Man RayBiblio.com
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SONG0821217054New York Graphic Society 0000-00-00. y First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. New York Graphic Society hardcover
DADAX0821217054New York Graphic Society 0000-00-00. y First Edition. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. New York Graphic Society hardcover
1988ABE-300660906Boston: A New York Graphic Society Book Little Brown and Company 1988. 1988. 4to. pp. 319 1. 35 colour illus. on 15 double-sided plates & numerous text illus. index. bds. 1 plate creased. dw. Second Edition with an afterword by Juliet Man Ray. Hardcover. Boston: A New York Graphic Society Book, Little, Brown and Company, [1988]. Hardcover
196328819BOSTON: ATLANTIC-LITTLE BROWN. Near Fine. 1963. First Edition. Prolific T.V. film director Glenn Jordan's copy with his signature on front endpaper. Near fine in a Nf. dj. Red hue at top edge lightly sunned with faint damp spot. A few small edge tears & one tiny sliver chip at mid-spine on dj. Nice copy. . ATLANTIC-LITTLE, BROWN. unknown
2004mon00039060622004. Hardcover. Good. . Ex-library book with stamps/ stickers throughout. hardcover
1938B-2022-1016Second number of the art review XXe Siècle created and published by Gualtiero di San Lazzaro. It includes original essays by Man Ray Seligmann Miro Arp Duthuit and others; numerous b/w illustrations and photographs and one color lithograph: "Image populaire cinghalaise". Text in French.<br />About 3 inches of cover detached from spine. Cover partially detached from book fully attached in the back. Inside of the book in very good condition. Chroniques du Jour paperback
193154654Paris: Compagnie Parisienne de Distribution d'Électricité 1931. First edition. Ray Man. Folio two unbound folded sheets to make 6 pp. text with 10 photogravure plates 8 1/16 x 10 1/4 inches 20.48 x 26.03 cm tipped to a stiff art paper mount 10 7/8 x14 3/4 inches 27.62 x 37.46 each with a titled protective vellum wrapper. The text and prints are laid-in a blank vellum folder which is mildly creased and laid-in the four-point printed paper portfolio. This copy has the complimentary slip from the CPDE which is seldom included.<br /> Each plate bears the signature of Man Ray which was signed in the original negative. This is copy number 409 from a total edition of 500 copies. A fine near new copy.<br /> <br /> Aside from a slight bit of toning to the printed four-point paper folder this is a fine near new copy contained in a custom-made gilt titled leather-backed cloth over boards chemise with matching cloth slipcase. In 1931 the Paris electric company CPDE commissioned Man Ray to produce a series of images promoting the various uses of electricity. The resulting portfolio of ten Rayogrammes was issued in 500 copies which were distributed to the CPDE's best and prospective clients and not commercially offered for sale. The photogravure prints made from original Rayograms are titled: Electricité La Ville Salle de Bain La Maison Lingerie Salle a Manger Cuisine Le Souffle Electricité Le Monde.<br /> <br /> In 2014 the Metropolitan Museum of Art Curator in Charge Department of Photographs Jeff R. Rosenheim stated: "This remarkably seductive album of photogravures is an exquisite example of his legacy as America's greatest Surrealist photographer." "Man Ray's ÉLECTRICITÉ is not only one of the most ravishing and sought-after of company photobooks but it contains a cogent suite of photographs that the leading American Dadaist and commercial photographer himself never bettered." Parr and Badger The Photobook: A History. Volume II p.183. Compagnie Parisienne de Distribution d'Électricité unknown
2009834993Yale University Press. New. 2009. Hardcover. 0300146833 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 241 illustrations. -- with a bonus offer-- . Yale University Press hardcover
1929628758<p>Paris: Henri Broca 1929. 174 pp. 22.5 x 18 cm. Stiff white paper wrappers with red and black lettering and illustrated plate on cover. Soil and some splitting to paper of spine with moderate soil and rubbing to covers. Diagonal creasing to bottom corner of front cover. Age toning light soil and some light bumps to edges of text block. Mild age toning thrroughout interior. Binding sound. . Soft Cover. Good.</p> Henri Broca paperback
