SACHER-MASOCH Léopold deMareMagnum
3 371 résultats
- 1er juin 1893, 11,3x17,7cm, un feuillet. - Lettre manuscrite probablement inédite, rédigée par un secrétaire, datée du 1er juin 1893 et signée par Léopold de Sacher-Masoch à un destinataire inconnu, probablement un avocat. Mention manuscrite de la main de Sacher-Masoch en marge haute gauche de la lettre : «?Répondu le 1 mai 93?». Deux pages rédigées à l'encre noire sur un double feuillet. L'écrivain se prépare à un éventuel procès intenté par sa première femme Wanda, l'inspiratrice de son célèbre roman La Vénus à la fourrure, qui tente de recouvrer ce qui lui est dû et se libérer du fantasme qu'elle avait incarné à travers les uvres de son mari. Wanda, de son vrai nom Angelika Aürora Rümelin, avait signé avec lui le fameux contrat stipulant qu'elle devait se couvrir de fourrure, et le fouetter ainsi vêtue, véritable évangile de ce qui deviendra le masochisme. Malgré cette union sacrée et actée, dès la fin des années 1870, Leopold fut las de la vie avec elle, Wanda étant incapable de combler ses désirs?: «?Courtisane malgré elle?» et «?infirmière?» selon Jean-Paul Corsetti, elle fut, nous dit Gilles Deleuze «?sa compagne à la fois docile, exigeante et dépassée?». Accablé par les difficultés d'argent, il revendit les fameuses fourrures et les robes de sa femme, et leur divorce fut prononcé en 1886. Poursuivie par son alter-ego de Vénus à la fourrure qui avait fait d'elle une Dalila impérieuse et vénale, il semble que Wanda ait voulu poursuivre en justice son ancien mari?: «?Ayant cessé depuis longtemps toute communication avec Madame Wanda de Sacher-Masoch, il m'est impossible de m'entendre avec elle à l'amiable [...] En cas échéant, ce sera contre moi que Mme de Sacher-Masoch pourra tenter un procès?». Le procès est sans aucun doute lié à la sortie de Kassya, un opéra de Léo Delibes sur un livret de Sacher-Masoch adapté par Henri Meilhac et Philippe Gilles, créé à l'Opéra-Comique la même année. Il est possible que Wanda, traductrice des uvres de Masoch pendant ses années de mariage, n'ait pas reçu ses droits de traduction qui lui étaient dus pour Kassya, tiré d'une nouvelle parue dans les Contes galiciens de son mari. Dans le même esprit que ses années de soumission absolue à Wanda, il tient à porter seul le fardeau des accusations de sa femme, moyennant une somme d'argent payée par les autres auteurs de l'opéra (Henri Meilhac et Philippe Gilles)?: «?Je déclarerai dans un acte notariel [sic] que, en touchant la somme dite, je me charge de toute responsabilité vis-à-vis de Mme de Sacher-Masoch?». étrange et pittoresque étape de l'histoire du fondateur du masochisme, encore inconnue de ses biographes. [ENGLISH DESCRIPTION ON DEMAND]
230x155 mm. 119 pages. Hardcover. Cover slightly curved. Spine edges slightly worn. Ex-library copy with the usual markings. Few pages age stained - No damage to text. Pages slightly yellowing. Else in good condition.
Very Good Turkish Typescript letter (document) signed (TLS) by Sabri Berkel sent to 'Türkiye Çagdas Ressamlar Cemiyeti Baskanligi' [i.e. The Society of Turkish Contemporary Painters Presidency]. 15x22,5 cm. In Turkish. 18 lines. Dated April 22, 1969, Istanbul. Letter requesting that each artist send their 6 works (sculpture, oil painting, and engraving) as well as their biographies to be selected for the 10th Sao Paolo Biennial in September 1969. Signed by Berkel under his title "Devlet Güzel Sanatlar Akademisi Y. Resim Bölüm Baskani" [i.e. President of Turkish Fine Arts Academy Painting Department]. Sabri Fetah Berkel was a Turkish-Albanian modernist painter; he was one of the most important painters and academic personalities of the last century in Turkey. Berkel was born in Skopje, where, in 1927, he completed high school at a French lyceum. From 1927 to 1928 he studied at an Art School in Belgrade. From 1929-1935 he finished his studies at the Academy of Fine Arts, Florence. Sabri Fetahu Berkel visited his country Albania in 1982 where he met with his family and parents. Berkel died in Istanbul. In the honor of Turkish talented painter Sabri Berkel from Turkey, NASA decided to name the Berkel, or the well-known printmaker, and it is a complex crater that sits inside of the larger Ellington basin that indicates the presence of dark material at depth of its surface.
