3 371 résultats
53pp., 19 plates (3 folding chromolithographs which has stuck together), orig. printed wrappers, spine strengthened, 384 lots.
- 1860, Pet. in-8 (12,5x18,5cm), 53feuillets., relié. - Recueil constitué de la copie de plusieurs lettres et d'articles au sujet de la parution d'une plaquette de poèmes en faveur des pauvres. Ces lettres cherchent à recueillir des souscriptions, des commandes ou une approbation, avec la protection du curé de Saint-Sulpice qui a adhéré au projet ; elles s'adressent tant à des proches que d'illustres personnages, l'Empereur par exemple, à des institutions religieuses ou d'éducation, avec pour objet la charité. Reliure en demi basane rouge d'époque. Dos lisse orné de fers romantiques en miroir. Titre doré : Souvenir d'une amie. Chiffre E. R. sur le plat supérieur. Absence des pages de garde marbrées sur le premier et dernier feuillet de garde. Bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
HST de bonne qualité, (léger accroc non traversant au milieu de la toile, lég. marques d’encadrement), bon état général
Very Good Turkish, Ottoman (1500-1928) Original manuscript poem. To unnamed buyer. No letterhead. Signed as 'Rahmi Karatay'. 1 p. In Ottoman script. A full marsiya (dirge). Unpublished. Titled 'Resid ve kitabe'. He was a Turkish satirist who written 'Geçti Bor'un pazari, sür esegini Nigde'ye...'. He studied philosophy at Sorbonne University between the years of 1925-1928. He published also some important periodicals like "Uçak, Babalik Nûr, Millî Mecmua, Uludag and Yeni Fikir'. In Konya city, with Naci Fikret, they founded 'Konya Enerjetizm Philosophy School'. Some western philosophical movements presented by him firstly in Turkey (like Freud and Nietzsche). 'Dated 1946.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 135 p., color ills. P sanat, kültür, antika dergisi. No. 2. Harem / El. Special issue, Harem and 'hand'.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 151, [3] p., color ills. P sanat, kültür, antika dergisi. No. 21. Bahçe ve sanat. Garden in art. Cennet bahçeleri. / Eski Misir'da saray bahçeleri. / Ingiliz resminde bahçe. / Osmanli'da bahçe köskleri. / Yildiz Sarayi bahçeleri. / Monet; Ressam ve bahçevan. / Vanmour ve III. Ahmed portresi. / Bir koleksiyoncu; Robert Von Hirsch. / Cimcoz'larin Bedri Rahmi'leri. / Bir resmi okumak, Turan Erol.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 95, [2] p., color ills. P sanat, kültür, antika dergisi. No. 21. Yazi ve sanat. Script in art. Yazinin tarihöncesi. / Sümer / Misir / Maya. / Japon hat sanati. / Karahisarî. / Sabri Berkel.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 137, [3] p., color ills. P sanat, kültür, antika dergisi. No. 22. Su ve sanat. Water in art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 151 p., color ills. P sanat, kültür, antika dergisi. No. 23. Sanatta hayvan. Special issue, Animals in art.
As New English Paperback. Pbo. Mint. 4to. (34 x 22 cm). In Turkish. 151 p., color ills. P sanat, kültür, antika dergisi. No. 23. Sanatta hayvan. Special issue, Animals in art.
cm. 18 x 25,5, xxiv-84 pp. con 8 tavv. f.t. Biblioteca di bibliografia italiana 290 gr. xxiv-84 p.
