4 134 résultats
2 volumes. Large 4to (37.5 x 31 cm). With ca. 80 lithographed plates and numerous illustrations and decorations in text, many beautifully coloured by hand and some highlighted with silver and/or gold. [16], 172, [18], [2 blank]; [14], 221, [1 blank], [17], [1 blank] pp. Original publisher's gold-blocked blue cloth, with a coloured hooded hawk on front boards, upper edges gilt, other edges untrimmed. Very rare, limited first and only edition of an exquisitely produced work on falconry and equestrian sports, a showpiece of Dutch art nouveau book illustration. The first volume, on falconry, contains reproductions of the plates from Schlegel and Wulvenhorst's "Traité de fauconnerie" (1844-53), "the finest work on falconry which has ever been produced" (Harting), and opens with a section devoted to the Dutch Prince Alexander van Oranje-Nassau (1818-48), president of the Royal Hawking Club, and ends with a list of terms together with their translation into English, French and German. The second volume treats the equestrian sports in the Netherlands, England, France, Germany and Belgium, with illustrations of races and hunts. Much of the information derived from previously unpublished sources concerning the Dutch Royal family and their horse- and falconry related activities. - It is a separately published follow-up to the ten volume set Het historisch museum van het Korps Rijdende Artillerie (1898-1904), that was published to celebrate the 100th anniversary of the Dutch Horse Artillery Corps (The Yellow Riders). The complete series ranks "among the most beautiful military publications in the world" (Sloos). - The book was financed and privately published in a limited number by Nicolaas Jan Adriaan Pieter Helenus van Es (1847-1921), Captain of the Dutch Horse Artillery Corps and amateur painter. He was assisted artistically by Jan Hoynck van Papendrecht (1858-1933), Hendrik Maarten Krabbé (1868-1931), Willem Constantijn Staring (1847-1916). The first was famed for his military art. - With a presentation inscription from the author to Colonel Harhoff dated 1913, in each volume, and with library stamps of the Royal Garrison Library Copenhagen ("Det Kgl. Garnisons Bibliothek i Kiøbenhavn" and "Artillerie bibliothek"). Bindings only slightly scuffed at the foot of the spine, otherwise in very good condition. NCC (4 copies). Sloos, Gewapend met kennis, pp. 376-379. Cf. Harting 194.
Oblong 1mo (48 x 63.5 cm). With 6 tinted lithographed plates by Frisch, with captions in German and French below. The first three in the deluxe issue printed by B. Dondorf, Frankfurt am Main, the last three in the regular issue printed by G. Küstner. Original publisher's letterpress printed wrappers, with a list of subscribers and advertisements on the back of the front wrapper. Extremely rare set of six beautifully lithographed plates showing scenes made on a journey to the Middle East to procure Arabian horses for the Royal Wuerttemberg stud farms, by Friedrich Frisch (1813-86), court painter in Darmstadt. In 1840/41 he accompanied the Wuerttemberg chamberlain Wilhelm von Taubenheim (1805-94), the writer Friedrich Wilhelm Hackländer (1816-77) and the physician Karl Bopp (1817-47) on a journey to the Middle East to procure Arabian horses for the Royal Wuerttemberg stud farms Weil and Marbach. They first went to Constantinople, where they were welcomed by Sultan Abdülmecid I, continuing to Beirut, Damascus and Jerusalem. In Jaffa they met the Ottoman general Ibrahim Pasha. - The set was originally published in two instalments and available in two issues: a deluxe issue printed with a larger tinted background with white highlights (plates 1-3) and a regular issue (plates 4-6). They show: (1) a rider on a dromedary with a letter to Ibrahim Pasha; (2) the camp of Ibrahim Pasha; (3) three Bedouin horse riders; (4) another scene with Bedouins; (5) the group's passage through the Balkans; and (6) a Turkish courier. All views, except the first, include horses. - Hackländer wrote a short text to accompany the set, but it is not included. Two plates slightly soiled in the margins and some tiny tears along the extremities, otherwise in very good condition. Engelmann, Bibliotheca geographica, p. 123. Thieme/Becker XII, p. 491. Not in Dejager; Huth; Mennessier de la Lance; Podeschi. WorldCat (2 copies, incl. 1 with text only).
Large 4to (23 x 28 cm). 2 vols. XII, XXXIV, (2), "681" [= 683], (1 blank) pp. VIII, 978 pp. Contemporary half calf, rebacked with the original backstrips laid down. Rare revised and expanded penultimate edition of a massive navigational directory, with exhaustive information on the Arabian Sea, the Red Sea, and the Arabian (Persian) Gulf. Including detailed entries on Sharjah, Dubai, Abu Dhabi ("Abothubbee") and Bahrain, not only covering navigational details, but also the inhabitants, pearl fishery, geography, commerce etc., and shorter entries on islands such Sir Bani Yas, Zirku etc. For this edition expanded from the "extensive surveys along the N.E. coasts of Africa and Arabia, and into the Gulf of Cutch, compiled from the meritorious labours of Captain Haines, Carless, and Sanders, Commander Campbell, Lieutenant Grieve, and other officers of the East-India Company's Marine service" (preface). It was compiled chiefly from recent journals of ships employed by the East India Company, by James Horsburgh (1762-1836), hydrographer and chart maker to the Company. "As hydrographer Horsburgh was primarily responsible for supervising the engraving of charts sent back to London by marine surveyors in India and ordered by the company to be published, and for examining the deposited journals of returning ships for observations which would refine the oceanic navigation charts currently in use, besides other duties of provision of information laid on him by the court" (Cook). The book appeared in a total of eight editions between 1809 and 1864 before being superseded by Findlay's "A directory for the navigation of the Indian Ocean" (1869). - With the seller's ticket of George Sweetser, "dealer in sextants, quadrants, telescopes and compasses, nautical books & charts, …" and the early owner's inscription of "Wm. A. Ordway, Bradford, Mass.". Some browned corners in the opening leaves and some tiny waterstains in the head margin of volume two, otherwise in very good condition. Bindings rubbed and rebacked. Cf. Cat. NHSM, p. 73 (5th ed.); Sabin 33047 (5th ed.). For the author: Cook, "Horsburgh, James (1762-1836)", in: ODNB (online ed.).
Tall 8vo (104 x 220 mm). Arabic manuscript on polished paper. (1), 185, (1) ff. Naskh script in black and occasional red ink, with catchwords and extensive marginal notes in a contemporary hand. 19th century leather, ruled and decoratively stamped in blind. Popular and influential mediaeval Arabic handbook for medical students by the great Damascus anatomist Ibn al-Nafis (1210-88). Long considered a commentary on Avicenna, this is now viewed by scholarship as an original work which also discusses Avicenna's ideas, and thus as "an independent book meant to be a handbook for medical students and practitioners, not as an epitome of Kitab Al-Qanun of Ibn Sina as thought by recent historians" (Abdel-Halim, 2008). One of the author's most widely received works, it provides a useful sum of medical knowledge to aspiring physicians of the mediaeval and early modern periods alike. It was still being copied centuries on from the death of Ibn al-Nafis, who is famous for first describing the pulmonary blood circulation, thereby anticipating by many centuries the efforts of William Harvey. - Not dated by the scribe, but one of the ownership dates on the first leaf is dated Shawwal 1100 AH (July/August 1689 CE), and the date of copying would be estimated around 950 AH, or possibly later. Covers lightly scuffed, interior shows marginal paper repairs and slight trimming to outermost marginal notes. The main text is clean and unmarred. GAL I, 493, 37, 2 & I, 457 (s. v. Ibn Sina). Rabie E. Abdel-Halim, "Contributions of Ibn Al-Nafis (1210-1288 AD) to the Progress of Medicine and Urology. A Study and Translations From his Medical Works", in: Saudi Medical Journal 29.1 (2008), pp. 13-22.
4to (170 x 214 mm). (4), 65, 51 ff. Early 19th century half calf with marbled covers and fore-edge flap. Pink paper pastedowns. The seventh book printed by Ibrahim Müteferrika: a history of Egypt from antiquity to early modern times, prepared by the Turkish scholar Ahmed Süheylî (1562?-1632). The modern section (bound first, as usual) is in fact an Ottoman Turkish translation of the chronicle of the Ottoman-Mamluk war of 1516/17, "Fath Misr" (Tarikh as-sultan Selim al-Utmani ma'a as-sultan Qansuh al-Ghawri) by Ibn Zunbul (d. 1574/75). - Handwritten ownership of the French diplomat Louis Lagarde (dated 1923 CE) to front flyleaf. Occasional light browning and fingerstains, but mostly an excellent copy on good, crisp paper. Özege 19868-19869. GAL S II, p. 409. Toderini III, p. 85, no. VI.
8vo. (6), IV, (16), 69, (3) pp. With 30 engraved plates (some depicting cuts of diamonds) and tables. Contemporary mottled calf with gilt dentelle border and corner fleurons (rubbed); modern spine on 5 raised bands. Rare first edition of the "first book in English to describe how diamonds and pearls can be evaluated on the basis of the factors of size (or weight) and style of cut" (Sinkankas). The London jeweller Jeffries is also the first author to provide "a clear statement of the principle that the value of pearls should be calculated to the square of their weight [...] This principle is implicit in the valuation tables given by earlier authors, including Tavernier and others, but Jeffries is the first to state it explicitly. At the back of his book, he provides tables allowing the calculation of the value of individual and batches of pearls of different size or quality. This is effectively a 'chau' book, as used by merchants in the Gulf and India until the mid-20th century, and fulfils exactly the same function" (Carter). - "The text explains the [diamond] cutting procedure, how the evaluation rules were derived, the importance of imperfections and flaws as affecting price, notes on rough diamonds [...] and finally, a somewhat similar procedure for the valuation of pearls, with highest values accorded to pearls of closest approach to spherical perfection, luster, etc. The mathematical rule used for the pearl is known as the 'square of the weight' multiplied by a per-carat base price" (Sinkankas). - Includes a list of subscribers in the preliminaries. Occasional spotting, a few small stains. Small tape repair to title, plates 5 & 6 with short repaired tears (no loss). Professional repairs to corners; modern spine (repairs including the first inch of the covers); modern endpapers. Removed from the Library of the Birmingham Assay Office, one of the four assay offices in the United Kingdom, with their library stamp to the title-page. Sinkankas 3195. Carter, Sea of Pearls, p. 83, 125f., 251 (with illustrations). Goldsmiths' 8500. Hoover 453 (note). Cf. Roller/G. II, 10.
Oblong royal folio (536 x 445 mm). Engraved title-page, engraved dedication to Ludwig Wilhelm August, Grand Duke of Baden, (4), XX pp. of letterpress text, 25 plates (= 24 lithogr. plates of horse portraits and 1 anatomical plate). Contemporary half calf with handwritten cover label; publisher's original illustrated lithogr. wrappers bound within. First edition, self-published by the author in Karlsruhe, with Ebner's Stuttgart address pasted on the wrapper's upper cover. All that was published of this splendid and rare work about the principal breeds of horses, issued in what must have been a very small press run by Kuntz (1797-1848), Painter to the Court of Karlsruhe, Baden, who is also known for drawing the full-blooded Arabian horses of the Royal Württemberg Stud, the first Arabian stud in Europe. For the present work Kuntz made extensive travels in Hungary, London and Paris to draw his exquisite portraits of Arabian, Persian, Egyptian, Nubian, English and many other thoroughbred horses from life. - Binding professionally repaired at the edges. Interior somewhat foxed and fingerstained. From the officers' library of the Württembergian Uhlan (light cavalry) regiment no. 19. Nissen, ZBI 2328. Thieme/Becker XXII, 116. Wells 4313. Graesse I, 87.
4to. (16), 540, (10), (2 blank) pp. With a woodcut and an engraved author's portrait, 34 woodcut illustrations in text, including several full-page, and some woodcut initals, head- and tailpieces. Contemporary calf, gold-tooled spine. Rare first edition of a travelogue by the French explorer, merchant and diplomat François de la Boullaye-Le Gouz (ca. 1610-69). The largest part of the book deals with his travels through the Middle East and India, while a smaller parts treats Le Gouz's travels through Europe. In 1643 he travelled the Middle East under the name Ibrahim Beg, visiting Syria, Palestine, Persia, Egypt, Anatolia and Armenia. "Like so many European travellers in the east he adopted oriental clothes and an oriental name ... Unlike most European travellers to the east, however, La Boullaye-Le Gouz continued to wear his Persian clothes in his return to France and was consequently regarded as something of a curio" (Hamilton). A few years later he was sent by the French king with an embassy to the Mogul emperor Shah Jahan, where he met and became great friends with the Jesuit Alexandre de Rhodes (1591-1660). - La Boullaye-Le Gouz describes the routes he takes, the cities he visits and the people he meets along the way, with frequent observations on religion, natural history and commerce. The illustrations show various Indian deities, some city views or buildings, Indian and Eastern costumes, plants and trees. Pages 243-255 deal with plants, fruits and trees in India, including several palm trees, a fig tree, a jack tree and a melon tree. "The work is notable for its information on northern India and its relations to Persia, and for its inclusion of a summary of the Ramayana" (Howgego). - In Europe, Le Gouz travelled Italy, Greece, Poland, England, Ireland, Germany, and the Netherlands. In his later years he travelled again to Persia and died in Isfahan probably in 1669, whereafter the Shah ordered a splendid funeral to be held. Included at the end of the book is a list of names of the people La Boullaye-Le Gouz met, sorted by country; a list of uncommon words, and a table of contents. A second, enlarged edition was published in 1657 at Troyes. - Binding rubbed, restored and front hinge partly cracked. Occasional small (water) stains, otherwise in very good condition internally. Atabey 645. Hage-Chahine 2526. Hamilton, Europe and the Arab world 22. Howgego, to 1800, L4. Slot, The Arabs of the Gulf 1602-1784, p. 410. WorldCat (5 copies). Not in Blackmer.
