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16-6460Venetia: Appresso gli Heredi di Vincenzo Valgrisi 1580. Quarto 17.5 x 25.5 cm; bound in blond calfskin with a gilt-decorated ribbed spine 18th century; rubbed and worn. An edition of Ariosto’s epic poem printed in italics in a two-column layout. It is illustrated with 51 full-page woodcuts—each set within a handsome decorative border—and a frontispiece plate featuring a portrait of Ariosto. At the head of each canto the verse summary is enclosed within a wood-engraved frame. Foxing staining.OCLC Number / Unique Identifier:896165021: 16 654 34 pages : illustrations woodcuts ; 25 cm 4to.Con privilegio."Title within elaborate ornamental border with printer's device; printer's device also appears as title vignette on page 533 special title page to "I cinque canti""I cinque canti" has separate title page; pagination and register are continuousThe designs for the illustrations have been attributed probably falsely to Dosso DossiEach canto is preceded by a full-page woodcutSignatures: ⸠A-2V⸠2R4 signed '2S4'; 2V8 blank.Provenance: The Marquis de Saporta was an 18th-century French noble known for his personal bookplate which frequently appears as a mark of provenance in rare antiquarian and classical texts.Second provenance:.Fitzroy Fitzcharles and Fitzjames were the names bestowed by the two sons of King Charles I of England upon their illegitimate offspring. This tradition of using the prefix Fitz—which translates as "son of"—for English royal bastards continued under the Hanoverian dynasty: William IV uncle to Queen Victoria was himself the progenitor of numerous Fitzclarences.James Fitzjames 1670–1734 the fruit of the union between James II Stuart and Arabella Churchill was created Duke of Berwick by his father in 1687. Appointed a Marshal of France in 1706 he was also granted the title of Duke of Fitz-James within the French peerage by Louis XIV in 1710. His eldest son founded the Spanish branch of the Dukes of Berwick—a line that under the name Fitz-James Stuart today holds several Grandeeships of Spain including that of Duke of Alba. His younger son founded the French branch of the Dukes of Fitz-James a line that distinguished itself over seven generations until its extinction in the mid-20th century.Fitzroy Fitzcharles et Fitzjames furent les noms donnés par les deux fils du roi Charles Ier d’Angleterre à leur descendance illégitime. Cette tradition du préfixe Fitz pour les bâtards royaux anglais qui se traduit par « fils de» se poursuivra sous la dynastie des Hanovre : Guillaume IV oncle de la reine Victoria fut en son temps l’auteur de nombreux Fitzclarence …James Fitzjames 1670-1734 fruit des amours de Jacques II Stuart et d’Arabella Churchill fut titré par son père duc de Berwick en 1687. Maréchal de France en 1706 il reçut également de Louis XIV le titre de duc de Fitz-James dans la pairie française en 1710. Son fils ainé est l’auteur de la branche espagnole des ducs de Berwick qui sous le nom de Fitz-James Stuart cumule aujourd’hui plusieurs grandesses d’Espagne dont celle de duc d’Albe. Son fils cadet est l’auteur de la branche française des ducs de Fitz-James qui s’illustra pendant sept générations jusqu’à son extinction au milieu du XXe siècle. Venetia: Appresso gli Heredi di Vincenzo Valgrisi, 1580 unknown
200620148Florence Leo S. Olschki 2006. First edition thus. 2006. Edizione critica a cura di Marco Doriogatti con la collaborazione di Gerarda Stimato. Premessa di Gianni Venturi. 8vo. clxxx 1071 pp. Illustrated with one color plate printed on coated paper. Original red cloth binding stamped and decorated in gilt. All edges bright gilt; ribbon marker. Unprinted cream-colored DJ. In the publisher's brown cardboard box with printed paper spinal label. Text in Italian. A truly beautiful sumptuous production of the first critical edition of Ariosto's epic poem Orlando Furioso. This is a splendid like new book and box. Uncommon. 1st Edition. Hardcover. As New/Dust Jacket Included. [Florence] Leo S. Olschki, 2006. First edition thus. hardcover
182561410Milano : Nicolo Bettoni 1825. 210x140mm. cartonnage vert de lÕpoque auteur titre et tomaion dors au dos. 2483 Nicolo Bettoni unknown
1955306816Milano : Rizzoli 1955. First Edition. Softcover. Near fine set in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Includes previous owner's signature. Series; Biblioteca universale Rizzoli ; 879-884. Physical description; 2 vols. ; 16 cm. Contents; v. 1. Canti I-XIV -- v. 2. Canti XV-XXIV. Subjects; Ariosto Lodovico 1474-1533. Italian Poetry. 15th Century. 16th Century. Milano : Rizzoli paperback
1977Q-014044310XPenguin Classics 1977-12-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
1975Q-0140443118Penguin Classics 1975-08-30. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
2008Q-0199540381Oxford University Press 2008-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1814120176-05London : Presso Romualdo Zotti 1814. Hardcover. Good/No Jacket. Full Leather With Tooled Gilt Decoration Around Boards And On Spine. Binding Robust. Unmarked. 16Vo. 456Pp. The Decorated Spine Is Slightly Cracked At The Edges Of Head And Foot. Both Title Panes On The Spine Are Missing. <br/> <br/> Presso Romualdo Zotti hardcover
1814120176-04London : Presso Romualdo Zotti 1814. Hardcover. Good/No Jacket. Full Leather With Tooled Gilt Decoration Around Boards And On Spine. Binding Robust. Unmarked. 16Vo. 390Pp. The Decorated Spine Is Cracked At The Edges Of Head And Foot. One Title Panel Is Missing. <br/> <br/> Presso Romualdo Zotti hardcover
1814120176-06London : Presso Romualdo Zotti 1814. Hardcover. Good/No Jacket. Full Leather With Tooled Gilt Decoration Around Boards And On Spine. Binding Robust. Unmarked. 16Vo. 443Pp. The Decorated Spine Is Slightly Cracked At The Edges Of Head And Foot. One Of The Title Panes On The Spine Is Partly Missing. <br/> <br/> Presso Romualdo Zotti hardcover
1815313468Avignone: presso Fr. Seguin ainé stampatore e Libraio 1815. First Edition. Hardcover. Poor copy in original gilt decorated leather boards. Back board detached. Wear and tear as with age with loss to the spine. Text remains clean and without blemish. Physical description; vol. III only: 304 p. ; 21 cm. Subjects; Ariosto Lodovico 1474-1533. Ariosto Lodovico 1474-1533. Orlando furioso. Avignone: presso Fr. Seguin ainé, stampatore e Libraio hardcover
0674035356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1791547621.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999Q-0192836773Oxford University Press 1999-01-28. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1140962361.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972DADAX0198124074OXFORD UNIVERSITY PRESS 1972-05-28. 1. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
1550047702Lyon: Guillaume Rouillé for Matthia Bonhomme 1550. Second Edition. Hardcover Full Leather. Very Good Condition. Ca. 17th century full acid calf spine gilt in compartments slightly sprung. Portrait and 46 woodcuts modeled after those in Giolito's ediitons. Title repaired at edges obscuring part of the heading for the dedication by Urrea on the title verso. Trimmed a bit close sometimes touching the running title or page numbering worm hole in the middle margin starting around page 87 and hitting a woodcut on 121 and hitting text in one stanza from around 137-167 and touching one other woodcut. Early minor notes and underlining stanzas numbered by hand early on scattered minor ink stains moderate foxing and minor stains - still very good overall. 436 4pp with some mispaginations. An early addition is pasted to the top of page 180 "obras que hazen y pueden las culpables y maluadas hembras enfurcci das del amor por cumplir si apetito y desseofas de venganca". <br /> <br /> The second Urrea edition after the first from the year prior in Antwerp - an immensely influential edition an inspiration to Cervantes and a finely printed and illustrated book. Brunet I 443 "Traduction estimée" and he notes that only the 1553 Giolito is as attractive an edition. Adam 1682A the 1553 reimpression. Underrepresented in institutional collections maybe 2 dozen copies of the 1550 edition and a dozen of the 1549 and rare in commerce. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Poetry. Inventory No: 047702. Guillaume Rouillé for Matthia Bonhomme hardcover
1446714802.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
17836597London: Printed for the author etc. 1783. First edition of this translation. Good. Octavo 23 cm. Five volumes. Engraved frontispiece with tissue guard in each volume after Angelica Kauffman Thomas Stothard engraved by William Blake Gertrud Metz and William Hamilton. Engraved portraits of Hoole and Ariosto in volume 1. Illustration of Ariosto's chair and inkwell in volume 1. Errata and subscriber list bound in at end of volume 5. Complete collation upon request. In roughly contemporary tree-calf marbled leather over pasteboard gold garlanded borders made with a roller tool. Spines decorated in gold with stars within roundels. Recent black leather title labels. Volume labels not present. Spine ends worn with fissure visible along spine of volume IV. Light wear to edges. Scattered foxing. Tender joints reinforced with Japanese paper. Ownership inscription on front blank. <br /><br />The19th-century literary historian Henry Hallam called Ariosto "Europe's second-favorite poet after Homer." Indeed there was an appetite for a modern English translation to replace the Elizabethan version by John Harington. John Hoole assumed the enormous task and produced this very popular version in rhymed couplets with extensive annotation and a biographical essay. The publication is notable for the commission in volume three of a frontispiece plate engraved by William Blake as well as for plates after Angelica Kauffman Gertrud Metz and William Hamilton. Printed for the author, etc. hardcover
843761984X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20172-8467050489Austral 2017. Paperback. New. 100 pages. Spanish language. 7.40x4.88x2.76 inches. Austral paperback
1236710061.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
MN30417Garzanti Collana I grandi libri Garzanti nº 100-1011982 Italy. . 18x1. Encuadernación rústica tapa blanda. LXI1305 pgs. Texto en italiano. 693122 Garzanti, Collana I grandi libri Garzanti nº 100-101,1982, Italy. paperback