2 277 résultats
46 pages. Features: Interior Lake Rainbow Techniques; Steelhead Fever; Atlantic Salmon - concluded in this issue; Stump Lake - a lake of large tackle-busting rainbows; Hatcheries and the Angler - Conclusion; The 'Frisky Fly'; Peace River Expedition - Conclusion; Into the Chilcotin - fly-fishing; The Walleye Pollock - a new series covering the lesser game fish from our local salt water; Windmills of the Cariboo-Okanagan - a 'new' pump system for winter-kill lakes. Light wear. Nice tight copy. Book
110 pages. A wonderful compilation of recipes for British Columbia's wild game. Somewhat above-average wear and soiling. Binding intact. A worthy reference copy of this pleasing local compilation. Book
Barcelona, Edit. Dalmau i Jover, 1956. Numerosas ilustraciones en b/n. 62 p. 8è. Tela editorial algo desalucida. Tejuelo en el lomo. Conserva la cubierta anterior original ilustrada. Buen ejemplar. Índice: Tarros de mel viviente. Un arquitecto e ingeniero de minas. Caza de focas en Terranbova. Animales marinaos lanzando cortinas de humo. Una ametralladora ambulante. Lanzaderas vivas funcionando. La higiene en los animales.
92793Longlier (Belgique), Editions Weyrich, 2018. 11 x 19, 115 pp., nombreuses illustrations en couleurs, broché, très bon état.
1995100135772C.r.p.g 1995 736 pages 11 938x4 064x19 304cm. 1995. Broché. 736 pages.
1985141787Couverture rigide. Reliure toile de l'éditeur. 302 pages. 23 x 31 cm. Jaquette.
1961144148(Private printing). (1961). (4), 59 pages.With 10 text illustrations and 22 photos, partially in colour on 8 plates. Printed on good paper. Original softcover with spiral binding.
pp. 390p. + Plus Portrait Frontis and numeorus photographs. All edges marbled. Sm. 4to. Disbound. AMER PRESIDENTS BOX 3
1991SPN-191Erslev : Vilsund Verlag, 1991, édition originale. Tirage 1000 exemplaires : exemplaire N°583. Broché 20x21cm, 95 pages illustrées de documents en noir, "La parenté des noms danois et normands", bibliographie. [BE]
1993118111993 cartonné blanc éditeur (hard-back editor) in-quarto, plats illustrés en couleurs (cover illustrated in colours), tranches lisses (smooth edges), 80 pages, 1993 à Paris Hachette Editeur,
353 paginated pages. 36 illustrations. Blue leather covers. Blind stamped vignette on front cover. Covers have a few small indentations on edges. Title page has crease on top corner. This book is extra heavy, and may involve extra shipping charges to some countries
Book is in excellent condition, in green cloth covers, large graphic in black on front cover, gilt lettering at spine. Many b&w illustrations on heavy cream colored paper, top page ends colored. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, is price clipped, no tears. Previous owner's name or sticker in front section of the book. From the flyleaf "Irked by the derogatory reaction of British critics who doubted that such books as Typee and Omoo could have been written by a common American sailor, Melville created Mardi -- on the surface, the record of an odyssey through imagined South Sea world. For the first time, Moore unravels the puzzle Melville created in Mardi, designed to dupe his elitist British readers, by exploring Melville's knowledge of astronomy, nautical navigation, astrology, and game theories. Hennig Cohen's foreword defends the traditional approach to reading Mardi and argues that Moore's heretical interpretation is interesting but narrow in scope. Moore then invites the reader to 'play Mardi'--to engage in games of wit, elaborate metaphor, and arcane learning-- to reveal the full meaning of the novel. The game may be plated most successfully by using the astronomy and astrology of Melville's time, but a knowledge of the Tarot and Ganjifa cards and of the usual Western decks of playing cards will add depth to your understanding. Mardi fulfills Melville's calim to originality and stands unique as a masterpiece of synthesis. Moore demonstrates a circular pattern in which metaphors intertwine and shows how Melville's use of The American Alamanac and his metaphor of time provides unity. She theorizes that Melville was a highly concious artist, capable of manipulating intricate strands of imagery, metaphor, and symbol through a detailed and precise method. Moreover, an elaborate system of puns gives his work an unsuspected economy even where it seems excessively and unnecessarily wordy. Though Mardi fails, perhaps from tediousness and overmanipulation, Melville followed through with the artistic implications in his later and greater books. Moore feels he had a highly developed concept of the errant or deceitful narrator and hoped to force his readers into an intense riddle-solving approach to Mardi."
193926359Paris Payot 1939 In-8 244 pp, une carte et 17 gravures intérieur frais dos scotché
Granada, Universidad, 1990. 4to.; 207 pp., 1 h. Cubiertas originales.
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