English School (after).Biblio.com
34 831 résultats
65-2214London 18th cent. William Juxon 1582-1663 Archbishop of Canterbury. Engraving. Image size: 105 mm x 178 mm. Sheet size: 285 mm x 440 mm.Watermarked "Waldore". London, 18th cent. unknown
2093722 Charlotte Street Bloomsbury London. 'Friday Morning'. No date 1842. 1p. 4to. On bifolium. In good condition lightly aged. The verso of the second leaf bearing a seal in red wax is addressed by Müller 'To the Secretary of the Manchester Exhibition'. Winstanley has written the picture's catalogue number 244 at the head. Letter and signature in a bold large hand. Reads: 'Sir I take the liberty of forwarding to ye. Institution the picture of ye. Money Changers Siout Egypt. Price £45.' In its report of the exhibition October 1842 the Art-Union singled out Müller's painting for praise: 'A work of the highest merit; the production of an artist who has secured a reputation second to that of very few who do honour to their country. The whole arrangement of this picture money changers of Egypt is excellent; it is full of strong character – a deep reading of the human mind; and as an example of colour it is in all respects masterly.' 22 Charlotte Street, Bloomsbury [London]. 'Friday Morning'. No date [1842]. unknown
19779No place. 22 May 1795. 2pp. 12mo. In good condition lightly-aged with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin Cheam'. In 1777 on becoming vicar of Boldre in the New Forest Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger 1757-1848. Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing' noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson 'William writes to William' 2014. He begins by explaining that he has been informed by 'Will Farish' the Farishes and Gilpins were related by marriage that the account he gave of 'ye Portuguese missionaries' was mistaken and that they were in fact 'Mahomedan missionaries': 'I mentioned it to Mrs. Gisborne frm. whom I had ye acount; & send Will. Farish an extract frm. her letter; & I send it open that you may read it. not present' The letter continues: 'I mentioned to Mr. Gisborne yt. I thought he shd. have said something more in his Inquiry Gisborne's 'Enquiry into the Duties of Men' was published in 1795 abt. Schools than he has done. Two or 3 letters passed on ye subject between us. I told him of ye little thing you had written on your school. He has a very great desire to see it. If I could only prevail with you to shew it to me I could give you my opinion abt. shewing it to him.' No place. 22 May 1795. unknown
75-5070New York: New York Studio School of Drawing painting and Sculpture 1999. 8vo. Stapled Wrap ca. 18 pp. B&W Plates Very good with Creasing. Provenance: Richard Diebenkorn Foundation Berkeley CA New York: New York Studio School of Drawing, painting and Sculpture, 1999 unknown
1996147183Stuttgart-Degerloch. Druck Offizin Scheufele 1996. 192 Seiten. Mit zahlreichen teils farbigen u. teils faks. Abbildungen. Farbig illustrierte Originalbroschur. (Geringe Gebrauchsspuren). 22x21 cn
19812141Hamburg, 1981. 319 S. Mit zahlr. Abb. 4to. 26 cm. OKart.
238095Hardcover. GOOD. NOEAN 0 9789900213765 PLAIN BLACK BOARDS NUMEROUS INSCRIPTIONS FROM FRIENDS STURDY BOOK MINOR WEAR CONTENTS TANNED BUT GOOD NOEAN hardcover
2015BN38972Taylor & Francis Ltd 2015. Auflage: 2 New edition 13. November 2015. Hardcover. 241 x 32 x 229 cm. Wig Making and Styling: A Complete Guide for Theatre and Film Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics from styling tools to creating beards it ramps up to advanced techniques for making measuring coloring and cutting wigs from any time period. Whether youre a student or a professional youll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs multiple approaches to solving wig-making problems and industry best practices. "The first of its kind and a must-have for students and professionals alike. Filled with photographs and detailed step-by-step instructions for every sort of wig and hairpiece Wig Making and Styling now occupies a prominent place in my professional library. I will refer to it often as I work." -William Ivey Long