YllaLivre Rare Book
108 920 résultats
RO30306607Clairefontaine Lausanne. Non daté. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages augmentées de nombreuses photos en noir et blanc, hors texte.. . . . Classification Dewey : 770-Photographie
In-4, 64p. Préface de Dominique Aury. Illustré de 85 photographies en noir et blanc d'Ylla. Très bel exemplaire.
1377061Torino: Editrice S.A.I.E., 1952 in-4, non paginé, photographies hors texte. Broché, jaquette, très bel exemplaire. Edition originale italienne.
195365330R. Delpire 1953 In-8 relié. 144 pages. Jaquette un peu abîmée et restaurée, néanmoins bel ouvrage.
195899835Lausanne, Clairefontaine 1958 In-4 broché 28 cm sur 22. 132 pages. Très bon état d’occasion.
94658Guilde du Livre La Guilde du Livre, Lausanne, 1958, cartonnage éditeur, bon état.
In-4, 130p. Edition originale numérotée. Illustré de photographies en noir et blanc et en couleurs. Avec des extraits du journal de la photographe animalière. Le dernier ouvrage de Ylla, (de son vrai nom Camilla Koffler) morte à 44 ans en tombant du capot de sa Jeep alors qu'elle photographiait une course de boeufs attelés.
194993951949. Paris Éditions Jean Marguerat coll. « Merveilles du Monde » 1949 - Cartonné bien complet de la jaquette 22 cm x 28 cm 16 pages + 80 planches noir & blanc de photos de chiens par Ylla préface de C.-A. Cingria - Un léger manque au dos de la jaquette sinon très bon état
1954100051Clairefontaine 1954 Grand In-8 broché 28 cm sur 22. Non paginé. Photographies en noir et blanc imprimées en héliogravure. Premières pages détachées en pied. Bon état d’occasion.
Broché. 34 pages. Manque au dos. 22x28cm.
64 pages. Signed by author upon title page. Profusely illustrated with black and white photos with supporting text. Undated but appears to be circa 1975. Moderate wear. A sound copy of this excellent photographic presentation of this arctic Canadian town. Book
1988X69078London, Harrap 1988 79pp.richly illustrated with photographs in colour, 29cm., cloth, dustwrapper, VG, X69078
79pp.richly illustrated with photographs in colour, 29cm., cloth, dustwrapper, VG, X69078
Paperback in very good condition. Text in Chinese, with English translations. The cover is fitted with a clear protective sleeve. The binding is sound, with clear text and images. CM Used
2014RO20279829YING ANG. 2014. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 130 PAGES illustrées de planches photos couleur - Print run : 800 - 3 photos disponibles. . . . Classification Dewey : 770-Photographie
Antologia fotografica a cura della Associazione Italia-Cina. 100 foto in nero anche a piena pagina. Testo in italiano, inglese e francese . 8vo. pp. 100. . Molto buono (Very Good). . . .
Very Good English Paperback. Pbo. Oblong large 8vo. Color and b/w photos. [174] p. In Turkish. Album of photographs. Rastlantilar. [Album of photographs].
New English Paperback. Large roy. 8vo. (25 x 19 cm). In English and Turkish. 275, [1] p., b/w photos. Yildiz Moran. Photographers series: 8.= Fotograf sanatçilari serisi: 8. Edited by Merih Akogul. Yildiz Moran is the first female photographer of Turkey to have received an academic training. Yildiz Moran began her career in photography with great passion, only to give it up after marrying Özdemir Asaf, another great passion in her life; nevertheless, during her brief career, Moran was able to produce significant and variegated work after studying with the famous photographer John Vickers in Britain. Her first solo exhibition in Cambridge was followed by those in Istanbul, Ankara, London, and Edinburgh. Besides her technical prowess and her masterful use of light, Yildiz Moran was a photographer who put her soul, intellect, and heart - in other words her whole self - into her work, thereby lending depth to her images.
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 191 p., b/w photographs. The first female photographer of Turkey to have received an academic training, Yildiz Moran's photographs (1932-1995) was presented in a comprehensive exhibition for the first time at Pera Museum. Yildiz Moran began her career in photography with great passion, only to give it up after marrying Özdemir Asaf, another great passion in her life; nevertheless, during her brief career, Moran was able to produce significant and variegated work after studying with the famous photographer John Vickers in Britain. Her first solo exhibition in Cambridge was followed by those in Istanbul, Ankara, London, and Edinburgh. Besides her technical prowess and her masterful use of light, Yildiz Moran was a photographer who put her soul, intellect, and heart - in other words her whole self - into her work, thereby lending depth to her images. This comprehensive exhibition catalogue, a "retrospective" in a sense, aims to present Moran's inner voice through a new reading that focuses on the traces of her visibility within the history of Turkish and international photography.
Fine Turkish Original b/w photograph. 8,5x13,5 cm. Shows Yildiz Eruçman and twelve male parachutists and aviators, an aircraft wing with its shadow on the surface. Yildiz Kayalar Eruçman was the first Turkish female parachutist. She was born in Thessaloniki, Kingdom of Greece in 1919. Her family was of Turkish descent, and according to the Population exchange agreement between Turkey and Greece, her family moved to Turkey and settled in Izmir in 1924. In 1934, after the Surname Law, the family assumed the surname Kayalar. Eruçman is her surname by marriage. In 1935, after reading an article in a foreign periodical about female pilots, she applied to the training center of the Turkish Aeronautical Association in Ankara. Mustafa Kemal Atatürk's adopted daughter and aviator Sabiha Gökçen personally concerned herself with Eruçman's training. Together with three other women in the training center, namely Edibe Subasi, Nezihe Viranyali, and Sahavet Karapas, she received her aviation certificate. On 4 October 1935, she parachuted from a Soviet-made aircraft of type Polikarpov R-5. She was the first-ever female skydiver in Turkey. In later years, she continued in the same association as a trainer. However, her profession was not officially acknowledged. So, her title was "minaret worker", which was considered one of the most dangerous occupations of that time. A fine and extremely rare image.
Very Good Turkish Original b/w portrait photograph signed by Yildirim Gürses. 14x9 cm. Stamp of photograph studio on verso. Photo was taken Foto Stil located in Beyoglu, Istanbul in its period. Yildirim Gürses was born on January 21, 1939 in Bursa, Turkey. He was a composer and actor, known for Gençlige veda (1965), Süreyya (1972) and Bizim mahalle (1982).
