Antiquariat.de
350 résultats
1984774061984. Bildgröße 5 x 8,5 cm. Unter Passepartout.
193076411[ca. 1930]. Bildgröße 8,5 x 12,5 cm. Unter Passepartout.
192476413[ca. 1924]. Bildgröße 7,5 x 11,5 cm. Unter Feinkartonpassepartout.
192476412[ca. 1924]. Bildgröße 11,5 x 8 cm. Feinkartonpassepartout.
198076518[ca. 1980]. Bildgröße 9,5 x 15,5 cm. Feinkartonpassepartout.
1934765101934. Auf starkem Kupferdruckbütten. Bildgröße 19 x 14,5 cm. Unter Feinkartonpassepartout.
192118082München, Verlag der Marees-Gesellschaft R. Piper & Co. 1921. 36 S. Mit 3 Heliogravüren nach Radierungen v. E. R. Weiß, René Sintenis und Otto Schubert u. 2 Kupferdrucken nach Boucher u. Rubens sowie 5 Initialen v. E. R. Weiß. Groß-4to. 31,5 cm. OPp.
198076514[ca. 1980]. Bildgröße 10 x 18 cm.
192476414[ca. 1924]. Bildgröße 7,5 x 11,5 cm. Unter Feinkartonpassepartout.
192476415[ca. 1924]. Bildgröße 7,5 x 11,5 cm. Feinkartonpassepartout.
192476416[ca. 1924]. Bildgröße 11,5 x 7,5 cm. Unter Feinkartonpassepartout.
193076478[ca. 1930]. Auf starkem Kupferdruckbütten. Bildgröße 9 x 7 cm. Unter Feinkartonpassepartout.
192076712[ca. 1920]. Bildgröße 12 x 17 cm. Unter Feinkartonpassepartout.
192534365Bale: Heufeld & Henius 1925. Limited. hardcover. very good. Illustrated with 48 handsomely printed color plates mounted on heavy art paper protected with numbered tissue guards. No text other than title and list of plates. Slim folio original 1/2 blue calf over patterned boards with ornate gilt-decorated spine. Bale: Heufeld & Henius no date circa 1925. A very good copy of this unusual book.<br/> <br/> One of 260 numbered copies.<br/> <br/> Heufeld & Henius unknown
1967104562Gehenna Press. Very Good. 1967. Hardcover. Gehenna Press hardcover
191962005Paris: Chez l’imprimeur Leon Pichon 5 Rue Christine 1919. 12mo. 6.5 x 6.5 3 leaves unnumbered. title w/ woodcut borders & printer’s device 20 numbered woodcut engraved plates. Softcovers minor shelfwear w/ woodcut-decorated jacket folded over the covers minor spotting foxing on back cover very minor bumping to corners still VG copy numbered on colophon & ownership markings on ffep. First edition No. 353 of 400 copies printed of the noted engraver’s first major post-World War I work as a Dance of Death depicting Death’s passage in the blighted and stricken era and a firm protest against modern mechanized warfare. Hermann-Paul 1864-1940 rose to fame during the Belle Epoque with his cutting satiric depiction of the foibles of French Society was a noted defender of Alfred Dreyfus whom after the war departed from his previously leftist ideals of the Parisian art scene and spent much of the between-the-wars period as an outsider. Chez l’imprimeur Leon Pichon, 5, Rue Christine, paperback
19869138Wakefield West Yorkshire: Fleece Press 1986. Hard Cover. Very Good binding. Octavo. 8 16 8 pp. illus. Limited edition one of 200 copies. As issued in publisher's boards with printed paper labels on the front cover and spine. Spine a trifle sunned and the tail of the spine is slightly bumped else a near fine copy. A beautifully printed book with five engravings in-text by Lydbury. Fleece Press unknown
1920000012714Leipzig / Wien = Vienna: Bibliographisches Institut 1920. Paperback. Near Fine. Oblong 8vo. 14 cm x 16.5 cm. Unpaginated. Brown paper wrappers printed in red and black. Illustrated with 22 black and white images of towns and landmarks from the state of Saxony. Minor wear to the extremities. Bibliographisches Institut paperback
193737606London: Golden Cockerell Press 1937. Hardcover. Very Good. Hardcover. Number 82 of 150 signed copies. There was also an unlimited edition. This is an interesting and pretty book from the Golden Cockerell Press published early in this noted press's history. It is stunningly illustrated with six black and white engravings by Clifford Webb 1895 - 1972 the English artist and engraver. Quarter bound in brown Niger leather with gilt titling to spine and cream cloth covers. Some foxing to front cover and light sunning to top of spine. Printed in Caslon's Old Face type on Arnold's handmade paper. A nice copy in very good condition. Measures 6 x 9 inches. 109 pages plus colophon. PRI/111324. Golden Cockerell Press hardcover