five-time Tony Award winning costume designer Buchrückseite: Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods Wig Making and Styling contains everything you need to be a cut above offering snippets on styling tools hair types wig making and measuring coloring cutting and even creating beards and toupees. Other great features include: -Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry including history and best practices Full of inspirational and directive photographs this book will groom anyone from novice to professional stylist into a skilled wig designer. Neben den 2 anderen Bänden "Historical Wig Styling" habe ich mir auch diesen zugelegt. Es werden eher die Basics erklärt keine komplett fertigen Frisuren für diese oder jede Epoche. Doch gerade als Einstieg ist es gut sich zunächst mit allen wichtigen Aspekten des Perückenmachens zu beschäftigen bevor man gleich loslegt und dann im Prozess etwas versemmelt. In der Hinsicht ist es eine gute Hilfe. Ein Auszug der behandelten Themen: - Techniken und Gerätschaften - Basics der Perückenherstellung - Akkurates Maßnehmen - Aufsetzen und Abnehmen - Haarteile herstellen - Schneiden Färben etc. - Perückenpflege Content: Chapter 1: Wig-Making Terms Tools and Techniques Glossary of Wig and Hair Terms Wig-Making Tool Kit Wig Styling Tool Kit Hairpins and Clips Rollers/Curlers A Well-Equipped Wig Area Handling a Wig Blocking a Wig Blocking Hard-Front Wigs Blocking Lace-Front Wigs Basic Hand Sewing Stitches Chapter 2: Wig Application and Removal Hair Prep Long Hair Nylon Wig Caps vs Fishnet Wig Caps Short Hair Prepping for Film How to Hold and Put on a Lace-Front Wig Applying Hard-Front Wigs and Falls Removing Wigs After a Performance A Word About Quick Changes and Tap Dancing Chapter 3: Care and Maintenance of Wigs Cleaning Wig Laces Cleaning Facial Hair Touching up a Wig Washing Wigs A Note About Hair Washing Products Washing the Wig off the Block Washing the Wig on the Block Storing Your Wigs Storage Systems Chapter 4: Wig-Making Basics: Learning to Ventilate Ventilating Needles and Holders Loading Your Needle Wig-Making Laces and Nets Fronting Laces Back/Foundation Laces Stretch Laces Other Wig-Making Materials The Direction and Stretch of the Lace Types of Hair Basic Wig-Knotting/Ventilating Technique Double Knotting Ventilating Positions Hair Density and Ventilating Patterns Ventilating Direction Untying Knots Color Blending Sewing with Invisible Thread Hair Punching Chapter 5: Taking Accurate Measurements Proper Head Measurements Transferring Head Measurements to a Block Plastic-Wrap Head Tracings Padding Out a Block with a Plastic Tracing Chapter 6: Facial Hair Creating the Pattern for the Facial Hair Piece Tracing method free hand method & stock paper patterns Adding Texture to the Hair Individual Hairpiece Characteristics Eyebrows Mustaches Sideburns Beards and Goatees Cutting and Styling the Facial Hair Applying the Facial Hair Removing the Facial Hair Direct Application Techniques Hair Laid On Facial Hair Floating Beards Historical Timeline of Facial Hair Styles Gallery of Natural Facial Hair Chapter 7: Working with and Adapting Commercial Wigs and Weft Cleaning Old Wigs Bringing Back the Shine of an Old Wig Dulling the Shine of a New Synthetic Wig Removing Weft Thinning a Wig with Thinning Shears Sewing Weft to the Underside of a Wig Adding Weft to Wigs Sewing Weft to a Pre-Made Foundation Piecing Together Wigs Full Bottom Wig Piecing Together Wigs to Increase Size Styling Tricks to Conceal the Front Edge of a Wig Using the Performer's Own Hair to Conceal the Front Edge of the Wig Chapter 8: Fronting Wigs Fronting and Other Adaptations of Commercial Wigs Types of Fronts The Human Hairline Changing the Hairline Building the Fronts Variation 1 Variation 2 Variation 3 Truing the Hairline Lace Direction and Hair Growth Direction Quick Front: A Step-by-Step Example Standard Front Deep Fronts Deep Front Variation 1 Variation 2 Variation 3 Mini Fronts Silk Blenders Nape Lace Chapter 9: Building a Wig From Scratch Types of Foundations Building a Circumference-Band Foundation Vegetable Net & Caul Net/Circumference