8vo. VII, (1), 272, 12 pp. With a folding hand-coloured map and a plate (view of Mount Ararat). Contemporary polished calf, spine gilt, rebacked retaining original spine. Marbled endpapers. First edition. - Rare travel report by the British lieutenant Thomas Lumsden, who journeyed from Meerut near Delhi down the Ganges to Calcutta, then onwards by boat to the Arabian Gulf and by land through Persia (Iran), the Caucasus, and southern Russia. A German translation appeared in the same year (and was republished in 1824). The author gives a detailed account of his voyage through the Gulf from Muskat to Bushire immediately after the British Navy's controversial 1819 campaign against Ras al-Khaimah, and notes approvingly the Arabs' kindness and hospitality toward their foreign guests ("which could hardly have been the case, had their detestation of Christians been in reality as great as the Koran tends to inspire"), as well as the entire absence of the cruel mistreatment of the sailors so common on European ships. - Plate slightly browned; a fine copy. Wilson 131. Salmaslian 135. Miansarov 3022 Lowndes 1413. Western Travellers in the Islamic World AR-2028. Cf. Griep/L. 840. Engelmann 124. Not in Macro.
2 vols. VIII, (6), 484, (2) pp. (16), 456 pp. (6), XXXXI, (1), 408, (14) pp. With 2 engraved title-pages, each with an engraved vignette (that for volume 2 from the plate of the 1774 "Beschryving" with the lettering revised; that for volume 1 copied from it and unsigned), 125 engraved plates numbered I-LXXII, [LXXIII] (vol. 1) & I-LII (vol. 2) (38 folding), showing topographic views, watermills, people, Egyptian and Persian antiquities, Egyptian, Persian, cuneiform and other inscriptions, etc. by C. F. Fritsch, C. J. de Huyser, Th. Koning, G. H. Koning, C. Philips, O. de Vries, Baurenfeind and others. The unnumbered folding map of Yemen ("Tabula Itineraria", plate size 48.5 x 41.5 cm), with the trade routes coloured by hand, covers a smaller area at a larger scale than that in the Beschryving. - (Bound with) II: Niebuhr, Carsten. Beschrying van Arabie, uit eigene waarnemingen en in 't land zelf verzamelde narigten opgesteld. Amsterdam, Steven Jacobus Baalde; Utrecht, Johannes van Schoonhoven & Co. (colophon: printed by Johan Joseph Besseling), 1774. With engraved title-page showing an engraved vignette by N. van der Meer (2 female figures with a globe and other instruments) and 25 engraved plates numbered I-XXIV, (XXV), including 7 folding showing 1 view of military exercises, 2 Kufic inscriptions (coloured by hand) and 4 maps. The unnumbered map of Yemen (plate size 58.5 x 39 cm) is coloured by hand in outline. The full-page plates include maps, topographic views, costumes, coins, Arabic inscriptions, etc. All by C. J. de Huyser, N. van der Meer, Th. Koning and C. Philips. 2 works in 3 volumes. 4to. Contemporary half tree calf, sides covered with paste paper; rebacked, with original gold-tooled backstrip laid down. One of the very rare large paper copies of the first and only editions of the Dutch translation by Jacob van Ekers of Niebuhr's famous account of a voyage to Arabia and surrounding countries (ad 1) and his description of Arabia, Egypt and the Middle East (ad 2). Both works were originally written by the Danish traveller and surveyor Carsten Niebuhr (1733-1815) and published in German, in Copenhagen in 1772 under the titles, "Beschreibung von Arabien" and "Reisebeschreibung nach Arabien und anderen umliegenden Ländern". Both works were also translated in French and English. - In 1760 Niebuhr was invited to join a scientific expedition to Egypt. Other members of the expedition were Friedrich Christian von Haven (a Danish linguist and orientalist), Christian Carl Kramer (a Danish physician and zoologist), Georg Baurenfeind (an artist from southern Germany), Berggren (a Swedish ex-soldier) and Pehr Forrskal (a Swedish botanist). In January 1761, the expedition sailed from Copenhagen, Denmark to Alexandria, Egypt. The members of the expedition spent a year in Egypt, visiting Suez and Mount Sinai. They left Suez in October 1762 and sailed to Yemen. In May 1763 they reached Mocha where Von Haven and Forrskal died from malaria. In August 1763 Baurenfeind and Berggren died, followed by Kramer in February 1764. Niebuhr was the only one left to continue the expedition. In 1764, he explored India, sailing from Bombay to Muscat, as well as Shiraz, Babylon, Baghdad, Mosul, and Aleppo. He spent some time in Persepolis in 1765 where he has made very detailed drawings and maps, which were used for more than a hundred years. In 1766, he explored Palestine before finally returning to Copenhagen on 20 November 1767, after a journey of seven years. When he returned to Copenhagen the Swedish government warmly welcomed him and paid the costs of engraving the plates to illustrate his accounts of the voyage. Both works are lavishly illustrated, having together 2 large maps of Yemen and 148 beautifully engraved maps, plans and views of all the regions Niebuhr visited. - The present set has both works printed on the same large watermarked paper (Strasbourg bend above VDL) and is only slightly trimmed, measuring 296 x 242 mm with the tranchefiles still visible (regular copies are printed on unwatermarked paper measuring 275 x 217 mm). Not even Tiele mentions the existence of copies on large paper. - Binding slightly rubbed on the sides and rebacked as noted; otherwise good. With a few occasional spots, the half-titles slightly thumbed and a few mm of minor browning in the upper margins; a very good large paper copy, only slightly trimmed. Howgego, to 1800, N24. Tiele, Bibl. 795f. Cf. Atabey 873f. Cox I, 237f. Gay 3589. Hamilton, Europe and the Arab world 48.
Folio. (188), (34), CCCCCXXXVI [= CCCCCXXXVIII; 538] pp. Title-page in red and black and separate title-page to index, both with woodcut border. Elaborately decorated calf, with image of the crucifixion on both panels. Blinrd-tooled spine. First and only Paris edition of "Historiae naturalis", with the annotations by Hermolaus Barbarus (1454-94), an Italian Renaissance scholar. His discussions of Pliny's "Naturalis Historia" was first published as "Castigationes Plinianae" in 1492, in which he made over 5000 corrections to the original text. Due to this work and other classical works he translated or edited he was considered a leader authority on Latin and Greek work on antiquity. The present copy was published by Jean Petit, in his days a leading bookseller in Paris, whose name and device are shown on the title-page with decorative woodcut border. The title-page to the index, here bound before the text, has the initials of the printer Nicolaus Sauetier. - The original text was by Gaius Plinius Secundus (AD 23-79), better known as Pliny the Elder. He was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian. - The "Naturalis Historia" is one of the largest single works to have survived from the Roman empire to the modern day and purports to cover the entire field of ancient knowledge, based on the best authorities available to Pliny. He claims to be the only Roman ever to have undertaken such a work. It comprised 37 books in 10 volumes and covered over 20,000 facts on topics including the fields of botany, zoology, astronomy, geology and mineralogy as well as the exploitation of those resources. It remains a standard work for the Roman period and the advances in technology and understanding of natural phenomena at the time. Some technical advances he discusses are the only sources for those inventions, such as hushing in mining technology or the use of water mills for crushing or grinding corn. Much of what he wrote about has been confirmed by archaeology. ''We know from Pliny that there were important pearl fisheries in the Gulf [...] Pliny identifies Tylos (Bahrain) as a place famous for its pearls [... He] attests that pearls were the most highly rated valuable in Roman society, and that those from the Gulf were specially praised [...] The pearl related finds at the site of El-Dur indicate the site was integrated into the maritime trade routes linking the Roman Empire, the Persian Empire, India and South Arabia'' (Carter). Book 6 holds a chapter that gives the first detailed account of the regions around the Gulf, including what are now Qatar, the Emirates and Oman. - Not only is it virtually the only work which describes the work of artists of the time, and has it become an important reference work for the history of art, due to the wide range of topics, the referencing system and index it became a model for later encyclopaedias. - Panels shaved, affecting the decoration, spine cracked on the hinges. With manuscript ownership on title-page of the index. A good copy. Bird 1910. USTC (2 copies). Not in Adams, BMC French, Durling, Hunt, Wellcome.
