74 résultats
185829181New York: Dick & Fitzgerald 1858. First edition. Cloth. Very Good. Cloth 8vo. Dark brown pebbled cloth covers with raised floral decorations gilt lettering and design element with man hoisting up a harp on his back. viii 9-368 numbered pages followed by 16 pp of advertisements. Engraved frontis with most of tissue guard still present. A collection of humorous writings that includes the first appearance in book ofmr of any of Lewis Carroll's writings "Novelty and Romancement A Broken Spell". Unusual personalized bookmark on the first endpaper else a very good example with light but even wear to cloth covers. Interior paper has occasional smudges. A sound copy overall. Dick & Fitzgerald unknown books
194428607London: Golden Cockerel Press 1944. First Edition. One of 350 numbered copies this being copy no.69. Octavo 23.5cm; burgundy cloth blocked and titled in green and gilt on spine; top edge gilt; 12pp; illus. A couple spots of residue from binders glue to endpapers else very Near Fine. Handsome edition of Swinburne's poem illustrated with seven wood engravings throughout the text by John Buckland-Wright. Golden Cockerel Press unknown books
18051317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins; shelved case 7. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Shelved Dupont Bookstore. William Miller; The Letter Press by James Ballantyne hardcover books
18298060London: Jones 1829. Hardcover. Fine. Rebound in maroon cloth with black paper spine labels stamped in gilt. Fine condition. Minor foxing otherwise fine condition. 70 pages of text and 38 pages of steel engravings two illustrations per page in the first title. 52 pages of descriptive text and 40 pages of steel engravings two illustrations per page in the second title. Altogether 156 steel engravings on 78 pages. <br/><br/> Jones hardcover books
195319052011Kentfield: The L D Allen Press 1953. Limited Edition. Hardcover. Fine/near fine. Dean Mallette. One of 160 copies octavo size 55 pp. The thirteenth publication from The Allen Press this story by Honore de Balzac 1799-1850 was originally titled "Maitre Cornelius" and first appeared in 1831 in the "Revue de Paris"; it was published in book form in 1832. Balzac was a prolific French novelist and playwright perhaps best remembered today for "Eugénie Grandet" his first bestseller; in this famous wayward love story set in fifteenth-century France Marie de Saint-Vallier daughter of Louis XI is unhappily married and becomes entangled in an unusual love affair. <br/><br/>The book features four wood engravings by the incomparable Mallette Dean 1907-1975 painter and illustrator who worked for most of his career in San Francisco on projects such as the WPA Mural Project the murals in Coit Tower and for fifteen years illustrated books for the Grabhorn Press and other Bay-Area presses such as the Allens'. Dorothy Allen hand-colours each wood engraving bringing a bright simplicity to the scenes of the story.<br/><br/>___DESCRIPTION: Quarter blue paper with marbled paper boards red lettering on the spine fore- and bottom edges uncut title page with wood-engraved historiated initial "T" by Mallette Dean with hand-colouring by Dorothy Allen running heads in blue throughout four wood engravings by Dean with hand-colouring by Allen throughout; Romanee type handmade Highclere paper octavo size 9" by 5.75" pagination: i-v vi-lv one of 160 copies unnumbered. With prior owner bookplate on the front paste-down. In publisher's original acetate wrapper.<br/><br/>___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright; some faint sunning to the spine an Ex-Libris on the front pastedown of James Wilson Mull else fine. The acetate wrapper is near fine clean with some light scuff marks without wear but for small chips to the corners and a very small closed tear to the head of the spine.<br/><br/>___CITATION: The Allen Press Bibliography no. 13.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The L D Allen Press hardcover books
195420011203Kentfield California: The L-D Allen Press 1954. Limited Edition. Hardcover. Fine/very good. Dean Mallette. One of 175 copies quarto size 146 pp. Marie-Henri Beyle 1783-1842 is likely best remembered today for his novels "Le Rouge et le Noir" and "La Chartreuse de Parme" and is considered one of the earliest authors of realism. Stendhal saw much of the Europe of his day; as part of the Napoleonic army he participated in the 1812 invasion of Russia and the retreat therefrom; served as the French consul in parts of Italy and eventually moved to Paris being buried in Montmarte. <br/><br/>Stendhal's "Journals" provide a fascinating glimpse not only into some of the places to which he travelled but more importantly into his inner thoughts; he was one of the Allens' "esteemed authors" and they were excited at the chance to publish an excerpt of his "Journals" when