Lithographies

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Joan Miro (Lithographs) Perucho, Joan (Essay)Biblio.com

Album 19.

DE SAINT-PIERRE, Bernardin (with Original Lithographs by Huges de Jouvancourt)Biblio.com

Artist's Lithograph Book Paul et Virginie

19494261Port-Louis - Ile Maurice: Éditions Esclapon 1949. Jouvancourt Limited Edition. Hardcover. Outer Case : Fair / Inner Case Text and Lithographs : Very Good to Near Fine. Huges de Jouvancourt. No. 24 from an edition 250 copies. The colophon and publishers ad insert both state that the lithograph stones were destroyed after printing. A series of unbound signatures in a cloth backed case with a paper spine label folio size 16 inches tall pp. 12 132 8 illustrated w. head and tailpieces 13 full page lithographs inc. the internal case front cover and frontis - 11 being signed in pencil by Jouvancourt. Text in French. The prints and text are contained in an inner case with an original lithograph on front cover and all signatures remain untrimmed and unbound as issued. The outer case is worn and slightly bowed near bottom corner with soil stains and some discoloration hinges cracked lacks original ties from fore-edge label is chipped ; inner case is clean with a few small spots and a small crack to joint at foot of lower cover text with an occasional spot of soil or closed tear to leaf extremities - not affecting prints. Huges de Jouvancourt has created a beautiful set of prints to illuminate this edition of a classic French love story. "Paul et Virginie sometimes known in English as Paul and Virginia is a novel by Jacques-Henri Bernardin de Saint-Pierre first published in 1788. The novel's title characters are friends since birth who fall in love. The story is set on the island of Mauritius under French rule then named Île de France. Written on the eve of the French Revolution the novel is recognized as Bernardin's finest work. It records the fate of a child of nature corrupted by the artificial sentimentality of the French upper classes in the late eighteenth century. Bernardin de Saint-Pierre lived on the island for a time and based part of the novel on a shipwreck he witnessed there." wiki. Éditions Esclapon hardcover

Harropian Books, IOBA · Canada1 300,00 $CA≈ 882,96 €

BARBEY d'AUREVILLY (Jules) - MARE (Andr, lithographies de).Biblio.com

Le Chevalier Des Touches.

1924298781924. S.l. aux dÂŽpens de la SociÂŽtÂŽ Hippocrate et ses amis 1930. Un fort vol. au format pt in-folio 336 x 254 mm de 250 pp. brochÂŽ sous couverture titrÂŽe Âˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ gardes de pleine suÂŽdine vert-bronze dos lisse piÂce de titre contrecollÂŽe. Tirage unique Âˆ 120 exemplaires dont 20 hors-commerce ; tous sur Arches. ''Edition estimÂŽe''. in Carteret. L'ouvrage s'agrÂŽmente - en premier tirage - de 37 lithographies originales par AndrÂŽ Mare. Exemplaire ici truffÂŽ de 20 dessins originaux de l'artiste prÂŽparatoires Âˆ l'illustration d'une suite en feuilles sur Japon de l'ensemble des compositions figurant dans l'ouvrage d'une correspondance entre l'ÂŽditeur et l'artiste comportant 4 lettres manuscrites signÂŽes de ce dernier enfin d'un menu - agrÂŽmentÂŽ d'une grande lithographie d'AndrÂŽ Mare signÂŽe Âˆ la mine de plomb figurant un portrait en pied de Barbey - de la sociÂŽtÂŽ ÂŽditrice pour cÂŽlÂŽbrer la publication du prÂŽsent ouvrage. Lequel est en outre ici bien complet d'un fac-similÂŽ d'une lettre de Barbey ; ici reproduite en lithographie. ''Il existe 20 suites de lithographies sur Japon''. in Carteret. ''Natif d'Argentan en 1885 AndrÂŽ Mare exposa aux Salons des IndÂŽpendants et d'Automne oÂ il exposa avec le groupe cubiste en 1912 et 1913 et prÂŽsenta avec Duchamp-Villon la Maison cubiste. A partir de 1920 il appliqua certains principes stylistiques du cubisme aux arts appliquÂŽ le style Arts dÂŽcoratifs 1925 ; en rÂŽfÂŽrence Âˆ la trÂs importante exposition internationale.'' in BÂŽnÂŽzit. Un jour de dÂŽcembre quelques annÂŽes avant la rÂŽvolution de 1830 dans une petite ville du Cotentin plusieurs amis se rÂŽunissent pour leur causerie du soir et trÂs vite l'un d'entre eux ÂŽvoque la rencontre qu'il vient de faire : celle du chevalier Des Touches ci-devant hÂŽros de la chouannerie. Mais le chevalier n'est-il pas mort Ce soir-lÂˆ on remonte le passÂŽ et devant ses amis mademoiselle de Percy qui y participait raconte l'expÂŽdition des Douze : l'enlÂvement de Des Touches prisonnier Âˆ Coutances par ses compagnons d'armes. De cette soirÂŽe de dÂŽcembre un enfant silencieux avait ÂŽtÂŽ tÂŽmoin et c'est l'auteur lui-mÂme qui en fait la matiÂre de ce roman. Peu importe que Des Touches y devienne un hÂŽros plus glorieux qu'il ne le fut en rÂŽalitÂŽ. L'essentiel est ailleurs : c'est que si les chouans vers 1799 au moment de ce rÂŽcit mÂnent encore la guerre ils l'ont dÂŽjÂˆ perdue. Un royalisme dÂŽsenchantÂŽ teinte ainsi tout le roman sans en attÂŽnuer la vigueur et bien plus tard Anatole France ÂŽvoquera l'"impression trÂs forte" que lui auront laissÂŽe ces "figures Âˆ la fois hÂŽroÂ•ques et brutales" : "Ce livre dira-t-il me donna le frisson." Monod I Dictionnaire des illustrateurs 943 - BÂŽnÂŽzit VII Dictionnaire des peintres p. 7 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 57. Quelques altÂŽrations superficielles ÂŽparses affectant l'ÂŽtui-chemise. Exemplaire quant Âˆ lui parfaitement conservÂŽ ; sinon que le feuillet de Table prÂŽsente de discrÂtes rousseurs. b42961 unknown

