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Mm 225x315 Opera complera in due volumi con copertina rigida, sovraccoperta originale figurata a colori e custodia editoriale. Vol. I, "Antico fondo and medio fondo" di xxx-253 pagine con 16 tavole a colori non comprese nel testo. Vol. II, "Nuovo fondo: series A-D (Nos. 1-830)" di xxix-455 pagine con 16 tavole a colori non comprese nel testo. Testo in lingua inglese - english text. Entrambi i volumi sono in ottime condizioni ovvero mai letti. Spedizione in 24 ore dalla conferma dell'ordine.
First Edition, [vi],cii,[ii],131,[1]pp., orig. boards, spine and printed paper label slightly chipped otherwise a nice copy, uncut. Rich in manuscript materials relating to civil and ecclesiastical history of the county, and to Saxon literature in general.
Sm. 8vo., First Edition, with a frontispiece and 60 illustrations ands facsimiles in the text; boards blocked and lettered in black, cloth back gilt, a very good, bright, clean copy. With a personal pictorial bookplate on front paste-down.
12 Parts., 4to, numerous plates throughout (some coloured, some folding), all parts illustrated in orig. printed wrappers unless otherwise described. A complete record of the sale of printed books, manuscripts and autographs which De Ricci described as "one of the most striking events in the history of the English sale-rooms". Huth's collection, which ranked among the finest in England, was rich in incunabula, voyages, Shakespearean and early English literature, and Bibles. Together these 12 sales consisted of 8,788 lots and totalled over ?350,000. [i] 12 June 1911. Autograph letters (246 lots). [ii] 4 July 1911. Engravings and woodcuts (341 lots). This catalogue was under printed and is especially difficult to obtain. [iii] 15 November 1911. Library, part I (lots 1-1228). Limited edition, spine broken. [iv] 5 June 1912. Library, part II (lots 1229-2596). Quarter calf. [v] 2 June 1913. Library, part III (lots 2597-3931). Lightly waterstained, spine broken. [vi] 7 July 1914. Library, part IV (lots 3932-4602). Limited edition. [vii] 4 July 1916. Library, part V (lots 4603-5205). New wrappers. [viii] 11 July 1917. Library, part VI (lots 5206-6060). Limited edition. [ix] 1 July 1918. Library, part VII (lots 6061-7182). [x] 8 July 1919. Library, part VIII (7183-7842). Un-illustrated, new wrappers. [xi] 22 June 1920. Library, part IX and final portion (lots 7843-7969). [xii] 27 February 1922. Unsold or imperfect books (232 lots). De Ricci, pp. 151-154.
9 Parts., 4to, numerous plates throughout, including some chromolithographed (some which a couple of the folding examples are adhered), list of prices and buyers' names bound in of the back of each part, uniform brown buckram, spines lettered in gilt. A complete record of the sale of printed books and manuscripts which De Ricci described as "one of the most striking events in the history of the English sale-rooms". Huth's collection, which ranked among the finest in England, was rich in incunabula, voyages, Shakespearean and early English literature, and Bibles. De Ricci, pp. 151-154.
IN HEBREW. WITH ENGLISH AND FRENCH PREFACE. 240x170 mm. 16+407+XXIX pages. Soft cover. Cover slightly scratched. Spine upper edge slightly wrinkled. Pen inscription on one page. Else in good condition.
8vo (225 x 140 mm), xxiii, [1], [3]-343, [1]pp.,, 8 lithographed plates (5 folding), later calf brown morocco, uncut, t.e.g. a nice copy. Scarce sale catalogue of the large celebrated collection of incunabula (mainly from German presses) and manuscripts gathered together by Professor Kloss, a physician from Frankfurt, built on the collections of Johannes von Dalberg, Bishop of Worms, Adelmann von Adelmannsted and the Church Library at Essligen. 4,682 lots. Provenance: From the reference library of E. P. Goldschmidt with initials stamped in gilt at base of spine. De Ricci, p.117.
4 Plates, orig. printed wrappers, 571 lots. An uncommon feature of this sale was a series of volumes of the kind called "Album Amicorum".
