Thomas Frognall DibdinBiblio.com
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A9781163129203Paperback / softback. New. paperback
B9781163129203Paperback / softback. New. paperback
62492583Cambridge University Press CUP pp. 488 . Papeback. New. Cambridge University Press CUP unknown
0483180459.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18361227522 vols. London: J. Major 1836. 2 vols. royal 8vo. i-v vi-xxxii 41 2- 556 pp.; 2 557-982 pp. 44 pp. index. 10 plates. Later polished brown calf gilt backstrips red and green labels gilt edges bookplates of Charles Sebag-Montefiore. § First edition the regular edition which was printed in an edition of 1250 copies. A handsome set. Dibdin’s autobiography contains a wealth of information on bookselling and collecting at the beginning of the nineteenth century when “bibliomania†was born. Includes the index "the 44 page index issued some months later is often lacking". Windle & Pippin A62 J. Major unknown books
022402387X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
003126London: printed for G. Kearsly No. 46 Fleet-Street 1778. . Soft cover. Very Good. Octavo. 28pp. With the half-title present. First edition. Disbound. ESTC T32925. <br/> <br/> London: printed for G. Kearsly, No. 46, Fleet-Street, 1778. paperback
05844London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. Six Fine Hand-Colored Lithographed Views of Torquay and Babbicombe<br /> <br /> DIBDIN Thomas Coleman. Vivian Edward. Scenery of Torquay and Babbicombe. London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841.<br /> <br /> First edition. This copy issued without title-page and five text leaves. Oblong folio 12 5/8 x 17 1/2 inches; 321 x 444 mm. Six fine hand colored plates on thick card drawn by T.C. Dibdin from a sketch by Edward Vivian Esquire lithographed on stone by W. Gauchi and printed by M. & N. Hanhart all with tissue guards. Plate image size 8 x 11 3/4 inches; 203 x 298 mm. Plates lightly foxed mainly in blank margins. An excellent example <br /> <br /> Publisher's maroon roan backed limp brown pebble-grained cloth front cover lettered in gilt "Environs of Torquay" same as the Abbey copy. Spine a little worn at extremities. Housed in a brown buckram clamshell case front panel with black morocco label lettered in gilt "Dibdin / Environs of Torquay / 1841".<br /> <br /> Abbey Scenery 332 calls for five plates only; Our copy has "Torquay from the summit of Park Hill" lithographed by Day & Haghe after E. Vivian bound as plate number five.<br /> <br /> Rare: We have been unable to trace any other copies.<br /> <br /> Thomas Robert Colman Dibdin 1810-1893 was an English water color artist and teacher. He became an artist at the age of 28 and traveled to France Germany and Belgium. He also did paintings in Gibraltar and India although the latter were created in England based on detailed sketches. In 1845 he published a guide to water color painting.<br /> <br /> Edward Vivian 1808-1893 was an influential figure in the development of Torquay particularly noted for his extensive contributions to the town's social and educational institutions. Born in 1808 Vivian was educated at Oxford University where he developed a broad range of interests and skills. His first encounter with Torquay occurred during a sailing trip along the coasts of Wales and Devon a discovery that ultimately led him to settle in the town.<br /> <br /> Vivian's dedication to enhancing the lives of the working classes was a driving force behind his involvement in numerous local initiatives. As the first treasurer of the Torquay Museum Society he played a pivotal role in its establishment and growth. His work Scenery of Torquay and Babbicombe published around 1841 featured five hand-colored lithographs and depicted the picturesque landscapes of Torquay and Babbicombe reflecting his artistic talents and his appreciation for the area's natural beauty.<br /> <br /> Vivian was also an avid sportsman horticulturist photographer artist and illustrator. These interests were not only personal hobbies but also areas in which he sought to engage and elevate the community. His artistic skills in particular are well represented in the Torquay Museum's collections showcasing his ability to capture and convey the beauty of his surroundings.<br /> <br /> Edward Vivian's multifaceted contributions to Torquay left a lasting legacy cementing his reputation as a great Victorian polymath whose work significantly impacted the moral and intellectual upliftment of the local working classes. His diverse skills and relentless dedication to social improvement continue to be celebrated through the institutions and collections that thrive in Torquay today.<br /> <br /> The Plates:<br /> <br /> 1. Tor Church<br /> 2. Torbay from Tor Abbey Sands<br /> 3. Torquay from Waldron Hill<br /> 4. Torquay from Park Hill<br /> 5. Torquay from the summit of Park Hill lithographed by Day & Haghe<br /> 6. Babbicombe from Petit Tor<br /> <br /> Abbey Scenery 332; Bobins IV 1427. London: Cockrem, Elliott, and Barrett; R. Ackermann and Co., ca. 1841 unknown
