Giovannie BoccaccioBiblio.com
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0332223027.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332234991.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0367174235.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1781002053Avignon 1781. Collationengraved frontispiece 256pp 1 full page illustrations 4 vignettes. Bound in full contemporary mottled calf flat gilt bands elaborate gilt tooling on spine full coloured edges marble endpapers. Calf rubbed and suffed with some wear loss on edges and corners hinge joints cracked but boards still firmly attached. Generally binding in good condition.Internally previous owners bookplate on fixed endpaper 8 pages with light stain mark to margins.Pages in very good clean condition. A very nice copy in a contemporary full calf binding. Book measures 13x20cms.A55. New Edition. Hardcover. 8vo - over 7¾" - 9¾" tall. Avignon Hardcover
167810311X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1917240909Firenze: G. C. Sansoni 1917. Hardback. Very Good. Italian edition hardback newly published with introduction and notes by G. L. Passerini 1917 in full tan leather binding. In overall very good used condition with only minor signs of age handling and storage. Binding tight and appears little read - second front endpaper neatly removed. Internally clean no annotation or inscriptions; gilt page-ends retain lustre text Italian and illustrated title page bright and clear throughout. Photographs available. Not an old library book. G. C. Sansoni hardcover
192446082München/ Leipzig, Rösl & cie., 1924. Original-Halblederbände, 8°, ca. 330 Seiten je Band.
1334557020.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0483124230.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483591750.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484035894.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483124230New. Brand new and still unused unknown
ria9783847244264_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1895007639London: Privately Printed 1895. #205 of 304 copies printed this one of 238 copies on Van Gelder Holland paper the Florentine Edition. With tissue-guarded illustrations after the designs of Louis Chalon Jacques Wagrez C. D. J. Eisen and Leopold Flameng. Three volumes bound in cloth titles and front cover devices stamped in gilt top edges gilt. Near Fine gilt tops dulled scattered light foxing throughout. Each volume protected by clear mylar cover. . Limited and Numbered First Edition. Cloth. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. Limited Edition. Privately Printed Hardcover books
192547246NY: Boni and Liveright 1925. Hardcover. Very good. #1943 of 2000cc. Foxing to prelims pages tanned boards lightly scuffed else a very good set in publisher's black cloth. <br/><br/> Boni and Liveright hardcover books
197874376n.p.:: Miller Graphics. Very Good in Very Good dust jacket. 1978. Hardcover. B0012Z90MQ . Translated by J. Peter Tallon. Color illustrations throughout. First edition. Very good in a very good dust jacket. . Miller Graphics, hardcover books
1954MM319-055Lexington KY: Gravesend Press 1954. First Edition thus. Hardcover. Very Good. Fritz Kredel. LIMITED EDITION of 200 hand-numbered copies; this is copy 58 printed from handset Caslon type on hand-made Fabriano paper. 12mo. 7 5/16 x 4 1/8 inches. vi 48 2 pp. Half-title title page in red black and blue inks decorative initials throughout some in color 6 woodcut illustrations throughout including the woodcut on the colophon also laid-in is a woodcut illustration on a small French-fold sheet which is a proof of the original illustration Fritz Kredel cut for page 4 but ultimately replaced with the illustration on page 4 that Kredel liked better; text clean unmarked. Quarter parchment spine decorated patterned paper in red and green over boards spine titled in gilt; binding square and tight light toning to extremities of covers. Red dot label on front free end-paper with penciled price book seller notations in pencil on front end-papers. MM319-055. Very Good. The text of this volume is a "story of roguery in the fourteenth-century" excerpted from Boccaccio's Decameron. It features lovely woodcut illustrations in late-medieval style by Fritz Kredel 1900-1973 a German-American artist and graphic designer; Kredel created the presidential seal for John F. Kennedy's inauguration. Joseph Graves the proprietor of the Gravesend Press was a clothing merchant vice-president and treasurer of Graves Cox & Co. who was also a book collector with an interest in printing and book illustration before he began his printing efforts. In 1948 Graves taught a course on the history of printing and book illustration at Transylvania University. It was about this time that the Gravesend Press was founded. The Gravesend press mark on the colophon of this book shows Patience the Graves' pet donkey and the "Sleeping Pressman" cut by Fritz Kredel the first use of this press mark. The pressmark contains the motto in Spanish âQue hermosa es no hacer nada y luego descansar." "Fortunate is he who can rest after having done nothing." REFERENCE: H. Richard Archer "Joseph Graves and The Press of Gravesend" The Kentucky Review Vol. 7 No. 1 Spring 1987. Gravesend Press hardcover books
In-4°; pp. (24), 585, (3 pp. bianche), 589-648; marca tipografica incisa su legno al frontespizio Dedicato a Giacomo Buoncompagni Duca di Sora. Edizione a cura di Leonardo Salviati, frutto di un lavoro filologico assai approfondito, ampiamente spiegato nella lettera ai lettori. In fine “Alcune differenze che sono tra’l testo del 1573 e’l nostro”.
