279 résultats
200081700Bulfinch Press. New. 2000. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B0030YZKPS. 319 pages 308 photos. -- with a bonus offer-- . Bulfinch Press hardcover
200081701Bulfinch Press. New. 2000. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003961VUU. 319 pages 308 photos. -- with a bonus offer-- . Bulfinch Press hardcover
199759997University of Chicago Press; Et Al. New. 1997. Hardcover. 0226071464 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 332 pp. With 37 ills. 20 x 16 cm. Description: "Translation of 'Elohivas'. " -- with a bonus offer-- . University of Chicago Press; Et Al hardcover
199759998University of Chicago Press; Et Al. New. 1997. Paperback. 0226071472 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 332 pp. With 37 ills. 20 x 16 cm. Description: "Translation of 'Elohivas'. " -- with a bonus offer-- . University of Chicago Press; Et Al paperback
199969278Reunion Des Musees Nationauxfrance. New. 1999. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 344 pp. With 332 ills. 91 col. . 29 x 29 cm. -- with a bonus offer--; 1.5 x 11.34 x 10.87 Inches . Reunion Des Musees Nationaux,france hardcover
196882919Museum. As New. 1968. Hardcover. 1399816284 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 79 pages 61 plates sq. 4to. -- with a bonus offer-- . Museum hardcover
199968830Harry N. Abrams. New. 1999. Hardcover. 0810963809 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 368 pp. With 131 ills. 10 col. and 96 reference ills. 3 col. . 34 x 25 cm. -- with a bonus offer--; 1.13 x 13.3 x 9.62 Inches . Harry N. Abrams hardcover
198248438New York: Viking Press and Witkin Berley 1982. Limited Edition. Hardcover - as published. About fine. Limited edition this being Number 83 of 150 signed by Brassai includes signed photogravure of Matisse and model also signed. Decorative Cloth. 223 pp. Viking Press and Witkin Berley, hardcover
193324590Paris: Edition Arts et Métiers Graphiques 1933. Understated bookplate to front endpaper with a signature to first page that reads "Brassai" but unlikely in the photographer's hand. Light edgewear to spiral-bound illustrated wrappers; a better than very good copy lacking serious defects. First Edition. Spiral bound quarto sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. Parr / Badger v1 134; Roth 76-77. Paris: Edition Arts et Métiers Graphiques unknown
1954179049Paris: Robert Delpire Editeur 1954. Inscribed by the author to Arnold H. Crane First edition first impression inscribed by the author on the dedication page "Pour Arnold H. Crane de la Semaine Sainte à la Feria. que j'ai photographie à Séville en 1952 et 1953. Bien cordialement Brassaï Paris le 3 octobre 1968". Arnold H. Crane 1932-2014 was an American photographer who took portraits of Brassaï in the late 1960s as part of his collection of famous photographers. Brassaï's unique portrait of the Andalusian city is the 12th volume in the Collection Neuf series. Quarto. Illustrated with full-page black and white photographs. Original blue cloth spine lettered in gilt patterned endpapers. With the pictorial dust jacket. Spine gently creased upper cover ends faded; jacket spine creased ends and corners nicked short closed tear to rear cover not priced as issued: a very good copy in like jacket. hardcover
194941928Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on alfa complete with the original signed etching by Brassaï the tirage de tête. Autograph inscription by Brassaï. Additionally this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: ""Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais les mules des piqûres aux perroquets mal laqués."" Introduction by Henry Miller. A very good copy with exceptional additions. Les éditions du point du jour unknown
4845Number 149 of only 150 copies signed by Brassaï and accompanied by a hand-pulled dust-grained gravure made by John Goodman also signed by Brassai of Henri Matisse drawing from the nude 1939. The binding has been designed by Sage Reynolds and executed at the Four Hands Bindery New York. An as new copy without previous owners' names or other markings & including the elusive lucite locking pin. 223 pages. 9.75 x 11.75 inches. Viking Studio hardcover