199651982ECON TASCHENBUCH 1996. 1. softcover. ECON TASCHENBUCH paperback
1241374228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781298909886Hardback. New. hardcover
1146246250.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1298909880.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1357097352.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483783811.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20042111902161003980Kawade Shobo Shinsha 2004. Soft Cover. Fine. Number of pages: 341p Size: 15cm Kawade Shobo Shinsha paperback
BBS-032502David Longworth. Hardcover. Good. Six plays bound together into one book. Title pages dated 1808-1812. 12mo. 3.5 inx5.5 in. 433 total pages. All published by David Longworth at the Dramatic Repository Shakespeare Gallery New York. lacks indramatis personae in page for Family Quarrels. full calf. gilt spine titling. cover rubbed and shelfworn at edges. light foxing throughout. bookplate. withdrawn from academic library. remains of pocket on rear endpapers. owner's notations on verso of front flyleaf. expected library markings and property stamps. interior pages unmarked. binding tight and solid. David Longworth hardcover
18209959London: J. Duncombe; John Cumberland; T. Dolby c1820 -1830. Six imprints bound as one in half calf over marbled boards; bumped and scuffed to corners and boards; six panelled spine good; a sound and square copy. Endpapers and flyleaves age toned and water marked; a handwritten 1961 ownership inscription to top of front free endpaper; text block unmarked; tender over gutters front and rear. 1. Demon of the Desert; or The Murderer's Sacrifice: A Melo Dramatic Spectacle in Two Acts. By A L Campbell. J. Duncombe: London c1830. 36pp. 2. Ivanhoe; or The Jew's Daughter: a Romantic Melo Drama in Three Parts. By Thomas Dibdin. John Cumberland: London c1820. 64 pp. 3. The Gambler's Fate; or a lapse of Twenty Years. By Charles Thompson. John Cumberland: London c1827. 52pp. 4. The Maid of Genoa; or The Bandit Merchant. By John Farrell. J. Duncombe: London 1848. 24pp. 5. The Duenna A Comic Opera. By Rt Hon R.B. Sheridan. T. Dolby: London 1823. 59pp. 6. Clari; Or the Maid of Milan in Two Acts. By John Howard Payne. John Cumberland: London c1830. 40pp. Please contact Christian White Rare Books Ltd for more information or images of this item 1823 J. Duncombe; John Cumberland; T. Dolby hardcover
1804500034882London: Barker & Son 1804. First Edition. . Hardcover. Good. 19pp 23 p. A new edition. 27pp 23pp 30pp new edition 28pp published Woodfall not in British Library8pp8pp8pp8pp. All bound in one contemporary volume disbound <br/> <br/> Barker & Son hardcover
1841051179London: John Murray Albemarle Street 1841. First Edition First Printing . Hardcover. Very Good. 12mo - over 6¾ - 7¾" tall. George Cruikshank. Signed binding by "Root & Son." Hardcover bound in 20th century 3/4 morocco with raised bands on the spine. Spine designs in gilt and with Cruikshank's facsimile signature in gilt on the spine. The binding shows light to moderate wear; the front hinge shows some rubbing. Top edge gilt. Signed in type by the binder at the top verso of the front flyleaf "Bound by Root & Son". Patterned endpapers. A sound copy with clean text. Illustrated with 10 engravings. The "Songs" are text only poetry; there is no scored music in this work. Please note: Only the binding is signed in type. This book is NOT signed by either the Dibdins or by Cruikshank. <br/> <br/> John Murray, Albemarle Street hardcover
184159843London: John Murray Albemarle Street publisher to the Admiralty 1841. Small 8vo pp. xxxi 1 328; frontispiece and 11 engraved plates after the humorous nautical drawings of Cruikshank; original green cloth stamped in gilt on upper cover and spine; small crack at the top of the spine else very good and sound. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Cohen 231. John Murray, Albemarle Street, (publisher to the Admiralty) unknown
1165803755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
110446991X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18419002830London: John Murray 1841. Hardcover. Very good condition. George Cruikshank. Collected and arranged by Thomas Dibdin with characteristic sketches by George Cruikshank. Bound in contemporary full brown calf with rules stamped in gilt on the covers and spine. The title is stamped in gilt on a black label on the spine. Five raised bands on the spine. Top edge gilt. Marbled end papers. From a non-circulating library with bookplate and a pocket at the rear. Wear at the head and the heel of the spine. Front board detached. <br/><br/> John Murray hardcover
