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Folio (246 x 398 mm). (8) pp. 19th century black boards covered with blue, pink, orange, yellow and green striped cloth and giltstamped title label. Marbled pastedowns. A 19th century manuscript copy of the 1725 statutes of the shooters guild of Eggenburg in Lower Austria, in 18 articles. Transcribed from a certified copy from 1725, the year when the statutes were originally drawn up, as witnessed by Johann Georg Philipp Fleischmann of the city chancellery. The articles mostly concern the so-called "Kränzlschießen", regular shooting events in which participants alternately would provide the prizes. Two postcards by Rudolf Branböck from 1897-98, one addressed to the "k. k. priv. Bürgerl. Schützen-Corps Commando" regarding the 1897 Easter shooting match, the other addressed to his friend Johann Schally, requesting tickets for a ball, are loosely inserted. - The fine binding is slightly rubbed, extremities bumped. Paper a little duststained with a small brownstain to the margins. Ink on first pages slightly faded. From the library of the Viennese collector Werner Habel.
4to (the tables measuring ca. 515 x 740 mm). - (Bound with) II: Copia de la carta remitida a s.e. en 16 de septiembre de 760, que acompaño al manifiesto, plan y demas documentos sobre renta. - (Bound with) III: Manifiesto de la renta de seda del reyno de Granada, executado de orden del Exmo. Sr. Marques de Esquilace del Consejo de S.M. su secretario de el de Hacienda y Superintendente general de todas Rentas Reales. 17 ff., 11 ff., plus 2 large folding tables ("Estado de los morales y moredas existentes en la Ciudad de Granada, ciudades, villas y lugares de su thesoreria" and "Plan general de los valores que produce la Real Hacienda de población del reyno de Granada"). Stored loosely in a modern folder. Impressive calligraphic presentation manuscript with an account of the history and 18th century state of the renowned silk production in Granada. Having belonged to the Marqués de Esquilache, Minister of Charles III, and signed in Granada by Pedro Paschio de Baños y Molina (1762), this beautiful copy was executed by a skilled calligrapher for the personal collection of the Marqués, probably by a calligrapher in Granada, where resided a number of professional scribes who produced elaborately decorated Cartas Ejecutorias (patents of nobility) for the Cancilleria. - Granada was known for centuries throughout the Mediterranean and beyond for the high quality of its silk: according to the German traveller Hieronymus Münzer in 1492, theirs was the best in the world. Its fame lasted to the end of the 19th century, when the German Imperial family still bought Granada silk. The cultivation of silk in Granada had been the main source of revenue for the Muslim Nasrid Kingdom of Granada; after its fall to the Catholic kings in 1492, it filled the coffers of the Spanish crown. Until the expulsion of the Moriscos in 1609 the production of silk remained mainly in their hands. Historians have argued that the steep hike of silk taxes ordered by Philip II led to the Morisco rebellion of 1568-71. The silk was traded from three exchanges (alcacerías), the main one situated in Granada, where since the period of Nazari rule Genovese traders were active and exported the silk throughout the Mediterranean and even to America. - This document testifies to the great interest that the Spanish kings took in the promotion, cultivation, and trade of silk in the second part of the 18th century. It is a beautiful document remarkable for the wealth of information it contains. In the best spirit of the Enlightenment, it meticulously records the number of mulberry trees in all localities of Granada, from the smallest to the largest, the number of additional trees that could be planted, the yearly expenses for juros (loans that the King had vouched to pay to certain individuals and religious institutions), and other items. - The document is addressed to the Marqués de Esquilache, minister of King Charles III, by Pedro Paschaio de Baños y Molina, director of the King's revenue in Granada. Paschaio, a member of a family of accountants, became very wealthy at the service of the crown. In 1752 he owned nine houses in the Macarena in Granada, six taverns, and lands. Born in 1691, he bought the post of mayor of the city of Granada in 1724. From this position he initiated his social ascent by organizing the visit of King Philip V to the city in 1730. By 1760 he was director of finances of Granada, an office which undoubtedly augmented his wealth. He financed several important religious buildings in Granada in the late Baroque style. - Professionally restored tears, almost invisible, to large folding tables; some minor oxidation to ink as expected, but overall in excellent condition. A. M. Gómez Román, "Moral aristocrática, filantropía y promoción en la figura de Pedro Pascasio de Baños", Cuadernos de Arte de la Universidad de Granada 36 (2005), pp. 139-149. J. Highet, "Silks from Islamic Lands", Asian Art, 6 March 2014. J. R. McNeill, The Mountains of the Mediterranean. An Environmental History (Cambridge, 1992), p. 226. Girón Pascual Rafael María, Las Indias de Génova. Mercaderes genoveses en el reino de Granada durante la edad moderna (Editorial de la Universidad de Granada, 2013).
4to. French manuscript in blue and red ink on paper. 107 pp. With an index and 68 photographs mostly outside the text (37 numbered plates). Original half cloth notebook. Sewn. Beautiful, unpublished manuscript that must be attributed to a member of the Archaeological Society of Béziers. From 1866, the society’s "Musée lapidaire" was housed in the unfinished monastery attached to the Béziers Cathedral. Today, only a few of the more than 300 objects are still on display there, while most have been transferred to the Musée du Biterrois. The author traces the eventful history of Béziers based on objects of the collection and their inscriptions, dating from the Roman period to the 18th century. The objects from the Roman period offer the greatest variety; they include a head of Silenus, the statue of a Roman Emperor, locally known as Pépézut, funerary monuments and architectural ornaments. In the preface, the author thanks the former president of the Archaeological Society, Louis Noguier, and two other members who contributed to the establishment of the museum. In 1899, Noguier had published a book on the museum’s inscriptions from the Christian period. Based on a clipping from a local newspaper with an article on a congress of the Archaeological Society in January 1911, the manuscript can be tentatively ascribed to Joseph Dardé, secretary of the society and curator of the museum. - Several pages loose, as are the plates. Some browning. Occasional bent corners, margins, and minor tears.
Handschrift auf Papier. 4 SS. auf Doppelblatt. Folio (320:206 mm). Wohl mit Bezug auf eine gedruckte Fassung der "Lanndhanduest. Des Löblichen Hertogthumbs Steyr, darinnen Keyserliche, Königliche, und Landtsfürstliche Freyhaiten, Statua, Landtgebrauch and andere Satz" enthaltenden Gerichts-, Polizei- und Landordnung des seit 1192 zu Österreich gehörigen Herzogtums Steiermark entstandenes Exzerpt, in dem der Verfasser an Hand einzelner Abschnitte das "Rescriptum v. Verdinands des dritten, die Veranlaßte Erbhuldigung betreffend; [das] Rescriptum ab eodem die confirmation der privilegien, und [die] Concessionen dises Land Steyr betreffend" notiert. - In altem Sammlungsumschlag.
Deutsche Handschrift auf Papier. (4), 52 SS., 2 w. Bll. Halblederband der Zeit. 8vo. Zeitgenössische hochbarocke Abschrift der ersten Ausgabe von Steinhauers totentanzartiger Erbauungsschrift in der Tradition der "Ars bene moriendi" durch den Lemberger Redemptoristen Johannes à Sancto Andrea (unter dem kopierten Zensurvermerk eigenh. signiert und datiert 1747). - Papierbedingt durchgehend etwas gebräunt. Vgl. Jantz 2663 (Ausg. 1744). De Backer/Sommervogel VII, 1540, 1. Graesse VI, 433.
4to. Italian manuscript on paper. 7½ pp. on bifolia. The collection starts with a long poem comprising 37 verses of 3 lines each that calls for the suppression of the Jesuits, starting: "Giorno d'ira, e di furore / Di ruine apportatore / Spunta all'empio, e all'impostore". The unpublished poem is addressed to the Pope and repeats typical accusations brought against the Society of Jesus. - It is followed by three sonnets concerning the controversial and at the time unsuccessful canonization process for Juan de Palafox y Mendoza (1600-59), the former bishop of Puebla who had briefly served as Archbishop of Mexico (1640-42) and as Viceroy of New Spain (1642). Palafox y Mendoza is famous for his long conflict with the powerful Jesuits of New Spain over ecclesiastical jurisdiction. The Jesuits ultimately succeeded in having the bishop transferred from Puebla to a minor see in Old Castile in 1653, effectively ending his career. In the 18th century, Palafox y Mendoza's anti-Jesuit writings gained popularity and were an important factor in the banishment of the Jesuits from Spain in 1767. The introduction of the cause of beatification was approved by Pope Benedict XIII in 1726 but a positive decision by the responsible congregation in 1777 was suspended by Pope Pius VI through the intervention of the Jesuits. The poems must be seen in this context; the first stave of the third poem reads: "Oh Gesuiti! Della Terra f[a]ex, / Infine l'ha pur vinta Palafox, / E difesolo il forte Hispaniae Rex, / Che no teme da Voi la mala Nox". - The fourth sonnet in the collection is a caustic reinterpretation of the famous prophecy that Ignatius of Loyola had received in a vision of Christ near Rome in 1537, starting: "I shall be favourable to you in Rome". - Four sonnets are warnings and outright criticisms of Pope Clement XIII (1758-69), a former Jesuit. The first of the sonnets is a speech by the personification of the Adriatic Sea to the Pope, commanding him to safeguard the honour of St Peter and warning him of coming storms. This is followed by three variations of a sonnet that does not directly address Clement but openly criticizes Papal decisions and his opposition to the ruling Princes of Europe, comparing the Pope to the Kings of Egypt and Assyria in an allusion to the biblical stories of Moses and Judith. - The final sonnet in the collection with two additional staves of 3 lines in the end strikes a similar tone, now directly attacking the Jesuits. It underlines that Rome must obey the European potentates, directly mentioning the court in Vienna, in order to be saved and restore its glory by "extinguishing" the Jesuits: "Che sarai salva, e con gloria distinta / Quando la Società vedrassi estinta". - With very slight stains. Well preserved.
8vo. Italian manuscript on paper. 1 p. The poetic persona of this slanderous sonnet is the devil who informs the Jesuits of Clement's demise and incites them to use the opportunity for their malefactions, implying that they are responsible for papicides and regicides: "Mort'é Clemente (all'empia Società / Il Diavol' prese tosto a dir' così.) / Teneri Figli miei, vedete già, / Quanto per voi m'adopri e notte, e dì. / Or sappiate, che in man vi tornerá, / Tutto ciò, che il destin à voi rapí, / E che La Compagnia risorgerá, / Ad onta di Colui, che vi abboli, / Deh.' [Non] cari Figli, non temete più, / Seguite pur à uccider Papi, e Ré, / Ch'io sempre vi darró [!] forza, e virtú, / Ed al vostro valor ampia mercè, / Finchè verrete poi tutti quaggiù, / Eternamente ad abitar con me". - A slightly different version of this poem was published in the posthumous eighth volume of José Ortiz y Sanz's "Historia general de España" with the sardonic comment that the "devil apparently had some prognostic power" but that his words are unreliable, as is to be expected for a statement by the devil. - On 21 July 1773, Clement XIV issued the papal brief "Dominus ac Redemptor Noster" ordering the suppression of the Society of Jesus. This was probably the most controversial political decision of the 18th century, leading to a surge of propaganda for and against the Jesuits and the Pope that culminated after Clement's death on 22 September 1774. - Traces of folds. With a small burn hole and minor stains. J. Ortiz y Sanz, Historia general de España, Volume VIII (Madrid, 1846), p. 243.
4to. Italian manuscript on paper. 12 pp. on bifolia. The first poem in the manuscript is an anonymous sonnet entitled "In occasione della Vinciza fatta al Lotto di Napoli industriosamente dalli Romani" that compares Roman politics to the "damned game" of lottery, but also a "sorbet" that needs to be swallowed, and attacks several people, including the cardinals and Curia members Luigi Maria Torregiani and Simone Buonaccorsi, as "assassins" and "perfidious ministers" who give Romans the "title of thieves". - The second anonymous poem is an anti-Jesuit sonnet, presented as a kind of prophecy that was "recovered above" a Jesuit building in Rome "nell' Arco de' Greci", probably referring to the Collegium Graecorum. It compares the Jesuits to a "flock of birds" who built their nest from loot but are now "cast out", alluding to the suppression of the Society of Jesus in 1773. The final stave openly calls for violence, even threatening those who do not participate in the extirpation: "Per estirpar la maladetta Razza / Calpesteremo il Nido, i Padri, e l'ova | E proscritto sarà chi non c'ammazza". - This is followed by a copy of Carlo Innocenzo Frugoni's (1692-1768) sonnet "L'Angelo Sterminatore", here appropriated for anti-Jesuit purposes, calling for the "expulsion of the Society" from Parma. The sonnet has been published in the second volume of Frugoni's collected poetry (C. I. Frugone, Opere poetiche II [Parma, 1779], p. 373). - Another comparison of the Jesuits with birds, now ravens, is presented in an anonymous Latin distich: "Dar Lojoliticii [...] Opes, Gusmani Corpus Alumnis: / Num Carnes Corvus, devorat Ossa Canis." According to an added explanation, the poem was written to commemorate a Neapolitan woman who died because she compromised her devotion to St Dominic with her estimation for the Jesuits and followed "their advice" concerning her inheritance. - The fifth poem in the manuscript is another sonnet that is satirically attributed to Lorenzo Ricci, the General of the Society of Jesus at the time of their suppression. In lamenting the downfall of the Jesuits, the fictional Ricci corroborates calumnious accusations brought against them. The first stave reads: "Siam giunte al fine delle nostre imprese, / Speranza più non v'è di coglier frutti, / Il colpo già letal, onde palese / E la scentura, che sovrasta à tutti." This is followed by another sonnet that traces in a highly spiteful tone the "situation and conduct" of several important Jesuits following the suppression: "Situazione, e condotta del P. N., e di varii del Cordon Bleu dell'Ordine Lojolitico", starting with the General: "Ricci singhiozza smania, e si tapina". - Two further sonnets are actual works of the Jesuit poets Severio Bettinelli and Giulio Cesare Cordara, although the second sonnet is wrongly attributed to Bettinelli as well. Bettinelli's sonnet "Tuona, fulmina, e sbuffa Torregiani", apparently written after the expulsion of the Jesuits from Spain in 1767 in order to "slander diverse Cardinals" such as Luigi Maria Torregiani, is met with critical annotations, whereas Cordara's apologetical sonnet "Cadrà, se così in Ciel si trova scritto" is derided in two anti-Jesuit "responses" in the form of sonnets. These are immediately followed by a satirical sonnet that ridicules the expulsed Jesuits of Spain who "cannot find anybody who allows them to disembark", starting "Ah nave, ah nave che nel mezzo all'onde". Cordara's poem has been published in the Italian journal "La Voce della Ragione" in 1832, where it is dated to 1773. - Another sonnet is couched in the form of a dialogue between "Pasquino e Marforio" and is thus a classical Roman pasquinade. Pasquino asks Marforio whether it is true that a Dominican friar has been murdered in Martinique. Marforio confirms this, implicating a Jesuit named Scarponio who had brought the news to him through a disciple. - The final and longest poem of the collection (82 verses of 4 lines) is a "Canzonetta to the Genovese Signori who welcomed the Jesuits expulsed from Spain on Corsica". The poem is a furious denouncement of Genovese hospitality and closes with a plea for Justice, asking God to "release the brakes" and have the "evil Society completely suppressed and extinguished", followed by an "Amen". More than 2,600 Jesuits were forced to leave Spain in 1767 and take refuge in Corsica until 1768, when the island was taken over by France, which had already expelled the Jesuits from its territories in 1764. This development finally forced Pope Clement XIII grudgingly to allow the exiles to enter the Papal states. - Occasional stains and browning. Well preserved.
4to. 1¾ pp. on bifolium. The first text is a Life of the controversial Jesuit Gabriel Malagrida (1689-1761) with its satirized counterpart, written in opposing columns. Italian introductions were added in order to lend the Latin "original texts" a note of authenticity: "Short chronicle printed underneath the image of Father Malagrida, found in the case of a Jesuit father who had been robbed in Belforte. The figure is conical and Father Malagrida is represented in the habit of a Jesuit missionary with a walking stick in hand [...]". The satirized version of the introduction identifies the Jesuits as thieves and describes Malagrida in "the habit of an assassin with a deadly knife in hand". Both "vitas" follow an established formula for short biographies of deceased Jesuits. The satirical version is fiercely vitriolic, repeating common accusations against the Jesuits such as disloyalty, idolatry, and regicide. The description of the image probably refers to an actual engraved "portrait" of Malagrida. This anonymous engraving, clearly libellous, would not have been carried by a Jesuit and circulated in various copies with anti-Jesuit captions. - Gabriel Malagrida was an Italian Jesuit who worked as a missionary in Brazil for 28 years. When he returned to Portugal in 1750, Malagrida was highly respected at court. His fervour in explaining the 1755 earthquake of Lisbon as a divine punishment gave his biggest enemy at the court, prime minister Sebastião José de Carvalho, the leverage to procure Malagrida's banishment from the capital. In 1758 he was falsely accused of having been part of the conspiracy behind an attempt on the life of King José I and found guilty of high treason. This so-called Távora affair served as a pretext for the banishment of the Jesuits from Portugal in 1759. As the Inquisition found no proof of his guilt, Malagrida could not be executed for treason, and Carvalho moved on to accuse him of heresy based on falsely attributed texts. In a blatant miscarriage of justice, Gabriel Malagrida was strangled and burned in Lisbon on 21 September 1761. - The first of two sonnets completing the collection is presented as if it had been recited by a brother of King George III during the solemn unveiling of a statue of Pope Clement XIV in the house of a Catholic English Lord. Pope Clement XIV was surprisingly popular in Britain, as he did not recognize the Catholic Jacobites as pretenders to the British throne, and for his anti-Jesuit stance. A bust of the Pope by Christopher Hewetson was copied several times for members of the British nobility. - The second anonymous sonnet "against the Jesuit fathers" was supposedly "sent to Rome printed in golden characters to the ambassador of Spain and presented to the Pope by him". The sonnet describes the purported reaction of Lorenzo Ricci, the Superior General of the Jesuits, to the suppression of the Society by Pope Clement XIV. The first stave reads: "Ricci crollando l'orgogliosa testa / Chiamo fremente i suoi Compagni, e disse / Reco novella, o Figli miei funesta, / Il rio Clemente il gran decreto scrisse". - Lorenzo Ricci was arrested soon after the suppression of the Jesuits on 21 July 1773. He was indefinitely imprisoned without trial at the Castel Sant'Angelo in Rome and died there in 1775. - Some browning, creases, and minor tears. Minimal damage due to ink corrosion.
