Richard CorbouldBiblio.com
135 résultats
584996Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
584997Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
584995Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
584998Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772518Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772517Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772516Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772519Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1024944875.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
15800Paris, Gosselin, 1827, 1 demi veau, pièces de titre et tomaison maroquinés au dos, quelques mors frottés avec petits manques. 12 volumes in-8, portrait en frontispice, gravé par James Hopwood et Georges James Corbould ;
1811mon0003277546Philadelphia: Benjamin & Thomas 1811T. leather_bound. Acceptable. . Full leather cover shows heavy wear loss on the corners tape on the spine holding it together. Minor writing in the prelims. Pages are tanned and foxed. Philadelphia: Benjamin & Thomas hardcover
18991325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. <br/><br/> Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown books
18991325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. <br/><br/> Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown
2026x-1836954034Berghahn Books 2026. Hardcover. New. 302 pages. 9.02x6.00x9.00 inches. Berghahn Books hardcover
1819ZB405237London: George Arliss 1819. Volume 4 only; 24mo viii 352 pp. 5 plates of 6 small illustrations in text; ex library quarter leather binding rubbed general age toning and some leaves have a light red stain working copy. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. London: George Arliss, hardcover
0266927300.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017349231.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1165583550.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1359417265.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3742828770.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1330575482.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1806mon0000194442George Eyre and Andrew Strahan 1806-01-01. Hardcover. Good. in x in x in. Not ex-library. Clean copy in good condition. George Eyre and Andrew Strahan, hardcover
1856176846London: G. Routledge & Co. 1856. Fourth Corbould edition presented here in an attractive morocco binding. Edward Corbould 1815-1905 was a watercolourist and prolific book and magazine illustrator who produced illustrated editions of Chaucer Spenser and Walter Scott. First published in 1595 Epithalamion was written by Spenser as an ode for his bride on their wedding day. Octavo 162 x 102 mm. Engraved frontispiece and 7 full-page plates with tissue guards all wood engraving by Dalziel after Edward Corbould. Contemporary green morocco spine lettered and decorated in gilt covers with gilt rules and frame floral gilt roll to board edges and turn-ins edges gilt blue silk bookmarker. Early gift inscriptions to front free endpaper and first blank. Spine a little darkened gilt bright foxing to outer leaves. A near-fine copy. unknown
4to., First Edition, with coloured frontispiece (original tissue guard present), coloured plate, illustrations in the text and endpaper maps; brown board, upper board blocked and lettered in gilt, white faux-vellum back lettered in gilt, a very good, bright, clean copy. Thomson (1976), p.42.
14156629032 pages including colour illustrated half title colour frontispiece title page with colour central illustration numerous black and white and full colour illustrations throughout colour illustrated frieze pasted to upper free endpaper visually attractive little book beautifully illustrated book is quite rare Published by Frederick Warne & Co hardcover
