807 résultats
192658100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out†as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach†& “Mohair†suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
19279883New York 1927. 4.5x3.5" photograph slightly trimmed down affecting the studio stamp on the bottom edge. Signed by Florence Mills in 1927. Mounted on an autograph album page with a signature card from Betty Blythe to verso. Few spots to photo some soiling to edges. Signature bright and clear. Very good. <br /> <br /> Rare signed photograph from one of the most celebrated Black performers of the 1920s Florence Mills 1896-1927 who died at the age of 31 from complications from tuberculosis and an appendectomy. <br /> <br /> Mills was a child performer in travelling Black stage productions with her sisters as well as "The Tennessee Ten." One of her early major roles was in the Broadway musical Shuffle Along in 1921 one of the defining productions marking the beginning of the Harlem Renaissance. She was a regular performer at the Plantation Club and later headlined the Palace Theatre before becoming internationally known starring in Lew Leslie's Blackbirds of 1926. While performing some 300 shows in London of that year she became ill with tuberculosis her death the following year shocking the entertainment world.<br /> <br /> A naturally scarce signed photo from the year of her death depicting one of the defining performers of the Harlem Renaissance. unknown
189646854Paris Gauthier-Villars 1896. 4to. Near contemp. full cloth. Spine gilt and with gilt lettering. Bookmark "The Chemists Club" in gold on lower part of spine. Light wear along edges. In: "Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences" Tome 122 Entire volume offered.1633 pp. The papers: 420-421 pp. 501-502 pp. 559-564 pp. 689-694 pp. 762-767 and pp. 1086-1088. <br/><br/><em>First appearance of the six landmark papers in which Becquerel documents his discovery of Radio-activity PROMPTING THE NUCLEAR AGE.Becquerel was an expert in fluorescence and phosphorescence continuing the work of his father and grandfather. Follwing the discovery of X-rays by Röntgen Bexquerel investigated fluorescent materials to see if they also emitted X-rays. He exposed a fluorescent uranium salt pechblende to light and then placed it on a wrapped photographic plate.He found that a faint image was left on the plate which he believed was due to the pichblende emitting the light it had absorbed as a more penetrating radiation. However by chace he left a sample that had not been exposed to light on top of a photographic plate in a drawer. he noticed that the photographic plate also had a a faint image of the pechblende. After several chemical tests he concluded that these "Becquerel rays" were a property of atoms. He had by chace discovered radio-activity and prompted thee beginning of the nuclear age. He shared the Nobel Prize for Physics in 1903 with Marie and Pierre Curie. The "Becquerel Rays" were later discovered to be a composite of three forms of emanation distinguished by Rutherford as alpha beta and gamma rays.Dibner: 163 the later Mémoire from 1903 - PMM: 393 1903- Mémoire - Garrison & Morton: 2001 only the first paper. - Magie "A Sourve Book in Physics" p. 610 ff. - Norman:157. </em> hardcover
193053742New York: Macmillan Company 1930. 8vo. 8 230 pp. Navy-blue publisher’s cloth gilt lettering minor rubbing to spine very minor shelfwear w/ d.j. printed on metallic silver coated paper Art Deco cover art of 1920s limousine and the well-dressed set in orange & black minor chipping to head & foot of spine very minor edgewear & creasing upper fore-edge couple very small closed tears w/ minor very small tape repair still a VG/VG- copy. First edition of this fast-paced novel set against the backdrop of a penniless Russian Prince exiled by the Revolution who makes a deal with a clever Chicago fashion buyer to act as chauffeur and purchase the sumptuous “Car of Croesus†rented at exorbitant rates to patrons wishing to appear as millionaires. Poole won the first Pulitzer Prize for The Family in 1918. Very scarce in the original dustjacket. Macmillan Company, hardcover
193425365ENew York: Frederick A. Stokes 1934. First Edition. Near fine bright copy in a very good dust jacket with a 1/4 inch piece to the head of the spine some minor dust soiling to the rear panel and a few very small chips and tears. The publisher created a contest for readers of the book with the details outlined on the rear panel of the dust jacket. The contest was to remain open until 30 days before the opening game of the World Series: “Twenty-five official Big League Baseballs personally autographed by Babe Ruth will be given as prizes to the twenty-five best answers in fifty words or less to the following question: Was it necessary for Detective Kelly to shoot the pigeon or was he unjustified in taking the life of this harmless creature.†Frederick A. Stokes unknown
198327269Mountain & Sea Publishing 1983 HB NODJ Issued Photographic Cover with Label & Gold Gilt Decorated1983 LATER Edition FINE/F- NOJACKET SIGNED ALOHA TOM BLAKE 1989 on Title pg in Black Ink . Signed by Authors. Hard Cover. Very Good/No Jacket. Illus. by Tom Blake PHOTOGRAPHY. Mountain & Sea Publishing hardcover
1906219991NP ca.1906 1906. First Edition. Paperback. All photographs are in a very good condition slightly edge-nicked and dulled as with age. A selection of the portraits are mounted on stiff card. Overall this unique collection remains particularly well-preserved. Further scans images etc. and additional bibliographical material available on request. ; 8vo 8"" - 9"" tall; 0 pages; A remarkable collection of over 30 original photographs relating to Vladimir Chertkov and Tuckton House in England the home of Free Age Press which published works of Tolstoy from his original manuscripts. The photographs include portraits of Chertkov his family and other members of the 'Tolstoy Commune'. Also included are photos of the house and other buildings with some shots of a building on fire. Some photos are labelled and dated on the reverse 1905-1912. Biographical note: Vladimir Chertkov Leo Tolstoys secretary and friend travelled to England in 1897 after his exile by the Russian government. He settled at Tuckton House where Tolstoy had enjoyed a summer holiday in 1894. Tchertkov brought with him thirty or so other emigres mainly middle-class artisans and professionals who were resolved to publish the works of their mentor Tolstoy. Chertkov put his money energy and leadership skills into the remarkable Free Age Press run by A. C. Fifield. Over the next few years this small press produced 424 million pages of Tolstoys writing. Its propagating work was then carried on by the publisher C. W. Daniel also a fan of Tolstoy and who acquired the rights of the Free Age Press around 1906. NP, ca.1906 paperback