866 résultats
107906Paris, Paulin, Libraire-Editeur, 1836, 6 volumes in-8 de 220x140 mm environ, Tome premier en 2 parties, 1848 pages (pagination continue sur les 2 volumes) - Tome deuxième en 2 parties, 2168 pages (pagination continue sur les 2 volumes) - Tome troisième en 2 parties : 2235 pages (pagination continue sur les 2 volumes), reliures signées, demi maroquin à coins chocolat, dos à nerfs portant titres tomaisons et date dorés, gardes marbrées, têtes dorées, feuillets non rognés avec fréquents petits défauts de marge. Quelques rousseurs et pages légèrement brunies, petites déchirures dans les marges, certaines restaurées (Tome 1, deuxième partie p. 1600, et tome 3, première partie p.1101), des erreurs de pagination dans le tome II, p. 937 à 944 (cahier 118) sans manque, et dans le même volume cahier 220 (8 pages) mal numéroté (sans manque), frottements sur les nerfs coupes et coins. Imprimé sur 2 colonnes par page.
1785320871785. S.l. Editions d'Art Seper / Le Chant des SphÂres / Arts et couleurs 1986. 2 forts vol. au format pt in-4 262 x 205 mm de 201 et 216 pp. Reliures d'ÂŽdition de plein skyvertex lie-de-vin ˆ l'imitation de maroquin filets d'encadrement dorÂŽs et ˆ froid sur les plats lesquels s'ornent d'une large frise d'encadrement ˆ froid composition figurative en relief au centre frappÂŽe des armes dorÂŽes de France jeux de filets en relief formant croisillons sur fond de lys en relief fleurons dorÂŽs dos ˆ nerfs ornÂŽs de filets maigres ˆ froid caissons d'encadrement dorÂŽs entrelacs de fleurons en relief ˆ froid armes de France et fleuron hÂŽraldique dorÂŽs titre dorÂŽ tomaison dorÂŽe tÂtes dorÂŽes gardes de pleine moire lie-de-vin sous ÂŽtuis bordÂŽs. Un des exemplaires du tirage numÂŽrotÂŽ ; complet de son certificat d'authenticitÂŽ volant. Ensemble complet des deux volumes le constituant. Chacun s'agrÂŽmente de nombreuses autant que dÂŽlicates compositions en couleurs par Jean Gradassi. ''Toutes les illustrations de cette collection en trois volumes vÂŽritables reconstitutions historiques en couleurs ont ÂŽtÂŽ reproduites ˆ partir de sÂŽlections manuelles et rehaussÂŽes d'aquarelle au pochoir. ConfÂŽrant ˆ cette ÂŽdition une grande valeur artistique''. ''PassionnÂŽ d'Histoire Jean Gradassi se spÂŽcialise dans cet art difficile qu'est l'illustration et pour lequel l'ÂŽtude des costumes civils et militaires de l'architecture du mobilier d'ÂŽpoque sont une base indispensable ˆ sa crÂŽation artistique o chaque dÂŽtail mÂŽrite d'Âtre examinÂŽ ˆ la loupe. Quand on sait avec quelle minutie et quel souci du dÂŽtail chaque architecture chaque costume chaque personnage sont mis au point et avec quelle Ç maestria È dans la couleur il parvient ˆ faire vivre toutes ces scÂnes spirituelles et animÂŽes on est transportÂŽ d'admiration pour son art''. Voltaire cÂŽlÂbre ici les idÂŽes progressistes des LumiÂres fait ÂŽtat des avancÂŽes culturelles techniques et ÂŽconomiques rÂŽalisÂŽes au cours du rÂgne de Louis XV. TrÂs belle condition. b42961 unknown
175628383London: Jean Nourse 1756. two volumes in one full contemporary calf binding five raised bands on spine binding quite sound and tight text clean and sound original owner signature on front endpaper along with price paid for the book. First London edition in the original French. First Thus. Full-Leather. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Jean Nourse Hardcover
2d7613Neue verbesserte Auflage. Christian Friedrich Himburg Berlin 1782. XXVIII/224 S./2 Bl./114 S./1Bl. Pappband der Zeit mit handbeschriebenem Rückentitel etwas berieben bestossen und fleckig/Innengelenke und Vorsätze erneuert/Titel mit Bildausschnitrt dieser ersetzt durch passende Lithographie der Zeit. - Fromm VI 26944/Wohl der dritte Berliner Druck der zuerst 1778 erschienenen Übersetzung durch Wilhelm Christhelf Siegmund Mylius 1754 - 1827. Im selben Jahr 1782 erschien bei Himburg eine zweite mit fünf Tafeln von Chodowiecki illustrierte Ausgabe dieser Übertragung mit der leicht abweichenden Bezeichnung "Neue Auflage" eine vierte Ausgabe folgte 1794 vgl. Goedeke. In der Vorrede zur ersten Auflage weist Mylius auf die Besonderheit seiner Übersetzung hin die in der Übertragung von Personen satirischen Anspielungen etc. auf deutsche Verhältnisse besteht. In der Vorrede zur zweiten Auflage musste er sich gegen harte Kritik zur Wehr setzen. Vom Standpunkt der Übersetzungstheorie betrachtet eine sehr interessante Übertragung mit einer Fülle von treffenden und kraftvollen Wortneuschöpfungen. Die Titelvignette zeigt Voltaire bei der Arbeit - unknown