192719003Paris: Shakespeare and Co. May & June 1927. Book. Fine. Full Leather. 12mo. Two issued bound together by Bayntun in full tan calf with gilt frames ornate gilt spine panels with gilt-stamped title on a black morocco label gilt dentelles all edges gilt marbled endpapers. Pp. 185 5 adverts; 183 6 adverts 2 double-sided black & white plates in No. 2 and also in No. 3. Bound without the original wrappers and without the half-title to No. 3 pages tanned as usual. Joints rubbed outer corner of No. 3 title-page missing with loss to the year professionally repaired. A beautifully bound handsome copy of two early issues of this important literary review produced in Paris in the twenties. Sylvia Beach in her book "Shakespeare and Company talks of 'transition': "All the best Anglo-Saxon and European work of the period appeared in it much of it for the first time. Of all the reviews I came in contact with 'transition' was the most vital the longest-lived and the review that I felt was most intelligently devoted to the interests of new writing." Contributors include: James Joyce Gottfried Benn Elliot Paul Rainer Maria Rilke Kay Boyle William Carlos Williams Gertrude Stein Morley Callaghan Man Ray Max Ernst Pavel Tchelitcheff Laura Riding. Shakespeare and Co., May & June Hardcover
198714611Thames & Hudson 1987. Paperback. New. Brand New with shrink wrap. Thames & Hudson paperback
71-8501Ferrara Italy: Siaca Arti Grafiche 1972. 8vo. Square. 88 pp. Soft Cover. B&W plates throughout. Very Good minor shelf wear.Provenance: Collection of Richard Lorenz 1952-2001 author art conservator curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer. Ferrara, Italy: Siaca Arti Grafiche, 1972. paperback
200993697Steidl. New. 2009. Hardcover. 386521696X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 370 pages; 320 drawings and photographs. Description: "ocked in enormous bank vaults and largely removed from public scrutiny for more than a decade the little known collection of the Man Ray Trust comprises more than 4000 works by Man Ray. The 320 photographs and drawings selected for this publication are among the rarest of Man Rays works and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees Flowers Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings street scenes and the objects from which he drew inspiration for other artworks the photographs and drawings in this book represent an intermediary step in Man Rays creative process. The title of the series Trees Flowers Insects Animals was discovered by the editor scrawled across the backside of a photograph and provides a key to this most unusual collection. These photographs function as a subject index to the themes and motifs that Man Ray employed in his better known works. They are on the one hand a record of his travels and observations in Europe and the United States. On the other hand they are the relic of a moment preserved by Man Ray for later use and interpretation." -- with a bonus offer-- . Steidl hardcover
75-0851Cologne DE: Steidl & Partners 2008. First Edition. 4to. Soft Covers. Clean inside copy. Slight scuffing on covers. Very Good. 216 pp.Color plates.German and English text. One was a famous artist and a pioneering photographer the other an ardent collector of photography a curator and author--known to his many friends as "Mr. Photokina" for his founding and curatorship of the legendary exhibitions at the Photokina photography fair in Cologne. Man Ray 1890-1976 and L. Fritz Gruber 1908-2005 nurtured a professional and personal friendship for more than 20 years enjoying that particular closeness that can sometimes arise between artist and connoisseur. Gruber was closely involved in projects such as Man Ray's solo exhibition at Photokina and the book Man Ray Portraits one of many now-collectable photography books Gruber edited. With an unsurpassed scholarly knowledge of Man Ray's work over the course of several decades Gruber and his wife Renate put together the collection that is the basis of this book. The collection itself now resides in Cologne's Ludwig Museum. In addition to Man Ray's photographs sculptural work and objects the book includes extensive correspondence between Man Ray and Gruber and several essays on their association. Against this broadly-drawn backdrop a moving personal picture emerges of the Grubers' diligent commitment to the work of this American artist. This volume provides many new insights on Man Ray particularly within the final creative phase of his life. Text by Herbert Molderings Photographs by Man Ray introduction by Gabriele Conrath-Scholl contributions by L. Fritz Gruber.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Cologne, DE: Steidl & Partners, 2008 paperback
