[FOTOGRAFIA - WIESBADEN].MareMagnum
46 488 résultats
[Wiesbaden, anni '20 - '30 del '900], fotografia di mm. 220x269. Non firmata. Ottime condizioni.
English and German Text. Wien, 1989; bound in a case, pp. 180, col. ill., cm 30x30. english deutsch bound in a case
Album in-16 gr. (mm. 178x226), tela editoriale, pp. 205, illustrate interamente da fotografie in bianco e nero eseguite da Martin Gerlach. Testo in tedesco, francese e inglese. Quinta edizione rivista e aumentata. Timbro di appartenenza privata, ma ben conservato.
Due foto all'albumina, 1880 circa, di cm. 25,5 x 19,5. Animate entrambe, belle.
179 p., [12] folded leaves of plates : chiefly col. ill., col. maps ; 31 cm. Hardcover Fine condition, in slipcase fine d.j. Compilation of Austrian aerial photography. Hundreds of full color photographs, many foldouts, annotated in German and English. Limited printing. Never sold in bookstores.
8° oblungo cop. cart. fig. tenuta da nastro. Suggestiva raccolta.
Gr.8°. (32); 45 S. Doppelbuch. Original Karton mit farbig illustriertem Deckeltitel. (=Talents. Junge Fotografie/Kunstkritik. Nr. 14). Guter Zustand. Der Katalog erschien anlässlich der Ausstellung Talents 14. Wiedergängerinnen. März-Juni 2009, C/O Berlin. - Enthält 16 farbige, ganzseitige Abbildungen von Oskar Schmidt im linken Teil und zugehöriger Text und Interview von Steffen Siegel , Biographien etc. im rechten Teil des Doppelbuches. Nr. 274 von 500.
This is a fine softcover copy with no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Parrish Art Museum, from May 2 to June 20, 1993. Essays by Donna De Salvo and Edward Leffingwell. Checklist of the exhibition with about 40 works. Illustrated in color. Chronology. Bibliography. 9" high X 12" wide, 44 pages. This book will be securely wrapped and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued, with no wear at all. Completely clean inside and out. Stated first edition. Limited edition of 1000 hardcover copies. This catalog was prepared to accompany the exhibition of Linda McCartney's photographs at the Bonni Benrubi Gallery in New York from June 4 through July 2, 1998. Introduction by Bonni Benrubi. List of works with 38 photographs catalogued. All illustrated in black & white or color. The works are divided into four groups: 1) platinum prints; 2) photogravure prints; 3) silver-bromide prints and 4) Polaroid transfers. 9" high X 8" wide, 93 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Stampa all'albumina di misure 95x145 mm applicata su cartone di misure 175x260 mm.
F.to: 13,5x19,5; pagg. 254; BN; rileg. rigida. Editore: Shobunsha, Tokyo, 1973.
Hardcover in unclipped dust jacket. Dust jacket plastic protected slightly worn and creased. Hard cover very well preserved. Ex-library usual stamps and stickers. Contents sound and good, pages are crisp, text bright and tight throughout. Twenty fifth Edition. Ex-Library
Hardcover, 321 pages, ENG, 265 x 250 x 28 mm, dustjacket, book is in Perfect Condition !, illustrated in colour / b/w. ISBN 9780307270160. More than two hundred spectacular photographs, sensual, luminous, frenzied, true, from 1955 to the present, that catch and define the energy, intoxication, rebellion, and magic of rock and roll; the first book to explore the photographs and the photographers who captured rock's message of freedom and personal reinvention--and to examine the effect of their pictures on the musicians, the fans, and the culture itself. The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. Here are Elvis in 1956--not yet mythic but beautiful, tender, vulnerable, sexy, photographed by Alfred Wertheimer . . . Bob Dylan and his girlfriend on a snowy Greenwich Village street, by Don Hunstein . . . John Lennon in a sleeveless New York City T-shirt, by Bob Gruen . . . Jimi Hendrix, by Gered Mankowitz, a photograph that became a poster and was hung on the walls of millions of bedrooms and college dorms . . . For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity. To bring together these images, Gail Buckland, acclaimed photographic editor, curator, and scholar, looked through the archives of one hundred photographers, selecting pictures not on the basis of the usual suspects, but on the power of the images themselves, often picking an image a photographer didn't even remember he or she had taken. Buckland writes about the photographers, their influences, their relationships with their subjects, how they took the images, how they saw what they saw and captured what they captured: the spirit and essence of rock. A revelation of an art form whose iconic images changed the world as we knew it.
139p., illus. Features 13 homes, with photographs by Samuel Chamberlain, of famous New Englanders, including Sarah Orne Jewett. Hardcover Very good condition
139p., illus. Features 13 homes, with photographs by Samuel Chamberlain, of famous New Englanders, including Sarah Orne Jewett. Hardcover Very good condition good
Paperback. Light wear on covers. Contents in excellent condition. BW Used
Testo inglese, brossura, formato 21x23, pagine 190, illustrato in nero, buone condizioni - 40809
Hardcover with unclipped dust jacket. Exhibition catalogue richly illustrated and including several essays. Minor edgewear to jacket and light tanning to page edges. No other faults. Clean throughout. AD Used
In-4 (cm. 30.50), brossura illustrata, pp. (63) senza numerazione, con illustrazioni in bianco e nero ed a colori nel testo. Text in English. Designed by Bea Feitler. Minime tracce d’uso alle punte ed alle cuffie; peraltro, volume in ottimo stato (nice copy).
4°, leg.edit., sovrac., pp.nn. (ca. 100), molte fotog. n.t.
4°, leg.edit., sovrac., pp.nn. (ca. 100), molte fotog. n.t.
Volume realizzato in occasione della mostra tenutasi presso l'Haugar Art Museum, Norvegia 10 giugno - 3 settembre 2006. Testi di Gil Blank, Ina Blom, Hillary Raphael. Fotografie a colori e in bianco e nero di Torbjørn Rodland . 8vo (cm 24,5x20,5). pp. 112. . Perfetto (Mint). . Prima edizione (First Edition). . Torbjorn Rodland è per la fotografia quello che i Pet Shop Boys sono per il pop: un maestro del cliché delicatamente orchestrato, del troppo ovvio, troppo carino o troppo folle, giocati fino al punto in cui, svuotati da ogni traccia di senso comune, suggeriscono un nuovo senso di silenzio e mistero. Rodland ha la capacità di produrre immagini che ti fanno chiedere quali siano, in effetti, i motivi appropriati per la fotografia d'arte: immagini di cassette audio o video? Squallide immagini in bianco e nero di chiese di campagna? Il gelato preferito di George W. Bush? Una banana nera? Ragazze e animali domestici, animali domestici e ragazze? Egli crea un complesso di letture che induce lo spettatore a passare del tempo con ogni singola immagine, a riconsiderarne il significato e la rilevanza. Questo è il primo libro di Rodland.Torbjorn Rodland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too insane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. Rodland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is Rodland's first book
N. PAG.286 CARTONATO - OTTIMO
A clean, unmarked book with a tight inding. Brown leatherette cover with gilt lettering and illustration. Previous owner's inscription inside. 8 5/8"w x 11 1/4"h. 216 pages. Map endpapers. Many black and white photographs.
Genova, 2011; br., pp. 64, ill., cm 24x22.