Large 8vo (300 x 220 mm). 6 vols. bound as 3. With 250 numbered plates (image size 120 x 170 to 150 x 220 mm), including a tinted lithographed portrait of the artist, 6 tinted lithographed title-pages, 2 stone-engraved maps and 239 tinted and double-tinted lithographed and 2 chromolithographed views. Contemporary, richly gold-tooled reddish-brown morocco, side-stitched and oversewn, then sewn on 5 recessed cords, with a hollow back, 5 false bands on the spine, gold-tooled turn-ins, combed and curled marbled endpapers, headbands in red and yellow, gilt and gauffered edges. With thin paper guard leaves facing each plate. Second edition, with reduced illustrations but with more of them double-tinted or chromolithographed, of one of the most splendid and historically important visual records of the Middle East, after drawings by David Roberts (1796-1864) from the sketches he made from life during his travels through what is now Egypt, Israel, Jordan, Saudi Arabia, Syria and Lebanon in 1838 and 1839. In Egypt he ventured up the Nile as far as the Nubian temples at Abu Simbel, near the present border with Sudan and travelled by camel through the Sinai to the extraordinary carved-rock buildings of Petra. These had been unknown to Europeans until Burckhardt discovered them in 1812 and 1813, so Roberts's views are among the earliest and are in many ways better than the few predecessors. In Lebanon he ventured as far as Baalbek, which had seen few European visitors before Egypt annexed it in 1832. Other sites he visited and drew include Cairo, Suez, Gaza, Jerusalem and Beirut. He was one of the first Europeans allowed to make drawings of the interior of mosques, so even in well-known cities these too opened a new world to European eyes. His views also provide a very detailed visual record of many sites that were afterward destroyed or disturbed. He drew them during the infancy of photography, before it reached the Middle East and long before it reached maturity there. His views of the modern cities also preserve records of both their architecture and their daily life and he shows spectacular landscapes in the mountains, around the Dead Sea and along the Nile and the Jordan. Roberts, born to a poor (Welsh?) family in Edinburgh, was apprenticed as a house painter, moved to London and worked his way up to paint sets for the Drury Lane Theatre and others. Thanks to patrons who appreciated his talents and hard work he was able to make the expensive and dangerous voyage through the Middle East. George Croly (in volumes 1-3) and William Brockedon (in volumes 4-6) provided explanatory and historical notes on the sites shown in Roberts's views. - Roberts's views were originally published in two separate works, issued in parts in the years 1842 to 1849 and often found together. One centred on the Holy Land, though also including views in other parts of the Middle East, while the other was devoted to Egypt and Nubia. The views in the former were made with only a single tint block and even the latter used fewer tint blocks than the present second edition and only one chromolithograph. The present edition, with sometimes very intricate double tints and two chromolithographs (with black and three tint blocks) is a masterpiece of tinted lithography. Since the lithographers used photographic reductions of the lithographic views of the first edition as an aid to their work, the book also pioneered the use of photography in graphic reproduction. The lithographed title-pages are dated 1855 except for those of vol. 3 (from the simultaneous New York issue, undated) and 6 (1856) but volumes 2-6 include plates dated 1856. The dates of the plates in all six volumes range from 16 April 1855 to 15 December 1856. - The title-page of volume 3 was intended for the simultaneous New York issue, but appears to have always been part of the present copy. In very good condition, with occasional light foxing, mostly on the backs of the plates, and with a faint marginal water stain in the lower outside corner of many plates in volumes 3 and 4, not approaching the printed image. The inside front hinge of the second volume as bound has separated from the book block and the bindings show some wear at the hinges and extremities, but they are otherwise also very good. 250 mostly tinted and double-tinted lithographs providing stunning early views of the Middle East, including Petra, Abu Simbel and the interiors of several mosques. Abbey, Travel 388 (lacking vols. 5-6). Blackmer 1432 (note). Gay 25. Hiler 205. Cf. Hamilton, Europe and the Arab world 66 (1842-49 ed.); Lipperheide, Lc 12 & Ma 27 (1842-49 ed.); Tooley 401f. (1842-49 ed.); not in Colas.
21 album leaves with 1 drawing mounted on each recto. Album: full-sheet leaves (oblong folio, 395 x 525 mm); drawings: oblong folio and oblong 4to. An album with 21 watercolour drawings on paper with views of sea coasts from the shore (240 x 310 mm to 295 x 465 mm), one with a 22nd watercolour drawing on the back with a similar view, and one with about 15 human figure drawings in graphite pencil on the back. All bear the artist's stamp on the front (Lugt 3703) and 4 are signed or initialled by the artist. Richly gold- and blind-tooled green goatskin morocco, sewn on 3 recessed cords (not aligned with the six flat raised bands on the spine), each board with a blind-tooled inner oval frame of interlaced abstracted leaves and vines, surrounded by a gold-tooled frame of similar decoration (oval inside and rectangular outside), surrounded by 2 frames of thick-thin fillets, the front board with the owner's initials in textura capitals in the centre: "A.L.", signed at the foot of the spine, "A. Giroux & C:" (last recorded in 1856), white watered silk endleaves (the paste-down in the form of a doublure). The whole in a protective folder lined with thick leather, with green goatskin morocco where it wraps around the 2 short ends, and chemical-marbled paper sides (black papier croise d'Annonay: cf. Wolfe XXI, 1-3: France, 1830s-50s), with remains of a green cloth tie on the flap. A richly gold- and blind-tooled album (ca. 1850/56) containing 22 excellent and detailed watercolour views of rocky sea coasts, all or nearly all in New Caledonia and Peru (plus 1 graphite pencil drawing of about 15 human figures), the coastal views made from the shore. All were executed by Osmond Romieux (1826-1908), a leading amateur artist who made them during his tours of duty as a French naval officer. At least 18 have a pencil note on the back identifying the location: 15 "Nouvelle Caledonie", 2 "Pérou" (drawings 18, 20) and 2 "Callao" in Peru (drawings 17, 18). We have found no location indicated on drawings 3 (with views on both sides), 8 and 19 (with figure drawings on the back). Most of the drawings were made from the sea shore, looking out over both the sea and the nearby coasts, nearly all with rocky cliffs or outcroppings and some with trees or other plants. Many were made along bays or inlets where one can see the coast on both sides and the water in one view. Some show fortifications or other buildings, a few show boats in the water or on the shore and several show people on