Ariosto, LodovicoBiblio.com
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1104047861.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165339811.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
173211208Hamburg: Abram Vandenhoek 1732. Frontispiece portrait. Contemporary half-calf over marbled boards worn hinges cracked; interior good. Ownership inscription on fly-leaf booklabel of James Vivian Tippet. Later edition edited by Rolli tutor to the Prince of Wales who also wrote libretti for Handel and other composers translated Milton and Shakespeare and generally did much to introduce Italian literature to an English audience. Abram Vandenhoek unknown
3847846779.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3743723549.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3743723530.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3743723557.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3743723522.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3843034567.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3843034559.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3843034532.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3843034540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
148393909X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1483939103.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020796227.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
181214153Paris: Chez Firmin Didot 1812. Book. VG. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 214pp notes printed in Italian with facing page in French three-quarter leather and marbled boards gilt title at spine light general wear hinges and extremities worn with leather stripped away just a bit old ink at front pastedown and half-title and several small holes noted at half-title text damp-stained throughout presentation exceeds description. A translation of Ludovico Ariosto's epic poem Orlando Furioso. Essay / translation credited by scholars to Pierre Samuel DuPont de Nemours. Very scarce. Chez Firmin Didot Hardcover
2121709Venice: Gabriele Giolito de' Ferrari. 1551. 12mo. Early 19th-century English half calf roll-tooled in blind spine with raised bands tooled in blind and lettered directly in gilt; ff. 43 1; woodcut printer's device to recto of first and final leaf woodcut initials and ornaments; extremities a little worn hinges cracked but hold firm head of spine chipped; a few small stains but otherwise a very good crisp copy; armorial bookplate of Samuel R. Block to front pastedown his ownership signature in ink to title page.First edition the final and definitive ""Ferrara"" version of Ariosto's first comedy in verse and his ""most problematic work for the stage"" Portner.Ludovico Ariosto 1474-1533 best known today for his epic poem Orlando furioso was also the author of five comedies. Following the successful staging of his comedy I Suppositi in the Vatican during the 1519 Carnival he was commissioned by Pope Leo X to write a new play. Il Negromante The Necromancer was sent to Rome on 16 January 1520 however its planned Roman premiere never took place; the pope instead chose to stage Niccolo Machiavelli's La Mandragola. The most likely reason for the play's cancellation was its veiled yet pointed critique of Leo X and the Vatican particularly regarding the sale of indulgences and clerical corruption. While Ariosto's wit was tolerated in other settings a performance of Il Negromante in the heart of the papal court - just three years after Martin Luther's Ninety-five Theses - may have been considered too unsettling.In the play the charlatan Mastro Iachelino the so-called ""Necromancer"" is summoned to cure the supposed impotence of Clintio through his claimed magic arts. Clintio a newlywed is in fact secretly married to another woman Lavinia. Seeking to escape the marriage imposed on him by his foster father Massimo he later turns to Iachelino himself hoping to maintain the illusion of impotence. Meanwhile another young man Camillo also seeks the Necromancer's help hoping to win the favour of Emilia the bride involved in the unconsummated marriage with Clintio.Two versions of the comedy exist: one ""for Rome"" and one ""for Ferrara"". The first sent to the papal court in 1520 was published posthumously in Venice in 1535. The second revised for the Ferrarese court around 1528 was also published posthumously in this edition printed by Gabriele Giolito de' Ferrari in 1551 and dedicated by the editor Lodovico Dolce c. 1508-1568 to Giovan Vincenzo Vigliona. Dolce based his edition on the original manuscript which he had acquired from Ariosto's heirs.Adams A-1655; Edit16 CNCE 2665; Agnelli-Ravegnani Annali delle Edizioni Ariostee II p. 123 ""of considerable rarity like all Giolito editions and of undeniable importance regarding the text of Il Negromante inasmuch as it provides us with a version of the comedy not merely corrected but entirely rewritten by the poet"" trans. See Portner ""A Non-Performance of Il Negromante"" Italica 59/4 Renaissance Winter 1982 pp. 316-329. hardcover
1909173443Munich: Georg Muller 1909. Limited Edition. Hardcover. VG- light soiling and wear to boards. interior clean and tight. Vellum boards with 4 raised bands on spine metal clasp on cover and decorative endpapers. XII LIII 660 pp. Mounted BW illustrations. Text in German. Georg Muller hardcover
1019099895.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019095628.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011260795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1809199192Pisa Italy: Dalla Tipografia 1809. Hardcover. Good ex-libris to front pastedown. vellum spine scuffed scratched & darkened; approx 2.5inch crack to lower spine edge; spine compartments rubbed w/ leather plates rubbed. vellum corners scuffed & darkened; lower corners rubbed to boards. orange cloth boards scuffed & smudged; some rubbed patched. darkening to textblock edges; edges rubbed. oversized; quarter vellum gilt decorative boards w/ orange cloth; five raised bands w/ 6 decorative gilt compartments leather title plates. marbled endpapers & pastedowns. 396 pgs. top edge gilt. Pages variously tanned with instances of speckled and spotted foxing; some pages will have high concentrations. Pages tanned/darkened near edges. Instances of light to moderate staining to upper page edges. Text/ink ghosting to pages. Dalla Tipografia hardcover
0259001813.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1272863840.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
184080567n40Firenze: David Passigli 1840. Book. Good. Hardcover. 4to - over 9¾ - 12" tall. Contemporary full gilt leather hard covers. Rubbing and toning to covers. Edges toned; foxing to text. Otherwise clean tight and unmarked. A neat and sound copy. Illustrated -- engraved title-page and three additional plates. iv419platespp. David Passigli Hardcover
