1 476 résultats
1955012873Milano: Rizzoli Editore 1955. Nota a cura di Dino Provenzal. 4 vols. complete stiff wrappers. Contents: v. 1 Canti I-XIV. v. 2 Canti XV-XXIV. v. 3 Canti XXV-XXXVI. v. 4 Canti XXXVII-XLVI. Biblioteca universale 879-890. Rizzoli Editore unknown books
17721284320Venezia: Press Antonio Zatta 1772. First Edition. Text entirely in Italian. Includes 3 of 4 Volumes; I II IV. Quarto; VG-/no-DJ hardcover; Brown spine with gold text; Boards strong moderate surface rubbing light scuffing; Textblock age-toned has some slight moisture damage some staining/foxing on several pages lighter to exterior edges; Bindings strong. SHELVED IN FIRST RIGHT-HAND BOOKCASE IN AISLE 10.<br /> <br /> Additional shipping may be necessary due to size/weight restrictions for international/expedited orders. 1284320. Rockville Non-Retail Listings. Press Antonio Zatta unknown books
181765072Philadelphia: Henry Hudson 1817. Second American edition following Hudson's 5 volume edition published the year before. 6 vols. 8vo. Panelled polished American calf. Heads of two volumes loose else in good condition. Second American edition following Hudson's 5 volume edition published the year before. 6 vols. 8vo. Hoole's translation of this romantic epic appeared in 5 volumes in 1783 and through 1816 five editions had appeared in London. Shaw and Shoemaker 36760 Henry Hudson unknown books
105169London: Printed for Otridge and Son. 1799. 5 vols. 8vo pp. vi 2 ads. cxvii 335; iv 407; iv 427; iv 438; iv 322 vi 56 index and ads. With an engraved frontispiece in each volume 2 other engraved plates in volume 1 and Blake’s plate facing p.164 in volume 3. Backstrips a little dry joints and corners bumped and rubbed upper board of volume 1 sympathetically reattached lower joint cracking. § Fourth edition and thus third state of Blake’s engraving which is after a drawing by Stothard and depicts the furious Orlando brandishing a huge tree. Essick notes: “In a letter. to William Hayley Blake states that he is ‘absorbed’ in the study of several poets including Ariostoâ€. Bentley Blake Books 417D. Essick CBI XII. ESTC T133398. BMC. Printed for Otridge and Son... 1799. 5 vols unknown books
17731002816Birmingham: Baskerville 1773. First edition of the Baskerville Ariosto octavo issue with forty-six engraved plates. Set during the Saracen invasion of France Orlando Furioso 1516-1532 follows the adventures of Charlemagne's high-strung knight Orlando who goes mad for love. Ariosto's comic epic was hugely influential going on to inspire works as various as The Faerie Queene Much Ado About Nothing Don Quixote and Don Juan. Gaskell 48. Text in Italian. A very good set in handsome contemporary bindings. Four octavo volumes: 34 lviii 362 2; 2 450 2; 2 446 2; 2 446 2. Contemporary full tree calf Greek key border and floral cornerpieces in gilt to boards raised bands spine compartments ruled and patterned in gilt red and black morocco spine labels lettered in gilt gilt dentelles marbled endpapers. Copperplate frontispiece of Ariosto and forty-six engraved plates. Associati and Errata bound before Vita in Volume I all present. Bookplates of Francis Broderip and Irwin Laughlin to pastedowns. Light shelfwear to boards expert repair to joints and corners some foxing to text. Baskerville unknown books
1996027401Berkeley Etc.: University of California Press 1996. Translated by Alexander Sheers and Divid Quint. x 349p. stiff wrappers. University of California Press unknown books
1974027302Milano: Garzanti Editore 1974. 1a Edizione. Introduzione note commente e note di Macello Turchi; presentazione critica di Edoardo Sanguineti. 2 vols. lxxii 1305p. stiff wrappers I grandi libri 100-101. Garzanti Editore unknown books
1998027319Oxford New York: Oxford University Press 1998. Translated with an introduction by Guido Walman. xvii 630p. stiff wrappers Oxford world's classics. Oxford University Press unknown books
1556001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. <br/><br/> Bastiano di Bartholomeo Honorati unknown books
192870060Bari:: Gius. Laterza & Figli. Very Good. 1928. Hardcover. B0010S49Q2 . Complete in three volumes. Text is in Italian. First edition thus. Octavos quarter bound in brown leather with gilt lettering and raised bands along the spines marbled boards. Ex-library set with typical markings edge worn else each volume is very good. . Gius. Laterza & Figli, hardcover books
029691VPNM