4to. Italian manuscript on paper. 4 pp. on bifolium. The first sonnet in this collection mocks the Jesuits expelled from Spain in 1767, who did not receive permission to land with their ships in the Papal States. The first stave reads: "E ancor sul crespo di Nettuno / Van del suo fato incerte galleggiando / Le navi ch'ebber dalla Spagna il bando, / Carche d'ira di Dio vestita a bruno!". - The second poem pretends to be a lamentation of the Jesuit Provincial of Aragon: "Il Provinciale de Gesuiti d'Aragona, non permettendosele lo sbarco nel Porto di Civita Vecchia, si querela con i seguenti Versi di Virgilio". The fictional Jesuit quotes the Aeneid (I, 539-544), wherein a lack of hospitality towards the Trojans is decried. - The two following sonnets scold the Jesuits, based on a quarrel with the Piarists. In a droll metaphor, the Piarists' mantillas are described as thermometers indicating the trouble resulting from the "affairs of the Jesuits" in terms of storms and tempests: "Ma nel torbigo tempo, ed infelice / Alzarsi ad occhio, e vaccorciar si vede: / Onde or tempesta, ed or seren predite." The second sonnet is a response to the "Piarists who jubilate over the Jesuit catastrophes". - The longest poem in the collection, consisting of 14 staves of four and three lines, accuses the Jesuits of not celebrating Mass on Christmas Eve, instead luring the naive believers to celebrate an idolatrous Mass on Good Friday: "Li PP. Gesuiti nella Notte del SS. Natale non celebrano le sacre Funzioni ordinate dalla S. Chiesa come tutti gli altri Ecclesiastici; ma tengono chiuse le Porte delle loro Chiese sin' all'Aurora: Il Venerdi Santo poi espongono il SS. Sacramento col solito Rito, e Ceremonie, e danno al Popolo la Benedizione." The Jesuits are thus likened to the Protestants through a breach of the Roman Rite that has no celebration of Mass between the Lord's Supper on Holy Thursday evening and Easter Vigil. Apart from idolatry, their true motive is presented to be hunger for power. The poem calls them "treacherous pirates who only lust for kingdoms and treasures" and celebrates their expulsion from France (1764) and Spain (1767). - A final sonnet in the collection predicts the fall of the "tall, terrible colossus" that is the Jesuit Order, repeating common accusations against the Society of Jesus that was suppressed by Pope Clement XIV in 1773. - With occasional brownstains and a minor tear to the fold.
Very Good Turkish, Ottoman (1500-1928) Original autograph manuscript letter sent to Haci Giray family for condolences on Haci Giray's death. 38x21 cm. On a special paper with 'ahar'. Sealed. 1 p. Has six lines. With a legible script and fine calligraphic style. It starts with 'huve'. He was a Turkish statesman, governor and member of state council according to Sicill-i Osmânî by Süreya and Türkischer Biographischer Index. The House of Giray (Crimean Tatar: Geraylar, Turkish: Âl-i Cengiz), also Girays, were the Genghisid/Turkic dynasty that reigned in the Khanate of Crimea from its formation in 1427 until its downfall in 1783. The dynasty also supplied several khans of Kazan and Astrakhan between 1521 and 1550. Apart from the royal Girays, there was also a lateral branch, the Choban Girays (Çoban Geraylar). Before reaching the age of majority, young Girays were brought up in one of the Circassian tribes, where they were instructed in the arts of war. The Giray khans were elected by other Crimean Tatar dynasts, called myrzas (mirzalar). They also elected an heir apparent, called the qalgha sultan (qalga sultan). In later centuries, the Ottoman Sultan obtained the right of installing and deposing the khans at his will. Giray family settled in Adrianople (Edirne) city in 17th century.
90 beschr. SS. auf 46 Bll. Marmorierter Pappband der Zeit. 4to. Der zweite Teil einer theologischen Handschrift über "Motivenlehre. Von der Unsterblichkeit der menschlichen Seele", "Von dem besonderen Gerichte", "Von dem Reinigungsorte der menschlichen Seele", "Von der Auferstehung der Todten am Ende der Welt", "Von dem allgemeinen Gerichte", "Von dem Himmel", "Von dem Orte des ewigen Unglückes" u. a. Handschrift schließt mit den Worten "Ende des zweyten Kurses der dritten Grammaticalklasse". - Der Einband etwas berieben und bestoßen, innen tadellos.
2 Vols., folio and royal 4to, 10; [ii]pp., limited edition of 20 copies, 5 photogravure, 4 coloured photograph plates, each with a leaf of letterpress explanatory text, cont. printed wrapper, cloth spine, enclosed in orig. portfolio, a nice copy. Extremely scarce, limited to 20 set for private distribution.