the shore, all or nearly all in European dress. Drawings 2, 8, 15 and 17 are signed or initialled by the artist. - No drawing in the album bears a date, but the album shows no signs of other items having been removed, so the drawings probably date from before or soon after the album was manufactured. The album leaves are made of wove paper with no watermark, but A. Giroux & Cie is not recorded after 1856 and the binding style suggests the album is not much older. Most of the drawings are made on thick wove paper with no visible watermarks and with a rough surface texture much like many of today's watercolour papers. Drawing 4 is on thinner and smoother wove paper with no watermark visible and drawings 9 and 11 are on laid paper watermarked (in the centre of a half-sheet): grapes on a crowned shield (20 grapes plus stem, rendered naturalistically, with grapes arranged in an irregular pattern rather than a honeycomb and sometimes overlapping), about 118 x 70 mm (chainlines 26 mm apart). Unfortunately, the watermark literature does not cover this period well, but the crown is in the general style of those used much earlier for a fleur-de-lis on a crowned shield, such as Heawood 1822. Drawings 20 and 21 may be on the same stock as 9 and 11 but show no watermark, though 20 was made in Peru and the others in New Caledonia. Drawings 9, 20, 21 and probably 3 and 19 are executed on oblong 4to leaves; at least most of the others are on oblong folio leaves. Drawing 13 may be backed with smoother wove paper. - Prosper Halvor Henri Oscar Romieux, who used the first name Osmond, joined the French navy at Rochefort (less the 30 km from his native La Rochelle) in 1841 and passed his exams at the École Navale in 1843. He made his first tour of duty in Polynesia during the Franco-Tahitian War (1844-47), at least from 1845 aboard the ship "La Virginie". We find no record of Romieux or the ship visiting New Caledonia during this period, although it is "only" 4500 km from Tahiti. Romieux must have shown artistic skill from early childhood, for already on this first tour he made excellent watercolour drawings, and he continued to make watercolour views around the world until he retired from duty in 1891. He was made a chevalier of the Légion d'Honneur in 1863 and later an officier. Other undated drawings also record him in New Caledonia and Peru (including Lima and Callao). He is documented in New Caledonia in 1880 and 1882, but the present drawings are unlikely to be that late, and we have found no date for his visit(s) to Peru. We have little record of Romieux's movements from 1848 to 1850, but if he left the South Pacific he soon returned, for he is recorded in Hong Kong in 1851 and the Philippines in 1852 (in 1851 he was an Enseigne on the ship "l'Algérie"). He must have left in 1852, however, for he is recorded in the Seychelles (in the Indian Ocean) in 1852 and Italy in 1853 and 1854. In this last year he was promoted to Lieutenant, but we have another gap in the records of his movements from that time to 1860. He may have made the present drawings during this period, for he set off for the Levant on the ship "Redoutable", apparently in or shortly before 1860, since he is regularly recorded in Syria, Lebanon, Greece, Algeria and Jerusalem from 1860 to 1864. He was promoted to Capitaine in 1867 and continued his travels, but since the present album was probably bound in or before 1856 we think it unlikely that he made the drawings after 1864. - Although the binding is signed by Giroux, the firm operated primarily as suppliers of artists' materials and Ramsden plausibly suggests that they "commissioned bindings by the best executants of the day". Alphonse Giroux established the firm by 1799, but his son Alphonse Gustave Giroux (1809-86) managed it from at least 1838 and the father died in 1848. - We have not identified the "A.L." who apparently acquired these watercolours and had the album made in the 1850s: Lugt lists several French collectors with those initials active at the time. One watercolour has a small corner torn off at the lower right, another is slightly frayed along the right edge and the one on thin wove paper is very slightly browned, but the watercolours are otherwise in very good condition. The binding may have been expertly rebacked, preserving the original backstrip, but so unobtrusively that one must wonder if the binding was originally made that way. It is further in very good condition and even the folder is olny slightly rubbed.A lovely and finely executed series of large watercolour drawings of the coasts of New Caledonia and Peru, probably made in the 1850s and mounted in a stunning gold- and blind-tooled contemporary album. For Romieux: Lugt 3703. For Giroux: Flety, Dictionnaire des relieurs francais p. 82; Ramsden, p. 94.
4to (225 x 264 mm). X, 42 pp. With 4 lithogr. folding plates. (And:) Beitraege [...] Zweites, Drittes, Viertes, Fünftes Heft. Systema Astronomiae Aegyptiacae Quadripartitum. Ibid., 1833. XXX, 445, (10) pp. (series titles and separate half-title for no. 2). With hand-coloured frontispiece and 10 large folding plates, lithographed throughout. Contemporary polished red morocco, spine, leading edges, inner dentelle and covers richly gilt and blind-tooled in the Romantic style. Glazed green endpapers; all edges goffered and gilt. Bound by the Leipzig master Anton Stumme with his label on the first flyleaf. A fine morocco volume comprising the first five of Seyffarth’s monographic "Contributions" to Egyptology (apparently all published at the time of binding; two more were to follow by 1840). While the first fascicle contains the earliest catalogue raisonnée of the substantial Berlin collection of papyri, fascicles 2-5 (published with continuous pagination) constitute a bold investigation into early Egyptian astronomy and its all-pervading cosmological cult. This section includes a hand-coloured frontispiece of astronomical animal forms and ten large folding plates, all lithographed, showing important pieces of archeological evidence: the Navicula astronomica (Paris), Zodiacus Tentyriticus (Paris), Zodiacus Taurinensis (Turin), Sarcophagus Sethi (London), Sarcophagus Ramsis (Paris), Monolithus Amosis (Paris), Mensa Isiaca (Rome), and a Papyrus funeralis formerly in the d'Hermand collection. The final part is an astronomical lexicon, a typographical masterpiece that fits more than 1300 lithographed hieroglyphs precisely into their letterpress explanations. - Seyffarth, an opponent of Champollion's, emigrated to the U.S. in 1855. His thousands of transcriptions and sketches are preserved in the Brooklyn Museum as the "Bibliotheca Aegyptiaca Manuscripta". - A luxury copy printed entirely on wove paper and bound in elaborate morocco with finely goffered edges (unusual for a secular binding of the time) by the Leipzig master Anton Wilhelm August Stumme (1804-67), who also worked for Robert Schumann. Minor wear to binding, occasional foxing as typical for wove paper. Coloured frontispiece browned evenly; largely insignificant gutter tears to four folding plates. A crisp, unused copy in a magnificent binding. Ibrahim-Hilmy II, 229f.
