Thomas Frognall DibdinBiblio.com
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A9781346087726Hardback. New. hardcover
1528011414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781163308066New. unknown
B9781163308066New. unknown
2015x-1108076513Cambridge University Press 2015. Paperback. New. 684 pages. 9.60x6.70x1.50 inches. Cambridge University Press paperback
2015x-1108076521Cambridge University Press 2015. Paperback. New. 560 pages. 9.60x6.80x1.20 inches. Cambridge University Press paperback
2015x-110807653XCambridge University Press 2015. Paperback. New. 588 pages. 9.60x6.70x1.30 inches. Cambridge University Press paperback
6133489943Cambridge University Press CUP pp. 588 Index. Papeback. New. Cambridge University Press CUP unknown
6133489941Cambridge University Press CUP pp. 684 . Papeback. New. Cambridge University Press CUP unknown
6133489940Cambridge University Press CUP pp. 560 . Papeback. New. Cambridge University Press CUP unknown
181748738London: printed for the author by W. Bulmer & Co. Shakespeare Press 1817. First edition 3 volumes imp. 8vo 37 plates including 2 folding plus many other engraved vignettes and woodcut illustrations and facsimiles in the text several printed in color several mounted plus one mounted red leather label printed in gold; later full tan morocco triple gilt rules on covers gilt-lettered direct on gilt-decorated spines a.e.g.; a few of the plates a bit spotted else a very nice copy. Without the oft-missing "Presentation in the Temple" plate in vol. I. This is the only edition of one of Dibdin's most famous books there were 50 on large paper and certainly one of the best printed. Dibdin destroyed the plates for the book at a meeting of the Roxburgh Club. "This work forms one of the monuments of typographical bibliography. As in the style of its production it is the most sumptuous so in the nature of its contents it may be said to be one of the most interesting books relative to ancient and modern printing" Bigmore & Wyman. "The work is written in the same dialogue manner as the Bibliomania with the same interlocutors and may be properly described as a continuation of it. It is perhaps the most lavish of all Dibdin's works" Jackson. Hart 186: "A bibliographer's classic that marks the beginning of the general recognition of bibliomania as a plaything for wealthy." Bigmore & Wyman pp. 169-170; Jackson 40; Lowndes I 640; Windle and Pippen A28. <br/><br/> printed for the author, by W. Bulmer & Co., Shakespeare Press hardcover books
1817306781London: Printed for the author by W. Bulmer and Co. Shakespeare Press 1817. First edition. Hundreds of engravings and examples of type etc. Slip announcing vol. IV of Typographical Antiquities inserted before half title of Vol. I. 3 vols. Imperial 8vo. Original drab boards printed spine labels untrimmed. Old clean repairs to the joints of vol. I; joints of vol. III a bit rubbed. Ownership signature of Mary Curteis Dec. 29 1817 on pastedown in each volume; bookplate of Charles Sarolea and his signature on title page; small morocco label; printed label of Claude Smith on flyleaf. Very good. Cloth slipcases. First edition. Hundreds of engravings and examples of type etc. Slip announcing vol. IV of Typographical Antiquities inserted before half title of Vol. I. 3 vols. Imperial 8vo. Windle & Pippin A28; Jackson no.40; Hart no.186; Bigmore and Wyman pp. 169-70 Printed for the author by W. Bulmer and Co. Shakespeare Press unknown books
1817306787London: Printed for the author by W. Bulmer and Co. Shakespeare Press 1817. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue. 3 vols. Imperial 8vo. Contemporary straight-grained red morocco by Charles Smith covers gilt ruled with gilt side-pieces along central panel spines in six compartments with elaborate gilt scrollwork gilt turn-ins blue silk doublures with gilt cornerpieces duplicated on silk free endpapers a.e.g. Foxed minor rubbing to boards an attractive copy. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue. 3 vols. Imperial 8vo. Bound by Charles Smith. Dibdin's lavish work in an ornate binding by Charles Smith one of the more active and competent binders in London of the 1810s-'30s with his "13 Church St Soho" ticket in volume 1. Windle & Pippin A28; Jackson no.40; Hart no.186; Bigmore and Wyman pp. 169-70. Provenance: R.P. Hooper bookplate Printed for the author by W. Bulmer and Co. Shakespeare Press unknown books
1817261849London: Printed for the author by W. Bulmer and Co. Shakespeare Press 1817. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue and slip of gold printing with directions to binder slip at vol. II p. 417. 3 vols. Imperial 8vo 9-3/4 x 6 inches. Bound in contemporary three quarters blue pebbled morocco spine gilt and marbled boards and edges. Fine small bump to some pages in Vol. I. Bookplate of The Right Hon. Charles Abbot prob. Charles Abbot 1st Baron Colchester in Vols II & III. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue and slip of gold printing with directions to binder slip at vol. II p. 417. 3 vols. Imperial 8vo 9-3/4 x 6 inches. Windle & Pippin A28; Jackson no.40; Hart no.186; Bigmore and Wyman pp. 169-70 Printed for the author by W. Bulmer and Co. Shakespeare Press unknown books