Band/Right-Side-Out/Hand Sewn Variations on Circumference Band Foundations Variations on Nape-Piece Foundations Variations on One-Piece Foundations Notes About Adding Hair Parts Crown Swirls and Cowlicks Miscellaneous Foundations Balding Wigs Fringes Sewing Weft to a Pre-Made Foundation Summary Chapter 10: Partial Wigs Toupees and Hairpieces Toupee Graying Temple Pieces Pull-Throughs Falls Type 1 Type 2 Type 3 Type 4 Switches Kabuki-Inspired Lion Wig Making Custom Weft Using Weft to Make Clip-In Extensions ã Chapter 11: Wig Styling Techniques Elements of a Hairstyle Straight Hair Wetting and Drying Flat-Ironing and Roller Setting Steaming the Hair Wavy Hair Finger Waves/Water Waves Marcel Waves Pin curls Waving and Crimping Irons Curly Hair Roller Setting Roller Setting: Ringlets/Sausage Curls Roller Setting: Spiral Rolling Techniques Spiral Curls/Medusa Set Braids The Standard Basic Braid French Braids Reverse French Braid Rope Braids Herringbone Braids Dreadlocks Chapter 12: Creating a Hairstyle Break the Hairstyle Down into Sections Understand the Hairstyle Interpreting Research Draw Your Setting Pattern Set Your Wig Comb Out the Set Teasing and Stuffing Wire Frames Styling Men's Wigs Wig Setting and Styling Tips From Set to Style: Examples Example 1: Cosette in Les Miserables Example 2: 1930s Hollywood Movie-Star Look Gallery of Historical Hairstyles Chapter 13: Choosing Cutting Coloring and Perming the Hair Dyeing Wigs and Wig Fibers Universal Hair Color Systems American Cosmetology Hair Level System Types of Hair Color Products Dyeing Protein Fibers Using Fabric Dyes Preparing Hair Bundles for Dye Dyeing Synthetic Fibers Perming Wigs and Wig Fibers Cutting Wigs Chapter 14: Hair that Isn't Hair: Wigs Made from Other Materials Bases and Foundations Fosshape TM Bases Buckram and Felt Bases Other Types of Bases Covering the Cap Building a Structural Support Frame Combining Hair and Non-Hair Materials Working with Jumbo Braid Example of the Step-by-Step Process of Creating an Unusually Shaped Wig Gallery of Non-Hair/Fantasy Wigs Chapter 15: The Business Of Wigs and Hair Analyzing and Understanding the Play Forms of Drama Basic Plot Structure Scene Breakdowns Organizing Your Production Bible Character Design Group Relationships Designing an Overall Look for a Production Budgeting for a Production During the Production Wig Jobs and How to Get Them A Note About Unions Licenses and Certifications Charging for Your Work Appendix 1: Wig Resource/Supply List Appendix 2: Blank Forms for Shop Use Index Zusatzinfo 851 Halftones color Verlagsort London Sprache englisch Maße 229 x 229 mm Kunst Musik Theater Film TV Künstler Musik Theater Theaterwissenschaften Ballett ISBN-10 1-138-81918-2 / 1138819182 ISBN-13 978-1-138-81918-4 / 9781138819184 <br/><br/>Wig Making and Styling: A Complete Guide for Theatre and Film Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics from styling tools to creating beards it ramps up to advanced techniques for making measuring coloring and cutting wigs from any time period. Whether youre a student or a professional youll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs multiple approaches to solving wig-making problems and industry best practices. "The first of its kind and a must-have for students and professionals alike. Filled with photographs and detailed step-by-step instructions for every sort of wig and hairpiece Wig Making and Styling now occupies a prominent place in my professional library. I will refer to it often as I work." -William Ivey Long five-time Tony Award winning costume designer Buchrückseite: Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods Wig Making and Styling contains everything you need to be a cut above offering snippets on styling tools hair types wig making and measuring coloring cutting and even creating beards and toupees. Other great features include: -Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry including history and best practices Full of inspirational and directive photographs this book will groom anyone from novice to professional stylist into a skilled wig designer. Neben den 2 anderen Bänden "Historical