Large 4to (195 x 268 mm). Title and 30 captioned plates, engraved throughout (image size ca 110 x 170 mm). Late 19th century half calf with gilt spine rules and 18th or early 19th c. giltstamped lozenge label on upper cover. Charming, rare suite of engravings showing the costumes of the Turks, including the Sultan and various courtiers of the Porte, Ottoman soldiers and janissaries, an Arabian preacher, a falconer, street salesmen, a porter smoking a long meerschaum pipe, and several Turkish ladies (one in surprisingly revealing attire). - Charles-Francois Silvestre (1667-1738) held the title of "Maître à dessiner du Roi" (Drawing Master to the King) and was in 1695 appointed art instructor to the young Dukes of Burgundy, Anjou and Berry, the grandsons of Louis XIV. The present suite, dedicated to Louis, Duke of Burgundy, reflects the orientalist fashion of its time but is also a highly original work of art demonstrating a vivid, flamboyant style and not apparently based on earlier illustrations. The title and 21 of the plates are signed in full with the Royal privilege: "F. Silvestre inv. et ex. C.P.R.", while eight are simply signed "S." and one ("Janissaire de la garde, Solac ou Pzyc") is not signed, though it is clearly executed in the same style as the others. Uncommon thus with 31 plates including the title: the copies listed by both Hiler and Colas, as well as that in the Gennadius Library at the American School of Classical Studies at Athens, are oblong volumes containing only 30 plates including the title, on a total of 15 leaves (Colas: "titre compris [...] Ces planches sont tirées à deux sur la même feuille"), while the Lipperheide copy comprised a mere 22 plates including the title, making this the most complete set known. - Insignificant browning and fingerstaining, more pronounced in title but on the whole confied to the wide margins. Hiler 799; Colas 2744 (both listing 30 plates including title). Lipperheide Lb 25 (listing title and 21 plates).
Watercolour on a large sheet of paper (image size: 74.5 × 52 cm), signed at the foot right: "E. Tarenghi". Contemporary (?) gilt wooden frame (89.5 × 66 cm), behind plastic. Attractive watercolour painting by the Italian orientalist painter Enrico Tarenghi (1848-1938), it shows three bearded men with carpets and two poufs. One of them is clearly the seller, another is inspecting the wares and the third is sitting on the ground rolling up one of the carpets. In the background a wide river (generally assumed to be the Nile), a dromedary and dozens of palm trees. Tarenghi made extensive use of photography in his work and often used photographs as a template for the background. The present setting is found more often in his work, not only showing carpet sellers, but also merchants selling fruit. The carpet trade, however, seems to be one of his favourite subjects regardless of the background. The carpets allowed Tarenghi to show off his skills, with their intricate motives, textures, creases and folds. - Small waterstain and minor defects at the foot and a few other negligible blemishes, but otherwise in very good condition. For the artist: Thieme & Becker XXXII, p. 445.
Folio (212 x 324 mm). Persian manuscript on faintly ruled paper. 1 blank leaf, 336 pp. (168 ff.), 1 blank leaf. Text is complete, but last leaf is missing. 1 illuminated headpiece and 49 illustrations in ink and bright watercolour wash. Text in black, ruled in black, with important words and phrases picked out in purple. 19th century leather ruled and stamped in blind. Lavishly illuminated Persian manuscript depicting the romance which came to define the love story in Western literature. Composed by Abu al-Qasim Hasan Unsuri (ca. 961-1039), the original Persian was in fact lost, and preserved in a Turkish translation. Unsuri's version was itself based on what was already an ancient love story in his own time, the Ancient Greek novel "Metiochus and Parthenope", which also survives only in fragments. Though certainly derived from the Greek, like many Persian romances with Greek origins, "the nature of the relationship is not [...] the simple one of the earlier (Greek) material influencing the later (Persian) material, as the Greek novels contain a number of motifs and topoi which are identified within the narratives themselves as Persian in origin. The relationship between the love narratives of the two cultures appear, therefore, to have been one of mutual reciprocity over a considerable stretch of time" (Davis). - Some fragments of the original Persian do survive: Sa'id Nafisi collected 141 verses of "Wameq o 'Adra" that were used as evidence in Persian dictionaries, and 372 more verses were discovered by Mohammad Šafi' in the binding of an old manuscript in 1950 (Blois, 201). Unsuri's version was translated in the 16th century into Turkish by Shaikh Mahmud Lame'i, though in comparison with the earlier fragments, this is considered a loose translation of the original. However, it provides the source of most subsequent translations and most of what we know of "Vamiq va 'Azra", as a romance which underpins the genre. In literature both medieval and modern, the narratives of the original persist: lovers separated by a kidnapping, a virgin who must use a range of tricks to elude unworthy attempts on her chastity, an interrupted wedding, and a seemingly final separation with the (supposed) death of one of the lovers. In this way, "Vamiq va 'Azra" echoes down the literary ages. - Covers somewhat worn but professionally repaired; still tightly bound. Light soiling, otherwise a beautifully illustrated and uncommon manuscript. Richard Davis, "Greece IX. Greek and Persian Romances", in: Encyclopaedia Iranica XI, 339-342. Francois de Blois, Persian Literature: A Bio-Bibliographical Survey. Vol. V: Poetry of the Pre-Mongol Period (London: Royal Asiatic Society, 2004), pp. 201-204.
2 text vols. (8vo) and 2 plate vols. (large folio). (2), 491, (1), (4) pp. 788, (6) pp. text. With engraved portrait of Segato as frontispiece in the first text volume and the plate volumes with 160 engraved and aquatint plates (7 double-page), including 51 tinted and/or coloured by a contemporary hand; many plates contain multiple illustrations, making 309 illustrations in total. Contemporary green (text vols.) and brown (plates vols.) half morocco, sewn on 3 recessed cords (text vols.) and 4 tapes (plates vols.), "agate" chemical marbled sides. First edition of a beautiful series of illustrations of Egypt and classical Egyptian monuments, with the accompanying text volumes giving detailed information on each illustration. The illustrations show maps, costumes and views of both ancient and modern Egypt. The scientist and Egyptologist Girolamo Segato (1792-1836) began working on a new description and depiction of Egypt, selecting illustrations from the works of Denon, Grau and Rosellini, and also including his own original drawings. After his premature death his collaborator Domenico Valeriani finished the work and provided the accompanying texts. - Segato is best known for his technique similar to mummification, this technique of petrification remains mysterious, despite numerous studies and attempts to imitate, as he destroyed all his documentation before his death. - The text and plates volumes with marginal foxing throughout, minor except in the preliminary leaves. Otherwise in good condition. The binding slightly rubbed along the extremities, damage to the upper right corner of the first plates volume, resulting in a stain on the front endpapers, and the upper half of the sides on the second plate volume faded, otherwise good and structurally sound. Blackmer 1521 (plate volumes only, erroneously noting 159 plates). Blackmer sales cat. 984 (160 plates). Ibrahim-Hilmy II, 301. ICCU 0154707. For Segato: Almagia, "Segato, Girolamo" in: Treccani Enciclopedia Italiana (online ed.).