First edition, royal 8vo (245 x 155 mm), xix, [1], 308, [2, advert]pp., large paper copy with the additional 42 facsimile plates, cont. half vellum lightly soiled, marbled boards, small tears to upper joint, green morocco spine label lettered in gilt. The manuscript library offered a wonderful range of unpublished material in every field of research, described here at considerable length. Included in the autograph letters was a very important collection of royal letters and interesting state papers, chiefly relating to the affairs of Scotland, 1538-1700. The Medieval MSS included the Glastonbury Cartulary, and a 15th Century Histoire de la Bible with 109 miniatures. Madden acquired the famous extra-illustrated Blomefield for ?460 for the BM as well as securing a considerable number of important MSS. The total sum realised was ?6,558.8.0.
New English Original bdg. HC. 4to. (29 x 23 cm). Edition in English. 548 p., color ills. Catalogue of the manuscripts in the Collection of the Kubbealti Foundation. The Kubbealti Academy Culture and Art Foundation (Kubbealti Akademisi Kültür ve Sanat Vakfi) was established under the name The Kubbealti Association (Kubbealti Cemiyeti) in 1970, taking its current name in 1978. Basing itself upon historically-informed values proper to the Turkish nation, its mission is to publish works in scientific, intellectual, artistic, linguistic, and social subjects. Published on the occasion of the Foundation's fiftieth anniversary, the present catalogue covers 193 manuscripts bequeathed by Ekrem Hakki Ayverdi, a founding member, as well as three manuscripts left by his sister Sâmiha Ayverdi to her grandson Sinan Uluant.
First Edition, 4to, [viii],91,[1]pp., from the library of the Public Records Office, with their stamps, later cloth, uncut. A rare privately printed catalogue of the manuscript collection formed by Philip Yorke, second Earl of Hardwicke (1720-1790). Martin, Privately Printed Books. p.126.
New Persian Paperback. Roy. 8vo. (24 x 17 cm). Text in entirely Persian. Title is bilingual in English and Persian. 198, [10] p., b/w plates. Catalogue of the manuscripts in the Public Library of the Cultural Advancement Society of Rasht.= Fihrist-i nushahâ-i hattî-i kitâbhânahâ-i Rast wa Hamadân: Kitâbhâna-i Gam'îyat-i Nasr-i Farhang-i Rast, Kitâbhâna-i Garb-i Madrasa-i Âhund-i Hamadân wa jand magmû'a-i husûsî-i Hamadân.
xiii,134pp., 9 plates, orig. printed wrappers, uncut.
New Persian Paperback. Roy. 8vo. (24 x 17 cm). Text in Persian with English foreword by Edmund Herzig and bilingual title in English and Persian. [20], 576, [8], [8] p. Catalogue of the Persian and Arabic manuscripts in the Ferdowsi Library, Wadham College, University of Oxford (Minasian Collection).= Fihrist-i nushahâ-i hattî-i Fârsî wa Arabî-i Kitâbhâna-i Firdausî, Kâlig-i Wâdâm (Wadham), Dânishgâh-i Âksfûrd (Magmû'a-i Mînâsiyân).
3 vols., roy. to., First Edition; original binding of dark brown full morocco, gilt tops, gilt dentelles BY FAZAKERLEY of Liverpool, a very good, bright, firm copy. Sold from an institution with its bookplates and neat stamps on endpapers and titles. The world-famous John Rylands Library was formed from the collection purchased from Lord Spencer of Althorp. A very nice set of an important and valuable catalogue in publisher's original binding
Small 4to, [ii],250pp., 12 chromolithography plates of bindings (2 stuck to the preceding page), orig. printed wrappers, re-backed, 2,347 lots. Nixon, Five Centuries of English Bookbinding. "Important sources for the history of bookbinding...". De Ricci, p.177.
