8 292 résultats
195060285New York: Visual Art Publications 1950. Oblong 4to. 11.5 x 10.5 in. 55 3 pp. Photo-illustrated throughout many colour-rinted. Vivid colour-illustrated flexible covers cover title wire spiral binding as issued minor creasing to lower corner minor bumping to couple corners still VG copy. Revised & expanded edition of the famed photographer’s handbook on lighting and composition for nude glamour photography. Bernard 1912-1987 after attending UC Berkeley apprenticed with Max Reinhart’s Actor’s Workshop collaborated with pin-up artist Alberto Vargas developing his own unique glamour portrait the “posed candid†and was well known for helping launch the career of the young Norma Jean Daughterty Marilyn Monroe. Visual Art Publications, unknown
20120004621Los Angeles: Getty Publications 2012. First edition. First Printing. Hardcover. Fine/fine. 144pp. 9.5 x 11 x 0.9 inches. Brown cloth over boards stamped spine and front boards. Dust jacket cover is of Aspens by Lake Broadmoor Lodge Pike National Forest Colorado September 14 1959. The photograph on the back of the jacket is of Dungeon Canyon Glen Canyon Utah August 29 1961. There are 91 plates of black and white and color photos. There is a plate list and Acknowledgments. Book is unread unmarked unclipped tight and bight. The jacket has an archival protector. Gift quality. Getty Publications hardcover
196837326Brooklyn NY: Pratt Institute 1968. Very Good. Brooklyn NY: Pratt Institute 1968. First Edition. Quarto; unpaginated. Photographs and illustrations many color. Photo-illustrated boards. Light wear to edges and joints; moderate general rubbing. Binding sound; some wrinkling to pages else unmarked; a Very Good copy of this Pop Art-styled yearbook of sorts for the Pratt Institute clearly influenced by Andy Warhol. Pratt Institute unknown
19202381n. p. San Francisco: Federal Telegraph Company n. d. circa 1920. Good. 18-3/4 x 14-3/4 inches. Mounted photograph in a black wooden frame with an engraved metal plaque. Light soiling and toning; three approximately nickel-sized spots of loss to photographic overlay; frame somewhat scuffed and worn. Large photograph showing one of the Federal Telegraph Company's 100 KW antenna loading inductors with a man in work clothes standing beside it for scale. [Federal Telegraph Company] hardcover
1997PMV422903AParis: Ancre 1997. Hardcover. Fine/Very good. 32 cm. Patrick Dantec. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b> • Printed 1997 • No inscriptions. Ancre hardcover
63-2729Rialto California Photography Studio ca. 1939. B&W Photograph 8 x 10 inches. Very Good. [Rialto, California Photography Studio, ca. 1939]. unknown
1941026850Los Angeles: The Art Center School 1941. First Edition . Spiral Bound Card Covers. Very Good . B/W Photographs on White and Blue Backgrounds Throughout. 72 Pp. Catalogue Of The School Highlighting Its Teachers And Student Work; Includes Photo Of An Exposition Structure Designed By Mr. Schindler's Class P. 34 Also Photos And Bios Of The Teachers Including Schindler And Ansel Adams. Undated But First Page Of Text Refers To Copyright Of The Art Professions Tree 1941 And To Founding Of School Eleven Years Previously The School Was Founded In 1930. Very Scarce. <br/> <br/> The Art Center School unknown
195921046Leningrad: State publishing House Isskustvo 1959. Hardcover. Good overall. 1959 Soviet Russia volume on the Russian resort town of Sochi which hosted the Winter Olympic Games in 2014. Located on the "Russian Riviera" on the Black Sea with a long & beautiful coastline and known during the Soviet era as the "All Union Health Resort".<br /> <br /> 4to 210pp many color and b&w photographic ills. Photo captions in Russian and English. Cream boards with title in dark blue at front board and spine. With the original pictorial dust jacket with title in red and white on blue ground at dj front. Dj rubbed & chipped with small loss at spine. Spine ends a bit rubbed; internally owner inscription in Russian at ffep. State publishing House Isskustvo hardcover
