8 292 résultats
19928014-1<p>New York: Rizzoli 1992. First edition / First printing. Black cloth. Very fine in very fine dust jacket.</p> Rizzoli, hardcover
2007360868Santa Monica CA: RoseGallery/DAP 2007. 1st. Hardcover. Very Good/None. Red and burgundy cloth boards with yellow stamped lettering. 144 pages. Color and b&w illustrations portraits. Eyes in His Eyes reintroduces some of the artist's overlooked masterpieces and reveals for the first time a broad selection of never-before-seen images from his private archives. In his 80-year career Alvarez Bravo printed published and exhibited only a thousand images. This portfolio culled with the help of the artist himself and completed after his death is full of unfamiliar abstractions portraits landscapes and street photography. Record # 360868 RoseGallery/DAP hardcover
1983100106-QNew York: Thames and Hudson 1983. Book. Illus. by Various Contributors. Very Fine. Hardcover. 1st Edition. 1st. ed. 1983 Red cloth hardcover with the dust jacket 255 page book with black and white photo plates 369 illustrations 302 in dou tone . Condition : Very fine / dj is new fine with some small nicks and chipping also price clipped. Size: 4to - over 9¾" - 12" tall. Thames and Hudson Hardcover
195920081113130922Grove Press 1959. Soft Cover . Very Good. In illustrated wrappers with a printed glassine dust jacket that has one inch closed tear at top and small chip at bottom of spine. 39 plates. Grove Press paperback
2000023243White Star/Barnes & Noble 2000-01-01. Hardcover. Fine/Near Fine. Large hardcover book profusely illustrated in pictorial dust jacket. Fine hardcover in near fine dust jacket showing light shelf wear to the back top edge. This book would make a great gift. Full refund if not satisfied. Due to the large size and/or weight of this book additional shipping funds may be required. White Star/Barnes & Noble hardcover
2003362367Carolina Nitsch Editions 2003. 1st. Hardcover. Very Good/None. Gray cloth hardcover with a tipped on photo to the cover 95 pages with about 60 photo illustrations. A scarce book by the artist from her days in Buffalo New York. Record # 362367 Carolina Nitsch Editions hardcover
69-4339Petaluma California: Singer Photography 1995. 4to. Softcover. 65 pp. B&W Plates. Very Good some creases at binding.Provenance: Richard A. Lorenz 1952 -2001 author art conservator curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer. Petaluma, California: Singer Photography, 1995 paperback
19580005256Praha: Nase Vojsko 1958. First Czech edition. Hardcover. Good/good. Photographs by Josef Vanis. 4to decorated beige cloth 152pp.; worn torn dj; with a ribbon bookmark. <br/><br/>Photographs by Josef Vanis. The photos are in color and b&w. The text is in Czech. Nase Vojsko hardcover
2011012143Boston: Skinner Auctioneers 2011. This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held at Skinner's in Boston on October 30 2011. Sale number: 2567B. The sale consisted of Rod MacKenzie's dauguerreotype collection. This is Part 1 only. 150 lots in the sale. All illustrated in color. Price estimates for each lot no prices realized sheets. 9" high X 8" wide 61 pages. This book will be securely packed and shipped with tracking. . Soft Cover. Fine. Skinner Auctioneers Paperback
1998BOOKS348712San Francisco CA: Chronicle Books. Very Good/Good. 1998. First Edition. Hardcover w/DJ. 4to. 240 pp. Dj corners frayed . Chronicle Books hardcover
19994486Owings Mills MD: International Library of Photography. 1999. Hardcover. Very Good in No Dust Jacket dust jacket. Book is clean and tight spine is bumped. Some of the photo on cover is damaged and there is a pink spot on cover it looks dark around it because I didn't wait for the Goo Gone to dry. Wonderful photos generally 6 to a page.; 4to - over 9¾" - 12" tall; 382 pages . 1892731096 . International Library of Photography hardcover
2008065417Arles and Paris France: Actes Sud/Fondation Cartier pour l'art contemporain 2008. Book. Near Fine. Soft cover. 1st Edition. 8vo - over 7¾" - 9¾" tall. Stiff gray wraps lettered in silver foil. Slightly bumped top corner just a hint of handling wear. 1st ptg. 96 pp. illus. Photographs by Patti Smith issued as one of three volumes in the "Trois" trilogy 2008. This listing is for the "Statues" volume only. Scarce. Actes Sud/Fondation Cartier pour l'art contemporain Paperback
1985BOOKS001164INew York: Abbeville. Fine copy in nearly fine dust jacket. 1985. 1st. hardcover. Large 4to 466 pp. Spine of dust jacket slightly faded else fine. . Abbeville hardcover
1985013698New York: Abbeville Press Publishers. 466pp. Stated First Edition. This book weighs 10.5 lbs. Additional charges will apply for international orders. P11 . Fine. Hardcover. First Edition. 1985. Abbeville Press Publishers hardcover
