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[Knorr, Georg Wolfgang / Leinberger, Christian and Hoffer, Andreas].MareMagnum

[La Haye, Jean de].MareMagnum

Peristromata Turcica, sive dissertatio emblematica, praesentem Europae statum ingeniosis coloribus repraesentans. [Nürnberg, Wolfgang Endter] (ad 1 with a false colophon: Paris, Toussaint du Bray), 1641-1642.

(2) [Harsdörffer, Georg Philipp]. Germania deplorata, sive relatio, qua pragmatica momenta belli pacisque expenduntur. (3) [Milag, Martin]. Aulaea Romana, contra Peristromata Turcica expansa: sive dissertatio emblematica, concordiae Christianae omen repraesentans. (4) [Anonymous French critic of Cardinal Richelieu]. Gallia deplorata, sive relatio, de luctuoso bello, quod rex Christianissimus contra vicinos populos molitur. 4 editions published together in 1 volume. 4to. With 2 engraved title-plates plus 12 full-page engraved emblematic illustrations, all on integral leaves, each with a small plate nested in a larger plate (7 in the Peristromata with a varying plate black and the same outer plate of a Persian carpet in orange). Gold-tooled light brown calf (ca. 1820?) by Charles Murton in London. Rare first and only Latin editions (probably the first and only early editions in any language) of four closely related polemical pamphlets on European policy toward the Ottoman Empire. The publication was instigated by the prominent Nuremberg poet and jurist Georg Philipp Harsdörffer (1607-58), who somehow found access to the French manuscripts of the pro-Richelieu "Peristromata Turcica" (Turkish carpets), and the anti-Richelieu "Gallia deplorata", translated them into Latin, edited them for publication and added what is believed to be his own anti-French Latin rebuttal of the former, "Germania deplorata". On 26 November 1641 he sent all three to the Calvinist Prince Ludwig of Anhalt-Köthen, founding president of the Fruchtbringende Gesellschaft in Weimar, who found the "Peristromata Turcica" shocking and dangerous, not only for its content but also because its remarkable and "seductive" graphic form. At a spring 1642 meeting of the society Ludwig initiated the writing and production of an emblematic rebuttal, the "Aulaea Romana" (Roman tapestries). Besides the political importance of these pamphlets as records of differing European attitudes toward the Ottoman Empire, they are remarkable graphic and typographic artefacts, early examples of colour printing and important emblemata. In 1536 Francois I had formed an alliance with the Ottoman Emperor Suleiman the Magnificent, and for a century Franco-Ottoman relations swung between extremes. Around 1626 Cardinal Richelieu began to encourage noblemen to strengthen France's economy by expanding its maritime trade in the Middle East, Near East and beyond. But with its great maritime power, the Ottoman Empire was not only a potentially valuable trading partner but also a fierce competitor and even a military threat to Europe's trade in those regions. Richelieu therefore attempted to form a Catholic union with the Holy Roman Empire and others to fight against the Ottomans. With owner's inscription of the lawyer and diplomat Georg Achatz Heher (1601-67) and bookplate of Robert Hoe (1839-1909), one of the greatest book collectors of all time. With the last quires (E-H) of the "Aulaea Romana" misbound following the last quire (G) of Gallia. A small marginal worm hole in the first work and the first leaves of the second, and an occasional small marginal chip or tear, but still in good condition. The binding with cracks in the hinges and some wear at the extremities, but otherwise good. Although these four editions were clearly designed to be published together, only about a dozen complete sets are known to survive, nearly all in Germany, Austria and Poland. Faber de Faur 497-500. Praz 448f. M. Reinhart, "Georg Philipp Harsdörffer and the Emblematic Pamphlets of 1641-42", in: Emblemata XX (2013), pp. 313-376 & XXI (2014), pp. 277-375. Stijnman & Savage, p. 46 (ad 1). Not in Atabey or Blackmer.

Inlibris · Wien, AT25 000,00 €

[Lawrence of Arabia (film)].MareMagnum

[Lawrence of Arabia: a production-used shooting script and collection of original film stills]. No place, Columbia Pictures, 1962 and 1971.