190012750Salem Ma: Upton & Frisbee 1900. Albumen photocollage 4 x 5.5 inches on a slightly larger printed studio mount. Minor surface wear and toning. Very good. A wonderful relic of the continuing fascination with the Salem Witch Trials featuring four views of Salem's "Witch House" in a photocollage format produced in Salem around the turn of the 20th century. First built and inhabited by Roger Williams sometime before 1634 the house was later occupied by Jonathan Curwen or Corwin Esquire described here as "one of the judges during the witchcraft trials." The photocollage itself includes four illustrations -- the original house the house following "alterations in 1780" the "rear of the house after 1780" and the house "at the present time." The photograph was produced by Edwin N. Peabody active in Salem from the 1870s to 1890s and published by the local pharmacy Upton & Frisbee which occupied the house beginning in the late-19th century. The verso of the photocollage is printed with detailed information on the "Witch House" mostly encapsulated in eight paragraphs about the "Witchcraft Delusion of 1692" itself. The building was renovated again in 1945 and still stands today as one of the only remaining structures with direct ties to the witch trials. Upton & Frisbee unknown
1821147651821. Dimensions : 298 x 202 mm. Tirage argentique du temps. Photographie originale figurant les deux acteurs en 1973 au cours du tournage d'une scÂne du film Le Train de Pierre Granier Deferre. Tampon d'Alain Dejean de l'agence Sygma au verso. TrÂs belle condition. b42961 unknown
200146408West Boylston MA: Selby Shaver and Tim Chambers / Mercantile/Image Press 2001. Very Good/Very Good. West Boylston MA: Mercantile/Image Press 2001. First Edition. Large square quarto 31cm; publisher's cloth in pictorial dust jacket; xi1215pp.; full color photographs throughout. Moderate wear and wrinkling to dust jacket margins corners very slightly nudged else Very Good and sound. Inscribed and signed by the author Tim Chambers on title page "To John & Colleen -- Two great people who make the business great! Thanks and enjoy -- Tim. Selby Shaver and Tim Chambers / Mercantile/Image Press unknown
38019Providence RI: Silver Bullet Gallery 1983. Near Fine. Providence RI: Silver Bullet Gallery 1983. First Edition Limited to 100 copies. Elephant folio 54cm; original blue cloth clamshell box portfolio front cover lettered in silver foil; contents loose as issued including bifolium title page with introductory text and table of contents and twelve 12 original mounted photographs some in color but chiefly halftone. Light wear and dust-soil to clamshell box contents in Fine condition. <br /> <br /> Portfolio of photographs by artists chiefly associated with the Rhode Island School of Design RISD. Signed by contributors Bill Aron Barnaby Evans and Arno Minkkinen in margin of their photographs. A beautiful collection of late 20th century photography. No examples separately catalogued in OCLC as of March 2026. Silver Bullet Gallery unknown
171691 tirage 175 x 230 mm noir & blanc dédicace autographe signée en marge supérieure gauche. Photographie dédicacée à Claude Menguy son bibliographe depuis " Bruxelles 1966". L'encre a passé et ne nous a pas permis de déchiffrer la teneur exacte de la dédicace. Simenon en juin passe par Bruxelles pour un voyage qui le conduira jusqu'à Delfzil petite ville du nord des Pays-Bas où une statue du commissaire Maigret va être inaugurée sur la place centrale du bourg où Simenon plaça l'intrigue de son premier roman en 1929. C'est à l'issue de ce voyage qu'il entame la rédaction de son prochain Le Chat qui sera adapté par Pierre Garnier-Deferre avec l'inoubliable interprétation de Jean Gabin et Simone Signoret. Pour l'heure c'est La Mort d'Auguste imprimé pendant l'été qui consacre sa rentrée littéraire. 1 tirage (175 x 230 mm) noir & blanc, dédicace autographe signée en marge supérieure gauche. unknown
18611735Paris: Société française de photographie Imprimerie de Mallet-Bachelier 1861. In publisher’s printed wrappers. In fine condition. In publisher’s printed wrappers. 51 1 p. <p><br /> Scarce early catalogue of the fourth exhibition of the Société française de photographie.<br /> <p><p><br /> The Société française de photographie is one of the world's oldest photographic societies. It was founded in Paris in 1854 to promote the art and science of photography collecting related material and organizing exhibitions. <br /> <p><p><br /> The present publication it the catalog of the fourth exhibition of the Société held between May 1 and July 15 in 1861. Over 150 exhibitors participated with more than 1200 photographs. The majority of the exhibitors were French but photographers from all over Europe Germany Hungary Austria England Scotland Norway Russia The Netherlands Switzerland and even from South America Peru participated. Just a few names: Robert Jefferson Bingham Ludwig Angerer Édouard Baldus Bisson Brothers Aimé Civiale Leonida Caldesi Antoine Claudet Auguste Hippolyte Collard Alphonse Davanne Edmond Fierlants Émile Garreaud Lázár Letzter Farnham Maxwell-Lyte Léon-Eugène Méhédin Nadar Charles Nègre and Marcus Selmer.<br /> <p><p><br /> Scarce WorldCat locates only 4 copies worldwide BNE Madrid NYPL National Art Library London Kunstmuseums Basel and the Société française de photographie also holds a copy.<br /> <p>. [Société française de photographie] Imprimerie de Mallet-Bachelier unknown
