroit Cracks Down on Relief Chiselers - article with photos on how Detroiters took a look at their relief rolls and uncovered some facts that shocked the state and will shock you too - 30% of Detroit reliefers were chiselers; Spies are Shot at Dawn - fiction; The Great Bamboozler - James Moran and his crazy publicity stunts; Amateur Angel (fiction); Murrow Sticks to the News - article on Edward R. Murrow with photo; My Three Years in Moscow - Part 5 - God Won't Stay Underground in Russia, where Christians and Jews cling to their beliefs - article with photos; America's Toughest School - Webb Institute of Naval Architecture - article with color photos; Tales of the Sea Otter - it is now coming back from near extinction; The Christmas Racket (fiction); How Murderers Beat the Law - double-length photo-illustrated article on Harvard's Department of Legal Medicine; The Uncertain Heiress (fiction); The Town of Santa Claus, Indiana - article with great color photos; He works at 459 Below - Dr. William Francis Giauque, winner of the Nobel Prize for Chemistry - article with photos; Vengeance Valley (fiction); Futuristic color Oldsmobile ad; Nice color Borden's ad featuring Elsie the Cow; The Innocent Buccaneer (fiction); Gorgeous 1-page Christmas color ad for Old Gold cigarettes with photo of couple under mistletoe; Color 1-page ad for the new 1950 Mercury cars; Nice 1-page color ad for Wilson's food products; Great 1-page color ad for American Airlines shows snowbound Christmas family looking up at an airliner in flight; Color Christmas ad for Fatima cigarettes; Fantastic 2-page color ad for Pontiac cars; Color 1-page ad for the Sunbeam Shavemaster; Great 1-page color photo Caterpillar ad shows Christmas trees being harvested by Halvorson Trees, Inc. near International Falls, MN; 1-page ad for RCA Victor products; 1-page ad for Philco products; 1-page color ad for John Hancock insurance features North Pole explorer Robert (Bob) Peary; Demuth pipe ad; Nice 2-page black and white Buick ad; 2-page color ad for Prince Gardner wallets; Nice 2-color 1-page Christmas ad for Motorola TVs and radios; 1-page Webster cigar ad; 1-page Dumont TV Christmas ad; Nice 1-page color ad for Willys-Overland Jeeps; Color-photo ad for Florida orange juice; 1-page color ad for Greyhound bus trips to the sunny south; Nice 1-page color photo ad for Ford trucks features Christmas tree grower Roy Halvorson of Duluth, MN plus his wife, Edythe and daughter, June, as well as his Ford dealer P.N. Hegvold; Nice 1-page color ad for Kaywoodie pipes; Nice 2-color 1-page Christmas ad for New York Central Railway; Nice 1-page color ad for Nescafe coffee; Crosley TV ad; Manhattan clothing color ad features unusual tie designs; Nice 1-page color Toastmaster Christmas toaster ad; Color Esterbrook pen ad; Color Gruen watch ad; Nice 1-page color-photo ad for Samsonite Luggage shows pleasant travel scenes; Nostalgic 1-page color ad for Bell & Howell home movie cameras; Color ad for Rolfs wallets; Color ad for Waterman's pens; Nice 1-page color-photo ad for Capehart televisions; Jones Dairy Farm Sausage ad; Statler Hotels ad features Santa cartoon by Tony Barlow; Color ad for Shulton (Old Spice) products inside back cover; Color Christmas ad for Kodak cameras on back cover. Moderate wear. A sound vintage copy. Magazine
Acquaforte, 1816, firmata e datata in basso, con indicazione della produzione nel margine inferiore: "I. Van Os" e "2,3 ½ per 2,10 3/8". Bella impressione su carta coeva, meravigliosa coloritura a mano, in buono stato di conservazione. Elizabeth Byrne è stata una pittrice di paesaggio e incisore, in Gran Bretagna. Figlia del paesaggista William Byrne (1743-1805); sorella di Letitia Byrne (1779-1849) e John Byrne (1786-1847). Quest'opera fa parte della "Stafford Gallery" che aveva come titolo completo: "Engravings of the Most Noble the Marquis of Stafford's Collection of Pictures in London: Arranged According to Schools and in Chronological Order with Remarks on Each Picture". Questa collezione fu costituita dal III conte di Bridgewater, aumentata da George Granville Leveson-Gower, I duca di Sutherland e ospitata a Cleveland House a Londra. Fu aperta al pubblico nel 1806. La pubblicazione fu curata da W Y Ottley e P W Tomkins, edita in quattro volumi, 1810-1818, da Tomkins, Longman, Hurst, Rees & Orme, J White & Co. e Cadell & Davies, con illustrazioni incise da Tomkins, Fittler, Romney, Heath e altri, su disegni di W M Craig. Il libro comprendeva anche le piante delle tredici stanze, con l'indicazione della posizione di ogni dipinto. Bibliografia R K Engen, 'Dictionary of Victorian Engravers, Print