Wig Styling" habe ich mir auch diesen zugelegt. Es werden eher die Basics erklärt keine komplett fertigen Frisuren für diese oder jede Epoche. Doch gerade als Einstieg ist es gut sich zunächst mit allen wichtigen Aspekten des Perückenmachens zu beschäftigen bevor man gleich loslegt und dann im Prozess etwas versemmelt. In der Hinsicht ist es eine gute Hilfe. Ein Auszug der behandelten Themen: - Techniken und Gerätschaften - Basics der Perückenherstellung - Akkurates Maßnehmen - Aufsetzen und Abnehmen - Haarteile herstellen - Schneiden Färben etc. - Perückenpflege Content: Chapter 1: Wig-Making Terms Tools and Techniques Glossary of Wig and Hair Terms Wig-Making Tool Kit Wig Styling Tool Kit Hairpins and Clips Rollers/Curlers A Well-Equipped Wig Area Handling a Wig Blocking a Wig Blocking Hard-Front Wigs Blocking Lace-Front Wigs Basic Hand Sewing Stitches Chapter 2: Wig Application and Removal Hair Prep Long Hair Nylon Wig Caps vs Fishnet Wig Caps Short Hair Prepping for Film How to Hold and Put on a Lace-Front Wig Applying Hard-Front Wigs and Falls Removing Wigs After a Performance A Word About Quick Changes and Tap Dancing Chapter 3: Care and Maintenance of Wigs Cleaning Wig Laces Cleaning Facial Hair Touching up a Wig Washing Wigs A Note About Hair Washing Products Washing the Wig off the Block Washing the Wig on the Block Storing Your Wigs Storage Systems Chapter 4: Wig-Making Basics: Learning to Ventilate Ventilating Needles and Holders Loading Your Needle Wig-Making Laces and Nets Fronting Laces Back/Foundation Laces Stretch Laces Other Wig-Making Materials The Direction and Stretch of the Lace Types of Hair Basic Wig-Knotting/Ventilating Technique Double Knotting Ventilating Positions Hair Density and Ventilating Patterns Ventilating Direction Untying Knots Color Blending Sewing with Invisible Thread Hair Punching Chapter 5: Taking Accurate Measurements Proper Head Measurements Transferring Head Measurements to a Block Plastic-Wrap Head Tracings Padding Out a Block with a Plastic Tracing Chapter 6: Facial Hair Creating the Pattern for the Facial Hair Piece Tracing method free hand method & stock paper patterns Adding Texture to the Hair Individual Hairpiece Characteristics Eyebrows Mustaches Sideburns Beards and Goatees Cutting and Styling the Facial Hair Applying the Facial Hair Removing the Facial Hair Direct Application Techniques Hair Laid On Facial Hair Floating Beards Historical Timeline of Facial Hair Styles Gallery of Natural Facial Hair Chapter 7: Working with and Adapting Commercial Wigs and Weft Cleaning Old Wigs Bringing Back the Shine of an Old Wig Dulling the Shine of a New Synthetic Wig Removing Weft Thinning a Wig with Thinning Shears Sewing Weft to the Underside of a Wig Adding Weft to Wigs Sewing Weft to a Pre-Made Foundation Piecing Together Wigs Full Bottom Wig Piecing Together Wigs to Increase Size Styling Tricks to Conceal the Front Edge of a Wig Using the Performer's Own Hair to Conceal the Front Edge of the Wig Chapter 8: Fronting Wigs Fronting and Other Adaptations of Commercial Wigs Types of Fronts The Human Hairline Changing the Hairline Building the Fronts Variation 1 Variation 2 Variation 3 Truing the Hairline Lace Direction and Hair Growth Direction Quick Front: A Step-by-Step Example Standard Front Deep Fronts Deep Front Variation 1 Variation 2 Variation 3 Mini Fronts Silk Blenders Nape Lace Chapter 9: Building a Wig From Scratch Types of Foundations Building a Circumference-Band Foundation Vegetable Net & Caul Net/Circumference Band/Right-Side-Out/Hand Sewn Variations on Circumference Band Foundations Variations on Nape-Piece Foundations Variations on One-Piece Foundations Notes About Adding Hair Parts Crown Swirls and Cowlicks Miscellaneous Foundations Balding Wigs Fringes Sewing Weft to a Pre-Made Foundation Summary Chapter 10: Partial Wigs Toupees and Hairpieces Toupee Graying Temple Pieces Pull-Throughs Falls Type 1 Type 2 Type 3 Type 4 Switches Kabuki-Inspired Lion Wig Making Custom Weft Using Weft to Make Clip-In Extensions ã Chapter 11: Wig Styling Techniques Elements of a Hairstyle Straight Hair Wetting and Drying Flat-Ironing