75-0852Cologne DE: Steidl & Partners 2008. First Edition. 4to. Soft Covers. Sealed in publisher's shrink wrap with no marks or flaws. Clean inside copy. Slight scuffing on covers. Fine. 216 pp.Color plates.German and English text. One was a famous artist and a pioneering photographer the other an ardent collector of photography a curator and author--known to his many friends as "Mr. Photokina" for his founding and curatorship of the legendary exhibitions at the Photokina photography fair in Cologne. Man Ray 1890-1976 and L. Fritz Gruber 1908-2005 nurtured a professional and personal friendship for more than 20 years enjoying that particular closeness that can sometimes arise between artist and connoisseur. Gruber was closely involved in projects such as Man Ray's solo exhibition at Photokina and the book Man Ray Portraits one of many now-collectable photography books Gruber edited. With an unsurpassed scholarly knowledge of Man Ray's work over the course of several decades Gruber and his wife Renate put together the collection that is the basis of this book. The collection itself now resides in Cologne's Ludwig Museum. In addition to Man Ray's photographs sculptural work and objects the book includes extensive correspondence between Man Ray and Gruber and several essays on their association. Against this broadly-drawn backdrop a moving personal picture emerges of the Grubers' diligent commitment to the work of this American artist. This volume provides many new insights on Man Ray particularly within the final creative phase of his life. Text by Herbert Molderings Photographs by Man Ray introduction by Gabriele Conrath-Scholl contributions by L. Fritz Gruber.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Cologne, DE: Steidl & Partners, 2008 paperback
2010EN254490Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
193762530Paris: Editions Surréalistes 1937. Fine. Editions Surréalistes Paris 1937 14 x 20.50 cm broché First edition one of 135 numbered copies on Persian pearl paper single draw after 15 green Louis roy. Illustrated book frontispiece a portrait of André Breton by Man Ray. Back and flat slightly and marginally discolored as generally a tiny tear in the back of the head at the level of the cap a tiny spot below the autograph. Autograph signed by Gui Rosey to Benjamin Crémieux. Editions Surréalistes unknown
2009835040International Arts and Artists. New. 2009. Paperback. 081667017X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 175 illustrations. -- with a bonus offer-- . International Arts and Artists paperback
19351730881935. MAN RAY. Facile. With poetry by Paul Eluard. Illustrated with photographs by Man Ray. 8vo. original printed wrappers in a new cloth folding box Paris: Edition G.L.M. 1935. One of Man Ray and Eluard most successful collaborations. Facile is illustrated with Man Ray's splendid photographs of nudes which have been sensuously interwoven into the text. This is arguably one of the loveliest photographically illustrated livres de peintres and despite the large edition 1225 copies is now quite scarce. A Century of Artists Books 183. hardcover