Babel Librairie · France900,00 €

VALERY (Paul) - VIRGILE (d'aprs) - VILLON (Jacques, lithographies de).Biblio.com

Les Bucoliques de Virgile.

1953182631953. Paris Scripta & Picta 1953. Un fort vol. au forma tin-folio 383 x 289 mm de xxx - 126 pp. en feuilles sous couverture titrÂŽe et ÂŽtui-chemise cartonnÂŽ dos lisse titre dorÂŽ en long. Edition originale. Tirage unique Âˆ 269 exemplaires seulement. Celui-ci comptant parmi les 245 numÂŽrotÂŽs du tirage sur vÂŽlin d'Arches second papier aprÂs seulement les 24 de tÂte sur Japon nacrÂŽ. Il s'agrÂŽmente - ici en premier tirage - des superbes compositions originales en couleurs de Jacques Villon lithographiÂŽes sur les presses de Mourlot FrÂre. ''L'oeuvre gravÂŽe de Jacques Villon marque une date dans l'histoire de cette technique. L'importance accordÂŽe Âˆ la lumiÂre le sens de la construction et de l'unitÂŽ de l'espace n'ont cessÂŽ de prÂŽoccuper l'artiste tout au long de sa carriÂre. in Bailly-Herzberg citant la prÂŽsente contribution de l'artiste. En 1913 Villon crÂŽe ses chefs dÃ•Ãuvre cubistes sept grandes pointes sÂches oÂ les formes se cassent en plans pyramidaux obscurcis. La mÂme annÂŽe il expose au cÂŽlÂbre Armory Show de New York qui contribue Âˆ introduire l'art moderne aux Âƒtats-Unis. Ses Ãuvres connaissent une grande popularitÂŽ et se vendent sans peine. Sa notoriÂŽtÂŽ grandit tellement que dÂs les annÂŽes 1930 il est mieux connu aux Âƒtats-Unis quÃ•en Europe. La galerie Louis CarrÂŽ organise une exposition de son Ãuvre Âˆ Paris en 1944 Âˆ la suite de quoi il reÂoit des rÂŽcompenses dans un certain nombre dÃ•expositions internationales. En 1950 il reÂoit le prix Carnegie et en 1954 il est nommÂŽ commandeur de la LÂŽgion d'honneur. L'annÂŽe suivante il reÂoit la commande des vitraux de la cathÂŽdrale Âˆ Metz La France. En 1956 le grand prix de la Biennale de Venise lui est dÂŽcernÂŽ Âˆ lÃ•exposition. Les plus grandes rÂŽalisations de Villon en gravure sont sa crÂŽation dÃ•une langue purement graphique pour le cubisme une rÂŽalisation dont aucun autre graveur y compris ses camarades cubistes Picasso ou Braque ne pourrait se vanter. Un caractÂre Didot a spÂŽcialement ÂŽtÂŽ fondu pour cette ÂŽdition par la Fonderie Peignot. ''Il m'a ÂŽtÂŽ demandÂŽ par un de mes amis au nom de quelques personnes qui veulent en faire un beau livre de traduire Âˆ ma faÂon Les Bucoliques .''. BÂŽnÂŽzit X Dictionnaire des peintres p. 517 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 335. Petite fente affectant une coupe du coffret. Dont les plats prÂŽsentent par ailleurs d'infimes frottements. Quelques serpentes effrangÂŽes. Nonobstant trÂs belle condition. b42961 unknown