approached with the idea by Professor Francis Carmody. <br/><br/>As stated in the Allen Press bibliography "this was our fourth edition to be produced entirely by hand with hand-crafted materials throughout. We were now convinced that this method was our proper métier - that the handpress is the most satisfactory instrument in a chimerical attempt at the craftsmanship standards set by Kelmscott Doves and Ashendene presses" p. 39. This book was selected as one of the AIGA fifty books of the year. <br/><br/>___DESCRIPTION: Bound in full Fortuny printed cloth from Venice of antique red on a dull gold background headbands of black and gilt title page in red and black in opposing vertical columns each section with headpieces of one of the two wood engravings by Mallette Dean one of an elaborate quill pen forming the shape of a fleur-de-lis the other of a cluster of grapes and leaves; handset Romanée type Crown & Sceptre paper hand-made in England with the watermark "British Hand Made" quarto size 10.25" by 7.25" pagination: 1-6 7-146. Dust wrapper of plain black Italian laid paper with gilt lettering on the spine. <br/><br/>___CONDITION: Fine with clean boards perfectly straight corners totally without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; clean crisp as new. The paper dust jacket we are grading as very good due to minor overall edgewear and a rectangular chip at the top of the rear joint approx. one inch by one-third inch; as the Allens stated in their bibliography "this paper proved to be too perishable; a clear acetate jacket would have been more durable and would have revealed the handsome Italian cloth." <br/><br/>___CITATION: Allen Press bibliography no. 15; Hawk no. 319.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The L-D Allen Press hardcover books
1814D6857London: Printed for William Daniell. by Thomas Davison 1814. Hardcover. Very Good. Modern half morocco and marbled paper; folio large paper copy 13 x 17 inches; pp. 2 title-p. blank 99 1 plus 17 mounted India Proofs engraved by William Daniell after paintings by Robert Smirke. Spine tips and corners lightl bumped; faint damp-stain in upper right corner of text block just touching images on the first 6 plates; a bit foxed throughout. <br/><br/> Printed for William Daniell... by Thomas Davison hardcover books
D1121Paris: L. Baschet. Limited Edition. Hardcover. Near Fine. Original wraps bound in gilt-ruled red morocco and marbled paper boards gilt-stamped lettering and ornament on spine 5 raised bands. N.d. but circa late-1800s. Number 4 from a limited edition of 50 copies on China paper with a suite of hors-texte illustrations. Corners bumped; a few tiny scuff marks at spine tips; some light foxing in margins not infringing upon text or illustrations. A tight pretty copy. <br/><br/> L. Baschet hardcover books
1929CNJL722Newtown Wales: The Gregynog Press 1929. Limited Edition. Hardcover. Fine. Bray Horace Walter. Two volumes complete no. 34 of 285 octavo size 488 total pp. The essays in this collection were first published in "The London Magazine" and brought Charles Lamb 1775-1834 fame and popularity; his essays have an easy-going and conversational style that appealed to his early readers and they roam through a variety of subjects all down-to-earth and taken from Lamb's actual experiences. This lovely two-volume set printed by The Gregynog Press in Wales comprises Lamb's essays collected under the name "Elia" a kind of pseudonym that refers to Lamb himself.<br/><br/>The essays are illustrated with wood-engraved headpieces by Horace Walter Bray whose attention to minute details and charming figures complements the gentle humour of Lamb's writing; overall a fine edition of one of England's foremost essayists.<br/><br/>___DESCRIPTION: Full grey cloth gilt lettering on the spines bevelled boards fore- and bottom edges rough cut both volumes with black-and-white wood-engraved frontispiece by Horace Walter Bray both volumes with black-and-white wood-engraved headpieces by Bray throughout; octavo size 9.25" by 6.25" pagination: Volume I: i-iv v-vii viii 1-265 266 1 colophon; Volume II: i-iv v-vii viii 1-219 220 1 colophon one of 285 copies this number 34. Bookseller's ticket "Philip C. Duschnes / Rare Books / New York" on the rear paste-down endpaper of Volume II. In a slipcase covered with brown paper with a cream paper spine label with black lettering and ruled borders and the edition number 34 written in pen on the bottom board.<br/><br/>___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; front paste-down endpaper of Volume I is slightly wrinkled else fine. The slipcase is almost very good still strong and sturdy clean overall with some ares of soiling some overall edgewear including a split at the seam where the top of the box meets the spine and a small tear to the spine near the bottom of the box. <br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Gregynog Press hardcover books