192148774Paris.: Au Sans Pareil. 1921 12 Janvier. Folio. 277 x 212 mm. Drop-head title and printed text recto and verso in French with typical dada typography manicules and type variation imprint and list of signatories at foot of verso. A very fine example never folded of this scarce iconoclastic and blasphemous dada manifesto an excellent specimen of dada typography.Tzara's 1921 restatement of dada had a very serious purpose: to reinvigorate and revitalise dada. Tzara was to some extent successful and dada continued albeit with the same troubles that prompted the issue of this manifesto. The document is an outstanding example of the typographical caprice and linguistic inventiveness that made dada so intriguing and appealing. The use of various other schools of art Cubism Expressionism Simultaneism Futurism Unanism Neo-Claissicism Ultraism Creationism Vorticism and Imagism to underline dada's point or rather its lack thereof is classic. Tzara's most iconoclastic and blasphemous slogans were taken up by Van Doesburg for his own later dada poster produced in conjunction with Schwitters 'kleine dada soirée': 'DADA EXISTE DEPUIS TOUJOURS / LA SAINTE VUERGE DÉJÀ FUT DADAÎSTE!'This manifesto was truly international as noted at the head of the sheet: 'Les Signataires de ce manifeste habitent la France l'Amérique l'Espagne l'Allemagne l'Italie la Suisse la Belgique etc. mais n'ont aucune nationalité.'The signatories as listed were: 'E. Varèse Tr. Tzara Ph. Soupault Soubeyran J. Rigaut G. Ribemont-Dessaignes M. Ray sic F. Picabia B. Péret C. Pansaers R. Huelsenbeck J. Evola M. Ernst P. Eluard Suz. Duchamp M. Duchamp Crotti G. Cantarelli Marg. Buffet Gab. Buffet A. Breton Baargeld Arp W. C. Aresnberg L. Aragon.''In 1921 Tristan Tzara found himself battling to sustain Dada's declining popularity. Aesthetic political and social differences among the movement's most prominenet members shook Dada at the doundation. In line with Dada's emphasis on easy distribution Tzara created this one-page flyer presenting a condensed more direct iteration of the Dada Manifesto . The text's inconsistent typefaces orientation and size embody the disorientation and randomness at the heart of the Dadaist philosophy.' From the catalogue of the Art Institute of Chicago.'Dada fait ici le choix d'une composition graphique et d'une typographie affranchies des traditions use de termes saugrenus n'ayant aucun lien logique entre eux recourt aux antonymes «oui = non» aux répétitions «jamais jamais jamais» s'autointerroge «Que fait DADA» affirme et se contredit dans le même temps . La mise en page les différentes tailles de caractères et les polices d'écriture confèrent à l'ensemble un rythme singulier fait d'accélérations de ralentissements de pauses autant d'éléments qui construisent un parcours de lecture heurté discontinu à l'issue duquel renaîtra peut-être un «homme nouveau» purgé de tout espèce de culture.' Anne Delebaree writing in 'Petits Papiers des Avant-Gardes: La Collection Paul Desrtribats'.Destribats Tracts 132 / 133; Ades 8.45; Pompidou 326 / 327. Au Sans Pareil. unknown
201194895Skira. New. 2011. Hardcover. 8857209741 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 369 illustrations including 149 in color. -- with a bonus offer-- . Skira hardcover
201123968Munich: Schirmer/Mosel 2011. hardcover in dust jacket. no flaws or wear. clean. no markings. no bumps tears creases. strong binding.; english text edition.; 320pp. 485 duotone illustrations and 32 in color. comprehensive volume on man ray's portrait photography gathered from the man ray archives of the centre pompidou. First English Language Edition. Hardcover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Schirmer/Mosel Hardcover
194827491Behrman House Inc. Very Good in Very Good dust jacket. 1948. First Edition; First Printing. Hard Cover. SIGNED and inscribed on the half title page by Corinne Chochem. ; Tight and clean. Solid binding. A touch of light shelf wear to dustjacket with a couple of short tears along the edges and mild spotting to top of text block otherwise in Very Good condition and now protected in a new Mylar cover. ; Foreword by Darius Milhaud. Photographs by Slavko Vorkapich. Music arranged by Trudi Rittman. Poems by Alfred Hayes. The portrait of the author at the end of the book is by Man Ray who on several occasions photographed Corinne Chochem. ; 12.10 X 9.20 X 0.50 inches; Signed by Author . Behrman House, Inc. hardcover
201194876Schirmer/Mosel. New. 2011. Hardcover. 3829605404 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 316 pages ; 522 illustrations including 30 in color. -- with a bonus offer-- . Schirmer/Mosel hardcover
1991Q-0962189316Middendorf Gallery 1991-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Middendorf Gallery paperback