1961AOUS[SOU18c. Bobigny: Éditions De L'Illustration 1961. 1961. Cover Title. folio. ff. x 2. 44 plates 4 tipped-in colour & 7 text illus. gatherings & plates loosely inserted in wrs. small tapestain to lower covers institutional bookplate & slipcase. [c. Bobigny]: Éditions De L'Illustration, [1961]. unknown
1961AOUS[SOU21c. Bobigny: Éditions De L'Illustration 1961. 1961. Cover Title. folio. ff. x 2. 44 plates 4 tipped-in colour & 8 text illus. gatherings & plates loosely inserted in wrs. two tears across width of spine short tear to upper edge institutional bookplate & slipcase. [c. Bobigny]: Éditions De L'Illustration, [1961]. unknown
1870211701870. Ephemera. Good overall. Albumen photograph of Adderley Street in Cape Town South Africa. A man in bowler hat stands in the foreground clock tower over J. Curtis Draper on left many horse carriages lined up on the opposite side of street. Caption on verso "Atherley Street Cape Town". Approximately 9 1/4 x 4 3/4" three small spots on right where paper has thinned one slight dark spot at center. Backed with tissue paper. unknown
18853348N.p. likely Groton SD: October 1885. Very good. Two mounted albumen photographs 5.5 x 8.25 inches on 8-x-10-inch plain cardstock. Small chip to bottom edge of each mount some edge wear dust-soiling and rubbing. A highly-informative pair of original photographs of two different areas of Groton South Dakota just four years after its founding each identified in the lower margin both taken in October 1885 both from a slight elevation and each with numerous manuscript captions in the margins identifying various locations in the images. The first photograph pictures "Central Part of Groton. October 1885." Manuscript captions point to the bank post office "Trinity Church" the Presbyterian Church "Presbyterian Parsonage" and an "X" on the Brunswick Hotel identifying "Will's room formerly at the hotel." The second photograph is titled "Northern Part of Groton Dakota. In Oct. 1885." Among the buildings identified here are "Will's home" "School house" "New College Buildings" "Bank Building" and the location of Main Street. Each photograph pictures many more buildings than are identified through the captions and juxtapose the town's collection of buildings against a wide and empty prairie beyond. Together the photographs provide a rare and early city view of the still-remote city of Groton located in the north-eastern part of South Dakota and numbering just 1380 residents as of the 2020 census. October unknown
193982929Moscow and Leningrad: State Art Publishers 1939. No Edition Stated. Quarto. 26cm. Publisher's ribbed maroon leatherette with the title embossed in gilt to the front board gilt decoration to spine. Approx 250pp.Some wear and rubbing to the extremities most noticeable at the spine ends strong robust and handsome internally clean a very good smart looking copy. Complete with the two tipped in fold-out panoramas of historical renderings of Moscow intended to allow readers to compare the vibrant new Moscow to the less streamlined and progressive city of the past.<br /> <br /> With photography by Rodchenko during a period when he was more concerned with painting and text by his wife Vavara Stepanova this volume of stridently energetic images of Moscow Muscovites and the general beauty and order of the urban jewel of the Soviet Union was created for the New York World's Fair of 1939. This use of Rodchenko's photography occured during a time when criticism of his work as being 'too aesthetic' and not adequately serving the cause of Socialist Realism was causing him some professional and political problems. His desire "to search inquisitively for new riches in the language of photography" frequently put him in a position where the taking of a photograph that fulfilled his artistic requirements placed him at odds with the artistic requirements of the Soviet artistic monolith or at least the monolith it aspired to represent.