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88234Nizza Società tipografica 1785. Ganzleder gebunden; marmorierte Einbände reich verzierte goldgeprägte Rücken je 1 grünes und 1 rotes goldgeprägtes Rückenschild Rotschnitt / 5 Bände / Anz. Seiten: XXXVIII 411 381 391 387 404 / 10 x 162 cm / Zustand: sehr gut geringe Alters-/ Gebrauchsspuren; Ecken teils etwas beschabt/bestossen äussere Lagen teils leicht stockfleckig Bibliotheksstempel auf Titelseiten handschriftliche Nummerierung auf Innendeckeln handbeschriftete Papieretiketten an Rücken Nizza, Società tipografica, 1785 unknown
1333048904.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333737793.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528003713.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1832403278Londra : Presso Treuttel Wurtz e Richter 1832. 2nd London edition. Hardcover. Goof copies only in half cloth over paper-covered boards. Spine bands and panel edges rubbed and bumped as with age. Internally bright and clean. Remains a quite-well preserved set overall. Physical description; 3 volumes. Subjects; Italian poetry. Roland Legendary character. Knights and knighthood. Epic poetry. Londra : Presso Treuttel, Wurtz, e Richter hardcover
163469070London: Printed by G. Miller for J. Parker 1634. HARRINGTON John. . Orlando Furioso. in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634.<br> <br> Full Description:<br> <br> ARIOSTO Lodovico. HARRINGTON John translator. Orlando Furioso in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634.<br> <br> Third edition of Harrington's 1591 translation which was the first English edition and remained the only English translation of many years. This third edition is further expanded by the addition of the "Author's Epigrams." Two works in one small folio in sixes 10 5/8 x 7 1/4 inches; 270 x 185 mm. 16 1 Ads 1 plate 423 9 table 1 Title 1 blank 43 1 blank pp. With engraved title-page for the first work and 46 full-page engravings included in the pagination accompanying each Canto. Separate title-page for "Epigrams" with an engraved vignette. Epigrams have a separate title but continuous register. Elaborate engraved head and tail pieces and initials.<br> <br> Contemporary full calf rebacked to style. Spine with red morocco spine label lettered in gilt. Spine stamped in gilt. All edges speckled red. Newer endpapers Fore-edge margins are trimmed close a few times just touching printed marginal notes. Closed tear to bottom margin of S1 barley touching a few letters. T6 with a tear to fore-edge margin with a bit of loss to marginal note. Some various dampstains and other soiling throughout. Some minor occasional offsetting from plates. Overall a very good copy.<br> <br> "Lodovico Ariosto represented the sentiments the passions and the vices and virtues of 16th-century Italians in his epic poem L'Orlando Furioso The Crazy Orlando. This Renaissance classic based on romances popular at the time furnished the framework for the chivalric narrative in Edmund Spenser's The Faerie Queene. Orlando Furioso is a tale of knights dames and courtesies when the Moors invaded France to avenge the death of their king's father. In the story Orlando Roland Charlemagne's nephew and most famous knight falls madly in love with Angelica who is also pursued by many other Christian and Moorish knights. She flees these attentions only to bestow her love in the end on a poor man without rank. Ariosto's view of life reflected throughout the poem is one of ironic disillusionment-love is madness. John Harington 1561-1612 was a witty courtier and godson of Queen Elizabeth. He is also the acknowledged inventor of the flush toilet. According to lore Harington first translated the racy tale of Jocundo from Canto XXVIII and circulated it among the ladies of the Court. The Queen feigned to be shocked by some passages and reprimanded her godson for endangering the morals of her maids of honor. Elizabeth sentenced Harington to stay away from the Court until he had translated the whole of Ariosto's poem. Harington completed the translation by 1591. Harington's Orlando Furioso is one of the major translations of the age freely executed but faithful to the spirit and style of the original. At 33000 lines in length and nearly 6000 lines shorter than the original the translation is seldom exactly what Ariosto wrote shorter in places and expanded elsewhere-with moral truisms added. Each of the forty-six cantos of the poem is preceded by a full-page illustration including the especially risqué one for Canto XXVIII. All are copied strictly or with slight variation from the plates used by Girolamo Porro in a Venice edition printed in 1584. The engravings are unsigned purportedly the work of several engravers including possibly Jodocus Hondius. Clark Library UCLA Chrzanowski 1607a : Regarding the 1607 Second edition.<br> <br> STC 748. Pforzheimer 447.<br> <br> HBS 69070.<br> <br> $3000. Printed by G. Miller for J. Parker unknown
$A18229.- Texto italiano. London. 1783. s.ed. Pequeño 8º. Grabado plena página - XLVII - 272 pgs 1 h - 336 pgs 1 h - 334 pgs 333 pgs. Esmerada holandesa piel nueva hierros tejuelos. Cortes dorados. Muy buen estado. . . Poesía / Idiomas / Italiano / Extranjera Poesía hardcover
101630644X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
17731381573Birmingham: P. Molini and G. Molini 1773. Hardcover. Octavos two volumes. In Fair condition. Bound in full brown calf with gilt tooling to spines. Both boards detached on both volumes; significant red rot to spines and board edges. Ownership inscriptions to front free endpaper of each volume; second free endpaper of vol. 1 is loose but present.<br /> <br> <br /> <br> <br /> CONTENTS: Vol. 1 34 lviii 362 pages -- Vol. 2 2 450 pages. <br /> <br> <br /> <br> <br /> Multivolume set. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br> <br /> <br> <br /> EH Consignment. 1381573. Special Collections - Downstairs. P. Molini and G. Molini hardcover
1018210431.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1143338278.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1148268782.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1975SKU0516476Penguin Classics 1975-08-30. paperback. Good. 7x5x1. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Penguin Classics paperback
184972309Firenze: Felice Le Monnier 1849. 8vo. ITALIAN TEXT. In two volumes. xxiv 516; 572 pp. Half vellum over marbled boards; with blacl leather title labels gilt lettering and decoration to the spines. Endpapers marbled and all edges burnished red. Rubbing to boards and edges and vellum is slightly marked. Rolandl booksellers ticket to the first free endpaper of volume 1. With pencil annotations throughout and ink inscription to the prelims of both volumes and a small sketch of a ship. Ariosto's continuation of Boiaro's unfinished 'Orlando Innamorato' This Italian epic poem is a chivalric romance that tells the story of Orlando - one of the 12 paladins of Charlemagne - who is driven to madness by his love for the princess Angelica. . Near Fine. Half Vellum. 1849. Felice Le Monnier 1849 hardcover
1975SKU0609063Penguin Classics 1975-08-30. paperback. New. 7x5x1. New Textbook Ships with Tracking Penguin Classics paperback
3732666107.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1426443218.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1426443137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1785223942London: Printed for George Nicol 1785. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Full contemporary tree calf spines with gilt onrnaments and red and black labels. Bindings a bit rubbed at joints small chips internally near fine. Blake William. Second Edition. Illustrated with 8 engraved plates designed by Kauffman Thomas Stothard Metz and Hamilton 3 plates in Vol. I; 1 plate in vol. II; 2 in Vol. III; and 1 each in vols. IV & V including the plate facing p. 164 of volume 3 engraved by William Blake after the drawing by Thomas Stothard. 5 vols. 8vo. Hoole's translation in decasyllabic rhymed couplets first appeared in 1783 with these illustrations. The Blake engraving dramatically illustrates Orlando brandishing an uprooted tree for which Blake altered the original Stothard drawing in interesting ways cf. Essick figs. 34 & 35. Most notably Blake enlarged the roots of the uprooted pine dramatically with an effect far more 'furious' than the original. Essick XII; Bentley 1977 417; Keynes 1921 96; Easson and Essick II; Lowndes 64 Printed for George Nicol unknown
338700110X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0554326736.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008DADAX1436614546Kessinger Publishing 2008-06-02. hardcover. New. 6.00x1.06x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
2008DADAX1436663105Kessinger Publishing 2008-06-02. hardcover. New. 6.00x1.13x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
18463220506Barcelona.: Juan Oliveres. 1846. Hardcover. Firma del anterior propietario. Good. 17 cm. 322 p. Encuadernación en tapa dura artesanal con lomo en piel. Colección 'Tesoro de autores ilustres' numero coleccion54. Ariosto Lodovico 1474-1533. Traducido en verso castellano por Augsto de Burgos. Burgos Augusto de. n. 1813 . Firma del anterior propietario. Literatura italiana 821.131.1-13"15" Juan Oliveres. hardcover
175616169Arezzo: Michele Bellotti Stampatore. Good with no dust jacket. 1756. Hardcover. Edgewear chipping to front board of volume two front paste-down of volume two detaching at bottom edge from board some text stains not affecting legibility some minor worming not affecting text in volume two otherwise light wear. Spine labels reverse volume numbers. Solid oversize hardcovers. ; Bilingual Italian and Latin languages in parallel columns. Two of two volumes complete set. Engraved portraits of Ariosto and Barbolani by Andrea Bolzoni. Signatures: v. 1: a4 A-3G4 3H6 -- v. 2: A-3G4. Title-page of t. 1 in red and black; title vignettes; decorative initials head and tail pieces. Period half leather binding with marbled boards and endpapers red spine labels with gilt lettering gilt spine rolls and decoration and black and red edge decor. Custom bookplate of Vera Kossovski on both paste-downs. Attractive 18th-century printing of the classic Italian epic poem of Lodovico Ariosto with the First Edition of the Latin translation of Torquato Barbolani. ; vii 435; 421 3 in 2v pages . Michele Bellotti Stampatore hardcover