Un fort volume broche de format in 8°, 560 pp.; nombreux schemas reproductions de documents anciens. Couverture illustree. Tres bel exemplaire. [CL-5]
240x340 mm. 199 pages. Hardcover with dust-jacket. Jacket edges slightly worn. Cover edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Very Good Turkish Original typescript papers. 29x21 cm. In Turkish. 3 p. [Autograph poem translations from Charles Baudelaire by Sabahattin Kudret Aksal]. Aksal's translations of three poems from Baudelaire for Turkish 'Argos' literary periodical. Rare.
Very Good Turkish Original autograph letter signed (ALS) 'Y. Küm?' sent to his mother from S.S. Tarsus. 21,5x28 cm. In Turkish. Written by a pencil. 1 p. Full. Dated 8-12-1957. He describes his travel route to his mother in Marseilles, to Spain by train, etc. [TRAVEL TO MARSEILLES BY SS TARSUS -EXOCHORDA-] Autograph letter signed 'Y. Küm?'. S / S Tarsus was launched in 1931 by "New York Shipbuilding Co.1" for "American Export linen New York" and was launched under the name SS Exochorda. The ship, which has a capacity of 879 passengers, is 140 meters long and 19 meters wide. Its water section was 8.3 meters. It had 7200 HP steam turbine machine weighing 9298 Groston. Exochorda, previously carrying passengers and cargo, was placed under the order of the United States Land Forces as "Harry E. Lee-AP17" as of 27 December 1940. After being used in logistics services during the Second World War, it was connected to the Toothshipyard in Baltimore on May 9, 1946 and taken out of service. In April 16, 1948, after it's purchased by Turkey, it was named Tarsus by Turkish politician Kasim Gürlek.
Hardback, 2 vol., 720 p., 900 colour ill., 230 x 330 mm. ISBN 9781905375851. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Languages: English.
two volumes; 292 + 255 =560 p., 750 colour ill., 230 x 330 mm, Languages: English, Hardback wih dusjackets , fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour.
Hardback in cloth + dusjacket, 2 vol., 560 pages., 750 colour ill., 230 x 330 mm., Languages: English, fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Review "These volumes triumphantly justify 'paper cataloguing'. [...] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) « On ne peut que se réjouir de la qualité de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. » (A. Châtelet, dans Art et Métiers du Livre 31, Déc 2009-fév 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty ? intellectual and sensuous or even sybaritic ? spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The series will be a landmark in manuscript studies, and one can only hope that further support will hasten further projected volumes." (Rowan Watson, in: The Burlington Magazine, vol. CLIV, 2012, p. 847) "Esta calidad editorial y científica, presentes en los demás tomos y volúmenes que conforman la serie Illuminated Manuscripts in Cambridge de Harvey Miller/Brepols, es un excelente modelo a tener en cuenta para la edición de futuros catálogos de manuscritos iluminados." (Isabel Escandell Proust, in: Codex Aquilarensis, 29, 2013, p. 289-304) « (?) un instrument de travail précieux pour le chercheur et l?amateur éclairé. » (Marc Gil, dans Le Moyen Age, 1, 2017, p. 207)
Hardback, 2 volumes ., 560 p., 750 colour ill., 230 x 330 mm. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Languages: English.
340pp., in the series "Österreichische Akademie der Wissenschaften, philosophisch-historische Klasse" 276 (Veröffentlichungen der Kommission zur Herausgabe des Corpus der lateinischen Kirchenväter" Heft IV), stamp on titlepage, VG
- Crès, Paris 1924, In 8 (14x22,5cm), broché. - Nouvelle édition, un des 100 hors commerce sur pur fil sur un tirage total de 1300. N°1247. Un portrait gravé sur bois par Belot. Envoi de Han Ryner : 'A Monsieur André Lacoste, en toute artistité. Han Ryner.' Broché. Couvertures rempliées. Le dos, de bleu est devenu vert. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures. [ENGLISH DESCRIPTION ON DEMAND]
xiii,134pp., 9 plates, orig. printed wrappers, uncut.
716pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, text and interior are clean and bright, small stamp on title page, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.19, good condition, weight: 2.7kg., R107229
Very Good Turkish Original b/w photograph signed and inscribed by Rusen Esref Ünaydin. 13,5x8,5 cm. The inscription is in Turkish. The photo shows him with his fedora and tie, and very elegant. He graduated from Galatasaray Sultanisi and Darülfünûn Faculty of Letters. He taught Turkish and French in the Military Baytar School and Darülmuallimi Âlî. He started his writing career in 1914 as a translator. In 1918, he went to the Caucasus as Yeni Gün reporter and to Sivas as Tasviri Efkar reporter. His interviews published in Servet-i Fünun, Donanma, Tedrisat, Türk Yurdu, and Yeni Mecmua, and he was known for his prose poems and memoirs as well. His articles on interviews and travels were published in magazines and newspapers. His most famous interview is that he did with Atatürk. In addition, this interview is the first official one which was done with Atatürk.
Madrid, 1997. 4to. mayor; 820 pp. Con 33 láminas y numerosas viñetas. ilustraciones. Cubiertas originales.
8vo., cloth, gilt back, a near fine copy. High quality facsimile reissue of the edition of 1769
Folio (374 x 275 mm), lx,[2], 56, [2], iv, [2]pp., with coloured frontispiece and 238 pages of collotype facsimile, half red morocco by Bayntun of Bath, spine with five raised bands ruled in gilt, second compartment lettered in gilt direct, t.e.g. uncut, a very nice copy. "The Benedictional is one of the most magnificent of the tenth-century English manuscripts; it had been one of the most important and most discussed exhibits at the Society of Antiquaries [Exhibition] in 1896, and its reproduction, and the introductions by Warner and Henry Wilson were a major event in the study of palaeography and liturgiology."?Barker. Provenance: Armorial bookplate of Phythian-Adams. Barker, 156.
4to, [8],iv,58,[4]pp., 144 collotype facsimiles of the manuscript on 72 leaves, printed on Japanese vellum, orig. quarter Roxburghe morocco, lightly scuffed, t.e.g. A detailed account and facsimile of the earliest text of the 'Chanson de Roland', dating from the twelfth century and the most prized treasure in the Digby collection. Barker, 195.
4to (290 x 225mm), xv, [1], 46pp., 92 collotype plates, with the bookplate of the Printer's Library (Oxford University Press) and small stamp to verso of title-page, title printed in red and black, orig. quarter blue Roxburghe morocco, spine lettered in gilt, slightly faded, uncut, t.e.g. Barker, 224.
Folio (380 x 245mm), 35pp., followed by 75 fine collotype plates, including 3 in gold and colours, with the bookplate of the Printer's Library, Oxford University, title printed in red and black, orig. half Roxburghe morocco, lightly rubbed, corners bumped, spine lettered in gilt, uncut, t.e.g. This illuminated manuscript is held in Corpus Christi College, Cambridge (MS. 53). Barker, 178.
Folio (435 x 300 mm), xii, 48pp., 160 plates (12 coloured), title in red and black, quarter Roxburghe morocco, cloth covers slightly marked, uncut, t.e.g. The Earl of Leicester's Roxburghe volume and a suitably lavish production in keeping with the outstanding collection described.
4to, [x], 33, [3]pp., title printed in red and black, 50 facsimile plates (4 in full colour), orig. quarter red Roxburghe morocco, uncut, t.e.g. This handsome illuminated manuscript from Lord Beauchamp's library at Madresfield Court is well described and illustrated. It is one of the small number of known Books of Hours made for English owners between 1240 and 1350 and Miss Backhouse has provided authoritative commentary on its history, text and decoration.
4to, [x], 33, [3]pp., title printed in red and black, 50 facsimile plates (4 in full colour), with the book label of the Printer's Library and a small stamp to verso of title, orig. quarter red Roxburghe morocco, uncut, t.e.g. This handsome illuminated manuscript from Lord Beauchamp's library at Madresfield Court is well described and illustrated. It is one of the small number of known Books of Hours made for English owners between 1240 and 1350 and Miss Backhouse has provided authoritative commentary on its history, text and decoration.
