Ariosto, Lodovico,Biblio.com
1 476 résultats
18327981Presso Treuttel . 1832. Hardcover. 6mo xxxiv292;410;349pp text on the whole quite clean but there is foxing and age spotting in places especially on first title page and early leaves half contemporary morocco upper cover marbled with a few chips marbling missing from lower cover inner front hinge cracked book plate of George Burrows previously pasted down but now loose pasted down portrait of Ariosto not a part of the original book binding tight overall good Presso Treuttel, ... hardcover
175650805Arezzo Michele Belotti 1756. Large 4to. 2 contemp. full vellum with handwritten titles on spine. Marbled edges. VII435;4213 pp. and 2 engraved portraits Ariosto and Barbolani. printed on good paper clean and fine. Italian and Latin text in 2 columns. <br/><br/><em>A fine copy of the first translation of Orlando Furioso into Latin. - Brunet I 440. </em> hardcover
177244472Venice Presso Antonio Zatta 1772. Hardcover. The four volumes contain 56 full page copper engravings by Giuliano Zuliani Tommaso Baratti Ferdinando Fambrini Giacomo Malosso Giacomo Leonardis Pietro Antonio Novelli and an engraved frontispiece of Ariosto by Giuseppi Daniotto. The notes for the binder call for another copper engraving to precede that frontispiece but it is not present in this copy.<br /> <br /> Marbled endpapers and edges. Each volume contain a cloth marker ribbon.<br /> <br /> A large copy 289 x 204 cm with wide margins. Bound in full calf. Binder's label of "C. Meyer Bookseller and Bookbinder to the Queen and Princesses 2 Hemmings Row St. Martins Lane" - ie Charles Meyer a German emigre who was bookbinder to Britain's Queen Charlotte. Meyer was active in London from 1797 until his death in 1809 though the firm apparently continued until 1811 so the volumes were presumably bound during that 14 year period. The volumes were later rebacked see photos.<br /> <br /> Each volume contains on the verso of the front free endpaper an ink notation "L/ 4 E 3"; "L/4 E 4"; "L/4 E 5"; "L/4 E 6" - presumably the location marks for a substantial private library but the volumes contain no other indication of which of the several aristocratic collectors for whom Meyer worked was the original owner of these volumes.<br /> <br /> In parts of volumes three and four the upper and/or lower corners of the pages are very faintly dampstained not affecting the text and in fact barely visible. With that exception this is a very nice copy clean crisp and with wide margins of a very handsome and finely illustrated edition of one of the monuments of classic Italian literature. . Four volumes. The 46 cantos are followed by the 5 additional cantos and then by about 136 unnumbered pages of bibliographies summaries and indices. Venice, Presso Antonio Zatta hardcover
192870060Bari:: Gius. Laterza & Figli. Very Good. 1928. Hardcover. B0010S49Q2 . Complete in three volumes. Text is in Italian. First edition thus. Octavos quarter bound in brown leather with gilt lettering and raised bands along the spines marbled boards. Ex-library set with typical markings edge worn else each volume is very good. . Gius. Laterza & Figli, hardcover
52647Bathurst. Collectible - Good. Condition: Good; 1783 8vo 5 volume set. All volumes full-bound in contemporary tree calf with gilt decoration to spine and with marbled endpapers. Text is clean throughout all volumes. Front cover detached on vol 1 and rear hinge on vol 4 has been mended with rice paper. All other hinges are fragile but holding. Leather and gilt on spines is starting to chip but all are still legible. Bookplate from Pull Court Worcestershire on pastedown in all volumes; also a label from Pull Court Library; and a signature from a T. Dowdeswell probably Thomas Dowdeswell a Colonel of the Guards who died in 1811. Without the list of subscribers and with state B of the Blake plate in vol. 3. Photos upon request. Leather Bathurst hardcover
2272In Venetia: Appresso Pietro Farri 1619. Hardcover. Good. Quarto. No pagination. 340pp. a8 A8-SS8 TT4. Engraved title-page. Cinque canti has separate title-page. Seventeenth-century vellum worn. Agnelli-Ravegnani I p.186. <br/> <br/> In Venetia: Appresso Pietro Farri, 1619. hardcover
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Book one of two printing the first 30 of 46 cantos.Rare. Adams 1667 Graesse A198. 808pp Size: 16mo . Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. Guglielmo Rouillio hardcover
1924Birmingham: da' Torchj di G. Baskerville Per P. Molini Librajo dell' Accademia Reale e G. Molini 1773. Hardcover. Good. Octavo. Four volumes. I: xxxiv lviii 362pp.; II: ii 450pp.; III: ii 446pp.; IV: ii 446pp. I: 8 b4-g4 1 A8-Y8 Z6 Z6 blank; II: 1 A8-Z8 Aa8-Ee8 Ff2 Ff2 blank; III: 1 A8-Z8 Aa8-Ee8 Ee8 blank; IV: 1 A8-Z8 Aa8-Dd8 Ff4-Gg4 - Gg4 blank 8 4-4 - 4 blank. There is a long list of subscribers and an errata leaf which are bound in volume I. Leaves A8 and D2 in volume 4 are cancels. Contemporary light brown calf gilt spines. Gilt fillet borders. With a portrait and 46 plates the plates drawn by G. Cipriani Moreau le jeune Eisen Cochin fils Monnet J.B. Greuze and engraved by Bartolazzi Launay Longueil de Ghendt Prevost Henriquez Massard Simonet Ponce Duclos Martini Moreau le jeune Choffard Helmon. The portrait drawn by Eisen and engraved by Fiquet. Lacks plate 2 6 7 10 11 14 15 16 19 20 22 31 32 44 and 46. Gaskell 48; Cohen-de Ricci 95; Gamba 62; Guidi p. 111; Agnelli-Ravegnani I pp. 204-206; ESTC T133621; Ray G.N. Art of the French ill. Book 64. <br/> <br/> Birmingham: da' Torchj di G. Baskerville, Per P. Molini Librajo dell' Accademia Reale, e G. Molini, 1773. hardcover