1542173105Venetia: Appresso Gabriel Iolito di Ferrari 1542. Leather bound. Good front hinge weaker than rear hinge wear tpo extremities text block and pages clean and tight. Full red leather with elaborate gilt embossed design front and back reeded gilt edges to covers five raised bands with gilt devices in compartments and applied leather label. All edges gilt with impressed cross design on all three text block edges. Ancient marbled endpapers with bookplate of Olin Lane Merriam on inside front pastedown. 260 xx leaves collated complete title page within engraved architectural border text with 46 woodcut engravings and engraved initial at beginning of each canto in text wood-engraved oval bust portrait of Ariosto on verso of leaf 260; unpaginated 20-leaf commentary by Lodovico Dolce has its own title page with wood-engraved vignette of phoenix rising at center of title page and verso of last leaf. This is the first complete printing with the "Espositione di tutti i vocaboli et luoghi difficili . con vna brieue dimostratione di molte comparationi & sentenze dall' Ariosto in diuersi autori imitate / raccolte da M. Lodovico Dolce" 20 leaves at end has special t.p." at rear after portrait. A lovely example in an exceptional binding. Appresso Gabriel Iolito di Ferrari hardcover books
1785245009London: George Nicol 1785. hardcover. very good. 5 volumes. 6 plates designed by Kauffman Stothard Metz and Hamilton. One of the Stothard plates in vol. 3 was engraved by Wm. Blake; first state. 8vo full contemporary calf red leather spine labels some hinges reinforced & 1 spine chipped at extremities the interior is fine. London: George Nicol 1785. Second Edition.<br/><br/> Easson and Essick II. Lowndes 64.<br/><br/> George Nicol unknown books
197674360Athens:: Ohio University Press. Near Fine in Very Good dust jacket. 1976. Hardcover. 0821401718 . Bilingual edition: Italian and English. Translated by Peter DeSa Wiggins. First printing thus. Near fine in a very good light age toning dust jacket. . Ohio University Press, hardcover books
197666312Athens:: Ohio University Press. Near Fine in Near Fine dust jacket. 1976. Hardcover. 0821401718 . Bilingual edition: Italian and English. Translated by Peter DeSa Wiggins. First printing thus. Near fine in a near fine dust jacket. . Ohio University Press, hardcover books
1976032547Athens: Ohio University Press 1976. Translated by Peter Desa Wiggins. xlv 187p. original blue cloth. Ohio University Press unknown books
158330836Venice: Appresso Fabio & Agostin Zopini fratelli 1583. 8vo 14.6 cm 5.75". 8 206 1 ff. lacking original final blank. <br><br>Later edition of collected satires by famous Italian authors edited by one of them Francesco Sansovino 152186.<br>Â Â Â Â Sansovino dedicates this collection to the historian Camillo Portio Porzio 1526 ca. 1580 and introduces it with an essay on the material of satire which he breaks down as "pure simplicity with severe acerbity sometimes mixed with a bit of salt or with some feature that is tasty and acute." Prior to this Sansovino also worked on the satires of Ariosto 14741533 separately published.<br>Â Â Â Â The text is divided into sections by author each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem printed in italic. Fine woodcut head- and tailpieces and a variety of initials in historiated patterned and factotum designs decorate the text; and the title-page features the woodcut printers' device of Truth personified flanked by an eagle a lion a bull and an angel representing the Four Evangelists.<br>Â Â Â Â Provenance: Ownership inscription on front fly-leaf of Luigi Pagani Cesa possibly the Italian jurist born at Belluno in 1855 who served as a member of Parliament for 190413; and the words "penso che" "I think that . . ." written above in an earlier hand <br>Â Â Â Â <br>Â Â Â Â Adams A1691; CNCE 2806. Later glazed cream-colored boards title and date inked on upper spine small paper label on lower spine marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript o in Bentivoglio. Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves generally bright and crisp. Appresso Fabio, & Agostin Zopini fratelli hardcover books
15915552London: Richard Field 1591. Hardcover. Very Good. 4to in sixes 26.8 x 18.6 cm. 9 ff. 423 pp. 1 p. 5 ff. with 1 full-page engraved frontispiece and XLVI full-page engravings woodcut headpieces tailpieces and initials woodcut printer's device on colophon ruled in red ink throughout. Bound in 17th-century paneled calf rebacked with original spine laid down raised bands spine gilt in six compartments old paper label in top panel gold-tooled borders gold-tooled cornerpieces and board edges marbled pastedowns marbled edges. Some rubbing and wear to spine and boards corners neatly repaired. Preserved in a custom quarter red morocco box some damage to spine of box. Marginal finger-soiling and occasional other minor old staining some offsetting a few edge mends at title final prelim. leaf and pp. 59 81 103 109 290 295 small corner loss at p. 237 inconsequential rub to plate IX the occasional contemporary manuscript correction. Provenance: contemporary signature erased from title 'Montagu' signature 'Marie M.' in the margin of p. 343 "E. G. C." or "G. E. C." gilt initials on spine Hopetoun House presentation label from Martin dated 1822 Hopetoun bookplate W. A. White ownership signature dated 4 June 1890; Arthur Amory Houghton book label. Generally