1 476 résultats
3-84631Ferrara per Domenico Taddei e figli 1875 due volumi in-8vo brossura originale pp. XX 511 546 2 con un ritratto dell'Ariosto in antiporta del primo volume e stemma della famiglia Ariosto al retro del frontespizio del secondo volume. Dorso del primo volume spaccato interno in ottimo stato. unknown
196233993Torino: Einaudi 1962. A cura di Carlo Muscetta e Luca Lamberti Einaudi unknown
2-93605Torino Einaudi 1962 due volumi in-8vo tutta tela editoriale con titoli e fregi dorati al dorso decorato in azzurro e oro sovraccopertina plastificata trasparente e cofanetto cartonato illustrato a colori pp. XXXIX-1698 con una tavola a colori alle antiporte e con numerose tavole a colori fuori testo. Millenni 27 - Parnaso italiano V hardcover
2-33928Milano Ricciardi Ediore ma Roma Istituto della Enciclopedia Italiana 2004 un volume in 8vo elegante legatura in mezza pelle con titoli e fregi dorati ai piatti e ai dorsi cofanetto cartonato editoriale muto pp. 1248. Stato di nuovo. Collana La letteratura Italiana storie e testi Volume 19. unknown
195428741Milano-Napoli: Ricciardi 1954. a cura di Lanfranco Caretti Ricciardi unknown
1967045947Milan: Electa 1967. First Edition. Softcover. Near Fine Condition. Fabrizio Clerici. 3 volumes in slightly worn slipcases 1 text volume and 2 plate volumes. In English Heroical Verse by John Harington 1560-1612. 158 finely executed illustrations many double page - a few tiny creases and marks generally fine internally chemises with very slight wear modest wear to slipcases. A very fine edition of Orlando Furioso with a remarkable array of illustrations by Clerici; one of 150 copies. The racy beginnings of Harington's translation of Orlando Furioso got him banished from Queen Elizabeth's court until he finished his translation which it was assumed he would be unable to do but he completed it in 1591 and returned. Size: Folio. Illustrator: Fabrizio Clerici. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Literature & Literary; Poetry. Inventory No: 045947. <br/><br/> Electa paperback
160318663Venetia: Vencenzo Valgrifi 1603. A very early printing of the complete and corrected ORLANDO FURIOSO also with the Life of Ariosto by Battista Pigna. Letters tables and scholarly critical works by Ruscelli and others. Magnificently illustrated with 51 full-page woodcut engravings within ornate borders using the blocks from the first Valgrisi quarto edition of 1556 46 in the ORLANDO 5 additional in the appended “Cinque Canti†also with engraved architectural titlepage imprint set in type in a cartouche in the lower part of the border type ornament with the title medallion portrait of Ariosto from the Giolito portrait of 1542 from the profile by Titian devices of Ariosto and Valgrisi’s serpent device half titles and beautifully engraved decorated large head and tail pieces and large historiated and arabesqe capital initials printed in double column Italic. 4to full antique Italian vellum over stiff boards spine with terra-cotta morocco label lettered and decorated in gilt. 8 A - Z8; Aa - Vv8; ie xvi 654 32. A very handsome copy in proper period binding. The paper just likely mellowed and toned by time very occasionally headlines slightly shaved first gathering cropped a bit the vellum very well preserved sturdy and handsome. RARE AND EARLY ILLUSTRATED PRINTING OF ONE OF THE FOUR CORNERSTONES OF ITALIAN LITERATURE. Ariosto’s great cantos inspired by the crusades are considered his crowning achievement. Though first published in 1516 Ariosto considered this edition incomplete and imperfect. He continued to work on correcting and enlarging it throughout the remainder of his life thus the first “complete†ORLANDO FURIOSO was not produced till 1532 the year prior to the author’s death by consumption.<br> The extraordinary merits of this work cast into oblivion the numberless romantic poetry which inundated Italy during this period. This flawless work powerful elegant and cultivated. In description and narrative he excites the reader’s deepest feelings and displays a vivacity of fancy with which no other poet can vie.<br> ‘The ORLANDO blocks were cut for Valgrisi’s first quarto edition of 1556 and follow Niccolo Zoppino’s idea of providing one illustration to each canto but going far beyond the Zoppino blocks in skill of design and cutting. They are the first full-page illustrations for Ariosto. They were placed in the instructive tradition of the Marcolini Dante the illustration is mentioned on the title-page and at the beginning of Ruscelli’s 1556 dedication to Alfonso d’Este Duke of Ferrara. Ruscelli explains to the reader the application of the rules of perspective to the multiple scenes in these cuts. The upper part of the block often becomes a map offering as Philip Hofer notes a tour of the canto by hippogryph. Valgrisi’s artist often varied from Giolito’s in his choice of the principal scene for illustration and relegated the Giolito subjects to his background. Valgrisi’s blocks are printed within borders with figures and grotesques. He was able to use the same blocks without borders in an octavo of 1556 for the popular market. There are two different border designs for the illustrations and two smaller cherub borders for the “argomento†to each canto.’ Vencenzo Valgrifi hardcover
1968006807Bobbs-Merrill Co 1968. 1st Edition. Hardcover. Good/Good. Octavo. First thus. Green cloth boards with gilt lettering on spine pictorial dust jacket. Cocked edge wear on boards boards mildly bent some smudges and spots on edges of text block. Jacket has creasing closed tears sunning/toning a few small chips and one or two small stains. Now in protective mylar. Scarce in hardcover. Bobbs-Merrill Co hardcover
25087London: C Bathurst T. Payne et al. 1783. 5 volumes. cxxxii336 iv408 iv428 iv438 and iv322pp. half-title present in each volume. Original quarter calf over marbled boards marbled edges vellum corners. 8 engraved plates as called for including the Blake illustration in volume 3. An impressive set. . First edition thus. A very pure eighteenth century binding with some chips and wear the most serious being a weakness to the upper hinge of volume 1. Please ask for condition notes. London: C, Bathurst, T. Payne et al. 1783. hardcover
1834elala1621London: William Pickering 1834. 1834. 4 Volumes. 8vo. 1 p.l. vii-viii clxxvi 198 79; 2 p.l. 436; 2 p.l. 424; 2 p.l. 330. woodcut frontis. portrait. woodcut printers device on title. very handsome contemporary binding of full vellum over bds. by Hayday gilt tooled spines gilt inside dentelles all edges gilt covers bowed. First Panizzi Edition. Usually found with Panizzis edition of Bioardos Orlando Innamorato published by Pickering in 1830 in five volumes. Keynes p. 90. 1st Edition. Hardcover. London: William Pickering, 1834. Hardcover
8437619831.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020415398.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1426442572.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19759480504Manchester University Press 1975. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen markings. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:0719004985 Manchester University Press hardcover
1140876074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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0656787325.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666406693.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1426442491.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback