(LOY, Mina, Man Ray)Biblio.com
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1925542699Newark New Jersey: L. Bamberger & Co 1925. Hardcover. Near Fine. Volume III Number 1-Volume III Number 6. Six issues bound without wrappers and preliminary and possibly terminal leaves into two-tone cloth gilt. Quarto. 9-96 9-96 9-96 11-96 9-96 9-96 pp. Articles and ads heavily illustrated in black and white from photographs and drawings; includes eight fashion portraits by Man Ray. Small owner label on front pastedown binding lightly worn with a bit of rubbing on the lower board one leaf with a tiny tear near fine. Six bound issues of Charm magazine a New Jersey women's magazine with a general focus on beauty style cooking and hosting and the finer things of New Jersey society but with forays into literature politics and art. Volume III Number 3 April 1925 is especially notable for featuring the first appearance of Mina Loy's "Modern Poetry" considered a minor modernist classic "often cited and regularly studied" Sophie Oliver in The Journal of Modern Periodical Studies 2020. The magazine was published by Bamberger's Department Store. Issues are charming and uncommon; OCLC locates only seven serial listings but we note only three that possess Volume III NYPL Rutgers Newark Public Library. L. Bamberger & Co hardcover
1956106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956.<br /> <br> <br> Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956.<br /> <br> <br> In excellent condition. unknown
1982309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
1937345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown
2000alyssa054Köln London Madrid Taschen 2000. 2000. folio. pp. 251. numerous b/w. illus. bds. dw. Hardcover. Fine/Dust Jacket Included. Köln, London, Madrid Taschen, [2000]. Hardcover
1989560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown
198827284<p>New York:: Abbeville Press 1988. First Printing of the First Edition. A Fine copy in a Fine dust jacket. Amid the exuberant chaos of the Paris art scene between the world wars among the jarring factions of Dadaists Surrealists Futurists and miscellaneous others Philadelphia-born Man Ray was universally admired yet - it seemed - stubbornly mysterious. Although he looms large in today's standard art histories as a figure of unmistakable importance few people have seen more than a selection of his remarkable photographs or a handful of his enigmatic "objects". Indeed surprisingly little is known about this extraordinary and innovative creator of paintings collages drawings films aesthetic theory and autobiography - as well as photographs and objects. "Perpetual Motif: The Art of Man Ray" is the first major book on this mysterious and eclectic artist and his work" The Bloomsbury Review. It not only examines all aspects of the artist's production in all its forms but also discusses Man Ray's multifarious connections with the artistic and political radicals of pre-World War I New York the underground avant-garde as well as the haute monde of Paris between the wars and the emigre society of Hollywood after World War 11. Illustrated with nearly 300 of the artist's works in full colour and duotone many published for the first time.</p> Abbeville Press, hardcover
199874076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown
Mm 300x300 Volume cartonato rigido di pagine 528, sovraccoperta figurata, edizione in lingua italiana, inglese, spagnola e portoghese, ricchissimo apparato iconografico. Nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
193790937GLM 1937. Fine. GLM 1937 16.2 x 25.2 cm En feuilles ENGLISH DESCRIPTION ON DEMAND Edition originale pour laquelle il n'a pas été tiré de grands papiers. Préface d'André Breton intitulée ""Convulsionnaires"" composée d'aphorismes et imprimée sur papier vélin crème. Illustrée de 12 photographies légendées par Man Ray imprimées sur papier couché jaune paille. Couverture bleu Klein parfaitement conservée sous chemise noire à fenêtre et à un rabat. Exemplaire en superbe état de ce célèbre ""livre de dialogues"" surréaliste de Man Ray préfacé par André Breton.   ""Dans cet ouvrage surréaliste il n’y a donc pas seulement un dialogue surprenant et énigmatique entre les photographies et leurs légendes mais aussi entre les artistes André Breton et Man Ray. . Ce qu’il Man Ray veut c’est créer du chaos psychique et aviver l’imagination du lecteur-spectateur. Dans ce livre de dialogue le photographe apparaît comme une lanterne magique qui accentue l’énigme en l’éclairant."" Wouter Marinissen La lanterne magique: Man Ray et l’éclairage de l’énigme dans La Photographie n’est pas l’art Le magicien-photographe rassemble ici douze chefs-d'oeuvre parmi lesquels figurent de saisissants portraits féminins répondant aux désirs surréalistes de Breton dans la préface dont celui de se transformer en femme : ""Je voudrais pouvoir changer de sexe comme de chemise"". Le Sex-Appeal tout en transparences ""l'une des photographies préférées de Man Ray selon le Musée national d'Art Moderne s'accompagne de visages énigmatiques et glamour Miriam Hopkins et Plein air artistique qui s'oppose à la photographie Vide-air utilitaire représentant l'Empire State Building. Plusieurs clichés naissent de la luminosité même comme son Cahier acheté à un mendiant combinant prise de vue solarisée et photogramme inversé :""Le gros plan sur le carnet dégageant de leur contexte et de toute échelle de mesure les motifs réticulés du papier de la reliure oblige à une autre perception de l'objet : vue au microscope ou nébuleuse lointaine il prend une dimension sur-réelle par le simple fait du cadrage et du grossissement."" Bibliothèque nationale de France. D'autres vues mettant en scène des animaux aux légendes contradictoires et provocantes éveillent le psyché du spectacteur : la chaotique colonie de fourmis intitulée Cerveau bien ordonné l'accouplement de grenouilles par photomontage qui devient Quand la nature fait des machines et la rayographie d'une chauve-souris proclamant même avec arrogance sa nature reproductible et commerciale dans son titre Photographie intégrale et cent pour cent automatique. La série s'achève avec le très surréaliste autoportrait du buste de Man Ray affublé de lunettes-grille intitulé Dans les yeux des autres : ""Cela signifie-t-il que Man Ray considère ce portrait à lunettes comme ce qu'il donne à voir à autrui et qui constitue un double masque puisqu'il est inspiré d'un masque de plâtre et que les yeux sont rendus quasiment invisibles par un accessoire aussi spectaculaire "" Agnès Vinas. Précieux manifeste de Man Ray anticonformiste oscillant entre apologie et dérision dont le titre ironique La Photographie n'est pas l'art introduit l'œuvre d'un artiste qui a contribué à établir la photographie comme un art.   GLM unknown
59402Paris; Editions Albert Skira 1934 1934 1935. Issues 5 6 and 7 bound together in one hardback volume. 4to 31cm x 25cm iv 33pp 68pp 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 a design by F Bores pasted to the front board. The binding is defective - a substantial section of the spine is missing but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed a few of the plates have some creasing of the corners and there is a tear to one page. This book includes originals of issues 5 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French. Paris; Editions Albert Skira, 1934, 1934, 1935. hardcover
In 8, cm. 15,5 x 21, pp. 126 + (2) con 45 illustrazioni in bianco e nero a piena pagina nel testo. Brossura editoriale illustrata. Leggere tracce di polvere alla coperta. In ottimo stato. Volume n. 4 della collana: 'Nadar' ricerche sull'arte contemporanea. Il volume continene molte opere e un testo di Man Ray oltre alle testimonianze di Aragon, Breton, Duchamp, Eluard, Richter, Tzara. Nel 1922 Man Ray produce i suoi primi fotogrammi, che chiama (rayographs), ovvero immagini fotografiche ottenute poggiando oggetti direttamente sulla carta sensibile. L'artista scopri' per caso le rayografie nel 1921: mentre sviluppava alcune fotografie in camera oscura, un foglio di carta vergine, accidentalmente, fini' in mezzo agli altri e dato che continuava a non comparirvi nulla, poggio', piuttosto irritato, una serie di oggetti di vetro sul foglio ancora a mollo e accese la luce. L'artista ottenne cosi' delle immagini deformate, quasi in rilievo sul fondo nero. Attraverso i suoi rayographs, termine costruito sul suo cognome, ma che contemporaneamente evoca il disegno luminoso, poteva sondare ed esaltare il carattere paradossale e inquietante del quotidiano.
70-2361San Francisco : Catherine Clark Gallery 1998. 5.5 x 8.75 inches. Very Good. Single sheet printed both sides. Corners lightly bumped else fine. Extremely Scarce. San Francisco : Catherine Clark Gallery, 1998. unknown
1991Q-0962189316Middendorf Gallery 1991-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Middendorf Gallery paperback
19919071206Middendorf Gallery 1991-02-01. Paperback. New. 11x8x0. BRAND NEW Perfect Shape No Remainder Mark Middendorf Gallery paperback
NRF Gallimard Le Chemin 1969, In-8 broché, couverture à rabats. 182 pages. Frontispice de MAN RAY. Quelques rousseurs sur la couverture. Bon exemplaire. Broché
Mm 140x230 Brossura editoriale di pp. 180, con tavole in bianco e nero fuori testo, rarissimi interventi a amtita. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
201194876Schirmer/Mosel. New. 2011. Hardcover. 3829605404 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 316 pages ; 522 illustrations including 30 in color. -- with a bonus offer-- . Schirmer/Mosel hardcover
194827491Behrman House Inc. Very Good in Very Good dust jacket. 1948. First Edition; First Printing. Hard Cover. SIGNED and inscribed on the half title page by Corinne Chochem. ; Tight and clean. Solid binding. A touch of light shelf wear to dustjacket with a couple of short tears along the edges and mild spotting to top of text block otherwise in Very Good condition and now protected in a new Mylar cover. ; Foreword by Darius Milhaud. Photographs by Slavko Vorkapich. Music arranged by Trudi Rittman. Poems by Alfred Hayes. The portrait of the author at the end of the book is by Man Ray who on several occasions photographed Corinne Chochem. ; 12.10 X 9.20 X 0.50 inches; Signed by Author . Behrman House, Inc. hardcover
This is a very good softcover copy with just light wear. Completely clean inside and out. This is a sale catalog for an auction held at Christie's New York on October 13, 1992. Sale code: RASA-7510. Over 250 photographers represented in this sale. 637 lots in the sale. All illustrated in black & white, a few in color. Bibliography. No prices realized sheets, just price estimates for each lot. 11" high X 8" wide, 289 pages.
201123968Munich: Schirmer/Mosel 2011. hardcover in dust jacket. no flaws or wear. clean. no markings. no bumps tears creases. strong binding.; english text edition.; 320pp. 485 duotone illustrations and 32 in color. comprehensive volume on man ray's portrait photography gathered from the man ray archives of the centre pompidou. First English Language Edition. Hardcover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Schirmer/Mosel Hardcover
201194895Skira. New. 2011. Hardcover. 8857209741 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 369 illustrations including 149 in color. -- with a bonus offer-- . Skira hardcover
in-8 étroit, 138 p., broché, couverture illustrée [STR]
Mm 240x305 Brossura editoriale di XII pagine + 104 tavole in nero, copertina illustrata, testo in inglese, tedesco, spagnolo, italiano. In stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