19547400London: Golden Cockerel Press 1954. Hard Cover. Very Good binding. Quarto. 2 158 pp. frontis plates. Limited edition number 205 of 260. As issued in paper over boards backed in buckram; 8 full page wood engravings and two in-text vignettes. Generally an attractive copy; spine a trifle sunned; tail of the spine bumped; bookseller's pencil notes to front free endpaper; bottom edges of many pages are just a bit toned quite subtle; a beautiful copy. <br /> <br /> "First published in 1603 in Latin this very early picaresque novel immediately became a European best-seller. Written by a Scotsman who was born and bred in France it was reprinted in Latin twenty times with the first seventy years and was also translated into French Dutch and German. It was never translated into English although the original was widely read in England at the time. Our translation was thus the first to introduce Euphormio's bizarre and unpredictable adventures to the ordinary reader" Cock-A-Hoop 196. Golden Cockerel Press unknown
19679403Lexington KY: Gravesend Press printed by Robert Middleton 1967. Original Wrappers. Near Fine binding. 12mo. 4 5 3 pp. frontis illus. Limited edition. As issued sewn into pastepaper wrappers with printed paper label on the front wrapper. <br /> <br /> A beautiful copy with three engravings by DePol including the final tail-piece "Finis / Gravesend / Press." The book was nearly complete already set in type at the time of Graves's unexpected death in 1960. After many years Joe's wife and partner Lucy Graves decided to complete this edition as the final Gravesend imprint complete with the prophetic tailpiece. An absolutely charming piece of Lexington history and most certainly a part of the private press movement that was burgeoning. No indication of the size of the edition. Gravesend Press | printed by Robert Middleton unknown
19549407Lexington KY: Gravesend Press 1954. Vellum Binding. Near Fine binding. 18mo. 10 48 4 pp. illus. Limited edition number 9 of 200 copies. As issued in vellum-backed patterned-paper over boards. Lacking the slipcase. A handsome copy with only light toning to the perimeters of the boards; contents clean. This copy with 4-page prospectus. <br /> <br /> This work was the first book issued by the Gravesend Press that was actually printed using the Graves' press in their stable by Graves and Jacob Hammer. Kredel's charming engraved pressmark of a sleeping pressman graces the final page. Graves writes about this in his Bibliographical Confession the donkey in the window was their family pet Patience. Graves operated the press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of the Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses." Press historian Roderick Cave notes that this was "probably the most successful Gravesend book" p. 263. Cave The Private Press 2nd edition; Graves The Gravesend Press: A Bibliographical Confession p. 11-13. Gravesend Press unknown
19518728Lexington KY: Gravesend Press printed by Philip Reed 1951. Hard Cover. Very Good binding. Small octavo. 8 vii 1 16 2 pp. illus. Limited edition one of 500 copies. As issued in paste-paper over boards bound by Elizabeth Kner with printed paper title label on the front cover; partially unopened. 16 in-text engravings from Bewick's blocks printed in brown grace the pages of the charming volume. Light rubbing to the extremities of the binding including a scuffed spot on the front board; interior is fine. <br /> <br /> Designed by Joseph C. Graves this is the second issue with his imprint though Graves's friend Philip Reed executed the presswork at his Chicago print shop. Graves ran the Gravesend Press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Philip Reed Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses. Gravesend Press | printed by Philip Reed unknown
19529699New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. <br /> <br /> Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
19569700New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. <br /> <br /> Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. <br /> <br /> The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