Publishers and Their Works', 1979. Still-life of an urn with flowers, fruits lying in foreground, a garden beyond; after Jan van Os. Etching, 1816, signed and dated at the bottom, lettered in lower margin with production details: "I. Van Os" and "2.3 ½ by 2.10 3/8". A fine impression on contemporary paper, with fine later hand colour, in good condition. Elizabeth Byrne was a landscape painter & engraver, in Britain. Daughter of landscape-engraver William Byrne (1743-1805); sister of Letitia Byrne (1779-1849) and John Byrne (1786-1847). This work is a part of the "Stafford Gallery" had as its full title: 'Engravings of the Most Noble the Marquis of Stafford's Collection of Pictures in London: Arranged According to Schools and in Chronological Order with Remarks on Each Picture'. This collection was formed by the 3rd Earl of Bridgewater, augmented by George Granville Leveson-Gower, 1st Duke of Sutherland and housed at Cleveland House in London. It was opened to the public in 1806. The publication was undertaken by W Y Ottley and P W Tomkins, issued in four volumes, 1810-1818, by Tomkins; Longman, Hurst, Rees & Orme; J White & Co. and Cadell & Davies, with illustrations engraved by Tomkins, Fittler, Romney, Heath and others, from drawings by W M Craig. The book also included plans of the thirteen rooms, showing the location of each picture. Bibliografia R K Engen, 'Dictionary of Victorian Engravers, Print Publishers and Their Works', 1979
Prior owner's name, "Edw. D. Jones" written atop title page - possibly the founder of Edward Jones Investments, founded in St. Louis in 1922. Prior owner's small initials (E.D.J.) and date inked atop first blank leaf. pp. [v], vi-xlv, [2], 2-431. Index. Translated from the German. "While it would be bold to affirm that Professor Böhm-Bawerk [1851-1914] has said the last word on the theory of Interest, his book must be regarded as one with which all subsequent writers will have to reckon." - Translator's Preface. Of the first edition, at p.22 Batson wrote "The first large treatise produced by the Austrian School, and although it is not so comprehensive as that since published by Wieser, it leaves very few parts of economic theory unillumined." Schumpeter "regarded Böhm-Bawerk as one of the 'great masters' in economics." - Swedberg p.14. Moderate wear to publisher's pebbled brown cloth. Bright gilt lettering upon backstrip. Binding intact. 22.6 x 15cm. Batson p.167, Cohen 171, Masui p.151, Fundaburk 9663. Book
in-12, 487 pages, ill. in et h.t. n., broche, couverture illustree. Bon état général. [MA-5]
290 pages. Your life can be transformed by the power of your thoughts, words and beliefts. The spiritual truths presented in these three timeless books will increase your personal empowerment and enhance your spiritual growth. A clear, concise representation of New Thought philosophy and metaphysical Christianity. Discard stamp upon half title page else unmarked. Moderate wear. Binding solid. Nice working copy. Book
Mm 230x280 Catalogo Mostra, Rovigo, Palazzo Roverella, 29 gennaio - 12 giugno 2011. Brossura originale con bandelle, copertina figurata a colori, 232 pp. con numerose illustrazioni in nero e a colori anche a piena pagina. Bibliografia di riferimento in chiusura. Libro in perfette condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.
Very Good Turkish, Ottoman (1500-1928) Original typescript letter signed by Cahit Külebi. 15x21 cm. In Turkish. 1 p. Dated Bern, November 3, 1961. Typescript document. Signed by Külebi as 'cultural attache'. Külebi was a leading Turkish poet and author. He has an important place in contemporary Turkish poetry due to his adherence to folk poetry traditions. His poetry is enriched with simple yet ironic language, embellished with original descriptions.
Good condition, clear, clean and tight. Used
Full tan cloth boards with black and orange illustration on cover. Cover a bit soiled. 8"w x 9 1/4"h. 32 pages. Taped tears on several pages. School stamp inside. No copyright information. Circa 1910. Contains these stories: Three Jovial Huntsmen; Sing a Song of Sixpence; The Queen of Hearts; and The Farmer's Boy.
Wonderful vintage photo montage of the British Columbia Normal (Teacher Training) School class of 1911-12 in Vancouver, British Columbia. Photos taken by Walter H. Calder. Montage, which measures 15.75" x 9.6", is mounted on a contemporary matte backing which measures 17" x 14". Moderate wear. Pencilled name on reverse, otherwise clean and unmarked. A wonderful piece of Vancouver and British Columbia history. Book
grand in-8°, 198 pp., broche, couverture plastifiee à rabats. Bel exemplaire. [DV-10]