SIGNED Love Madonna ?Biblio.com
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86838 X 10 inches Fine ConditionAutograph GUARANTEED AUTHENTIC OR RETURN FOR FULL REFUND. Signed by Author. Unbound.
1999Q-1555951767Hudson Hills 1999-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hudson Hills paperback
199966959New York NY: Hudson Hills Press 1999. Presumed first edition/first printing. Hardcover. Very good/very good. Sigler Hollis. 96 pages. Signed bookplate. Color illustrations. Signed by author. DJ has slight wear and soiling. Hollis Sigler a leading feminist artist was diagnosed in 1985 as having breast cancer. After it recurred she began a pictorial journal now encompassing more than 100 works which combines personal experience with family history medical statistics and the raising of political awareness. This volume brings together 60 of her paintings with additional essays by the artist Dr Susan M Love and James Yood who draw parallels between Sigler and Frida Kahlo. From Wikipedia: "Hollis Sigler 1948 2001 was a Chicago-based artist whose paintings addressed her life with breast cancer. She died of the disease in 2001 at the age of 53 She received degrees from both Moore College of Art and the School of the Art Institute of Chicago. Her mature artistic style was faux-naïve featuring paintings whose subjects furniture and clothing set in doll-house type interiors and suburban landscapes were stand-ins for the implicitly female figure. She was an openly lesbian artist and a prominent member of the faculty of Columbia College in Chicago. After being diagnosed with breast cancer in 1985 Sigler s themes became more personal confronting ideas about body image heredity illness mortality and hope.Breast cancer ran in Sigler s family; her great-grandmother Sarah Anna Truitt Ryan died of the disease and Sigler s mother diagnosed with breast cancer in 1983 succumbed to it in April 1995. Sigler received a diagnosis of breast cancer in August 1985. The artist underwent a mastectomy and chemotherapy but by 1993 the cancer had spread to her bones pelvis and spine. Among the first art works dealing with her illness that Sigler produced after her cancer diagnosis was a series of five vitreograph prints. Produced in the fall of 1985 at Littleton Studios in North Carolina the prints titled "When Choice isn't Possible " "Forever Unobtainable " "Needing to Make a Change " "She still Dreams of Flying" and "There is Healing to be Done" introduced a darker side to the artist's woman-oriented works. Almost a decade after those works where produced Sigler noted in a 1994 interview that she thought the images in her paintings would change as she changed; instead while the content of her work changed her imagery remained the same. In an interview published in Chicago s New Art Examiner Sigler said that she realized that she would eventually die of breast cancer and this knowledge had changed the way she approached her art. In 1992 she began her series of paintings Breast Cancer Journal: Walking with the Ghosts of My Grandmothers. Intensely personal the vividly colored works portray unpeopled scenes where women s clothing dresses aprons corsets gloves and stockings furniture including chairs beds and vanities and antique sculptures including the Nike of Samothrace and the Venus de Milo are surrogates for the artist. Embued with a life of their own they enact the emotional responses of the artist to her illness. These paintings could be shockingly forthright. In a review of the 1993 exhibition "The Breast Cancer Journal: Walking with the Ghosts of my Grandmothers" at the National Museum of Women in the Arts journalist Lee Fleming wrote of the content of one painting in particular: "The glorious Nike of Samothrace "Winged Victory " stands in armless profile atop a shallow fiery-hued tumulus not unlike a breast. Red rain falls; a bloodied paving-stone path encirles the mound like a scar. The ground inside and outside this red-gray line is littered with discarded contemporary and antique clothes all of which share a bleeding cutout where one breast would be." The paintings could also embody the artist's vision of the spiritual human being triumphing over the ordeal of breast cancer. Fleming cites "To Kiss the Spirits: Now this is What it is Really Like " as an example of a painting that "sums up Sigler's struggle in a glorious apotheosis." Hudson Hills Press hardcover
1999131472New York: Hudson Hills Press 1999. First edition. Hardcover. 95 pages. A powerful group of 60 images created after Sigler learned she had a recurrence of breast cancer. Foreword by Susan M. Love and essay by James Yood. A fine copy in a fine dust jacket and in the original shrinkwrap. Hudson Hills Press unknown books
20051-0596009305Oreilly & Associates Inc 2005. Paperback. New. 5th edition. 925 pages. 9.00x6.00x1.75 inches. Oreilly & Associates Inc paperback
2005Q-0596009305O'Reilly Media 2005-08-06. Paperback. New. In shrink wrap. Looks like an interesting title! O'Reilly Media paperback
2009Q-0596154488O'Reilly Media 2009-10-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! O'Reilly Media paperback
9780596009304New. unknown
2009x-0596154488Oreilly & Associates Inc 2009. Paperback. New. 6th edition. 800 pages. 9.00x6.00x2.00 inches. Oreilly & Associates Inc paperback
1990257069San Francisco: Hombre Productions 1990. Magazine. 96p. 5.5x8.5 inches illustrated with b&w physique photography frontal nudity personal ads classifieds very good digest-size magazine in stapled color pictorial wraps. Hombre Productions unknown books
in-16, 312 pp., broche, couverture illustree. Bon etat. [JL-1]
2014163394Freiburg, Br., Basel & Wien: Herder 2014. 549 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
19611231211961 Editions Gérard & C°, Verviers - collection "Marabout" - 1961 - In-12 broché, couverture illustrée - 438 pages