and Roller Setting Steaming the Hair Wavy Hair Finger Waves/Water Waves Marcel Waves Pin curls Waving and Crimping Irons Curly Hair Roller Setting Roller Setting: Ringlets/Sausage Curls Roller Setting: Spiral Rolling Techniques Spiral Curls/Medusa Set Braids The Standard Basic Braid French Braids Reverse French Braid Rope Braids Herringbone Braids Dreadlocks Chapter 12: Creating a Hairstyle Break the Hairstyle Down into Sections Understand the Hairstyle Interpreting Research Draw Your Setting Pattern Set Your Wig Comb Out the Set Teasing and Stuffing Wire Frames Styling Men's Wigs Wig Setting and Styling Tips From Set to Style: Examples Example 1: Cosette in Les Miserables Example 2: 1930s Hollywood Movie-Star Look Gallery of Historical Hairstyles Chapter 13: Choosing Cutting Coloring and Perming the Hair Dyeing Wigs and Wig Fibers Universal Hair Color Systems American Cosmetology Hair Level System Types of Hair Color Products Dyeing Protein Fibers Using Fabric Dyes Preparing Hair Bundles for Dye Dyeing Synthetic Fibers Perming Wigs and Wig Fibers Cutting Wigs Chapter 14: Hair that Isn't Hair: Wigs Made from Other Materials Bases and Foundations Fosshape TM Bases Buckram and Felt Bases Other Types of Bases Covering the Cap Building a Structural Support Frame Combining Hair and Non-Hair Materials Working with Jumbo Braid Example of the Step-by-Step Process of Creating an Unusually Shaped Wig Gallery of Non-Hair/Fantasy Wigs Chapter 15: The Business Of Wigs and Hair Analyzing and Understanding the Play Forms of Drama Basic Plot Structure Scene Breakdowns Organizing Your Production Bible Character Design Group Relationships Designing an Overall Look for a Production Budgeting for a Production During the Production Wig Jobs and How to Get Them A Note About Unions Licenses and Certifications Charging for Your Work Appendix 1: Wig Resource/Supply List Appendix 2: Blank Forms for Shop Use Index Zusatzinfo 851 Halftones color Verlagsort London Sprache englisch Maße 229 x 229 mm Kunst Musik Theater Film TV Künstler Musik Theater Theaterwissenschaften Ballett ISBN-10 1-138-81918-2 / 1138819182 ISBN-13 978-1-138-81918-4 / 9781138819184 Taylor & Francis Ltd hardcover
19851303EBWien-München., Christian Brandstätter Verlag., 1985. 25 x 23 cm. 560 S. OPappband mit illustriertem OUmschlag., 1303E.jpg Auflage: 5000 Exemplare. Umschlag ist minimal angestaubt, sonst gutes bis sehr gutes Exemplar.
1911PAED0041Wien u. Lpz., Pichler 1911. CII, 198(1) S., OLn., Kanten u. Ecken etwas berieben, vord. Seitenkante mit leichter Eindellung, Rotschn., unt. Rückenende leicht berieben, Vors. m. Vlgsanz. (Pädagogische Klassiker. Hrsg. v. Gustav Adolf Lindner; 3.).
2001500224766HACHETTE EDUC 2001 192 pages 19 4x1x28 2cm. 2001. Broché. 192 pages.
1996286953PN. New. 1996. Soft Cover. Date is original print. This is a reprint edition . PN paperback
0995573638.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG1475807473Rowman & Littlefield Publishers 2015-03-30. hardcover. Used: Good. 6.33x0.86x9.30. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
DADAX1475807473Rowman & Littlefield Publishers 2015-03-30. hardcover. New. 6.33x0.86x9.30. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
DADAX1475807481Rowman & Littlefield Publishers 2015-03-25. paperback. New. 5.97x0.61x9.05. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
20142111902160601448Chunichishinbunsha 2014. Soft Cover. Fine. The book is in fine condition. Chunichishinbunsha paperback
1341379027.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0548604967.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1163922773.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007DADAX0548604967Kessinger Publishing 2007-10-02. paperback. New. 6.00x1.63x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
20022091502133900032Not Available 2002. Soft Cover. Fine. Volume: 1 Not Available paperback
1981G0915130645I3N01Education Communications 1981. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Education Communications hardcover
0153632194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SLIVCN-9781912891085The School of Life Press (1/2019)