1985108169Abbeville 1985. First Edition. Hardcover. Like New/Like New. First Edition First Printing. Published by Abbeville Press 1985. Folio. Red cloth boards stamped in gold with brown endapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear and light fading to spine. A fine copy of this collection of over 200 photographic masterpieces from the George Eastman House Collection. 465 pages. ISBN: 0896595862. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. We Buy Books! Individual titles libraries collections. Message us if you have books to sell! Abbeville hardcover
2009BOOKS083332IHelsinki: Maahenki Oy. Fine copy issued without dust jacket. 2009. 1st. hardcover. 4to 136 pp. . Maahenki Oy hardcover
2013018836University of Calgary Press 2013 11" x 8.5". 84 pp. Catalogue that accompanied the exhibition. Covers have some light shelf wear tiny nick to bottom edge of rear cover otherwise a bright clean copy. University of Calgary Press paperback
2012016058BOMA Calgary 2012 10.25" x 10.25". One of one thousand copies. Unpaginated. 63 b&w plates. Significant Calgary buildings. Dark gray cloth. DJ has some shelf wear. BOMA Calgary hardcover
2010014506Fourbyfive.com 2010. 7.25" x 8.25". Unpaginated about 90 pages. Black & White photos from the region. Black cloth. DJ has some light shelfwear. . Very Good/Very Good. Fourbyfive.com hardcover
1989609077New York: Cambridge University Press 1989. 1st US. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket 190 pages. Illustrated with black & white photographs. Clean tight copy. The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants including Jacob Riis Lewis Hine Walker Evans Dorothea Lange Ben Shahn and Russell Lee. Clean copy. Record # 609077 Cambridge University Press hardcover
2012397392NY: The Burns Archive Press 2012. 1st. Hardcover. Very Good/None. Hardcover laminated boards measures 6 x 6 3/4". SIGNED AND INSCRIBED BY BURNS on the title page. Mirror Mirror features an extraordinary scope of early photography from one of the most important and comprehensive private collections in the world. Over 250 daguerreotypes presented in full-color reproductions illustrate the depth and beauty of this special medium. Showcasing a wide range of American British and French images revealing the clear distinctions in the style and presentation of each country makes this book an excellent guide for novice collectors as well as a resource for connoisseurs and curators. Clean copy. Record # 397392 The Burns Archive Press hardcover
1996BOOKS079662IZurich: Edition Stemmle. Fine copy. 1996. 1st. softcover. 4to 240 pp. German text edition. With texts by Anthony Bannon Marianne Fulton and Karl Steinorth. . Edition Stemmle paperback
75-9039Los Angeles: Stephen White Gallery of Photography 1988. 4to. Spiral Bound ca. 60 pp. B&W Plates Very Good with Creasing Abrasions. Los Angeles: Stephen White Gallery of Photography, 1988 unknown
1977002875Alfred A. Knopf New York 1977. Book. Near Fine. Cloth. 181 pp. 112 photographs in B&W. Very slight scuffing to the cover boards otherwise fine. Some shelfwear to the edges of the dustjacket a one inch tear to the front cover top right-hand side. Dustjacket is protected with a mylar cover. Alfred A. Knopf, New York Hardcover
2008361140GR: Steidl 2008. 1st. Hardcover. Very Good/Very Good. Hardcover 272 pages. One of the most intriguing and little studied forms of nineteenth-century photography is the tintype. Introduced in 1856 as a low-cost alternative to the daguerreotype and the albumen print the tintype was widely marketed from the 1860s through the first decades of the twentieth century as the most popular photographic medium. The picture-making preference of the people it was almost never used for celebrity portraiture: It was affordable portable unique and available almost everywhere. Because of its ubiquity the tintype provides a startlingly candid record of the political upheavals that rocked the four decades following the American Civil War-and the personal anxieties they induced. As this book's author Steven Kasher argues the tintype studio became a kind of performance space in which sitters could act out their personal identities. Sitters brought to the tintype studio not just their family and friends but also the tools of their trade costumes toys stuffed animals and other such props. Often they would enact stereotypes and fantasies that reflected or challenged conventional gender race and class roles. Surprisingly the tintype was almost exclusively an American phenomenon rarely used in other countries and this book demonstrates how this modest form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early Modern era. Featured in this book are more than 200 remarkable examples of tintypes mostly drawn from the Permanent Collection of the International Center of Photography in New York. Record # 361140 Steidl hardcover