<br /> No expense seems to have been spared for this volume and no publicity trope of Soviet Reality tm seems to have been overlooked; from clean streets and punctual public transport to racks of healthy babies in a Moscow maternity ward and laughing children behind the scenes at the State Theatre. Access is given to the production lines of the mighty factories of the Soviet industrial behemoth with special emphasis on the way in which the workers of the USSR are encouraged to streamline and develop their own working methods and procedures with the aim of constantly striving to increase productivity and labor output. Workers are smiling proud and uniformly enthusiastic schoolchildren are clean and respectful and avidly consuming Pushkin at age 7 and the rest of the world looks grubby cluttered and chaotic in comparison which was presumably the idea. Impressive somewhat awe inspiring and from a 21st century perspective rather grim considering the carnage and chaos that was about to overwhelm the world. Fairly well represented in institutions with some visible gaps clean tidy copies can be elusive. KARASIK: The Soviet Photobook 1920-1941. Pages 464-465. State Art Publishers unknown
61757Tblisi: NKVD 1938. A magnificent grand-format presentation album ca 35cm x 42cm bound in full calf with heavy gilt titling to front cover; containing 113 original photographs including 90 large-format gelatin-silver prints most about 22cm x 29cm ca 8-1/2" x 11-1/2" a few slightly larger or smaller; four folding panoramas and 19 smaller-format portraits 10cm x 7cm ca 4-1/2" x 3". Rubbing to covers; mild staining to some of the mounts occasional surface scuffs to photographs; two of the panoramas have mended tears at folds. Overall a complete well-preserved album with the photographs in generally excellent condition. A complete list of captions translated into English is included. <br /> <br /> The movement for rural collectivization in the Soviet Union began in earnest in the late 1920s and reached its peak in the mid-1930's under the second Five Year Plan. In every Soviet state hundreds of thousands of rural peasants were moved off their own small holdings and relocated to one of the large collective farms kohlkozy or as here to State-run agricultural factories sovkhozy. State-owned farms like the one portrayed in this album operated under somewhat stricter conditions - in the words of one contemporary observer ".it is perhaps incorrect to speak of 'forced' labor in connection with the sovkhozy.but it is quite reasonable to designate this labor as 'militarized'." The fact that this farm was run by the NKVD the Soviet internal security apparatus means its residents were almost certainly present on a punitive or at least rehabilitative basis: as the agency principally responsible for ferreting out and suppressing counter-revolutionary tendencies among the vast Soviet populace the NKVD would have had little other reason to be involved in the operation of an agricultural enterprise. The use of the sovkhoz as a tool of repression especially in the early days of collectivization is well documented: the collective system was coercive and unwelcome to many if not most of the peasants whom it affected. "What is especially dangerous for the stability of the new agricultural system in Soviet Russia - introduced in such a hurry - is the fact that it was put into effect with coercive methods the system being forced on the peasantry and being accompanied by a cruel campaign against the well-to-do peasantry i.e kulaks quoted from Vladimir Timoshenko "The New Agricultural Policy of Soviet Russia" in Journal of Farm Economics v.13 no.2 April 1931.<br /> <br /> To counter some of the negative views of collectivization a large-scale propaganda campaign was initiated and some of the leading Soviet photographers of the period including Georgy Petrusov Evgeny Khaldei V. Teterin Ivan Shagin Arkady Shaikhet among others were employed to present an idealized version of life on the collective farms. The current album clearly intended to convey this sense of the rural ideal was likely produced by the Directors of the Sovkhoz Sergo Ordzhonikidze named ironically for a one-time ally of Stalin's who had been assassinated in the Great Purge for presentation to a regional state official. In more than 100 hand-captioned images the album portrays every aspect of the enterprise from fields of dairy cattle to chicken hatcheries to leisure-hour activities. The workers are uniformly happy and well-fed their surroundings ideally pastoral the machinery clean new and efficient. One can only speculate what conditions prevailed in the absence of a photographer's lens. <br /> <br /> The photographs themselves are clearly professional: technically and compositionally sophisticated they are exemplars of the form produced in an era when the Soviets had raised the photographic arts to a high level in service to their considerable propaganda needs. Of particular interest are numerous interior photographs documenting industrial activities at the farm - maintenance of the boiler rooms and garages; canning operations; the blacksmith's shop etc: even though staged these are extraordinary photographs of a depth and quality one would associate with the flagship Soviet photographic magazines of the period and there were several the most prominent being Sovetskoe Foto which ran from 1926-1977 and USSR in Construction 1930-1941. <br /> <br /> Despite our belief that these images were likely the work of one of the prominent Soviet photo-documentarians of the period attempts to match the images to a known photographer have proved fruitless. Of the names listed above these images most resemble the work of Evgeny Khaldei who would become famous for his photojournalism during the Second World War; but we find no evidence within the album attributing the work to him or any other photographer. Nonetheless a valuable documentation of pre-War Soviet agricultural life and a quite remarkable collection of images. unknown
193881496New York: Covici-Friede 1938. First Edition. First Printing. Quarto 28cm; taupe cloth blocked and titled in black on spine and front cover; dustjacket; unpaginated 96pp; photographically illustrated. Gently spine-sunned lightly shelfworn with foxing to spine joints board edges and upper edge of textblock; pronounced offsetting to gutters at endpapers from binder's glue though text and illustrations are mostly clean; triangular loss to upper right corner of p.50-51 3.5" x 3.25" x 1 5/8" with the torn corner loosely laid in; just Very Good. Dustjacket is unclipped priced $2.50 spine-sunned showing moderate wear several chips tears and attendant creases with a half-dozen or so tears archivally reinforced on verso; Good or better. <br /> <br /> One of the definitive photobooks of the 20th century and an essential title in any collection of books on the Spanish Civil War. The untitled jacket image capturing the moment of death of a militiaman on the Cordoba front established Capa's reputation as one of the great battlefield photographers of all time and remains one of the most recognizable photographs of the Twentieth Century. PARR-BADGER I:139. 81496. Covici-Friede unknown
1895235381895. Good overall. Large albumen photograph depicting a Cingalese Ceylon family consisting of a grandfather father and young daughter all dressed in their finest. The young father holds a cloth parasol. The young daughter about 6 or 7 years old already is wearing fine gold ornaments including necklaces nose ring and earrings. <br /> <br /> "Colombo Apothecaries Company was established by J. Smith Finlay and W.M. Smith in Colombo Ceylon in 1883. From a small mercantile establishment the Company grew rapidly into a large general store selling most commodities. The name Colombo Apothecaries Company was established in 1892 and by this time already had a photographic department. As an expansion of this department the company acquired the negatives of Charles Scowen Company and moved their studio to Kandy where the climate was considered better for photographic work than Colombo. After the acquisition of the Scowen portfolio the Colombo Apothecaries Company produced a fine catalogue and started selling their photographs worldwide". Our thanks to Palinda de Silva for the above information.<br /> <br /> This is just such an intimate portrait with the grandfather at the right slightly blurred as if he moved during a long exposure.<br /> <br /> A good bright image some light creasing and a little chipped at edges otherwise good condition. Large photo 8 1/4 x 10 1/2" hardcover