17855067Couret Orleans 1785 1785. Opb. 2 Bände 414 421s.in gutem Zustand KSA35 HC Couret, Orleans 1785, unknown
1570022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
2009DADAX0674035356Brand: Belknap Press 2009-11-15. NEW Edition. hardcover. New. 6.50x2.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Belknap Press hardcover
18188389Milan: Giovanni Pirotta 1818. Hardcover. Very Good. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa and has many fantastic and magical elements. It was a big influence on later works of literature including Spenser's Faerie Queene and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs this is a nice attractive copy with strong tight spine and clean interior. Marbled end pages. Bookplate to front end page. Folio. ITA109201. Giovanni Pirotta hardcover
1556001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown
1603004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. <br/><br/>First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover
1928002354Bari: Gius. Laterza & Figli 1928. Book. Very Good . Trade Paperback. 8vo. Volume primo Canti I-XVI 372 pp. Volume secondo Canti XVII-XXXII 476 pp. . Volume terzo Canti XXXIII-XLVI 447. Brossura editoriale. Coll. Scrittori D'Italia N. 108 109 110. Lightly age-soiled wrappers with small closed tears to bottom and fore-edges. Volume primo 1" taped closed tears at bottom edge spine. Pristine interiors clean tight and strong binding with no underlining highlighting or marginalia. Original printed wraps. Gius. Laterza & Figli Paperback
1818012195Milan Italy: Giovanni Pirotta 1818. Book. Very Good. Buckram. Second Edition. Folio - over 12" - 15" tall. Rebound in brown buckram with spine panel lettered in gilt. xxxvi5471 pp. illus. w/ frontis. engraving of author printed in double column type. The fore-edge margins of the Preface show dampstaining generally light ranging to moderate on several leaves with slight dampstaining affecting only the first several leaves of the text proper not impinging onto any text. Approx. 9 1/2" x 13". Excepting the initial dampstaining the text block is clean and bright a solid Near Fine. The binding is functional rather than ornamental but shows only modest rubbing at corners and spine extremities. Giovanni Pirotta Hardcover
176832081-81Paris M. Prault 1768. With frontispiece portrait of Ariost engr. by Littret 1767 4 engr. pictorial titles by Godefroy after J. M. Moreau 1768 and 1 engr. plate by Aveline after Cochin. 12mo. Contemp. red morocco flat spines richly gilt with two labels gilt arms of King Gustav III of Sweden on upper and lower covers gilt outer and inner dentelles edges gilt. Engr. exlibris Robert Foot and ms. inscr. Caroline and Catherine Foot on flyleaves. Paris M. Prault 1768. Beautiful set of Ariost's poem in the Italian original printed in Paris bound in a fine binding for King Gustav III of Sweden 1746-1792. His reign was a cultural and economic high point in Swedish history. - Brunet I 438 Paris Prault 1746 and 1768. GENEALOGY - HERALDRY ; BINDINGS ; Paris, M. Prault unknown
137248633X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1341746178.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483075329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0483075531.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
182414625Firenze: Presso Giuseppe Molini All’Insegna di Dante 1824. Lievi difetti sulla legatura con cerniera posteriore un poco fessurata all’interno qualche fioritura e alone specie su alcuni fascicoli e occasionali orecchie segna-pagina. Legatura coeva in mezza pelle con titoli dorati fregi e filetti sul dorso in dodicesimo cm 14 x 8 pp 8 772 4 vignetta xilografica sul frontespizio con profilo di Dante Alighieri secondo frontespizio calcografico e antiporta incisi da Carlo Lasinio su invenzione di Francesco Nenci. Completo dell'errata e dell'Avviso finale. Lievi difetti sulla legatura con cerniera posteriore un poco fessurata all’interno qualche fioritura e alone specie su alcuni fascicoli e occasionali orecchie segna-pagina. Giuseppe Molini libraio antiquario e bibliotecario che curò a lungo le collezioni granducali della Biblioteca Palatina Lorense acquisendo importanti codici e manoscritti fu anche brevemente editore editore pubblicando All’Insegna di Dante classici della letteratura italiana riscontrati sui manoscritti e le edizioni antiche di cui era profondo conoscitore tra cui il celebre Decameron papiriforme. Queste Poesie Varie contengono i Cinque Canti i quali seguono la materia del Furioso i Sonetti i Madrigali le Canzoni i Capitoli l'Egloga Dove vai Melibeo. le Stanze le Satire e le Commedie in versi col Prologo alla Cassaria; nella dotta introduzione l'editore rende conto delle edizioni a stampa e dei codici utilizzati per compilare la raccolta delle correzioni affidate ad Antonio Azzi e dell'omissione di quattro componimenti «essendo io stato da forti ragioni convinto non essere i medesimi opera dell'Ariosto»; in calce al volume sono presenti le annotazioni a cura di Antonio Renzi. Gamba 86: «nitida ed elegante edizione»; Agnelli Ravegnani II 52; Brunet I p. 445: «Belle édition»; Graesse I p. 203. Presso Giuseppe Molini All’Insegna di Dante unknown
44916289-nnew. unknown
44916289like new. unknown
3382029049.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