very good. Rare first edition of Orlando Furioso translated by the Elizabethan courtier and poet Sir John Harington 1560-1612 - the first English version of Ludovico Ariosto's 1454-1553 famous epic poem - here with its 47 full-page engravings enriched with exceptionally fine contemporary hand-coloring complete with extensive silver and gold accents and giving every appearance of being a presentation copy. Hand-coloring of this quality is outstandingly rare in any English work of this period and such an extensive suite of illustrations is very unusual for purely literary works. Containing "the best known engraved illustrations in an English book before 1700" Hodnett p. 46 Harington's Orlando Furioso represents a landmark in engraving in England an achievement that Harington himself highlighted in his prefatory comments on the "vse of the Pictures" in the book noting that its images "are all cut in brasse and most of them by the best workemen of that kinde" and that he had "not seene anie made in England better nor in deed any of this kinde in any booke." He further states that although England had produced some impressive illustrated volumes "all their figures are cut in wood & none in metall and in that respect inferior to these" fol. Ar. In these remarks "Harington gives us the first critical comment on book illustrating by an Englishman" Hodnett p. 46 and by citing the fine English woodcut books of "Liuy Gesner Alciats emblemes a booke de Spectris in Latin & in our tong the Chronicles the booke of Martyrs the book of hauking and hunting and M. Whitneys excellent Emblems" he announces his intention to produce an illustrated volume comparable to the best yet produced in England. In a further extraordinary step Harington had a handful of copies decorated by the best illuminators available thus elevating these select examples beyond even the most excellent English woodcut books and thereby creating a place for purely literary works in the pantheon of early English book illustration. for full description visit our website at www.martayanlan.com <br/> <br/> Richard Field hardcover books
1909173443Munich: Georg Muller 1909. Limited Edition. Hardcover. VG- light soiling and wear to boards. interior clean and tight. Vellum boards with 4 raised bands on spine metal clasp on cover and decorative endpapers. XII LIII 660 pp. Mounted BW illustrations. Text in German. Georg Muller hardcover books
1823154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover books
19541298934Milano: Riccardo Ricciardi Editore 1954. Hardcover. Octavo; VG/G; Hardcover with DJ in slipcase; Spine tan with black print; Slipcase plain cardboard tears to top and bottom edges bumps to rear corners slight spotting; DJ has small stains and spotting on spine mild edgewear; Boards in tan cloth with gold print clean and strong; Textblock clean and tight gold ribbon marker tan-tint to top edge; Text in Italian; xxv 1253 pages. 1298934. Rockville Non-Retail Listings. Riccardo Ricciardi Editore hardcover books
190685381New York: E. P. Dutton and Company 1906. Octavo pp. i-x xi-xv xvi xvii-xix xx 1 2-395 396: blank nine inserted plates with tissue guards cloth. First U.S. edition. The Dutton edition was made up from sheets of the 1906 Constable edition. Touch of sunning to spine panel else a bright near fine copy. #85381 E. P. Dutton and Company unknown books
163827683Venetia Apresso Lorenzo Griffo 1638 In-12 carré 373 ppavec la table finale, petit manque de cuir en coiffe, la reliure est postérieure d'au moins un siècle à l'impression et l'impression est plus dans l'esprit des livres du XVI ème siècle avec un bois gravé in-texte pour chaque Chant. Cours de Marge en tête. Belle étiquette d'un Libraire d'Arras du XVIIIIème siècle - menus défauts sans gravité
1895500081895 Firenze, successori Le Monier, 1895, Deux tomes in-huit ,XI-975 pp, reliure en demi-toile verte ,pièce de titre en cuir rouge ,très bon état,couvertures conservées,pagination continue,
1634001525London: Printed by G. Miller for J. Parker 1634 1634. THIRD EDITION AND THE FIRST ENGLISH LANGUAGE EDITION. 1 vol. folio 10-1/2" x 7-3/4" ix423pp.xxvii engraved title-page with vignette portraits of Ariosto and Harington and 46 full-page engraved illustrations complete a few leaves at beginning including 2 plates not affecting the image with fore-edge repair slight loss to side-notes of 3 leaves a couple of short tears minor worming to several pages Ownership inscription on front blank endpaper "Elizabeth Tyringham Her Booke Aprill ye 5 1668." bound in contemporary full calf over cords head and foot of spine renewed at some early date worming to rear cover hinges fine internally generally clean and bright no water staining overall a VERY GOOD copy STC 748 The plates were first used in the 1591 edition and derive from Girolamo Porro's illustrations of the 1584 Venetian edition. London: Printed by G. Miller for J. Parker, 1634 unknown