1981312788New York: Franklin Library / Oxford University Press 1981. First Edition; First Printing. Hardcover. Illustrated by Antoni Clave. Near Fine Bound in one quarter premium full leather. Accented in 22kt gold. Printed on archival paper with gilded edges. Decorated endsheets and with a silk ribbon page marker. Smyth sewing and concealed muslin joints.; First Franklin Library Edition. Franklin Library / Oxford University Press hardcover
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown
179665253Catskill: Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck New York 1796. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 1 vols. 12mo. Contemporary sheep morocco label; front joint cracked. Marginal browning of text browning or staining of endpapers else a very good copy with the contemporary signature of John Gebhard Jr on free endpaper. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 1 vols. 12mo. The editor notes on the advertisement leaf that he recognizes that there might be criticism for the translation and publication of this work "on account of the author's freedom in regard to matters of religion" but feels that the quality of the work exceeds its criticisms and the "True religion is not afraid of bearing the strictest examination." There was strong interest in the French writers of "free thought" and "intellectual liberalism" in America in the eighteenth-early 19th century especially Voltaire and Condillac. The Enlightenment in France greatly influenced the American enlightenment. Library Company of Philadelphia "First American Editions" p. 5; Shipton and Mooney 31518 Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck, New York unknown
1867mon0003537430Paris: Aux Bureaux du Siecle 1867. Hardcover. Good. . 9-volumes-in-5. covers show minor wear tear rubbing. pages tanned and clean. Paris: Aux Bureaux du Siecle hardcover
17627601Geneva: Cramer 1762. First Edition. Hard Cover. Very Good. Octavo. 358 pages. The first authorized edition with a number of piracies appearing before this epic based upon the life of Joan of Arc. Twenty plates by Gravelot. The ornament on the title page is the same as the one on the 1759 first edition of Candide. Contemporary 3/4 brown leather all edges stained red; a few letters lost on red label on spine; some scuffing and edge wear; light marginal stain not affecting text on about 50 leaves; overall a very good copy. <br/><br/> Cramer hardcover books
179665253Catskill: Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck New York 1796. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. Contemporary sheep morocco label. Careful restoration of spine marginal browning of text browning or staining of endpapers else a very good copy with the contemporary signature of John Gebhard Jr on free endpaper. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. The editor notes on the advertisement leaf that he recognizes that there might be criticism for the translation and publication of this work "on account of the author's freedom in regard to matters of religion" but feels that the quality of the work exceeds its criticisms and the "True religion is not afraid of bearing the strictest examination" Library Company of Philadelphia "First American Editions" p. 5; Shipton and Mooney 31518 Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck, New York unknown books
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown books