Small 8vo (94 x 143 mm). 100, (4) ff. With woodcut title illustration and woodcut printer's device to final leaf. Near-contemporary limp vellum with traces of a handwritten spine title. Still early original Italian edition of Ludovico di Varthema's famous travels to Arabia, Persia, and India: the highly important and adventurous narrative containing the first printed eyewitness account of any place in today's United Arab Emirates. On his return journey from Mecca (which he was the first Westerner to describe), Varthema visited Ras al-Khaimah ("Giulfar") and portrayed the city as "most excellent and abounding in everything", with "a good seaport", and whose inhabitants are "all Muslims". While Montalboddo's famous anthology of discoveries, printed in 1507, contained the first printed reference to the Arabian Gulf region, it was Varthema's work, published only three years later, that offered the first actual report from the region by a Western traveller who had visited the coast. All early editions of Varthema’s “Itinerario” are exceedingly rare (even the 2013 Hajj exhibition at the MIA, Doha, only featured the 1654 reprint; cf. below). - Varthema, a gentleman adventurer and soldier from Bologna, left Venice at the end of 1502. In 1503 he reached Alexandria and ascended the Nile to Cairo, continuing to Beirut, Tripoli, Aleppo and Damascus, where, adopting Islam and taking the name of Yunas, he joined a Mameluke escort of a Hajj caravan and began the pilgrimage to Mecca. Varthema was amazed by what he observed: "Truly I never saw so many people collected in one spot as during the twenty days I remained there", he begins, and arriving at the Great Mosque, continues, "it would not be possible to describe the sweetness and the fragrances which are smelt within this temple." Thanks to his knowledge of Arabic and Islam, Varthema was able to appreciate the local culture of the places he visited. Impressed and fascinated, he describes not only rites and rituals, but also social, geographical, and day-to-day details. "I determined, personally, and with my own eyes", he declares in the prefatory dedication, "to ascertain the situation of places, the qualities of peoples [...] of Egypt, Syria, Arabia Deserta and Felix, Persia, India, and Ethiopia, remembering well that the testimony of one eye-witness is worth more than ten hear-says." His good fortune did not continue unabated, however: after embarking at Jeddah and sailing to Aden, he was denounced as a Christian spy and imprisoned. He secured his release and proceeded on an extensive tour of southwest Arabia. Stopping in Sanaa and Zebid as well as a number of smaller cities, he describes the people, the markets and trade, the kind of fruits and animals that are plentiful in the vicinity, and any historical or cultural information he deems noteworthy. Returning to Aden, and after a brief stop in Ethiopia, he set sail for India. In addition to visiting Persia, Varthema explored the coasts of Malabar and Coromandel, including a stay at Calicut at the beginning of 1505. He also purports to have made extensive travels around the Malay peninsula and the Moluccas. Returning to Calicut in August 1505, he took employment with the Portuguese at Cochin and, in 1508, made his way back to Europe via the Cape of Good Hope. - First published in 1510, Varthema's account became an immediate bestseller. In addition to his fascinating account of Egypt, Syria, the Arabian Peninsula, and the holy Muslim cities, "Varthema brought into European literature an appreciation of the areas east of India [...] which it had previously not received from the sea-travelers and which confirmed by firsthand observations many of the statements made earlier by Marco Polo and the writers of antiquity" (Lach, I. i. 166). "Varthema was a real traveller. His reports on the social and political conditions of the various lands he visited are reliable as being gathered from personal contact with places and peoples. His account of the overland trade is of great value in that we are made to see it before it had begun to give way to the all-seas route. He even heard of a southern continent and of a region of intense cold and very short days, being the first European probably after Marco Polo to bring back the rumor of Terra Australis" (Cox I, 260). - This edition includes the itinerary of the island of Yucatan (fols. 89ff.), repeated from the 1526 edition of Varthema: Juan Díaz's account of Juan de Grijalva's 1518 expedition to Middle America, first published in Venice in 1520. - Trimmed closely with occasional slight loss to the outermost letters of the page. Some browning and waterstains. The fine title woodcut, copied from Scinzenzeler's 1523 edition, shows Varthema seated on a bench in front of a building, writing on a globe, behind him a set of dividers; in the background is a landscape with a ship at sea and a castle. 17th century ink annotation to verso of last leaf. Rare; a single complete copy in international auction records since 1936. OCLC lists six copies only. Edit 16, CNCE 48228. BM-STC Italian 73. Macro 2239. Gay 140. Röhricht 574, p. 163. Cordier Indosinica I, 98f. Fumagalli 77. Harrisse 205. Sabin 98646. Alden, European Americana, 535/20. OCLC 56581916. Cf. Blackmer 1719. (1523 edition). Boies Penrose, pp. 28-32. Exhibition cat. "Hajj - The Journey Through Art" (Doha, 2013), p. 90 (1655 Dutch ed. only). Carter, Robert A. Sea of Pearls, p. 68 (1520 edition). Not in the Atabey collection. Not in Adams.
Folio (205 x 290 mm). (24), 491, (1) pp. 17th century black-tinted vellum binding using an earlier liturgic musical manuscript. Important Latin edition of this Arabic medical compendium (first printed, also in Latin, in 1479), with additions by Gerard de Cremona. It provides a collection of opinions voiced by Greek and Arabic physicians on pathology and therapeutics. "No Arabic printed edition exists so far" (cf. Choulant). The third-century doctor Yahya bin Sarabiyun, son of a Bagarma physician, wrote his great medical work "Al-Kunnas" in Syriac, but it was soon translated into Arabic by scholars such as Musa Ibrahim al-Haditi and ibn Bahlul. There exist manuscripts in twelve and in seven books. "The seven-book edition was frequently printed in Latin translations as 'Breviarium' and 'Practica therapeuticae methodus'. Albanus Torinus, the editor of the Basel 1543 edition, called him Janus Damascenus, for which reason he has been confused with the well-known theologian of that name. He is also often mistaken for his younger namesake, Serapio junior" (cf. GAL I, 233). Some catalogues even ascribe this work to the Baghdad physician Abu-Zakariya Yuanna Ibn-Masawaih. - Slight waterstaining; some unobtrusive worming to upper cover and flyleaves. Binding rubbed; extremeties bumped with chipping to spine-ends. A wide-margined copy. Provenance: 1677 ownership of the pharmacist and medical student Joseph Franz König on front pastedown; later in the library of Bonifacius Brix von Wahlberg, court physician to the Princes of Fürstenberg, in the later 18th century (his ownership on the title page). VD 16, Y 11. Adams I 14. BM-STC German 932. GAL I, 233 & S 417. Durling 4778. Choulant, Handb. p. 347. Not in Waller.
Large 4to (32 x 26). "XVIII" [= XX], (2), 243, (1) pp. With various passages including the original Arabic text. Also with a subscription leaf for the Marquess of Lansdowne ("this copy was printed for the most noble the Marquess of Lansdowne"), printed in black and blue, with wood-engraved illustration, in a cast floral border printed in red. Later half calf. Top edge gilt. First edition of the first substantial English translation of the travel account of Abu Abdullah Mohammed ibn Batuta (1304-68/69), known in the West as the Arabian Marco Polo, with extensive footnotes. "While on a pilgrimage to Mecca he made a decision to extend his travels throughout the whole of the Islamic world. Possibly the most remarkable of the Arab travellers, he is estimated to have covered 75,000 miles in forty years" (Howgego). His journeys included trips to North Africa, the Horn of Africa, West Africa and Eastern Europe in the West, and to the Middle East, South Asia, Central Asia, Southeast Asia and China. - The account, known as the Rihla, is esteemed for its lively descriptions of his travels, giving notable information on the history, geography and botany of the countries and cities Ibn Batuta visited. He describes, for example, the city of Aden as follows: "From this place I went to the city of Aden, which is situated on the sea-shore. This is a large city, but without either seed, water, or tree. They have, however, reservoirs, in which they collect the rain-water for drinking. Some rich merchants reside here: and vessels from India occasionally arrive here. The inhabitants are modest and religious" (p. 55). - Endpapers, half-title and subscription leaf foxed, some spots on the title-page, otherwise a very good copy, only slightly trimmed leaving generous margins. Binding very good as well. Howgego, to 1800, B47.