69266Paris Arts et métiers graphiques 1933. . Erste Ausgabe des ersten Fotobuchs Brassais. - BrassaÄ d.i. Gyula Halász 1899-1984 französischer Fotograf ungarischer Herkunft kam nach Studien in Ungarn und Deutschland 1924 nach Paris. Sein Freund der ungar. Fotograf André Kertész überredete ihn die Faszination des Pariser Nachtlebens in Fotos einzufangen. 1933 erschien sein Bildband "Paris de Nuit" der ihn sofort berühmt machte: "Brassai der Pariser aus Transsylvanien erscheint als Engel der Dunkelheit. Seine Sensibilität genießt das Ursprüngliche das Fantastische das Zweideutige und sogar das Bizarre" John Szarkowski Museum of Modern Art New York. - Deckelkanten gering berieben Paris, Arts et métiers graphiques, [1933]. unknown
194687665Paris: Gallimard 1946. Fine. Gallimard Paris 1946 17.50 x 22 cm broché sous étui First edition one of 324 numbered copies on laid paper the only deluxe copies after 10 on madagascar. Folded cover decorated with a graffiti photograph by Brassaï. Handsome copy complete with its slipcase also illustrated with a photograph by Brassaï. Gallimard unknown
193324569Paris: Edition Arts et Metiers Graphiques 1933. First edition. Stiff Wraps. Original spiral binding front cover lettered in red. Very good. Unpaginated. Six leaves. 25 x 19 cm. 62 photogravure plates after Brassai. Printed by Draeger with exceptional photogravure plates this series of nocturnal Parisian views with its evocative text by Morand is something of an Art Deco classic. PHOTOBOOK I p. 134: “a ravishing book object in a purely physical sense. The printing represents arguably the most luscious gravure ever seen the blacks being so rich and deep that after handling the book one expects to find sooty deposits all over one’s fingers. The gradation of tones is wonderfully subtle describing an apparently infinite range of black and near-black tones. The layout with its characteristic full-page bleeds never more felicitously employed takes us from image to image from page to page and across night-time Paris with effortless panache. One should think of it as amongst the best produced and influential photobooks ever†HASSELBLAD. 110. PARR/BADGER. I 134. ROTH. 76. Slight crease front cover. Edition Arts et Metiers Graphiques unknown
193426971Paris: Paris-Publications N.d. c. 1934. Lacking spirals most copies with intact spiral bindings are not original; a very good copy creased at the top edge with soiling to the distinctive orange wrappers. Presumed second issue of Brassai's first book disavowed due to contractual conflicts. Thin quarto spiral-bound. With 38 photographs of Parisian nightlife that while chaste now were deemed to racy for inclusion in "Paris de Nuit". SIGNED by Brassai and inscribed to publisher Nicholas Callaway: "Pour Nicholas / Callaway / un livre / à hion insu / bien amicalement / le 3 mai 1981. Brassai." Very uncommon signed. Paris: Paris-Publications unknown
1933204269Paris: Arts et Métiers Graphiques 1933. First edition. Softcover. First printing. Text by Paul Morand in French. A collection of 62 full bleed photogravures that represent the height of printing and imagery of France at night. A likely unique copy that includes two examples of the front cover. A close to near fine copy in spiral binding with some of the usual minor rubbing and edge wear to the front and rear covers but with the second front cover much brighter and largely free of wear. Internally a clean copy. A very nice copy of one of the true high spots of 20th century photography books and on virtually every best of lists. Parr & Badger v1 134 Roth 76. Arts et Métiers Graphiques unknown
19333087Wraps spiral bound. Intro. by Paul Morand. Brassai's first book. He used Kertesz' camera. Illus. cover. Important 20th century photo book! Metiers Graphiques paperback