1841008974London: Longman Orme Brown Green and Longman 1841. SCARCE in contemporary fine binding two volumes in polished calf the backs with black and red morocco labels and intricate gilt tooling marbled end papers and edges the bookplates of Walmer Castle and a later 20th c. owner front end papers prior owner inscriptions in pencil and ink concerning Walmer Castle and Cattermole's engravings "considered to be some of his finest". Very Good the calf rubbed and soiled. Both volumes with frontis engravings and engraved title pages Vol. I with 7 engravings in text Vol. II with 13 in text. The title pages call for 15 in Vol. I and 13 in Vol. II leaving the possibility of 4 missing engravings however no evidence of removal. . First Edition. Polished Calf. Very Good. 8vo - over 7¾" - 9¾" tall. Longman, Orme, Brown, Green, and Longman hardcover books
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br/><br/>Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br/><br/>___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br/><br/>___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br/><br/>___CITATION: Gill 22. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1946002383Paris: Edition de la Galerie Charpentier 1946. Limited First Edition. Folio with slipcase. Near Fine. Exemplaire imprime pour Madame Fernand Leval and thus presumably among the small number of copies reserved for collaborateurs of the work. Folio 33 by 26 cm. 98 1 pp. Evocative charcoal drawings by Ayme. Clean with minor wear and some sunning to the perimeter of the slipcase. <br/><br/> Edition de la Galerie Charpentier unknown books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
1859140940505Philadelphia: T.B. Peterson 1859. First American Edition. Very Good. First American edition first printing. Follows the original French and some multi-volume British editions with ghostwritten material tacked on. 580 2-12 1 pp. Publisher's brown pebbled cloth front stamped in blind gilt spine lettering yellow ad endpapers. A Very Good copy with cloth worn away along head and tail lettering a little oxidized and rubbed light sporadic foxing penciled name on first blank erased pencil on title page plates toned. The autobiography of the first private detective Eugene Francois Vidocq a former criminal and father of criminology. His exploits inspired Edgar Allan Poe to create detective fiction as a genre. T.B. Peterson unknown books
200920012401Risbury Herfordshire: Printed Privately by the Whittington Press 2009. Limited Edition. Leather bound. Fine. Weisseborn Hellmuth. One of 15 deluxe copies quarto size 47 pp. with signature and chop of Masatsugu Ohtake with an extra suite of plates. Two friends a world apart with a mutual interest in and appreciation for the poetry of Edward Thomas have left us the great gift of this utterly charming work.<br/><br/>Philip Edward Thomas 1878-1917 was already an accomplished novelist and essayist when he turned to poetry. In 1915 at the age of 37 he enlisted in the British Army to fight in "The Great War" and was tragically killed in battle two years later during the Battle of Arras. <br/><br/>His youngest daughter Myfanwy receiving a letter in 1984 from a Mr. Masatsugu Ohtake who was an admirer of Thomas's work responded and the two began a correspondence that would last for almost 20 years as her last letter is dated November 28 2003. <br/><br/>Published privately by the Whittington Press who is renowned for their superb printing and binding; this one of fifteen deluxe copies bound in full Nigerian goatskin by The Fine Book Bindery with endpapers marbled by Christopher Rowlatt printed on Kozo hand-made paper for Masatsugu Ohtake by Patrick Randle with engravings by Hellmuth Weissenborn with errata slip loosely laid in at p. 26 with a signature and chop at the colophon which one presumes is that of Masatsugu Ohtake. <br/><br/>The twenty wood-engravings by Hellmuth Weissenborn 1898-1982 perfectly complement Myfanwy's description of the lovely English countryside around her which she frequently described to Ohtake; presented in the book in yellow and green and as monochrome in the extra suite of 20 loose plates.