AC CorbouldBiblio.com
135 résultats
18833021883. Wood-engraving. 405mm by 280mm sheet. From the Illustrated London News. Text on the reverse including a short article titled 'Polo Pony Races at Hurlingham'. unknown
143815Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1831/82. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
143814Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1831/82. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
143812Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1831/82. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
143813Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1831/82. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
182164010Drawn by Captn. Batty, Engraved by G. Corbould, printed by McQueen, format colorié 13 x 20,6 cm, 2 gravures collées en charnière sous passe-partout amateur en papier, s.d. [ circa 1921 ]
55-1076London: Symonds 1796. 6 inches by 4 inches. Engraving of an English country scene on wove paper. London: Symonds, 1796. unknown
18568151856. Steel-engraving. 250mm by 305mm platemark. From a series of engravings depicting the Classical sculptures in the British Museum.<br /> Corbould was a student of the Royal Academy under Fuseli where he gained the silver medal for a study from the life. While at the Academy he made the friendship of Flaxman Stothard West Chantrey and Westmacott. He is best known for his drawings of ancient marbles in the possession of various English noblemen like the Duke of Bedford's collection at Wobourn Abbey and the Earl of Egremont's Collection at Petworth. He spent about 30 years drawing those in the collection of the British Museum and these were engraved and published after his death. unknown
10024London: Griffith and Farran 1870. . First edition 8vo. pp.vii 376 32 adverts b/w illustrations throughout decorative stamped green cloth gilt; two small holes to front pastedown and marks from removal of bookplate small chip to front pastedown tiny patch of wear to both head and tail of spine overall a very good bright copy. London: Griffith and Farran, 1870. hardcover
1811mon0003277546Philadelphia: Benjamin & Thomas 1811T. leather_bound. Acceptable. . Full leather cover shows heavy wear loss on the corners tape on the spine holding it together. Minor writing in the prelims. Pages are tanned and foxed. Philadelphia: Benjamin & Thomas hardcover
18660001792TORONTO UPPER CANADA ONTARIO CANADA. Good. 1866. On offer is a super manuscript relic of early Toronto and Upper Canada literature and prize winning poetry being an original book of poetry handwritten by Charles Corbould of Toronto which he started in 1866 and carried on for many years. Seventy two years later in 1938 his daughter added some historical background by giving a brief history of her father's writings and a biographic note that he had 6 children and followed a career in law. The book begins with "The War in Italy" which is quite lengthy. There are about 79 pages of various poems and poetry most are complete some are shown in progress. All are well written. The binding is a little loose but all pages are intact. The clasp on the book does not work. Overall G.; Manuscript; 8vo - over 7¾" - 9¾" tall; KEYWORDS: HISTORY OF CHARLES CORBOULD UPPER CANADA TORONTO POEMS POETRY PRE CONFEDERATION CANADIANA COLONIAL CANADA HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY AMERICANA ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . unknown
1867448981London ; New York : G. Routledge 1867. Early Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Corners bumped. All edges gilt and frontis plate tissue-guarded. Remains well-preserved overall. Physical description; xxxiv 586 pages : illustrations ; 23 cm. Notes; ""A new edition."" Subjects; English poetry Middle English 1100-1500. Pilgrimages England. Medieval literature. Storytelling. Frame narratives. Social satire England 14th century. Characters and characteristics in literature. London ; New York : G. Routledge hardcover
2019x-1629335185BearManor Media 2019. Hardcover. New. 290 pages. 6.00x0.69x9.00 inches. BearManor Media hardcover
6405164399Assouline pp. 312 . Hardback. New. Assouline hardcover
2009193820Massachusetts: Harvard University Press 2009. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. Harvard University Press hardcover
605929"A.C. Corbould" in black ink March 19 1880 86 Warwich Gardens W. 7" x 4 1/4 1 page recto only. Very good. With a small ink sketch in the text of a horse and rider. To Mr. Swain: In part: "Mr. Taylor said something about publishing 'The Tandem' and 'Small boy heading the Field' at once so that I could send the originals to an exhibition. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown books
