46 résultats
1550CLL-615Venise, Giolito de' Ferrari, 1550 In-4 de (6)ff., 502pp., 1 f. bl., (30)ff., 1 f. bl., sign.: *6, A-HH8, II4, a4, b-d8, e4, veau raciné havane, filet à froid d'encadrement sur les plats, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin rouge, roulette dorée sur les coupes, tranches rouges (reliure du XVIIIesiècle).
1554ST19091London: Iohn Wayland at the signe of the Sunne oueragainst the Conduite in Flete-strete. Cum priuilegio per septennium 1554 or 1555. Third or Fourth Edition of the First English Translation of "De Casibus Illustrium Virorum. 340 x 220 mm. 13 1/4 x 8 3/4". 9 p.l. clxiii xxxvi xxxv-xxxvii 1 leaves complete including "A Memorial of such Princes" leaf often lacking at the end; collates as ESTC. Translated from the French version of Laurent de Premierfait by John Lydgate. <br/> Attractive 19th century honey-brown morocco by Francis Bedford stamp-signed on front turn-in covers gilt with French fillet frame oblique bouquets at corners raised bands spine compartments with central fleuron framed by geometrical compartments filled with floral tooling gilt lettering gilt-rolled turn-ins marbled endpapers all edges gilt. Title page and Gg4 recto title page of a suppressed supplement dealing with English notables with woodcut title border the top compartment with the Royal Arms termini at sides the pedestal at base with a tablet showing one boy waking another with the motto "Arise for it is day" McKerrow & Ferguson 76a A4 recto with woodcut depicting the Creation of Eve flanked by terminal side-pieces woodcut historiated and floral initials throughout. Printed in black letter. Front pastedown with engraved bookplate of Christopher William Beaumont Pease; rear pastedown with bookplates of John William Pease and Lord Wardington. Chrzanowski 1555b; Pforzheimer 73; Luborsky & Ingram 3178; STC 3178; ESTC S107087. Spine somewhat sunned and dulled extremities very lightly rubbed boards with a couple of faint scratches but the once very handsome binding still attractive. Title leaf and final leaf extended at foot first few and last couple of leaves excluding title and final leaf with small minor repair at upper corner probably pressed and perhaps lightly washed at the time of binding isolated trivial stains but the text still surprisingly fresh remarkably clean and entirely smooth.<br/> <br/> This is a desirable copy of an important 16th century translation of Boccaccio's study of the vicissitudes of fortune prepared by John Lydgate a poet much influenced by Chaucer. Educated in the Benedictine monastery where he eventually served as prior Lydgate ca. 1370 - 1449/50 was a respected poet whose works DNB tells us "bear the mark of a pious and learned mind." And an indication of his importance is reflected in Chrzanowski's statement that "well into the 16th century the premier poets of England were considered to be Geoffrey Chaucer John Gower and Lydgate." Undertaken ca. 1431 at the request of the duke of Gloucester the 36365 lines here divided into nine books required a massive effort that took until 1438 or 1439 to complete. In the text a parade of notable historical figures pass before "Bochas" Boccaccio telling of the turns of fate that brought their careers and reputations crashing down from a pinnacle. According to DNB Lydgate's interpretation of the work "urges the traditional doctrines of moderation the avoidance of pride and the pursuit of virtue and demonstrates the horror of discord and strife between kinsfolk. This advice though couched in general terms was highly relevant to contemporary princes." This relevance led to popularity: more than 30 manuscripts of the work survive and it was printed previously in 1494 and in 1527. The final leaf here Gg4 contains the title page for "A Memorial of Such Princes as since the Tyme of King Richard the Seconde Haue Been Unfortunate in the Realme of England" intended for issue with "Fall of Princes" but suppressed by Queen Mary. It was finally published as the famous "Mirrour for the Magistrates" in 1559 after Elizabeth I had ascended the throne. The binding here is by the eminent West End bindery of Francis Bedford d. 1883 and was owned by three generations of the Wardington family who created one of the finest private libraries in England. It contains the bookplates of Northumberland banker John William Beaumont Pease 1869-1950 who began the collection; a grandson Christopher Henry Beaumont Pease 2nd Baron Wardington 1924-2005 who was successively Chairman Vice-President and then President of the Friends of the British Library; and a great-grandson the Hon. Christopher William Beaumont Pease b. 1970. The Wardington sales at Sotheby's in London were major bibliophilic events in 2005 and 2006. The very expert extension at the bottoms of the title leaf and the rare final leaf would seem to suggest that these come from another copy the leaves are not facsimiles. In any case every recent copy sold at auction according to RBH lacked one or both of these leaves or had other leaves supplied. This fact plus the fine state of preservation of our copy and its distinguished provenance surely are more than enough to compensate for the volume's one appreciable shortcoming. Iohn Wayland, at the signe of the Sunne oueragainst the Conduite in Flete-strete. Cum priuilegio per septennium unknown