181738193London: Printed for the author by W. Bulmer and Co. Shakespeare Press 1817. First and Only Edition evidently limited to 750-800 regular and 50 large-paper copies. Three volumes. 8vo pp. ccxxvi 410; iv 536 ii; iv 544 iv. 37 engraved plates two double-page; 35 text illustrations printed on India paper and mounted on pages; one mounted gilt lettered specimen of red pared calf; and hundreds of engraved and woodcut text illustrations several colored. including plate 9 in the first volume Bookplates. Bound in later 3/4 brown morocco all edges marbled. Some minor foxing soiling and offsetting. A handsome copy. Hart 186. Jackson 40. Lowndes 1885 edition II p. 640. Windle & Pippin A28. "In 1817 appeared the most amusing and the most successful from a pecuniary point of view of his works the 'Bibliographical Decameron' on which a great sum was spent for engravings and woodcuts. The reader will find a great deal of gossip about books and printers about book collectors and sales by auction." DNB. Perhaps the most lavish of all Dibdin's works.Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania." Jackson 4. Lowndes says of this work: "From the information which it contains and the splendor of the decorations and printing it will ever be considered as a model of excellence and good taste in typography and the arts. Printed for the author, by W. Bulmer and Co. Shakespeare Press unknown books
190348637Boston: Bibliophile Society 1903. Edition limited to 473 copies printed for members only; 4 volumes 8vo frontispiece in each volume in two states one a remarque proof on Japanese vellum the other on Holland paper without remarque from original oil paintings by Howard Pyle etched by W.H.W. Bicknell; title pages printed in colors on Japan paper; original full blue morocco gilt-paneled spines in 6 compartments gilt-lettered direct in 2 seal of the Bibliophile Society gilt stamped on covers gilt turn-ins t.e.g.; spines a touch discolored bookplates in all volumes; a fine copy. This edition contains "Rare Books and Their Values" by William P. Cutler and an introduction by Richard Garnett. <br/><br/> Bibliophile Society hardcover books
180942460London 1809. <p> With an Autograph Letter from Dibdin</p> <p>Dibdin Thomas Frognall 1776-1847. The bibliomania; or book-madness; containing some account of the history symptoms and cure of this fatal disease . . . iv 87pp. London: Longman Hurst Rees and Orme 1809. 214 x 124 mm. 20th century half calf marbled boards a few tiny scuff-marks on back cover. Light toning but very good. With an Autograph Note signed by Dibdin dated Jan. 25 1841 tipped to the front pastedown mended with clear tape.</p> <p> First Edition. "Dibdin's Bibliomania first published in 1809 is an anthem to the printed book a warning to the unwary about the perils of obsessive book-collecting and the confessions of a rabid book-collector" Danckwerts p. vii. Written in less than a month The Bibliomania marks "the first full flowering of Dibdin's love affair with books" Windle and Pippin p. 35; it had the effect of "producing much innocent mirth and exciting a general curiosity after rare and precious volumes" Dibdin Reminiscences of a Literary Life p. 272. Dibdin a clergyman and inveterate book-lover was a lively and engaging writer whose works enjoyed great popularity and helped to stimulate enthusiasm for book collecting in the nineteenth century. The autograph note tipped into this copy reads: "Good Mr. Warren If I had not been cheated of £37.10 that Monday you would have had your £5 with fresh boards last week. As it is please to wait until Saturday next. Always your obliged T. F. Dibdin." Danckwerts "Introduction" in Dibdin The Bibliomania 2004 pp. vii-xxxvi. Jackson Thomas Frognall Dibdin: An Annotated List 16. Windle and Pippin Thomas Frognall Dibdin: A Bibliography A11a. </p> <p>. unknown books
1809306695London: Printed for Longman Hurst Rees and Orme by W. Savage 1809. First edition. Title vignette. iv 87 1 ads pp. 1 vols. 8vo. Circa 1914 full crushed brown morocco gilt a.e.g. the rest uncut by the Booklover's Shop signed in gilt on front and rear turn-ins "Bound by The Booklovers Shop Cleveland. Hardy Maillard Pilon". Small paper repair to margin of title else fine. First edition. Title vignette. iv 87 1 ads pp. 1 vols. 8vo. Fine Copy in Booklover's Shop Binding. An amusing work; Dibdin's best known. The real action takes place in the footnotes so copious and detailed that they overwhelm the main text. This copy finely bound by Henry Hardy Leon Maillard and Gaston Pilon of the Booklover's Shop bindery in Cleveland. The bindery traces its lineage back to The Club Bindery founded in 1895 by members of the Grolier Club to provide exceptionally fine binding for American collectors. The Club Bindery moved to Cleveland where it was successively renamed the Rowfant Bindery 1909-1913 the Booklover's Shop 1914-1917 and finally The French Binders 1918-1920s as in-house bindery to Doubelday in Garden City New York cf. Martin Antonetti's essay in Bound to Be the Best: The Club Bindery. Jackson 16; Neuburg 5; Windle and Pippin A11a. Provenance: Henry Alden Sherwin morocco booklabel Printed for Longman, Hurst, Rees, and Orme by W. Savage unknown books
0656330481.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1334541116.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1397204125.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1397204664.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020868104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019533935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265576032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