Hardcover with dusjacket, 296 p., 382 colour ill., 230 x 330 mm, 2015 Languages: English. ISBN 9781909400375. This volume contains an impressive range of texts, from Horace (Cat. 17) and Ovid (Cat. 61) to the earliest known copy of the Collectio Lanfranci (Cat. 5) and Gerard of Cremona?s translations of Rasis? works (Cat. 93). The bulk, however, consists of Bibles of two kinds: imposing glossed books, produced in great numbers in the twelfth-century, and their thirteenth-century successors, the compact pandects. Both categories include some of the most richly illuminated French manuscripts of the period. Among the former are two deluxe sets made for Thomas Becket, the first completed while he was in exile in Pontigny and Sens from 1164 until 1170 (Cat. 27-31), the second edited after his martyrdom by his secretary Herbert of Bosham (Cat. 32-34). The majority of the thirteenth-century Bibles are so-called ?Paris? or ?pocket? Bibles produced from the 1220s onwards, mostly in Paris, and containing the biblical books in a standard order. They are illuminated in a variety of figure and ornamental styles, some comparable to the Bibles moralisees of c.1220-1240 (e.g. Cat. 72), others bearing no resemblance to them (e.g. Cat. 73). There are also notable exceptions of complete Bibles made not in Paris, but in North-Eastern France or Champagne (e.g. Cat. 70), and displaying iconography, figure styles and order of books different from those found in their better-known Parisian contemporaries. We hope that the inclusion of numerous images in full colour representing Bibles illuminated in all of these different styles will inspire and support further research, especially on the ornamental initials which deserve more attention. While this volume contains outstanding examples of illumination, notably the work of the itinerant Simon Master (Cat. 46), it also includes books that are modest in artistic terms, but valuable in other ways. Among them is a glossed Ezekiel which boasts one of the finest Romanesque bindings to survive in Cambridge collections, made almost certainly in Paris c.1160-1170 (Cat. 41). Other aesthetically unassuming volumes form important groups of material, for instance, the books assembled by Master Robert Amiclas during his forty years in France and given or sold by him to the Cistercian Abbey of Buildwas in Shropshire (Cat. 20-26, 37).
two volumes; 292 + 255 =560 p., 750 colour ill., 230 x 330 mm, Languages: English, Hardback wih dusjackets , fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour.
Hardback in cloth + dusjacket, 2 vol., 560 pages., 750 colour ill., 230 x 330 mm., Languages: English, fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Review "These volumes triumphantly justify 'paper cataloguing'. [...] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) « On ne peut que se réjouir de la qualité de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. » (A. Châtelet, dans Art et Métiers du Livre 31, Déc 2009-fév 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty ? intellectual and sensuous or even sybaritic ? spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The series will be a landmark in manuscript studies, and one can only hope that further support will hasten further projected volumes." (Rowan Watson, in: The Burlington Magazine, vol. CLIV, 2012, p. 847) "Esta calidad editorial y científica, presentes en los demás tomos y volúmenes que conforman la serie Illuminated Manuscripts in Cambridge de Harvey Miller/Brepols, es un excelente modelo a tener en cuenta para la edición de futuros catálogos de manuscritos iluminados." (Isabel Escandell Proust, in: Codex Aquilarensis, 29, 2013, p. 289-304) « (?) un instrument de travail précieux pour le chercheur et l?amateur éclairé. » (Marc Gil, dans Le Moyen Age, 1, 2017, p. 207)
Hardback, 2 volumes ., 560 p., 750 colour ill., 230 x 330 mm. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Languages: English.
Hardback, 2 vol., 720 p., 900 colour ill., 230 x 330 mm. ISBN 9781905375851. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Languages: English.
Folio, 4 vols., xliv, 360; vii, 402; ix, 384; xlpp., 125 plates, orig. buckram, a nice set. The 125 plates include reproductions of 99 manuscripts written (or probably written) in England, and since nearly 50 of these are illuminated they serve to give a good idea of English mediaeval art. French art is well represented by 26 plates, 24 of which are illuminated.
Pars I complete in 2 volumes: 614 + 557pp., original 1886/89-edition, 25cm., nicely bound in uniform modern green cloth bindings with gilt title at spine, original softcovers preserved and bound in though with some use and loss of paper, text in Latin, text is bright and without any foxing, library stamp, good set, weight is almost 3kg., [Contains a catalogue of manuscripts regarding hagiography preserved in the Royal Library of Belgium in Brussels], H90658
Pars I complete in 2 volumes: 614 + 557pp., original 1886/89-edition, 25cm., original softcovers, text in Latin, text is clean and bright, stamp, good set, weight is almost 3kg., [Contains a catalogue of manuscripts regarding hagiography preserved in the Royal Library of Belgium in Brussels], H107011
Pars I complete in 2 physical volumes: 614 + 557pp., original 1886/89-edition, 25cm., uniform hardcover bindings, spine in leather with gilt title, marbled endpapers, text in Latin, text is clean and bright, library stamp, good set, weight: 2.5kg., [Contains a catalogue of manuscripts regarding hagiography preserved in the Royal Library of Belgium in Brussels], H113320