17755953Geneva: Cramer et Bardin 1775. Edition encadré" volume 11. Volume 11 only of the 40-volume "edition encadré" published in 1775 by Cramer et Bardin the last edition of Voltaire's works published under the author's supervision. Then as now La Pucelle d'Orleans was Voltaire's most consumed work so it is not surprising to find this volume detached from the its 39 companions. Voltaire's greatest poem but not the one you read in school. With Ariosto in mind Voltaire rewrote the Joan of Arc story with all the wit and critical distance of an 18th-century libertine. The result is that France's sainted woman warrior becomes the vehicle for an intelligent and licentious burlesque. Good and right-thinking people have always found it offensive but it doesn't really care. Nice binding charming illustrations. Octavo 21 cm; 420 pages portrait frontispiece by Martinet and 21 engraved plates. Text within typographic borders. Bound in contemporary etched leather scored in gilt. Spine decorated in gilt with leather labels. Marbled endpapers. Boards somewhjat splayed. Negligible loss at head and tail. Hinges starting. Upper joint reinforced. Contents clean. References: Cohen-De Ricci 1042; Bengescu Voltaire IV #2141 [Cramer et Bardin] hardcover books
175972214Amsterdam: Chez François L'Honore 1759. Nouvelle Edition. Full Leather. Good. Originally done as two volumes this is the one volume edition with 3 parts bound as one with seperate paginations. 17 x 10 cm. 16mo. xix 192pp La Henriade 96pp Histoire Abregee 96pp Essay sur la Poesie Epique. Bound into full brown leather with leather spine label and gilt decorations to spine. Marble endpapers and foredges. 11 full page illustrations including a frontispiece and an illustration in front of each of the 10 sections of the poem. French language text. Top 3 cm of front cover hinge are cracked and head of spine and corners of boards show rubbing and chipping. Previous owner's bookplate on front fixed endapepr. Cohen pg 1025. Chez François L'Honore unknown
17627601Geneva: Cramer 1762. First Edition. Hard Cover. Very Good. Octavo. 358 pages. The first authorized edition with a number of piracies appearing before this epic based upon the life of Joan of Arc. Twenty plates by Gravelot. The ornament on the title page is the same as the one on the 1759 first edition of Candide. Contemporary 3/4 brown leather all edges stained red; a few letters lost on red label on spine; some scuffing and edge wear; light marginal stain not affecting text on about 50 leaves; overall a very good copy. <br/><br/> Cramer hardcover
85893Venedig Francesco Pitteri 1739. 8:o. Grav. porträtt iii-xxiv 199; 117 1 3-92 s. Lagerfläckig. Något nött samtida pergamentband ryggen med guldornerad beige titelfält. Rester av stämpel på porträttets baksida. Jmf Warmholtz 5946 noten som dock inte känner till någon italiensk översättning. Detta är den tredje upplagan av den italienska översättningen av Voltaires klassiska verk om Karl XII. Det franska originalet utkom 1731 och överättningar till engelska holländska och tyska utkom inom några få år liksom den första italienska som kom 1734. Den andra kom 1736. År 1744 utkom ytterligare en upplaga även den kallad för tredje. Porträttet i helfigur är graverat av Gioseffo Filosi verksam i Venedig mellan 1732 och 1744 och återfinns troligen endast i den italienska upplagan. unknown
173223422London: C. Davis and A. Lyon 1732. 8vo pp. 12 371 1; engraved frontis portrait and a folding map; contemporary paneled calf gilt-decorated spine red morocco label; some rubbing but generally good and sound or better. <br/><br/> C. Davis and A. Lyon unknown books
173223422London: C. Davis and A. Lyon 1732. 8vo pp. 12 371 1; engraved frontis portrait and a folding map; contemporary paneled calf gilt-decorated spine red morocco label; some rubbing but generally good and sound or better. C. Davis and A. Lyon unknown
176155301BBFrankfurt am Mayn, bey Johann Gottlieb Garbe, 1761. 8°. Gestochenes Frontispiz, 15 n.n. Bl., 493 S. Mit gestochener Titelvignette. Pappband der Zeit mit späteren Kleisterpapierbezügen und handschriftlichem Rückenschild.