605928"A.C. Corbould" in black ink March 27 1893. 4" x 6 1/4" 1 page. Very good. To Mr. Swain: In part: "Here are the touched proofs. I quite agree with you about doing on card. . .But there are 20 altogether. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown books
605930With two additional original small drawings laid down on the last leaf - both appear to be Mr. Punch. One is titled: "Finis"; the other "Adieu au revoir". All three are signed with initials. Very good light foxing. Signed by Authors. No Binding. Very Good. unknown books
605931"Corbould" of a lady making a selection of flowers of a nosegay tussie-mussie with the help of two attendants. With pencil marginal notes mentioning style of the hats bonnets etc. 5 3/4" x 7". Very good. Signed by Authors. No Binding. Very Good. unknown books
18991325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. <br/><br/> Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown books
1850257631England 1850. Pen and ink watercolor and wash drawings mounted; one signed by Corbould 3 signed by Uwins. Double-matted and handsomely bound on hinges in full brown morocco. A few drawings show minor foxing but overall beautifully preserved. Pen and ink watercolor and wash drawings mounted; one signed by Corbould 3 signed by Uwins. The English illustrator HENRY CORBOULD 1787-1844 studied at the Royal Academy with among others Fuseli and he quickly developed a taste for neo-classical historical painting. He soon concentrated "his efforts . on perfecting a delicate rather feminine neo-classical style which suited the purposes of refined Regency book illustration. During the remainder of his career he was 'extensively employed by publishers to make drawings for engravings and the number of his designs which adorn many books amount to several hundreds' J. Britton The autobiography of . 2.172. This is also reflected in those works he continued to send to the Royal Academy exhibition which were predominantly compositions of a sentimental and literary genre commissioned to illustrate the novels of Walter Scott or the poetry of Byron and Crabbe. As was the case with J. F. Dove's edition of Fanny Burney's Cecilia or Memoirs of an Heiress 1825 many of Corbould's illustrations were turned into steel-engravings by his cousin Charles Heath; in other instances they were reproduced in fashionable media such as lithography and stipple engraving ." ODNB.<br/>The 20 small Corbould drawings in this album one of which is signed are typical of his book work: his portrait of William Shenstone possibly for Samuel Johnson's LIVES OF THE POETS; the design for the engraved title-page of "THE GRACES OR LITERARY SOUVENIR .London Printed for Hurst and Robinson 1824"; an illustration for Hugh Kelly's MEMOIRS OF A MAGDALEN "Sir Robt Harold coldly endeavouring to console Miss Mildmay Vol. 1 p. 48"; and numerous illustrations for various adventures and romances as yet to be identified.<br/>Corbould's contemporary THOMAS UWINS 1782-1857 also was able to enter the Royal Academy Schools where he exhibited miniature portraits and contributed illustrations to Rudolf Ackermann's Westminster Abbey 1812 Oxford University 1814 Cambridge University 1815 and Public Schools 1816. Eventually Uwins evolved to larger forms and while living for several years in Rome Venice and Naples began to paint in larger forms in oil. His illustration work includes Shakespeare Virgil Horace King Arthur and the Round Table Robinson Crusoe etc. The 14 exquisite drawings displayed here amply display his skill and mastery of the small watercolor illustration. unknown books
RO60060849Sir Isaac Pitman & Sons Ltd. Non daté. In-12. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 261 pages. Tranche de tête dorée. Couverture défraîchie.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
2026x-1041137419Routledge 2026. Hardcover. New. 232 pages. 9.18x6.12x9.45 inches. Routledge hardcover
605929"A.C. Corbould" in black ink March 19 1880 86 Warwich Gardens W. 7" x 4 1/4 1 page recto only. Very good. With a small ink sketch in the text of a horse and rider. To Mr. Swain: In part: "Mr. Taylor said something about publishing 'The Tandem' and 'Small boy heading the Field' at once so that I could send the originals to an exhibition. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown
605928"A.C. Corbould" in black ink March 27 1893. 4" x 6 1/4" 1 page. Very good. To Mr. Swain: In part: "Here are the touched proofs. I quite agree with you about doing on card. . .But there are 20 altogether. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown
