PAULSEN, Susan (Milwaukee, 1957)MareMagnum
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Con un saggio di George T.M. Shackelford e commenti di Mary Currie. Fotografie a colori di Susan Paulsen precedute da brevi note. Volume in lingua inglese . 4to (29x29 cm). pp. 246. . Perfetto (Mint). . Prima edizione (First Edition). . Wilmot è una cittadina nella contea di Ashley, nel sud-est dell'Arkansas. Un tempo città dipendente dall'agricoltura e dalla produzione di cotone, a seguito della crescita dell'agricoltura meccanizzata negli anni '50 e '60 e dell'arrivo della vendita al dettaglio negli anni '70, è stata abbandonata subendo lo stesso destino di molte altre aree rurali americane. Susan Paulsen ha basato la sua serie Wilmot su testi scritti e trasferiti a lei da sua cugina Mary Currie: è una metafora del sud agricolo americano e allo stesso tempo rappresenta un archivio visivo della vivacità dei tempi passati della città, raffigurando molti edifici che oggi non esistono più o sono abbandonati.
Very good softback, minor shelf and handling wear only. Small mark on the bottom of the page block. Pages are well bound, images and text unmarked. CN Used
français In-8 carré oblong non paginé ; broché à spirale de l'éditeur. Contient 20 cartes postales à découper.
Willy Ronis. Willy Ronis. Per la libertà di stampa. Edizioni Gruppo Abele. 2001-I. Torino , Edizioni Gruppo Abele 2001-I italiano, in quarto pp.95 32754 Willy Ronis. Per la libertà di stampa. Edizioni Gruppo Abele. 2001-I In-8. pp. 95 ottimo. ill. n t in b/n brossura.
AA. VV. Willy Ronis. Gruppo Editoriale Fabbri 1983 - I.. Milano, Gruppo Editoriale Fabbri 1983 - I italiano, in quarto pp. 61 7925 Willy Ronis. Gruppo Editoriale Fabbri 1983 - I. In-4. pp. 61. Brossura. Ill. in b/n. Ottimo.
ill., br. Con falsa modestia, Ronis sosteneva che le sue foto le avrebbe potute scattare chiunque, che erano tutte frutto del caso. In realtà, solo lui poteva realizzare quei piccoli miracoli di gioia quotidiana, rari e preziosi, in cui il tempo e lo spazio parevano riuscire a lavorare all'unisono; solo il suo sguardo sapeva dosare luci e forme, immediatezza e attesa, ritmo e armonia, ironia leggera da flàneur parigino e gravità da filosofo. "Essere libero? Sì, ma non è tanto una questione di libertà quanto di piacere che si prova per cose diverse". Quel piacere, Willy Ronis lo ha custodito per tutta la vita, coniugando lavori su commissione e ricerche personali, con l'insegnamento della storia e della tecnica della fotografia e, soprattutto, coltivando la curiosità come bene supremo.
Editions Du Desastre, Willy Ronis Photographies Editions Du Desastre, Paris, 1989, cm 21,5x19,5, pp. nn. (n/s 22), con ill. fot. (cartoline) in b/n, testo in lingua francese, cartoncino ed. ill. con spirale al dorso. Condizioni di conservazione Volume in buone condizioni con leggere tracce d'uso. SETT181.L16220 MT
In 4ø (cm. 29,5 x 21); pagg. 95; con numerose illustraz. fotograf. n.t.; leggera cartonatura originale figurata. VG. ** "Da dieci anni 'Reporters sans frontiŠres' celebra la giornata internazionale per la Libert… di Stampa pubblicando un album fotografico che dal 1996 esce anche in Italia"
Couverture reliee sous jaquette, 600 pages, 249 x 321 mm, Noir et blanc - Relie, Edition en langue French. ISBN 9782081432970. En 1983, puis en 1989 et en 2006, Willy Ronis fait don de l'ensemble de son oeuvre a l'Etat francais. Pour accompagner ce geste, il rassemble dans des albums une selection de ses meilleures photographies ; pour chacune, il ecrit un commentaire fait de souvenirs et d'anecdotes, s'attachant aux conditions de la prise de vue et aux informations relatives au tirage. Au total, ce sont 590 photographies qui forment un portrait sensible et autobiographique de Willy Ronis. Cet ouvrage exceptionnel reproduit l'integralite du contenu, jusqu'alors inedit, de ces albums.