1967191651967. Columbia Pictures Corporation To Sir With Love 1967 documents the emergence of Sidney Poitier as a central figure in global Black cinema and the articulation of race authority and education within a transatlantic context during the Civil Rights era. The film places a Black teacher in a working-class London classroom foregrounding questions of discipline respectability and interracial social dynamics. These lobby cards provide visual evidence of how Poitier's screen persona functioned within narratives of moral authority and social mobility supporting research into African American film history postwar race relations and the international circulation of Black cultural figures.<br /> <br /> Archive of 11 original lobby cards issued by Columbia Pictures Corporation measuring between approximately 10 x 7.5 inches 10 x 8 inches and 14 x 11 inches comprising four color and seven black and white photographic stills. Each card features Sidney Poitier in staged scenes from the film including classroom interactions moments of confrontation and instruction and scenes of social engagement with students and colleagues. Notable images include Poitier receiving guidance from a fellow instructor on classroom management interacting with the school headmaster and participating in both boxing and dance sequences reflecting the narrative's blending of discipline and personal connection. Co-star Pamela Dare appears in select images emphasizing interpersonal dynamics central to the film's storyline. Several cards bear verso markings including 1960s distribution stamps and one example with a CBS Studios pastedown referencing a 1972 television broadcast indicating continued circulation beyond the initial theatrical release.<br /> <br /> Produced at a moment when Sidney Poitier had already become the first African American actor to win the Academy Award for Best Actor the film and its promotional materials contributed to shaping his public image as a figure of dignity restraint and institutional authority. To Sir With Love extended this image into an international setting situating issues of race and class within the British educational system while maintaining resonance with American audiences during a period of civil rights struggle and social change. The lobby cards offer insight into how Black masculinity and leadership were visually constructed and marketed in late 1960s cinema. Minor edge wear and light handling marks with occasional verso stamps and pastedown; images remain sharp and colors well-preserved; overall very good. A cohesive visual archive of Sidney Poitier's role in redefining Black representation in mainstream film. unknown
1967192911967. Columbia Pictures Corporation To Sir With Love 1967 documents the international emergence of Sidney Poitier as a defining figure in African American film history presenting a Black educator navigating race class and authority within a working-class London school. The film situates Poitier's character within an interracial classroom addressing discipline respect and social hierarchy and contributes to the study of Civil Rights-era screen representation and the global circulation of Black leadership figures in popular cinema.<br /> <br /> Archive of 8 original lobby cards issued by Columbia Pictures Corporation each measuring approximately 14 x 11 inches all in color. The images feature Sidney Poitier in a range of narrative settings including classroom instruction scenes in which he addresses predominantly white students while dressed in formal attire reinforcing his role as an authoritative educator. Additional scenes depict Poitier boxing suggesting physical discipline and personal control and social interactions with co-stars including Suzy Kendall and Garreth Robinson including a gathering scene and a seated classroom moment. Other lobby cards focus on the students themselves emphasizing the group dynamics central to the film's narrative. All cards include printed captions identifying the film and principal actors.<br /> <br /> Produced during a period when Sidney Poitier had established his position as the first African American recipient of the Academy Award for Best Actor To Sir With Love extended his screen persona into an international educational setting aligning narratives of racial progress with themes of discipline and mutual respect. The film's depiction of a Black teacher commanding authority in a white classroom resonated with contemporaneous struggles over integration and social change in both the United States and the United Kingdom. Minor uniform half-inch holes to the lower right of each card slightly affecting image area; otherwise bright with light handling wear; overall very good. A cohesive visual group illustrating Sidney Poitier's role in shaping representations of Black authority in late 1960s cinema. unknown
1973Q-0812815904Stein Day Publishers 1973-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Stein Day Publishers paperback
As New English 20. yuzyil bati resim sanatinda ask olgusu, Sibel Almelek Isman, Arion yayinevi, Ist., 2008. Mint. Paperback. 152 p. Color ills. Large 8vo. (23 x 15 cm). =[The subject of 'love' in the 20th century Western painting art.]. In Turkish.
44935Christian Bourgois éditeur, 1978. 13 x 20, 235 pp., broché, bon état.
19352083002117401949Hi u-hin 1935. Soft Cover. Fine. Volume: 1 Hi u-hin paperback
19792091202132802583Not Available 1979. Soft Cover. Fine. Number of books: 1 Not Available paperback
VLE-716New Dehli, , 1967, in-8 oblong, X+59 pp. illustrées de 18 planches en couleurs. Bon exemplaire relié plein cartonnage éditeur sous jaquette illustrée en couleurs
60 pages. Ann Sheridan cover photo. Songs include: My Lolita (Lolita Mia); Home on the Range; An Outlaw on the Range; Cowboys and Indians; The Cowboy and the Gal; Git Along Little Dogies; Windy Bill; Gila Town (Heela Town); Old Montana; I'm a Cowboy and How, Boy!; O Bury Me Not on the Lone Prairie (The Dying Cowboy); Little Joe, The Wrangler; Must I Ride a Mustang? (Nay! Nay!); The Cowboy's Lament (Streets of Laredo); Goodbye, Old Paint; The Big Corral; The Cowpuncher; Love is Like a Roundup; Cowboy Boom Song (Based on an old Swedish Folk-song); Rounded up in Glory; Red River Valley. Bit of writing on front cover. Average wear. A quality vintage copy. Book
B9781009478601Hardback. New. In this Element the author traces the development of the Standard Model through the interplay of the different symmetries realized in the various components of the model as well as in other sub-fields of physics. hardcover
ria9781009478601_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this Element the author traces the development of the Standard Model through the interplay of the different symmetries realized in the various components of the model as well as in other sub-fields of physics. hardcover
46658716-nnew. unknown