- Carqueiranne Jeudi 3 mars 1921, 13,8x8,8cm, une carte postale. - Carte postale autographe signée de Raymond Radiguet adressée à son amie la peintre Irène Lagut. Treize lignes à l'encre violette au verso d'une représentation photographique des Salettes de Carqueiranne. « Maison Gilly et Jules Carqueiranne (Var) Jeudi 3 mars. Ma chère Irène, Je suis dans un endroit merveilleux et sauvage dont aucune carte postale ne peut naturellement donner l'idée. Il fait un temps divin ; décidément on ne peut vivre que sous le soleil. Travaillez-vous toujours beaucoup ? et le décor ? et la chasse aux papillons ? Ecrivez-moi quelques mots, cela fait tant plaisir de recevoir des lettres de personnes qu'on aime, quand on est seul. Je dois d'ailleurs vous dire que jusqu'ici je m'accommode très bien de la solitude. R.R. » Le travail dont il est question dans cette carte est la réalisation des décors des Mariés de la tour Eiffel que Cocteau lui a confiés en janvier 1921. Irène Lagut avait, la même année, illustré les Devoirs de vacances du jeune Radiguet. Elève et maîtresse de Picasso, amie d'Apollinaire et peintre reconnue, Irène Lagut séduit « monsieur bébé », de dix ans son cadet, à l'été 1919. « Mais Irène Lagut, si elle a une réelle sympathie pour l'adolescent et ne déteste pas les marques d'attention - fleurs, dessins, poèmes - dont il la couvre, au point de mimer une connivence légèrement ambiguë [...] elle ne manque par une occasion de lui signifier que son intérêt n'excède pas celui d'une sur aînée face à un cadet brillant dont la dévotion la touche mais ne la séduit en rien. » [ENGLISH DESCRIPTION ON DEMAND]
Very Good English Original typed paper by Mukerjee with some autograph corrections in text andsignature. 4to. (30 x 24 cm). In English. [21] p. Type paper with autograph corrections and signature. Signed 'Radhakamal Mukerjee'. Paper for the International Congress of Sociology, Istanbul Session. Watermarked 'Glorious Bond' paper made in Sweden. Mukerjee, a leading thinker and social scientist of modern India, was Professor of Economics and Sociology and Vice-Chancellor of the University of Lucknow. Mukerjee played an important and constructive role in the Indian independence movement. He was a highly original philosopher of history and a discerning interpreter of culture and civilization and a 1962 recipient of the third highest Indian civilian honour of the Padma Bhushan. Mukerjee was the son of a barrister in Baharampur, West Bengal, a city located some 185 km north of Kolkata. He grew up in a household with a scholarly focus and a library devoted to history, literature, the law and Sanskrit texts. After attending Krishnanagar College, he gained an academic scholarship to Presidency College, under the University of Calcutta. He earned his honours degrees in English and History. Mukerjee opened the discourse of the Ashtavakra Gita into English with his posthumous work published in 1971. Mukherjees theory of society sought to explain the values of civilization. In sense, Radhakamal was a pioneer of transdisciplinary approach in science. Radhakamal Mukerjee emphasized interdisciplinary disciplinary approach towards the understanding of life. Mukerjee sought to break the barriers between physical sciences and sciences relating to persons aspects. He was a pioneer of Sociology in the 1900s. (Wikipedia).
- Bas-Vignons (Essonne) 24 août 1910, 13,7x21cm, 2 pages sur un double feuillet. - Lettre autographe signée inédite de Rachilde, deux pages rédigées à l'encre noire sur un double feuillet à en-tête du Mercure de France. Intéressante lettre adressée à un destinataire inconnu, peut-être un "officier de marine". Rachilde y défend Les Petites Alliées de Claude Farrère et son style en général : "Je ne veux pas du tout vous laisser croire que l'oeuvre de Claude Farrère, les Petites Alliées, est un ouvrage de basse littérature [...] Claude Farrère est un très joli écrivain qui joint aux becs de sa plume une pointe de dandysme, laquelle pointe peut le faire mal juger aussi bien par vous que par moi, mais n'en demeure pas moins littéraire." Cette "pointe de dandysme" a d'ailleurs donné lieu à un amusant quiproquo, comme le souligne Henri Troyat, successeur de Farrère à l'Académie Française, dans son discours de réception : "Quant à la féministe Rachilde, dupée par le prénom de Claude, elle avait mené une farouche campagne pour Farrère, en le prenant pour une consur." [ENGLISH DESCRIPTION ON DEMAND]
230x170mm. No pagination. Gilt softcover. Cover edges and corners slightly rubbed. Else in good condition.
Folio (235 x 314 mm). German ms. on paper with calligraphic captions and several half-titles. 453 ff. Contemporary blindstamped pigskin on wooden boards. Wants ties. Exceptionally attractive and important manuscript from the Bohemian Royal offices; the principal document of the Bohemian national finances in the second year of the rule of Emperor Maximilian II. A beautiful and hitherto unknown document of Renaissance bookkeeping in its well-preserved original binding. - In the present manuscript, Johann Rabenhaupt, head of the Royal bursary and responsible for the accounting year 1565, has testified the correct statement of revenues and expenditures by his signature on every page. The volume begins with an alphabetical index, arranged in double pages and listing revenues (on left) and payments (on right) by name. Among the payers and recipients are several important names, most of them members of German-Bohemian, Czech and Polish noble families, the Tyrolean glass manufacturer Sebastian Hochstetter von Scheibenegg (d. 1573), but also the great physician Pietro Andrea Mattioli (1500-77): "Petter Andreas Mathiolo [...] Ertzherzog Ferdinanden zu Osterreich LeipPhisicus, hatt zu farlicher Provision Ainhundert gulden Reinisch, die khun zwayundvierzig schockh Ainundfunffzig groschen drey pfennig behamisch; dieselb hab ich Ime für dreyzehen Monat Anzuraitten [...]" (f. 263v). Mattioli, known especially for his Dioscorides commentary, moved to Prague in 1552 as personal physician to Archduke Ferdinand, where he was later to be made head medical advisor to Emperor Maximilian II (cf. Hirsch IV, 168). The volume not only documents salaries, duties, and court expenditures, but also the receipt of border taxes, Turk taxes, tithes, loans, deposits, realties, costs of funerals and the Prague castle vineyard, etc. - Johannes Rabenhaupt von Sucha, the man responsible for this splendid Renaissance account book, was a descendant of an old Bohemian noble family which is also documented in the Palatinate, in Franconia, and in Upper Austria. Although there have been attempts at biographical studies of the Royal bursar Rabenhaupt (without knowledge of the present manuscript), historical science has been forced to admit its temporary failure in this respect (see literature below). - Slight worming to several ff. Some offsetting of ink, but generally very well legible and hardly browned. The finely blindstamped binding shows a wide border of arched friezes; the central compartment bears the ms. title. On the back cover, the friezes frame a roll representing Virtues; central compartment decorated with two parallel arched friezes. Edges, spine-ends, and endpapers with traces of professional restoration; otherwise perfect. Beket Bukovinská, "Wer war Johann Rabenhaupt? Unbeachtete Aspekte in den Beziehungen zwischen Prag und Südwest-Deutschland", in: Rudolf II, Prague and the World. Papers from the International Conference. Prague, 2-4 September, 1997. Praha, Artefactum - Institute of Art History, Academy of Sciences of the Czech Republic [1998], p. 89-94.
RARE edition of midrashic commentary on the Book of Ruth by the 11th-century Talmudist and poet Tobiah ben Eliezer. 225x145mm. II+52 pages. Blue cloth rebound Hardcover with gilt spine. Rear cover and spine slightly stained. Spine edges and hinges slightly wrinkled. Hebrew title page detached from binding. Hebrew title page edges tattered. Inner cover and German title page slightly stained. Most pages upper corner/bottom corner slightly peeling - NO damage to text. Edges of several last pages tattered - NO damage to text. Pages browning. [SUMMARY]: This extremely rare critical edition of a medieval midrash is in good reading condition.
- Octave Doin, Paris 1914, 12x18,5cm, reliure de l'éditeur. - Edition originale. Reliure de l'éditeur en pleine percaline citron, dos lisse, tête rouge. Envoi autographe signé de l'auteur. Ouvrage illustré de 98 figures dans le texte. Agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
4to, 256pp., with the Adams bookplate, 104 plates (8 coloured), cont. cloth, leather label on spine. A general survey of miniature painting in illuminated manuscripts which covers Byzantine, Occidental (monastic and laic), and Islamic miniatures. At end of each chapter is given a list of the principal manuscripts discussed with their dates. From the library of Frederick B. Adams, Jr.
Hardcover. 240 p., 85 b/w ill. 16 colour ill., 220 x 280 mm, Languages: French, Including an index. Fine copy. ISBN 9782503529790. Grace a une convention passee entre le Matenadaran d?Erevan et l?Universite d?Aix-Marseille 1, R. Varteni Chetanian a pu etablir le catalogue des manuscrits grecs et des fragments grecs presents au sein des manuscrits armeniens conserves dans la prestigieuse bibliotheque de la capitale de l?Armenie. Au cours de ses sejours a Erevan, elle a sans cesse beneficie du soutien et des conseils des bibliothecaires. Je les remercie d?avoir rendu possible l?elaboration de cet instrument de travail. La presente publication permet de faire connaitre aux chercheurs du monde entier des documents precieux, mais insuffisamment pris en compte par les hellenistes et les armenisants. En particulier, il reste beaucoup a faire dans le domaine des traductions des textes litteraires grecs en armenien. Le Catalogue de R. Varteni Chetanian, qui a par ailleurs publie une remarquable etude sur la traduction armenienne des Homelies sur les Actes des apotres de Jean Chrysostome, donne un moyen nouveau de progresser dans ce champ de recherche. C?est dire que le present Catalogue ne doit pas etre envisage comme une fin ou une cloture. Il doit au contraire etre a l?origine d?autres travaux : travaux d?edition des plus importants textes grecs exhumes par R. Varteni Chetanian ; travaux de numerisation des fragments et des manuscrits, afin de rendre possible leur consultation a distance. Jalon pour l?avenir de la recherche historique et philologique, voila comment doit etre envisage ce Catalogue. Sa confection a ete l?occasion de tisser des liens scientifiques entre l?Armenie et la France. Puissent les travaux qu?il suscitera permettre de poursuivre dans la meme voie et d?approfondir le sillon ainsi trace.
Paperback, IV 548 p., 25 b/w ill. 30 colour ill., 156 x 234 mm,Languages: French. ISBN 9782503544687. Commanditaire cultive et original, Rene d'Anjou montre un interet pour toutes les formes de l'art. Non seulement auteur, mais aussi lecteur, spectateur, concepteur ou metteur en scene et jouant meme son propre role dans le cadre de ses funerailles et de ses tombeaux, le prince apparait comme le personnage central de la creation artistique a sa cour. Dans cette perspective, il s'agissait d'etudier ici la relation des arts figures et de l'art dramatique, et plus largement le dialogue entre les arts. Cependant, il convenait de depasser les reflexions d'Emile Male sur l?influence des Mysteres sur les arts visuels et d?abandonner une vision de la production artistique en terme d?ascendance et de hierarchie. Les interrogations ont donc porte principalement sur les processus de creation des images, leur fonctionnement et leurs significations et sur une problematique de transmission culturelle. Les arts figures, la litterature ou l'art dramatique participent en effet de references communes, traitent les memes sujets et soulevent parfois des questions identiques, mais selon des modalites d?expression differentes. Souvent, des interferences se creent entre plusieurs langages ? ecrit, visuel ou oral ?, jouant ainsi sur les sens possibles de l'oeuvre et mobilisant la culture du lecteur et/ou du spectateur. Les exemples retenus ont des lors contribue a preciser la pluralite de ces interactions qui questionnent en permanence sur le statut, le role de l'image et sa relation a d'autres media. Cela a aussi permis de mettre en valeur la personnalite de certains grands artistes de la fin du Moyen Age dont la polyvalence et la culture ont seduit le prince.
Hardback, 446 p., 1 colour ill., 152 x 229 mm. ISBN 9782503542324. This is the first of a projected series of four volumes describing manuscripts and fragments in British libraries containing commentaries on the Latin Aristotle. This volume covers the Bodleian Library and the college libraries of the University of Oxford. It lists 397 items, including portfolios of fragments from more than one original book, dating from the late twelfth century until c. 1500. While many of these manuscripts have come to Oxford from elsewhere in Europe, some as recently as the twentieth century, the majority were made locally and used in the medieval University. Many of them, such as the important Canonici collection in the Bodleian Library, have not been adequately described before, while most of the anonymous commentaries have not been listed at all. Four indexes are provided to facilitate searching the main text.
Hardback, 446 p., 1 colour ill., 152 x 229 mm. ISBN 9782503542324. This is the first of a projected series of four volumes describing manuscripts and fragments in British libraries containing commentaries on the Latin Aristotle. This volume covers the Bodleian Library and the college libraries of the University of Oxford. It lists 397 items, including portfolios of fragments from more than one original book, dating from the late twelfth century until c. 1500. While many of these manuscripts have come to Oxford from elsewhere in Europe, some as recently as the twentieth century, the majority were made locally and used in the medieval University. Many of them, such as the important Canonici collection in the Bodleian Library, have not been adequately described before, while most of the anonymous commentaries have not been listed at all. Four indexes are provided to facilitate searching the main text. Languages: English, Latin.
Hardcover. XVI 231 p., 4 b/w ill., 1 b/w tables, 160 x 240 mm, Languages: English, Including an index. Fine copy. ISBN 9782503523163. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations.
IN HEBREW. FACSIMILE EDITION. 245x175mm. 8+156 pages. Gilt hardcover. Cover yellowing and slightly stained. Cover corners and edges slightly bumped and worn. Inner front cover and few pages slightly stained - NO damage to text. Pages yellowing. Else in good condition.i