Couverture reliee sous jaquette, 600 pages, 249 x 321 mm, Noir et blanc - Relie, Edition en langue English. ISBN 9782080203724. Willy Ronis (1910?2009) was one of the great photographers of the twentieth century. Selected by MoMA curator Edward Steichen for inclusion in two groundbreaking exhibitions, The Family of Man and Five French Photographers, his work depicts the poetic and poignant reality of life in postwar France. From carefree children to embracing lovers, and from sun-dappled Provence to the cobblestones of Paris, Ronis?s humanist eye found joy in the simplest moments of everyday life. In his last decades, Ronis donated his complete works to the French State. To accompany this gift, he made a personal selection of what he considered to be his most noteworthy images?590 in total?mounting them in a series of albums and providing meticulous commentary on each photograph. Combining anecdotes with historical and technical context, they constitute an essential document on the photographer?s long career. This exceptional volume reproduces, in full, the contents of Ronis?s albums for the first time. Together they form a touching, intimate portrait of the life, career, and worldview of a singular artist in the history of photography.
103 pages. Wonderful black and white photography. Clean and unmarked with light wear. A quality copy. Book
Paperback, 17x24.5cm., 80pp., duotone ills., nieuw. nNL ISBN 9789066251335. Willy Kessels (1898-1974) wordt beschouwd als de belangrijkste vertegenwoordiger in ons land van een nieuwe, 'modernistische' fotografie die vanaf het einde van de jaren 1920 op de voorgrond trad. Zijn oeuvre is bijzonder illustratief voor de praktijk van de beroepsfotograaf in de jaren 1930. Hij was actief op vele uiteenlopende terreinen: reportage en publiciteit, mode en portret, architectuur en industrie, naaktstudies, collages en abstracte experimenten. Kessels was in 1932 betrokken bij de organisatie van de eerste "Internationale Tentoonstelling voor Fotografie en Cinematografie" in het Brusselse Paleis voor Schone Kunsten. In 1933 realiseerde hij setfoto's bij de communistisch geinspireerde documentaire film "Misere au Borinage" van Joris Ivens en Henri Storck. Maar nauwelijks twee jaar later, in 1935, sloot hij vriendschap met Joris Van Severen en realiseerde hij foto- en filmreportages voor het Verdinaso. Tijdens de oorlog was Kessels betrokken bij de oprichting van de kunstenaarsvereniging "De Meivisch" te Bornem, en fotografeerde hij intensief het Scheldeland en zijn bewoners. Kessels werd na de oorlog veroordeeld voor collaboratie. Met de steun van trouwe vrienden kon hij zijn werk echter weer opnemen. Recente tentoonstellingen gewijd aan het oeuvre van Kessels werden telkens overschaduwd door een problematische omgang met dit oorlogsverleden. De huidige tentoonstelling zal dit hoofdstuk niet uit de weg gaan, maar wil toch vooral de artistieke kwaliteiten van Kessels in beeld brengen
Hardcover. No jacket. Bilingual edition. Item in shrinkwrap. Shrinkwarp is slightly creased and peeled on rear board. AM Used
Hardcover. No jacket. Bilingual edition. Several superficial marks on boards. Leading corners and edges are slightly worn. Spine ends are a little creased. Binding is tight, contents are clean and clear throughout. AM Used
ill., br. La prima monografia in italiano dedicata all'opera del fotografo e artista visivo nord-irlandese Willie Doherty. In essa vengono affrontati i temi che l'artista ha messo al centro della propria trentennale carriera nel campo della fotografia artistica e delle videoinstallazioni. Tutta la sua opera scaturisce dal potere, oscuro e magnetico, del confine. Il volume, in italiano e inglese, comprende i testi critici di Anne Stewart (Belfast Museum), Daniele De Luigi (FMAV) e Declan Long (National College of Art and Design, Dublino), che contestualizzano l'opera di Doherty soffermandosi in particolare sulla centralità del concetto di confine nel suo lavoro. Il volume presenta inoltre tutte le opere (fotografiche e video) esposte a Modena e a Belfast, dando ampio spazio al lavoro realizzato appositamente per la mostra, la videoinstallazione Where/Dove, di cui è riportata la trascrizione integrale del testo, suggestivo e perturbante. "La condizione del vivere lungo un confine - con tutte le variabili confuse e le certezze imposte, le dimostrazioni di potere dure e quelle sottili, il dualismo tra l'insinuare la prigionia o la fuga - ha avuto un'influenza significativa sul teso senso di incertezza dello sguardo di Doherty. [...] La comprensione del confine attraverso le sue multiple dimensioni - nello spazio e nel tempo, interiori ed esteriori, visibili e invisibili - è un anelito che Willie Doherty trasferisce nel suo lavoro. Un'aspirazione che invoca il coinvolgimento dello spettatore, compreso chi è stato vittima di quel potere, in un percorso di abbandono delle proprie difese per avvicinarsi all'altro, fino a farne misura di se stesso. In questo risiede la sua profonda responsabilità etica di artista." Declan Long.