Babel Librairie · France1 500,00 €

Struck, Hermann (Lithographs by); Felix von Luschan (Text by)Biblio.com

Kriegsgefangene: 100 Steinzeichnungen von Hermann Struck SIGNED Prisoners of War: One hundred etchings signed by Hermann Struck

191643931Berlin: Dietrich Reimer Ernst Vohsen 1916. Limited First edition. Hardcover. g- to vg. 1/50. Folio 19 1/2 x 13 1/2". 6 28pp Booklet 100 loose leaves Plates as issued. Original full vellum portfolio with lettering and publisher's logo in gilt to front cover. Booklet's front cover gold-lettered numbered and hand-signed by the artist Hermann Struck. The plates are housed in their stiff paper chemise as issued with printed title to front cover. In this spectacular monograph artist Hermann Struck who was serving in the Imperial German army as a translator liaison officer and military artist sketched the faces of one hundred prisoners of war in the German camps. Among the French British Belgian and Russian inmates were also included soldiers from the British Empire mostly from India as well as the French Empire Algeria Tunisia Morocco and Senegal. The prisoners' age range from 12 Anton Matyszewski a volunteer from Lomza Russian Poland to 56 Mohammed ben Ahmed Spahi from Djelfa French Algeria. It is interesting to note that the Jewish prisoners were identified first by their religion then by the place they came from exemple: Chacus Krasikow Jew from Lubin Russian Poland; Isaak Chotoran Jew from Kiev Ukraine; Bomblatt David Polish Jew from Warsaw etc. Bomblatt David is sketched twice: After Struck drew his face he added a second sketch depicting the prisoner reading the Talmud. Each plate is handsigned in pencil by the artist. The booklet contains a foreword and an essay on ethnology in the World War by Prof. Dr. Felix von Luschan 1854-1924 an Austrian doctor anthropologist explorer archaeologist and ethnographer who joined the German Society for Racial Hygiene in 1908. The society was an eugenic organization whose goal was "for society to return to a healthy and blooming strong and beautiful life." As Alfred Ploetz its founder put it the Nordic race was supposed to regain its "purity" through selective reproduction and sterilization. The society ceased to exist after WWI. One of 50 numbered copies of which this is No. 30. Some foxing to portfolio with strings missing. Minor age-toning and foxing to wrappers of booklet. 5" closed tear at lower front joint of chemise. Only plates 4 and 5 are foxed along edges not affecting illustrations. Text in German Gothic script Booklet captions of plates in German. Portfolio in overall fair to good booklet in very good chemise in fair to good- plates in very good condition. Hermann Struck 1876-1944 was a German Jewish artist known for his etchings. A fervent Zionist and Jewish activist Struck visited the Land of Israel in 1903 displayed his art at the Fifth Zionist Congress and was a founder of the Mizrachi Religious Zionist movement. At the same time he was a German patriot and volunteered for military service in World War I serving as a translator liaison officer and military artist. Hermann Struck was awarded the Iron Cross 1st Class and promoted to an officer for bravery in 1917 he became the referent for Jewish affairs at the German Eastern Front High Command. Struck immigrated to Palestine in 1922 taught at Bezalel Academy and helped establish the Tel Aviv Museum of Art. He visited Berlin every summer until the Nazis rose to power. From the beginning of the war the German authorities found themselves confronted with an unexpected influx of prisoners. In September 1914 125050 French soldiers and 94000 Russian ones were held captive. Before 1915 conditions of detention in Germany were very harsh and marked by temporary lodging and the absence of infrastructure. The prisoners slept in hangars or tents where they dug holes to keep warm. The humid forts requisitioned to serve as places of detention led to numerous cases of pulmonary illness. The German authorities also commandeered schools barns and various other types of shelters. Camps were established in the countryside as well as near the towns which had consequences when epidemics of cholera or typhus threatened to spread to the civilian population. Not all the camps were situated on German territory; a certain number were built in occupied territories notably in northern and eastern France. They began to be developed starting in 1915 when the number of prisoners being held captive in Germany reached 652000. According to official directives each prisoner had to have use of 26.9 square foot 2.5 m². The camps mixed a large number of nationalities sharing the same quarters: French Russian British American Canadian Belgian Italian Romanian Serbian Montenegrin Portuguese and Japanese prisoners were found there as well as Greeks and Brazilians. Equally soldiers of various social origins rubbed elbows: workers peasants bureaucrats and intellectuals were among those held. The number of prisoners rose very quickly. From February to August 1915 it went from 652000 to 1045232. In August 1916 it reached 1625000 jumping to 2415000 by October 1918. For more information see: Uta Hinz's "Gefangen im Großen Krieg: Kriegsgefangenschaft in Deutschland 1914-1921" in German. Essen Klartext Verlag 2006. Dietrich Reimer (Ernst Vohsen) hardcover

Eric Chaim Kline - Bookseller · États-Unis9 500,00 $US≈ 8 037,95 €

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