002510Paris: Paris-Publications This is a near fine copy of the rarest of Brassai's books which has been bound into a hardcover binding from the period in handsome red and black marbled paper-covered boards and a linen cloth spine with red leather label gilt title. The original binding of this book was a spiral plastic ring type. The spiral binding was taken off and the book with its original red-orange covers with the title printed in large white letters was bound in whole. Covers are bright and clean in very good condition small closed tear to bottom corner of back cover inside completely clean. There is no date on the colophon page inside back cover and there apparently were two editions. The first edition was published in 1930 but Brassai was reportedly unhappy with the selection of images and because he was not credited. In our copy he is credited as the photographer and so we assume this is the second edition from ca.1934. It is unpaginated. There are 40 pages with 38 black and white photographs of ladies of the night strippers models night clubs and balls like the Bal Tabarin shots of tough streetwalkers in Les Halles many shots of men and women in costume sometimes drag also a lesbian couple in a club "strictement Feminine" shots of lovers in parks on streets playful shots of men looking into a lingerie shop window with elaborately garbed mannequins at night 1 shot of Kiki in a Montparnasse night club an amazing shot in " La Cage a Femmes d'un Grand Music-Hall Parisien" which shows a cage or pit viewed from above with women on stools like lions in various states of undress and performing "acrobatic" feats. Finally tipped in at the very end on the collophon page a half-page size shot in color of a nude woman in profile we assume not by Brassai. Large 4to 11" high X 8" wide. The original book was not cut down when re-bound it is in its' intended size and because of the re-binding it has been kept in near fine condition. A beautiful copy of a true rarity. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Near Fine. Paris-Publications Hardcover
194969445Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on Alfa paper with the original etching by Brassaï which he signed ours one of the 26 lettered copies reserved for the friends of the author deluxe copies ""tirage de tête"". Foreword by Henry Miller. Beautiful copy. Rare autograph dated and signed by Brassaï to Janine and Raymond Queneau: "". these alms sic made by Marie . very little Claudelian. With Brassaï's friendship."" Les éditions du point du jour unknown
1932189332Paris: Édition Arts et Métiers Graphiques 1933 1932. The city of light by night First edition of the photographer's first publication an exploration of the nocturnal life of Paris. Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside Brassaï explores the city beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" Roth p. 76. Quarto. Illustrated with 62 full-page gravure plates 2 double-page. Original spiral bound photographic wrappers front cover lettered in red. Wrappers creased and rubbed a few spots of wear short closed tear to head of front wrapper a few marks to rear wrapper: a very good copy. Parr & Badger I p. 134; Roth p. 76. unknown
19332311Paris: Arts et Métiers Graphiques 1933. First Edition. Near fine. Spiral-bound Quarto 9 7/8 x 7 1/2 inches 248 x 191 mm 12 pp 62 photogravure plates after photographs by Brassaï each numbered in lower outer corner. Spiral bound stiff card covers without jacket as issued; housed in a custom clamshell case lined in red felt covered in red cloth with morocco spine gilt title. Two-notch chip at bottom of spiral extending into first leaf and one notch at top of spiral; pages lightly toned at the edges but photogravures in excellent condition. 8 pages of text in French by Paul Morand plus a 4 page index with detailed captions for each of the photographs. As beautifully stated in the first line of Paul Morand's introduction to this exceptional collection of photographs: Paris at night is not the negative of the day; the surfaces not not stop being white to become black: in reality they are not even the same images." The 62 photographs by Hungarian-born photographer Brassaï Gyula Halász capture nocturnal scenes throughout Paris - from glowing wet pavement and empty streets to bars cafés and the denizens of Paris at night. This was Brassaï's first published photo book and the work that established his reputation as a master of night photography showcasing his ability to extract light and atmosphere from darkness. A collector's treasure scarce in good condition this is one of the most influential photo books ever produced and is admired not just for its content but for the its productions values: the deep and velvety gravure printing and the evocative layout make it an object of intense tactile and visual appeal. The photogravures are in exceptional condition-richly inked with deep velvety blacks luminous highlights and a striking tonal range that preserves the full atmospheric subtlety of Brassaï's nocturnal vision. The plates retain remarkable clarity and contrast with a vividness and depth seldom found testifying to both the high production standards of Arts et Métiers Graphiques and the care with which this copy has been preserved. Arts et Métiers Graphiques unknown