8vo mimeographed typescript. Approx. 122 pp. Original black wrappers. Together with: 3 colour stills on board (364 x 281 mm), 12 colour stills (241 x 185 mm) issued for the press, 10 silver gelatin print stills (278 x 210 mm), colour poster, and 14 behind the scenes and costume test silver gelatin prints (ranging from 158 x 105 mm to 290 x 290 mm), with further costume test photographs tucked into the script. Fascinating and significant collection of material relating to one of the most famous British films of all time, Sir David Lean's "Lawrence of Arabia" (1962). The collection includes a unique production-used script, the title-page annotated "2nd Unit, Abbey", with various test photographs inserted into the script at different points and annotations and added tabs towards the end of the script. Includes four large black and white behind-the-scenes photos of the film's then-unknown star, Peter O'Toole (1932-2013), on camelback taken by famous stills photographer Ken Danvers (1911-80). Various additional costume reference photographs are present, including three for 'Lawrence', one featuring Peter O'Toole, in costume, smoking next to a set trailer. Also present are a set of twelve front of house stills for the film, an American one-sheet poster from the 1971 re-release, and other photographic stills relating to the production including three large colour film stills on board, which round out an impressive collection. Also included are 11 photographic references of T. E. Lawrence used by the costume design team to style Peter O'Toole. - "Lawrence of Arabia" (1962) was O'Toole's film debut, for which he received international acclaim. The film itself was selected in 1999 as the third best British film of the 20th century, and won seven of an impressive ten Oscar nominations. It is generally considered one of the most important films to come out of the 1960s, and has been selected for preservation in America's National Film Registry in acknowledgment of its cultural significance. - Occasional light wear to photographs, generally in the form of subtle pinpricks to corners. In general, exceptionally well preserved. - Provenance: Acquired by an employee of the film's producer, Sam Spiegel (1901-85). Spiegel was financially responsible for some of the most critically acclaimed motion pictures of the 20th century, and was the first independent Hollywood producer to work on films that won the Academy Award for "Best Picture" three times. One of those films was, of course, "Lawrence of Arabia".

Inlibris · Wien, AT18 500,00 €

[Louis XIV].MareMagnum

Relation succinte de ce qui s'est passé en la rade de la ville d'Alger en Afrique, depuis l'arrivée du Sieur Marquis de Martel, Lieutnant Général des Armées Navales de Sa Majesté, avec l'escadre des vaisseaux qu'il commandoit. Paris, Sebastien Mabre-Cramoisy, 1670.

4to (198 x 247 mm). 8 pp. With armorial woodcut vignette on title, headpiece and initial. Unbound as issued. Rare official account of the French diplomatic expedition to Algiers undertaken in January 1666 by lieutenant general Damien Martel to re-establish the peace between Louis XIV and the Barbary Coast. - To protect the French merchant fleet from North African corsairs, but also inspired by the mercantilist theories of Jean-Baptiste Colbert, who strove to expand French commercial capacities abroad, the King had in 1664 sent an expedition under the Duke of Beaufort to Djidjelli in north-eastern Algeria. There, the French had sunk several corsair ships, seized the city and begun expanding the port into a permanent naval base. Algerian pirate commandos, however, soon retook the city, destroyed the French works and sold the surviving Frenchmen into slavery. Indeed, the Djidjelli expedition had achieved nothing for France but to serve as a convenient excuse for the Ottomans to charge Louis XIV with having breached the peace. While the Porte declared that they would not hinder the French in pursuing the corsairs, it was made clear that the Sultan would not permit Louis to take possession of the coastal cities and ports of Barbary. The French did not attempt to re-establish themselves in Africa; rather, they sent punitive expeditions throughout the Mediterranean to rout whatever corsair ships they could find, thus finally driving the Pasha of Algiers to accept a new peace treaty. In early 1666, Martel was dispatched with a fleet of 17 ships (including three "brûlots", or fireships); the pamphlet discusses his self-assured entrance to Algiers and the subsequent delicate negotiations that renewed the diplomatic accord between two nations. - An uncommon work; we have located copies only at the Bibliothèque Ste. Geneviève in Paris, the University of Oxford, British National Archives, and Bibliothèque Nationale, the latter two with title spelling 'Succincte'. Some duststaining, especially to the wide, untrimmed margins, but still a well-preserved copy. Playfair, Handbook for Travellers in Algeria and Tunis, pp. 44f. OCLC 57055024. Not in Playfair, Bibliography of Algeria: From the Expedition of Charles V in 1541 to 1887.