Large 4to (32 x 26 cm). "XVIII" [= XX], (2), 243, (1) pp. With various passages including the original Arabic text. Modern half morocco. First edition of the first substantial English translation of the travel account of Abu Abdullah Mohammed ibn Batuta (1304-68/69), known in the West as the Arabian Marco Polo, with extensive footnotes. "While on a pilgrimage to Mecca he made a decision to extend his travels throughout the whole of the Islamic world. Possibly the most remarkable of the Arab travellers, he is estimated to have covered 75,000 miles in forty years" (Howgego). His journeys included trips to North Africa, the Horn of Africa, West Africa and Eastern Europe in the West, and to the Middle East, South Asia, Central Asia, Southeast Asia and China. - The account known as the Rihla, is esteemed for its lively descriptions of his travels, giving notable information on the history, geography and botany of the countries and cities Ibn Batuta visited. He describes, for example, the city of Aden as follows: "From this place I went to the city of Aden, which is situated on the sea-shore. This is a large city, but without either seed, water, or tree. They have, however, reservoirs, in which they collect the rain-water for drinking. Some rich merchants reside here: and vessels from India occasionally arrive here. The inhabitants are modest and religious" (p. 55). - A very good copy, binding very good as well. Howgego, to 1800, B47.
4to. (24), 636, (8) pp. - (With:) [Dastan-i San Bidru]. Historia S. Petri Persice conscripta [...], Latine reddita [...] a L. de Dieu. Ibid., 1639. (8), 144 pp. - (And:) L. de Dieu. [`Ansarha-yi zaban-i Farsi]. Rudimenta linguae Persicae. Ibid., 1639. (8), 95, (1) pp. All titles printed in red and black. Contemporary brown full calf with gilt spine. First edition of the first Persian grammar ever printed, with two Persian texts edited for the first time from manuscripts. "De Dieu's most striking performance [...] De Dieu is well aware that he is the first to publish a grammar of Persian. [...] In the preface De Dieu relates how he studied Persian with the help of the Constantinople Polyglot borrowed from Gomarus, and mentions Elichmann as the supplier of the manuscript with the 'Historia Christi', which was owned by Golius. The latter also supplied a ms. dictionary of Persian. In the annotations to the 'Historia S. Petri' the original ms. is described: it contained two more Persian texts, and was once bought by the Rotterdam physician Johannes Romanus at Agra in 1626. The volume then passed into the hands of Elichmann, who lent it to the editor. The two chapters from Genesis are taken from a complete translation in Arabic characters [by Rabbi Jacob Tawus] at Istanbul in 1546" (Smitskamp). These are lives of Christ and St Peter, originally written in Portuguese by the Jesuit priest Jerome Xavier (1549-1617) and then translated into Persian at the command of the Mughal emperor Akbar. It was at the Elseviers' request that De Dieu composed, as an addition, the elementary grammar. The grammars of Ignazio di Gesù (Rome 1661) and of Labrosse (Amsterdam 1684) were largely based on his work. Willems notes that Raimondi, as early as 1614, produced a grammar in Rome for the use of missionaries which remained virtually unknown in the west, but this existed only in manuscript (cf. Smitskamp). - Occasional slight brownstaining, but a good, tight copy from the library of the Swedish antiquarian bookdealer Björn Löwendahl (1941-2013). Smitskamp, PO 310. Willems 490 & 477. Copinger 5255 & 1314. De Backer/S. VIII, 1339, 8 & 9. Rahir 473. Berghman 674. Schwab II, 727. OCLC 6445068, 6445039, 82252380.
Folio (204 x 309 mm). 6 parts in one vol. (24), 264 pp. (2), 214 pp. (6), 113, (1) pp. 154, (2) pp. 87, (1) pp. 66 pp. With 37 engr. plates (many folding). Period-style full panelled calf, elaborately gilt-decorated spine on raised bands with red morocco spine label. Marbled endpapers. The first collected edition in English, translated by John Phillips and Henry Oldenburg: an account of Tavernier's travels to Turkey, Persia, India, and Japan (with large map of Japan), containing reports about the Japanese persecution of the Christians and the Dutch settlements in the Far East. Book Two, chapter Nine of the Persian Travels is of particular interest, as it contains an account of Tavernier's voyage through the Arabian Gulf, mentioning Bahrain, Bandar Abbas, Qeshm, and Hormuz and making observations on the pearl-fishing, people and navigation of the Gulf. There is also a bird's-eye map of the Strait of Hormuz showing the Musandam Peninsula (peppered with palm trees and captioned "A promontorie of Arabia the happey"), Hormuz, Larak, and Qeshm island, as well as Bandar Abbas and Bandar Kong on the Persian side. Intruguingly, this engraved map also includes depth soundings throughout the Gulf, making it useful as an early "Persian Gulf Pilot". A separate, illustrated chapter discusses extensively the invaluable pearl in the collection of the Imam of Muscat. Another illustrated chapter discusses "The Money of Arabia". In general, the plates depict festivals, processions, costumes, views, and images of the Eastern flora and fauna as well as coins and gems. - Title-page rehinged, with ownership of Thomas Hardy, dated 1698. Repaired tear to first leaf of contents. Faint marginal dampstain along lower edge of first several leaves; occasional browning, final leaves of text cleaned with some minor marginal restoration, but well-preserved on the whole. Handsome period-style calf-gilt binding fine. Blackmer 1632. Wing T251A, T252, T253. Campbell (Japan) 28. Cox I, 275f. OCLC 6071990. Cf. Wilson 223. Howgego T14. Severin 104-113. Not in Atabey or Weber.
170 x 263 mm. With gilt rosette and numerous gilt floral ornaments between the letters and in the margins. Vocalisation marks (dots) in red. 5 lines. Illuminated leaf from a once-magnificent Quran manuscript with fine gilt flower and leaf illustrations as space fillers and ornamental border around the large Kufic script written in black ink (line height ca. 25-30 mm). The ornamentation mainly consists in leaf designs with the occasional blossom. Illumination of this type is exceedingly rarely encountered among the preserved Abbasid Kufic manuscripts pre-dating the year 1000. The script style belongs to subgroup D.I, according to Déroche's classification. Manuscripts in this style are normally dated to the 9th century CE (cf. François Déroche, The Abbasid Tradition, London 1992. The Nasser D. Khalili Collection of Islamic Art, Vol. I, nos. 19-23, pp. 67-71). The red dots are vocalisation marks: diacritic marks were not used until later. - Some browning and staining. Brittle in places due to ink corrosion (slight loss to individual letters). Verso rubbed, but still legible. Cf. Fingernagel (ÖNB 2010), p. 33.