176018114Amsterdam 1760. Comedie en trois actes en vers. Donnée sur le Théatre de Carouge Pres Genève en 1758 Einbd. Wenig berieb. EA 8°. Hldr. Frankreich unknown
1741138991741. A Londres Rouen aux dÂŽpens de la Compagnie 1741. 2 ouvrages reliÂŽs en 1 vol. in-12 163 x 97 mm de 1 f. bl. 3 ff. n.fol. et 212 pp. ; 1 f. bl. 4 ff. n.fol. 60 pp. et 1 f. bl. Reliure de l'ÂŽpoque de plein veau marbrÂŽ havane plats jansÂŽnistes dos ˆ nerfs ornÂŽs de filets gras ˆ froid caissons d'encadrement dorÂŽs fleurons et fleurons stylisÂŽs dorÂŽs filets dentelÂŽs dorÂŽs palette dorÂŽe en queue jeu de petits filets obliques dorÂŽs sur les coupes toutes tranches mouchetÂŽes. Edition en partie originale. Jolies pages de titre ˆ la sphÂre. RÂŽunion en un volume des Recueil et Nouveau recueil de piÂces fugitives. ''La premiÂre ÂŽdition du Recueil paru en 1740 et fut immÂŽdiatement condamnÂŽe par arrÂt du conseil. Depuis cette publication le nombre de poÂŽsies de Voltaire s'est considÂŽrablement augmentÂŽ. A chaque rÂŽimpression soit sÂŽparÂŽe ou faisant partie des premiÂres ÂŽditions des oeuvres de l'auteur Voltaire a nÂŽcessairement ajoutÂŽ ce qui dans les unes comme dans les autres ne se trouvait pas dans la prÂŽcÂŽdente. D'un autre c™tÂŽ des ÂŽditeurs sont venus qui avaient recueilli des piÂces qui n'ÂŽtaient point encore connues et les ont fait imprimer''. in QuÂŽrard. QuÂŽrard X Bibliographie voltairienne 89. Angles ÂŽmoussÂŽs. LÂŽger manque superficiel pouvant affecter coupes et coiffes. Coiffe supÂŽrieure arasÂŽe. PiÂce de titre absente. Quelques rousseurs dans le texte. Nonobstant belle condition. Rare. b42961 unknown
198579477Oxford: The Inky Parrot Press 1985. patterned paper-covered boards slipcase. Inky Parrot Press. small 4to. patterned paper-covered boards slipcase. x 1411 pages. Printed in an edition limited to 360 numbered copies. Translated by Richard Aldington. Signed by the illustrator Wilton Priestner. Profusely illustrated with slightly disturbing almost surreal line drawings that push the satirical tone of the story itself to a new level. The modern edgy drawings are evidence of the relevancy and adaptability of the work of the eighteenth-century French writer Voltaire. The imagery does not exactly match up with the moment of the story it illustrates but rather offers a highly interpretive version of the events as told by Voltaire. For example whereas the text reads ".she observed Doctor Pangloss in the bushes giving a lesson in experimental physics to her mother's waiting maid a very pretty and docile brunette" the illustration shows a couple copulating in the garden. Paper covered boards and the slipcase also with drawings by Priestner. With shoulder notes. The Inky Parrot Press unknown books
1930000011623New York: Williams Belasco and Meyers 1930 1930. Later edition. Hardcover. Near Fine/Very Good. 8vo. 4 7-144 pp. Navy cloth with gold lettering on the front board and spine gold decoration on the front board. Price of $7.50 on the front panel of the dust jacket. With six full-page illustrations by Mahlon Blaine. With the glassine dustwrapper. Included is a publisher's announcement advertising Blaine's Candide and Aubrey Beardsley's Salome. A striking edition of Voltaire's masterful lampoon of Leibniz' "best of all possible worlds" theory. The jacket and the glassine wrapper have a few chips. Williams, Belasco, and Meyers [1930] hardcover
1985BC06E-008Oxford: The Inky Parrot Press 1985. Book. Illus. by Priestner Wilson. Very Good. Hardcover. 4to - over 9" - 12" tall. Hardcover in Slipcase. Signed by the illustrator. Number 107 / 360. Binding tight and square. Pages clean and free of writing or marks. Spine show an even lightening. BC06Ee. The Inky Parrot Press Hardcover
175920441759 Sans Nom (éditions Cramer), sans Lieu, 1759-1765. 2 volumes petit in-8 demi basane (moderne). (xxxix), 302, 283 pages. Frontispice (portrait de la Tsarine Elisabeth, d'après une médaille). 2 cartes rempliées, couleurs aux frontières, une carte gravée (sur bois) in texte au 2ème volume. "par l'auteur de l'histoire de Charles XII"
11232Paris, Prault, 1738. 1 vol. in-8°, demi-veau vert, dos lisse orné de fleurons dorés, pièce de titre en maroquin vert, tranches rouges. Reliure de la fin du XIXe s. Ex-libris au contreplat G. Martenet. Titre orné d'une vignette, 1 fig. h.-t. par Moreau le jeune, (4) ff., 104 pp., (1) f.