<br/><br/>___DESCRIPTION: Bound in full gold Nigerian goatskin with gilt lettering on the spine fore- and bottom edges uncut endpapers hand-marbled the twenty in-text wood-engravings throughout errata slip of delicate yellow hand-made paper loosely laid in at p. 26; hand-set Caslon printed on Kozo hand-made paper at Whittington Press for Masatsugu Ohtake small quarto size 10 1/8" by 6 1/4" pagination: i-x 1-34 colophon 35 blank 36 acknowledgement of editor 37; this one of the 15 deluxe copies total edition of 50 with an additional 50 copies also bound in full goatskin for the Whittington Press the chop and signature in Japanese on the colophon page. Accompanying the book is the extra suite of plates in black upon white heavy paper which measures 7 1/8" by 5 1/8" the engravings measure approximately 1.5" by 1.75" some smaller varying in size the plates enclosed within a wallet of brown laid paper with four flaps. The book and suite of plates presented in a slipcase of sturdy white cardboard covered in brown laid paper. <br/><br/>___CONDITION: Volume fine the leather binding clean and smooth straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; perhaps a hint of sunning to the spine else fine. The extra suite of prints and their wallet also fine; clean and utterly without wear. The slipcase near fine strong and sturdy clean with a few small sections of the brown paper lightly abraded. Altogether a glorious publication in every way. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed Privately [by the Whittington Press] unknown books
1932LD5812Lyon: Association Lyonnaise des Cinquante "La Belle Cordiere" 1932. Limited Edition. Hardcover. Fine. Printed wraps in glassine dust jacket; 4to; pp. 86 unbound loose gatherings as issued and uncut with illustrations throughout. Number 37 from a limited edition of 50 for members this one printed for M. Rozendaal total limitation of 90. Fine in chemise and lightly scuffed slipcase. <br/><br/> Association Lyonnaise des Cinquante "La Belle Cordiere" hardcover books
18101302843London: M. J. Godwin 1810. Second Edition. Hardcover. Octavos 2 volumes; G; bound in patterned light brown cloth rebacked with brown cloth majority of previous spine preserved including back labels with gilt lettering; some chipping and rubbing to boards; with 20 engraved plates by Blake after drawings by Mulready including frontispieces one for each tale told within some plates offset onto the facing page including the title page for volume 2; Some foxing/spotting throughout; With the bookplate of English Novelist Hugh Walpole on front pastedowns of both volumes; small bookseller sticker to front pastedown of volume 1; Volume 1: xi 1 235 1 Volume 2: 4 261 3 pages; shelved case 0. Lamb says in his preface that he "wished to make these Tales easy reading for young children.for young ladies too it has been my intention chiefly to wrote because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are they frequently have the best of Shakespear by heart before their sisters are permitted to look into this manly book";<br /> <br><br /> <br><br /> Hugh Walpole was a best-selling author in the 1920s and 1930s with a large and varied output. Between 1909 and 1941 he wrote thirty-six novels five volumes of short stories two original plays and three volumes of memoirs. His range included disturbing studies of the macabre children's stories and historical fiction most notably his Herries Chronicle series set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield. As a gay man at a time when homosexual practices were illegal for men in Britain Walpole conducted a succession of intense but discreet relationships with other men and was for much of his life in search of what he saw as "the perfect friend". He eventually found one a married policeman with whom he settled in the English Lake District. Having as a young man eagerly sought the support of established authors he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. wikipedia. 1302843. Shelved Dupont Bookstore. M. J. Godwin hardcover books
1790236120No place 1790. 34 leaves containing about 225 plates one hand-colored. 1 vols. Folio. Quarter calf over flowered paper covered boards. Worn but most of the plates are still in very good condition within some trimming only occasionally affecting any text under the plate. In all an interesting collection of engravings. 34 leaves containing about 225 plates one hand-colored. 1 vols. Folio. unknown books
1926176360Paris: Societe d'edition "le livre" Emile Chamontin directeur 1926. No. 10 of 20 of this edition. Paperback. VG but with soiling to covers where glassine was lacking minor age toning to extremities of some pages not bad overall a tight copy that could have been stored better. The front cover is slightly cattywampus from the two extra sets of engravings being inserted in the front of the book as might be expected. Printed wraps with glassine remnants on inside flaps. 24 pp. 15 engravings etchings withing the text and two extra sets of these illustrations each set representing a different state are included only 20 such sets were issued of the overall edition of 430 copies. Text is in French. The book itself has been printed on Imperial Japon and the extra engraving printed on Imperial Japon and on Holland Van Gelder it appears from the colophon and limitation at the rear of the book. Quite rare as a result of this limited configuration. Each set of plates is wrapped in glassine and the extremities of these plates show age-toning or light soiling. Societe d'edition "le livre", Emile Chamontin, directeur paperback books
1910140940357Paris: Charles Carrington 1910. First Illustrated Edition. Very Good. First illustrated edition. 312 pp. with publisher's tipped-in slip announcing delay and frontispiece. Original white three-quarter faux vellum over gray boards with gilt ruling and spine lettering. Very Good with dampstaining to foot toning to head contents generally bright and in nicer shape. In a serviceable example of the rare original jacket chipped at head 2" and tail small closed tear to top of front panel rubbed along edges toning and dampstaining to spine. Oscar Wilde's classic Gothic horror tale with full-page wood engravings by Eugene Dété from drawings by Paul Thiriat each with a tissue guard titled in crimson. Charles Carrington unknown books
1779D7139Paris et Dijon: les Auteurs et Frantin 1779-1781. First Edition. Hardcover. Very Good. Contemporary mottled calf lavishly gilt-stamped spine gilt-stamped lettering in red leather spine label original decorative endpapers; 8vo 120x 202 mm 3 volumes; with half-titles 3 additional titles 2 allegorical frontispieces 50 plates 39 of them with double views of Paris and 2 full-page vignettes. Some very light scuffing at spine tips and along joints; occasional light toning and marginal soiling. A handsome set with the bookplates of John D. Rockefeller Jr. and Abby Aldrich. Cohen-de Ricci 692. <br/><br/> les Auteurs, et Frantin hardcover books
1858008984New York: Robert Carter and Brothers 1858. Presentation binding of dark blue morocco grained cloth beveled edges the covers ornately blocked in gilt and blind the back intricately gilt all edges gilt yellow end papers.The binding not signed at rear paste down the small ticket of Leighton Son & Hodge bookbinders of Shoe Lane London indicating almost certainly the work of John Leighton the most prolific designer of the Victorian period. The 50 illustrations engraved by Dalziel Brothers J.W. Whymper & W.L. Thomas and printed by R. & R. Clark Edinburgh. 2 xxx 9-188 1 advert pp. Near Fine recently expertly rebacked with original spine piece onlaid corners refreshed. Presentation gift inscriptions front end page -"Jane G. Morgan from her Sister Lauretta. Dec. 25th 1857. Given under peculiar circumstances to her friend Jennie W. Baird. Sunday April 11 1858". Laid in is a period gift envelope with one sheeted folded to make a 4 page note addressed to Miss Jennie Baird - Present dated Wednesday May 14th and signed Sincerely L. L. Watson. The letter explains the "peculiar circumstances" of the gift - Aunt Let Lauretta is on her deathbed and is gifting this lovely book and a bar of soap to her friend Jennie whose gifts of flower bouquets have cheered her in her demise - "God's flowers Dear dear Jennie; oh that the graces of the spirit may bloom in her heart." The final 2 end pages bear small pin holes from where the letter was pinned in at one time. A beautifully bound book with interesting period provenance RARE in current commerce last in at auction 1916 RBH. . First American Edition. Morocco Grained Cloth . Near Fine. 8vo - over 7¾" - 9¾" tall. Robert Carter and Brothers Hardcover books
1795140940833London: J. Johnson 1795. First Edition. Very Good. First Edition in English of Catullus' complete works side by side with the original Latin. xxxvi 223 3; iv 236 2 pp. Contemporary full calf edges ruled in gilt spine elaborately stamped in gilt with black title label and red numerical label. Complete in two volumes. Includes both half-titles and William Blake's two engraved frontispieces foxed in vol. I offset to the title page in vol. II strengthened joints not rebacked. Occasional light penciled "Xs" to margins easily erasable; offsetting to endpapers; a few dog-eared pages; Very Good. Rare.<br /> <br /> The first attempt to translate the entire body of work of the licentious witty Latin poet of the late Roman era Catullus 84 BC-54 BC into English around 116 poems. None other than visionary English poet artist and printmaker William Blake designed the frontispieces. J. Johnson unknown books
1733140941304London: Aeneis Tabulis Incidit Iohannes Pine 1733. First Edition. Near Fine. 1733 1737. Two volumes. First edition first issue with "post est" error in the Caesar medallion on page 108 of Volume II. In a lavish full brown morocco binding with five raised bands and ornate gilt stamping to spine borders on covers wide turn-ins and beautifully patterned endsheets; all edges gilt. Near Fine with a light amount of rubbing to joints spines lightly faded a scuff to the front cover of Volume II and small former owner bookplates of noted collector Abel E. Berland to the front pastedowns. Pine's Latin text was based on Talbot's 1699 edition and is remarkable for being entirely illustrated with engraved copper plates throughout the text. Aeneis Tabulis Incidit, Iohannes Pine unknown books