Inlibris · Wien, AT2 500,00 €

[Maghreb travel].MareMagnum

Photo album. [Libya and Tunisia as well as Italy, ca. 1930].

Oblong 4to (280 x 204 mm). 112 vintage black-and-white photographs (ca. 13 x 18 cm), frequently captioned in German in white ink, on 56 black paper leaves (plus two blank leaves at the end). Contemporary green card boards, block-bound with string. A fine album of excellent original travel photographs, assembled by a party of young men from Germany, Austria and Hungary travelling through Northern Africa in the late 1920s or very early 1930s. A total of 36 photos show scenes from Libya: the cave dwellings in the jebels, the Arab and especially Jewish population, a Bedouin tent, Italian officers in Aziziya, but also a group portrait of the travellers leaning on their motorcar. A few pictures show the European tourists laughingly taunting the local children with cigarettes for which they let the youngsters grapple. The strong focus on the fairly large Jewish community (then constituting nearly 4% of the Libyan population, as compared to less than 0.8% in Germany) is poignant before the background of the increasingly virulent antisemitism in the visitors' central European homeland, apparently revealing a particular fascination with the "otherness" of the Jews who are here shown and described as a people living as they supposedly did in Biblical times. - Via Malta (6 photos, some depicting warships in the harbour) the party sailed on to Tunis, where no fewer than 32 photographs cover the port, the Al-Zaytuna Mosque, Spahis and French officers on horseback, and a wealth of street scenes: the old town with its souks, Bab Souika square, gypsies, veiled women, water salesmen, men in coffee houses, and a Christian butchery. The remainder of the album shows scenes from the return journey through Italy: Cagliari and Sardinia (6), Civitavecchia (3), Livorno (5), Genoa (1), and Milan (23, including many from the Cimitero Monumentale and some showing off then-modern architecture). - A well-preserved ensemble of amateur travel photographs from a region more frequently captured in military photography but rarely visited at the time by affluent European tourists with high-quality cameras.

Inlibris · Wien, AT2 000,00 €

[Manuzio, Antonio, ed.].MareMagnum

Viaggi fatti da Vinetia, alla Tana, in Persia, in India, et in Costantinopoli: con la descrittione particolare di città, luoghi, siti, costumi, & della porta del gran Turco: & di tutte le intrate, spese, & modo di governo suo, & della ultima impresa contra Portoghesi. Venice, sons of Aldus Manutius, 1545.

8vo. 163 ff. (without final leaf, blank except for anchor on verso). Aldine anchor device on title page. 18th-century English polished calf. Second edition (first published in 1543) of this collection of Venetian voyages to the Near and Middle East, edited by Antonio Manuzio, son of Aldus. "Tana was the name which the Genoese gave to their factory at Azov at the mouth of the river Don. This volume contains voyages by Giosafat Barbaro (Tana in 1436, Persia 1471), Ambrogio Contarini (Persia 1473-77), and Luigi Roncinotto (Ethiopia 1532, Persia and India in 1529). It also includes Benedetto Ramberti's account of the Turkish Sultan's campaign against the Portuguese settlement of Diu in northern India in 1538" (Atabey). "This appears to be one of the very few travel books from the Aldine press" (Blackmer). - Extremities rubbed and bumped, short cracks in joints. Light dampstain to first few leaves. Contemp. ink ownership to title page, further ownership trimmed away at lower edge (remargined without loss); further contemp. ownership "Gioseppe Custodi" under the colophon. Modern ownership inscription "J. W. S. M. / Caius. / Cambridge. / Jan. 1899" on front pastedown - very likely the Caius-educated English entomologist John William Scott Macfie (1879-1948). Later himself a traveller to the East, he served as director of the Medical Research Institute in Accra between 1914 and 1923, having undertaken the same responsibilities in an acting capacity at Lagos in 1913. Adams V 624. Blackmer 1071. Göllner 861. Renouard 134 (noting that of the two editions the present is "bien mieux imprimée"). Cf. Atabey 761 (first edition).

Inlibris · Wien, AT7 500,00 €

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