1920267071920. Hardcover. Very good overall. An interesting photograph album of about 88 photographs compiled by an unknown British businessman who visits Hong Kong Colombo & wider Ceylon. He visits Hong Kong as a bachelor and here there are several amusing snapshots of men in kimonos some parading with parasols. Arriving in Ceylon the businessman seems to have been involved with either rubber or coconut plantations. He appears to marry in Ceylon. There are also 13 vernacular shots of Colombo buildings and people including a lovely Sri Lankan woman and a Chinese street seller. There is a charming image of a young coolie asleep on the bottom rung of his rickshaw. A group of 4 photos show a large white ship from various angles includes one of the captain looking at native boats alongside by photographer Karl Lewis possibly related to the Great White Fleet. Then a group of personal family portraits and one of the Forth Bridge in Scotland.<br /> <br /> Lewis was an interesting photographer of the last century. Born in Kentucky in 1865 he started as a dock worker and eventually took to the sea living all over the world. He settled in Yokohama in 1901 had a common law wife and ran small photographic printing business issuing brochures postcards and covers that were sometimes hand colored. In 1905 his catalog advertised "take any photograph sketch or draw produce 100 elegantly colored postcards for $1.75 including shipping." Over the years he found sailors and the American Navy a popular subject possibly because of sales. His postcards & photographs have become very collectible. See great white fleet website.<br /> <br /> Photograph sizes vary 3 ¾ x 4 ¾"; c x 2 ¾"; 6 x 4 ¼";3 ¼ x 4 ¼"; 4 x 5 ¾"; 6 3/8 x 4 ¾". Most images are vernacular some have numbers/letters in the image but no identified photographer other than the Lewis images mentioned above. <br /> <br /> Thick oblong photograph album 11 ¾ x 9 ½ x 2 ½". Green two-tone cloth covers with thick album board varying between brown gray and dark green backing the photographs. Boards a bit speckled corners rubbed and a bit marked but firmly bound. <br /> <br /> An interesting vernacular album of Sri Lanka and the course of this man's life. hardcover
190460923St. Louis MO: Official Photographic Company Louisiana Purchase Exposition Co. Robert A. Reid 1904. 12mo. Die-cut heart-shaped sized 6 x 6.25 in. 49 leaves unnumbered. With 47 photo plates all w/ decorative borders. Colour-illustrated softcovers sewing hole at upper fore-edge punch-sewn w/ silk thread slight creasing to upper left fore-edge minor edgewear still a VG copy. First edition of this charming and inventive souvenir view book to the St. Louis Worlds Fair Louisiana Purchase Exposition offering a comprehensive illustrated tour to the famed event. The opening images reflect the contemporary fascination with the ethnological “Human Zoo†indigenous people’s exhibits on “The Pike†including photos of the Native Americans at the Indian Congress Philippine Igorrots dancing Singalese dancers geisha girls at the Japanese tea house the Chinese Pavilion and other exhibits. Also included are views of the Palaces of Mines & Liberal Arts Palace of Agriculture East Plaza with giant statues of Lewis & Clark the Louisiana Purchase Stock show featuring eleven prize steers the Ferris Wheel exhibit interiors and more. Worldcat loctes 7 copies CS Fresno History CO DLC U of DE Missouri Hist. Mus Bryn Mawr SMU. Official Photographic Company, Louisiana Purchase Exposition Co., Robert A. Reid, paperback
190460900St. Louis MO: N.D. Thompson Publishing Co. 1904. Oblong folio. 13.75 x 11.25 in. 2 302 2 pp. Colour frontisp. over 300 photo plates. Burgundy-coloured cloth over beveled boards black lettering on front cover ruled embossed in blind on front cover minor rubbing edgewear expertly recased a few minor paper repairs gutter margin repair still VG bright copy from the library of Prof. Marvin Nathan. First “Library edition†of this photographic guidebook to the St. Louis Worlds Fair Louisiana Purchase Exposition offering a comprehensive illustrated tour to the famed event. Exterior views the Midway the Ferris Wheel interiors of all the exhibits sporting events and more. The Louisiana Purchase Exposition spread over 1200 acres and incorporated education into all aspects of the exhibitors including blacksmiths at work Native Americans living in their villages transplanted Philippine Moro natives elephant trainers lion tamers and more. Visitors to The Pike -- the mile long midway -- could scale the Tyrolean Alps visit Blarney Castle a Parisian fashion show dive under the sea or ride a burro to Cliff Dwellings. The 1904 St. Louis Fair also featured the first Airship races contest which offered a prize if the competing airships could complete the course three times at a speed of 15 m.p.h. A photo of Hippolyte Francis’s airship Ville de St. Mande depicts the airship in flight with a 100 foot long gasbag and 35 feet in diameter. Workmen had to dig a trench to get the ship out of the aerodrome and it later crashed into the concourse fence and did not fly again. N.D. Thompson Publishing Co., hardcover