20 x 65 cm. 314 sheets of heavy, multi-layered paper stained in blue over the whole area, varnished on the writing space, surrounded by a frame, within which are written 8 lines of approximately 80 characters in Tibetan uchen (dbu-can) script using gold ink. Each leaf written on both sides. Upper cover from another manuscript, in black ink; beneath a flap are 2 lines of very large script with the words "in the language of India". The first leaves of the manuscript contain 4, 5, 6 and 7 lines of script. Text is complete. A canonical Buddhist sutra and the central text of the Mahayana Prajnaparamita school. The present text is a Tibetan translation from the original Sanskrit, of which there are also Chinese, Korean, and Japanese translations. The "Perfection of Wisdom" sutra exists in a range of shorter and longer recensions, of which that in 8,000 lines is regarded as having been the source, since according to Buddhist belief, its precursor, no longer extant, in Buddhist Prakrit, the vernacular language actually spoken by the Buddha, transmitted the actual spoken words of the Buddha. This Sanskrit text was then expanded into versions in 10,000, 18,000, 25,000, and 100,000 lines or verses, for the advanced adepts who could appreciate detailed commentary, and on the other hand abbreviated to versions in 2,500, 700, 500, 300, 150 and 25 lines for those of lesser understanding. Modern scholarship considers that the text was elaborated by a series of additions to a small original core, not identical to any of the later 'short' versions, over the period from 50 to 700 CE. - The first Tibetan translation was made in around 850 CE and the second in 1020 CE. By this time the text had achieved its canonical form. Further comparison with the Sanskrit original and with additional Sanskrit manuscripts led to revisions of the Tibetan translation in 1030, 1075 and 1500. The Tibetan translation achieves a high level of understanding and accuracy and has been useful to modern scholars occupied in establishing and analysing the Sanskrit text. The whole range of Tibetan versions of the sutra on the "Perfection of Wisdom" has been edited, translated and commented on by Edward Conze. - The sutra recounts a debate at Rajagriha, on the Vulture Peak, where 1,250 Buddhist monks gathered to hear the Buddha. The other main speakers are the Buddha's disciples Subhuti, who puts forward the Prajnaparamita principles, and Sariputra, who puts forward the conservative views of those monks who are unable to follow these new developments. - While there is no colophon, this manuscript was almost certainly donated or sponsored by a lay person who hoped to win merit by financing the copying of the text. This manuscript is a superb example of Tibetan uchen (dbu-can) calligraphy produced during the 13th and 14th centuries. The text shows a few archaistic orthographic characteristics, such as the presence of the da-drag (the letter 'da' as a secondary suffix for some syllables), which suggest an early date, probably 13th or 14th century. - Although the manuscript is not illustrated, it displays some of the best uchen calligraphy produced in Tibet. The gold letters are pleasingly spaced and very exactly executed on the lustrous blue ground, which represent "the clear empty space, the void from which all things arise". - Some damage to the outer corners of the upper and lower 10-20 leaves. With very early marginal patches over tears from frequent turning of the pages. - Provenance: McCarthy Collection, Hong Kong, 2010-18. Previously in a UK private collection, UK, acquired in 1999.
380 x 145 mm. 34 pp. Stitched. Manuscript on iconocraphy and proportions. - Signs of age, browned.
Folio (ca. 265 x 350 mm). Deutsche Handschrift auf Papier. 1007, (25) SS., durchschossen. Blindgepr. Halblederband der Zeit über gemusterten Deckeln. Schließbänder. Eindrucksvolles Geschäftsbuch aus der Tiroler Gemeinde Rattenberg, einst zentraler Umschlagplatz für Waren der Innschifffahrt mit Beziehungen bis in den Mittleren Osten. Die jährlich dokumentierten Warenlieferungen, darunter vornehmlich Spezereien und textile Erzeugnisse sowie Branntwein, Kaffee, Tabak und Schokolade, zeugen von florierenden Handelsbeziehungen, vorrangig mit Städten in Deutschland, Österreich und Italien. Darüber hinaus scheinen auch Prag in Böhmen und sogar das Osmanische Reich auf: so importierte man in Rattenberg etwa Güter wie Rotgarn und Safran vom Händler Berusi in Konstantinopel (S. 262). - Unter den stark frequentierten europäischen Häusern sind die Tabakfabrik Maffei in München, das Handelshaus Lödel & Merkel in Nürnberg sowie die Firma Tabiseo & Pontini in Triest zu nennen. Ferner sind regelmäßige Einkäufe bei der Haller Frühlings- und Herbstmesse sowie bei der Bartholomäusmesse in Linz verzeichnet. - Von den Wirren der Napoleonischen Kriege berichtet ein Eintrag am Ende des Jahres 1796: "Dißes Jahr war der Krieg mit die Franzoßen am allerhöchsten. Sie drangen iber Brixen bis Mittewald vor und zogen durch Pusterthall bis Leoben in Steyer Mark [...]" (S. 274). - Ab 1817 mit der Angabe "in Rattenberg" in der Kopfzeile zusätzlich zu der Devise "Soli Deo Gloria" oder "Mit Gott". Einige leere Seiten herausgetrennt. Einband leicht berieben und etwas wurmstichtig, 2 Schließbänder nur fragmentarisch erhalten. Hinteres Innengelenk angebrochen; die erste Lage vom Block gelöst. Am Ende unten mit kleinem Wasserrand; vereinzelt etwas fleckig. - Überaus reichhaltige Quelle zum internationalen Warenverkehr dreier Jahrzehnte.