A cura di De Luigi D. e Stewart A. Testo Italiano e Inglese. Modena, 2021; br., pp. 144, ill. col., cm 22,5x27,5.
First Edition. Very good condition, oversized, hard cover, with unclipped dust jacket. Light shelfwear to DJ; wear and creasing to edges and corners, light tanning and light scuffs and scores. Boards lightly tanned at edges, minor bumping to cornes. Internally, light foxing to FEP. Pages are well bound, text and illustrations unmarked. Colours vivid. CN Used
pp. 44 + Large glossy print frontis photograph of 13 men at their 25th reunion. 8vo. 220 mm. Disbound. Original printed front wrap present. The owner of this scarce pamphlet was Thomas S. McClelland, a prominent lawyer in Chicago. Born in PA, he graduated Williams in 1864, and almost immediately joined the Union Army. Called "Honest Tom" by his classmastes, he was over 6' tall "straight as an Indian, and almost as swarthy." He missed the reunion, and does not appear in the photograph. Those that do are identified on p. 4. In the photo they appear to be a substanial and quietly prosperous group. Most are dressed in frock coats, holding their top hats and bowlers. Williams College is a private liberal arts college located in Williamstown, MA. It was established in 1793 with funds from the estate of Ephraim Williams, and was originally open only to men. Very scarce. Not recorded in OCLC. PA69
This is a fine softcover copy with virtually no wear. SIGNED in ink, by the artist, William Wegman with a drawing of a female body and a dog's head, and briefly inscribed. Otherwise completely clean. Illustrated in color with reproductions of William Wegman's photographs. Also black & white drawings. 12" high X 10" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Softcover, 232 pages, ENG, 250 x 220 x 20 mm, in Perfect condition!, coloured photographs about the most loyal best friend of man, with some folding pages. ISBN 9780810992429. Man Ray, William Wegman's first Weimaraner, became a central figure in Wegman's photographs and videotapes, known in the art world and beyond for his endearing deadpan presence. In 1978, Wegman was invited by Polaroid Corporation to try out its mammoth 20 x 24" camera, and he began a series of photographs featuring Man Ray that were published in Abrams' Man's Best Friend. In 1986 a new dog, Fay Ray, came into Wegman's life and soon thereafter another famous collaboration began. After Man Ray died in 1982, Wegman continued his exploration of the medium with non-canine subjects, and he also began to work with the expanding universe of Fay Ray's progeny. Throughout the years, Wegman has maintained an extraordinary level of creativity, capturing his versatile subjects in a seemingly limitless variety of poses and guises. This book gathers together the best of his work - hundreds of unique, large-format photographs - with an insightful and candid essay by the artist exploring his experiences with the camera and his exceptional models. Though many of these images have become well known through exhibitions, books, and his best-selling calendars, some of the best had never been published when this book was originally
Hardcover, ca 88 pages, ENG, 310 x 265 x 16 mm, dustjacket, book is in New condition, with some fold-out pages, Full page coloured photographs. ISBN 9780810929449. William Wegman (born December 2, 1943) is an American artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses
Paperback. Published for the exhibition at the Bernard Jacobson Gallery, London from 12th September to 11th October 2008. Covers and spine are lightly marked and scored. Pages are clean and contents are clear throughout. Binding is sound. HJW Used
Paperback. Published for the exhibition at the Bernard Jacobson Gallery, London from 12th September to 11th October 2008. Spine head is lightly worn. Pages are clean and contents are clear throughout. Binding is sound. HJW Used
Staple-bound paperback. Published for the exhibition at Julian Lax, 23 November - 19 December 1999. With price list laid in (penned dots by two entries). Two or three very minor marks on exterior; pages are clean throughout - a very good copy. "A rare group of gouaches, lithographs and screenprints". TS Used