1928289203Philadelphia: J. P. Horn 1928. Full Leather. Very Good binding. Finely bound copy in full burgundy morocco with decorations in and lettering in gilt; raised bands; morocco turn-ins double-ruled at the perimeters; morocco doublures with ornaments in the corners; silk moire endpapers. Volume II only of what was a gorgeous set. Very Good binding. J. P. Horn unknown books
195219549London: Navarre Society 1952. Hardcover. Very Good. lix 356pp. Very good hardback in a lightly rubbed jacket that has some loss to the extremities with the worst being a one inch triangular chip to the top left hand side of the front panel. <br/><br/> Navarre Society hardcover books
195013962Paris: Verve 1950. This issue of <i>Verve</i> features two sets of illustrations for Boccaccio's <i>Decameron</i> one set the so-called Duke of Burgundy version consists of twenty six miniatures reproduced in full color photogravure. The publisher of <i>Verve</i> Tériade found these black and white washes in Chagall's studio in 1948 and immediately wanted to use them in conjunction with the Duke of Burgundy miniatures. For the most part the selections from the miniatures were driven by linking them to the appropriate Chagall drawing so only about a quarter of the full set of 100 miniatures were used in this issue of <i>Verve</i>. These washes were a new development for Chagall making use of different techniques both brushes and pens as well as a wide range of shades of grey and black. The juxtapositon of the two media made for a memorable issue of Verve. The book opens with a poem by Jacques Prevert and an introduction by Frantz Calot then the curator of the Bibliotheque de l'Arsenal home of the Duke of Burgundy miniatures.This copy is inscribed from Chagall to a Monsieur Abeel Venice 1957. Laid in is a typed signed note from Chagall's wife Valentina along with the typed envelope addressed to M. Abeel at a hotel in Venice postmarked 1960. The note is regarding an invitation to dinner with the Chagalls.Very good condition overall with some of the usual problems with the exterior--paper of the corners chipped several smallish pieces missing from the spine one closed tear and one tear with a triangular piece missing. Most of the pieces of the cover are still present if folded. Held in place by the clear plastic cover. Signatures are securely sewn. Interior is near fine. Please see accompanying photographs. Anthonioz <i>Verve</i> page 213. Verve hardcover books
Giovanni Boccaccio Decameron. , Rizzoli 1958, Condizioni discrete: copertina flessibile, dorso con segni di usura, tagli sporchi e con segni di usura, pagine ingiallite Buono (Good) . <br> <br> <br> 1101<br>
Buona copia, normali segni del tempo, ultima pagina bianca del secondo volume mancante per 3/4.
Giovanni Boccaccio Giovanni Boccaccio. Il Ninfale Fiesolano. Torino, Unione Tipografica-Editrice Torinese 1926 - II italiano, in sedicesimo cm 18 x 12 XIV + 184 Copertina leggermente usurata e ingiallita. Pagine ingiallite con rare fioriture
1816008127Milano : Per Giovanni Silvestri 1816. xxxii 293 3 398 2 319 1 287 1 pp. Engraving of the author frontis Vol. I. Very Good in contemporary quarter calf over faux wood grain paper covered boards ribbon markers contemporary bookplate with peacock sitting atop crown and 4 initials. Vols. III and IV with calf chipped at spineboards rubbed at corners internally quite clean and bright. Text in Italian. An uncommon edition in quite nice condition. Boccaccio's 1353 classic set in Italy during the Black Death. Later Edition. Quarter Calf. Very Good/No Jacket As Issued. 12mo - over 6¾" - 7¾" tall. Per Giovanni Silvestri Hardcover books