First Edition, [vi],cii,[ii],131,[1]pp., orig. boards, spine and printed paper label slightly chipped otherwise a nice copy, uncut. Rich in manuscript materials relating to civil and ecclesiastical history of the county, and to Saxon literature in general.
Volúmen en 8vo. integrado por las 58 láminas de Catharina Klauber , 112 hojas manuscritas, prácticamente todas en castellano, y una lámina grabada con el retrato de Luis XVI, con una oración escrita en el reverso, por lo que se puede suponer que la conclusión del manuscrito sería entre 1793 y 1794. Encuadernación de época en pergamino.
Manuscrito. 4to.; 438 pp. sin numerar, escritas con clara caligrafía. Encuadernación de época, en piel marbreada, con tejuelo.
Deutsche Handschrift in brauner und rosa Tinte auf Papier. (211) SS. auf 116 Bll. Halblederband der Zeit. 8vo. Seltenes und schönes Zeugnis populärer Astrologie und Zahlenmagie im Zeitalter der Aufklärung. Auf einen kurzen "Vorbericht" zur Einführung in die Thematik und ein Anwendungsbeispiel ("Es träumt einem von Äpfeln, so wird in dem Alphabet unter Lit. A. gesucht [...]") folgt eine alphabetische Liste, die hunderten Begriffen von Aal bis Zwinger jeweils Lottozahlen von 1 bis 90 zuordnet. Eine anschließende Liste mit einem Auszug von 90 zuvor genannten Begriffen und der Wunsch "Viell-Glück" schließen diesen Teil des Werkes ab. - Es folgen kurze Abschnitte mit einem Planetenkalender, einer Erklärung der Tierkreiszeichen, einer "Regula Astrologa", einer Liste mit kabbalistischen Zahlen für die 12 Monate, sowie einer Anleitung für das "geheime Italiänische Würfelspiel" mit dazugehöriger Punktetabelle. Das Manuskript wird als Übersetzung des Werks eines Astrologen aus San Marino ausgewiesen: "Von einen wohl erfahrnen italiänischen Stern Deuter in St. Marino verfasset und aus dem Italiänischen in daß Deutsche übersetzet 1791". Tatsächlich steht das Manuskript in der Tradition des neapolitanischen Traumdeutungsbuchs "La Smorfia", abgeleitet von Morpheus, dem Gott der Träume und Interpretation, das bis heute von italienischen Lottospielern benutzt wird. Das Traumdeutungssystem zu den italienischen Lottozahlen 1-90 dürfte auf das frühe 18. Jahrhundert zurückgehen, die zugrundeliegende Zahlenmystik und Traumdivination sind freilich viel älter. In Österreich wurde die erste staatliche Lotterie 1751 unter dem Namen "Lotto di Genova" durch Maria Theresia eingeführt. - Als typische Gebrauchsliteratur sind erhaltene Exemplare von "La Smorfia" äußerst selten. Auch dem vorliegenden Manuskript ist seine langjährige Benutzung anzusehen. Beide Innendeckel sind in Blei und Tinte mit Ziffern vollgeschrieben, eine Notiz stammt aus dem Jahr 1875. - Einband stärker berieben, obere rechte Ecke fehlt, Rücken eingerissen. Innen ein durchgehender leichter Wasserfleck, fleckig und gebräunt. Stellenweise etwas verblichen. Zahlreiche Seiten an der rechten obere Ecke geknickt.
Lat. Handschrift auf Papier. 90 (dav. 61 weiße) Bll. Halbleder der Zeit m. Blanko-Deckelschild u. Bindebändern. Folio. Einzelband eines Kanzlei-Einlaufbuchs der ungarischen landesfürstlichen Verwaltung, geführt von Protokollnummer 101 bis 474. Die Eintragungen erfolgten in 8 Spalten: laufende Protokollzahl in Spalte 1; Name des Antragstellers (Exhibenten); Sachbetreff (Meritum Exhibiti); Erledigung (Quomodo superatum?); Datum der Übergabe; Beilagen; Relationen; Aktenzahlen. Die Namen sind großteils ungarisch, ebenso genannte Städte und sonstige Ortschaften. Ein Faltbogen mit Nachträgen lose beiliegend. - Die ersten Bll. mit dem gekrönten Stempel “Bourbon Parma”, dem Buchzeichen der Kaiserin Zita. - Einband etwas berieben, bestoßen und teils (besondern der Rücken) mit Wurmspuren.
8vo (160 x 110 mm). 32 written pp. on 18 foliated ff. Contemporary grey wrappers. The first two folios (f. 1r-2v) contain notes on expenditures and revenues from January 1 through 27, 1506. From fol. 3r onwards (to 17r), the booklet contains notes (by another hand) regarding rental receipts udring the year 1538. - Wrappers made of twice-folded grey paper; slightly smudged; exterior layer of paper damaged. Paper with watermark (scales with letter "A" above: not recorded by Briquet thus, while the letter "A" is listed (no. 7919) and confirmed for Venice, 1503.