1954165639Paris: Robert Delpire 1954. First Edition. Hardcover. First Edition. INSCRIBED by Brassaï to legendary actress Gloria Swanson in the year of publication at the home of fashion journalist and "Harper's Bazaar" editor Marie-Louise Bousquet: "Pour Gloria Swanson / avec tout mon admiration / Brassai / Paris le 17 Juin 1954 / chez Marie-Louise Bousquet." <br /> <br /> Bousquet and her husband the playwright Jacques Bousquet hosted regular Thursday night gatherings at their apartment in Paris 3 Place du Palais-Bourbon inviting the brightest creative luminaries of the period.<br /> <br /> Near Fine in in a Very Good plus dust jacket with some brief chipping at and around the crown. Robert Delpire unknown
1933vC1123<p>SIGNED by Paul Morand atop his 8-page preface. Paris: Edition Arts et Métiers Graphiques 1933. First Edition. Spiral bound quarto sixty-four gravure plates. The highest celebrated most iconic of the great Paris photobooks printed in a luscious gravure so tactile "that after handling the book one expects to find sooty deposits all over one's fingers. One should think of it as amongst the best produced and influential photobooks ever" The Photobook Vol. I. Roth 101. Whereas most night photography of the period celebrates electric light speed and metropolitan life Brassai's portfolio expresses a different urban narrative. The Paris he shows his "little boxes of night" is tawdry intimate dark and full of mystery as though nighttime were its natural hue. As a young man prefacer Paul Morand bathed in Parisian artistic circles and the high public service. Appointed at the age of 24 attached to the French Embassy in London he began a career at the Quai which took him all over Europe. He entered literature in 1921 with his first prose work Tendres Stocks a collection of short stories prefaced by Marcel Proust. During the 30s he published numerous books travelogues novels short stories; he also practiced journalism notably for Le Figaro. A lovely collectible copy signed by Paul Morand. Book #vC1123. $4850. We specialize in Rare Ayn Rand history and science.</p> Edition "Arts et Metiers Graphiques"
1932162876Paris: Édition Arts et Métiers Graphiques 1933 1932. A superb copy inscribed by author and photographer First edition of the photographer's first publication double presentation copy inscribed by Morand on the first page of text "à Pierre Cot Voici un joli décor pour La Patriouille etc. Chut! chut! chut! tres fideliement P. Morand Paris fev. 32" and further inscribed by Brassaï across the following two pages "Pour Christian-Vincent Matorasso ce Paris de Nuit perdu et retrouvé avec toute ma sympathie Brassai Ete Village le 7 mai 1965". The first recipient Pierre Cot 1895-1977 was a politician central to the establishment of the French Air Force and later of Air France. Morand's inscription alludes to La Patriouille a display wing of the air force the French equivalent of the British Red Arrows. Pasted below Morand's inscription is a small photograph of Brassaï in later life which probably relates to the photographer's subsequent inscription. This is a superb copy of the work in which Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside Brassaï explores the city beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" Roth p. 76. It remains one of the most influential photobooks; signed copies are rare and copies inscribed by both author and photographer rarer still. Quarto. Illustrated with 62 full-page gravure plates and 2 double-page plates as endpapers. Spiral bound monochrome photographic wrappers front cover lettered in red. Housed in a custom black quarter morocco solander box by the Chelsea Bindery. A few punch holes slightly worn covers lightly creased and rubbed at extremities a few pages faintly soiled. A very good copy of a notoriously fragile book. Parr & Badger I p. 134; Roth p. 76. unknown