4to (ca. 175 x 248 mm). Latin manuscript on vellum. 8½ pp. on 6 leaves (the first four numbered, the last blank). 33 lines, per extensum. Contemporary vellum binding with two later handwritten spine labels. Stored in custom-made half morocco case. The doge Foscari appoints the Venetian nobiluòmo Girolamo Lambardo for two years as provveditore (administrator) of Castrum Alesii (Alessio) in Albania. The modern-day town of Lezha or Lezhë, then an important base for the salt trade with Serbia, had been a Venetian possession since 1393 (in 1468, Skanderbeg would die and be laid to rest here). Lambardo's appointment includes a detailed list of his duties, some of which are based on instructions going back to the years 1404-27. - A wide-margined, clean manuscript. The lower corner of the lined but otherwise blank final leaf is clipped. - Provenance: front pastedown bears engraved armorial bookplate (Gelli 390, 2 or 3, fig. 646) of Amedeo Svajer (1727-91), Venetian merchant and bibliophile of German descent. After his death, parts of his library were acquired by the last doge, Lodovico Giovanni Manin (1726-1802), whose typographic bookplate is likewise present. While most of Manin's collection appears to have been transferred to the Bibliotheca civica "Vincenzo Joppi" in Udine in 1949, the present document was kept in an Austrian private collection as early as the turn of the century.
4to (230 x 160 mm). Latin and Italian manuscript on vellum. 80 numbered ff., 21 lines. Headings and highlighted words in red; ruled throughout. Contemp. auburn calf, covers and spine elaborately gilt; all edges gilt; giltstamped supralibros "Iacobo Priolo" and date "MDLXXVIIII" on the covers. Wants ties. Interesting manuscript on the constitutional and legal history of the Venetian state, with many decrees regulating commerce, drafted in the age of Venice's great trade relationship with the East. The clean and well-legible manuscript, written in the classical humanist chancery style, was obviously prepared for members of the senate (signed at the end by the secretary, Giulio Zamberti, with the scribe's monogram). The decrees are arranged in chronological order, rater than by subject. The earliest dated decree is from the year 1351, but most date from the mid-16th century. The edicts regulated public life of the Venetian state, including civil servants' salaries, matters of commerce and trade, offices, criminal law, banishment, and other matters. The first leaf bears the dedication by the doge Nicolò da Ponte (in office 1578-85) to Jacopo Priuli, a member of one of the foremost modern-age families of Venetian patricians (producing two doges in the 16th century). The familiy, ennobled as early as 1297 and one of the richest in Venice, is also known for its patronage of the arts, commissioning several Tintoretto portraits. As a member of the senate, Jacopo would have been entitled to a private copy of the statues. The high quality of the binding with its rich arabesque ornamentation and wide ornamental borders on the covers reflects the importance of the patron family. - Engraved bookplate of Amadeo Svayer (Gottlieb Schweyer, 1727-91), a Venice-based German merchant and bibliophile who had assembled a huge and select library which after his death was almost entirely integrated into St Mark's library.
Folio (ca. 212 x 310 mm). German and Latin manuscript on paper. 258 ff., including 6 blank leaves. Contemporary full vellum with spine title and leather straps. A unique compilation of 16th century Austrian legal texts, most of them by the lawyer and chancellor Bernhard Walther (1516-84), the "father of Austrian jurisprudence" (cf. Luschin-Ebengreuth 1896). Includes his code of procedure of Lower Austria (ordinaria and extraordinaria), of the lex familiae, an instruction for law students, the fees of the Lower Austrian chancellery, a copy of imperial privileges confirmed or newly issued by Emperor Charles V in 1522, an order by the Landmarschall of Lower Austria, Georg von Puchheim (died 1531), the rules for court hearings, including the hearing of witnesses, and regulations for procurators. Followed by 14 of Walther's famous 15 private-law treatises, omitting the one on familial trees. The treatises were edited and published by Max Rintelen in 1937, who, however, fails to note this manuscript source in his index of extant codices. - Folios 252-258 contain copies of imperial charters from 1528, 1568 and 1583, belonging to the treatise on fiefdom; folios 255-257 written by another hand. 1650 ownership by Hans Sauer v. Sauerburg, the town scribe of St. Pölten (1635-52), to flyleaf. - Binding somewhat brownstained, a little scratched. Cover warped, upper hinge starting. Paper evenly browned and brownstained throughout. Small tears to a few pages, mostly affecting the lower margins. Tear in f. 76 repaired with sealing wax. Flaws at the margins of the first page, rebacked with paper. Signs of use: some passages crossed out, old marginal annotations by another hand. Last in the library of the Viennese collector Werner Habel, with his signed and stamped ownership to front pastedown, dated 1978. Not in M. Rintelen, Bernhard Walthers privatrechtliche Traktate aus dem 16. Jahrhundert (1937).