15263293Gregorio Di Gregori 10,5 x 16 In Vinegia 1526 Volume petit in-8°, reliure plein vélin rigide d'époque, tranches bleu sombre, titre au dos manuscrit à l'encre noir, page de titre gravée sur bois encadrée de quatre blocs de frises composées d'oiseaux et de guirlandes florales, imprimeur et date d'impression au colophon "stampata in Vinegia per Gregorio de Gregori nel M.D.XXVI. del mese de Maggio".(ALB5) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUESt. Livre
15263293Gregorio Di Gregori 10,5 x 16 In Vinegia 1526 Volume petit in-8°, reliure plein vélin rigide d'époque, tranches bleu sombre, titre au dos manuscrit à l'encre noir, page de titre gravée sur bois encadrée de quatre blocs de frises composées d'oiseaux et de guirlandes florales, imprimeur et date d'impression au colophon "stampata in Vinegia per Gregorio de Gregori nel M.D.XXVI. del mese de Maggio".(ALB5) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUESt. Livre
15511110911551 In Vinegia al segno del Pozzo, 1551, per Pietro & Giovan Maria fratelli dei Nicolini da Sabbio, Nell'Anno del Signore MDLI. à tredici d'Agosto, 1 volume in-16 de 150x100 mm environ, 1f.blanc, titre avec large vignette à la devise et la marque de l'imprimeur (page de titre restaurée sur la marge supérieure), 264 ff. (un numéro pour 2 pages), 4ff. (all'illlustre S. Conte), 8ff. (table), 1f., demi-reliure en veau cognac à coins et cartonnage marbré, dos lisse portant titres et fers dorés. Cuir restauré et contregardes seules remplacées, marges un peu courtes par endroits, quelques rousseurs et petites mouillures dans les marges, fréquentes erreurs de numérotation et feuillets reliés dans le désordre p. 150à 154 (cahier T) et 222 à 235 (cahier FF) mais les signatures restent cohérentes, restauration sur un feuillet de la table. Le" Registro" se trouve avant la table et le colophon se trouve à la fin de la table. Version italienne "Des Cas vivants illustres", texte rédigé en latin par Boccace ("De casibus virorum illustrium").
159056659Venetia, Fabio & Agostin Zoppini Fratelli & Onofrio Farri, (1590). 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. (8),544,(90) pp., Many large initial in woodcut, 10 large woodcut illustrations in the text (3/4-page), woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine.
1543022647Vinegia per Bartolomio da Lodrone detto l'Imperadore, e Francesco Venetiano, 1543 Un volume petit in-8° (97 x 147 mm), [27] ff. (A-C8 D3). Reliure ancienne en pleine Basane mouchetée brune, dos à nerfs, titre et caissons fleuronnés, gardes peignées. (présence d'une mouillure claire avec atteinte au texte sur l'ensemble des feuillets, exemplaire rogné, court en tête mais sans perte de lettre, tout petit travail de ver en marge intérieure à une dizaine de feuillets mais sans incidence sur le texte, présence de quelques rousseurs pâles et d'une auréole jaune en milieu du dernier feuillet). Titre encadré d'une belle marque xylographique. Timbre ancien sur le titre. Annotations anciennes au crayon de papier sur le feuillet blanc situé en regard du titre. Ex-libris manuscrit (illisible) au bas du titre, un ex-libris ancien gravé et collé sur le premier feuillet : E Di Gregorio Regoli Faentino P.Arc. Plaisant opuscule attribué à Jean Boccace. Rare.
1569746Paris: Morel 1569. Hardcover. Fair. The last Italian novel that Boccaccio prepared Il Corbaccio The Crow; around this time 1354-55 a.d. and after Boccaccio primarily focused on Latin works. This copy is a 1569 edition in the original Italian but printed in France by Morel but Morel Italianized his name to appeal to Italians on the title page. This novel finds some disfavor with modern readers. In this work a man is being rebutted by a widow but upon falling asleep her dead husband visits him and confides in him all the ways she's best left alone. In concert the sleeping man and the dead man decide to write this work warning young men of the deceits of some women. The work has since been dubbed ""misogynistic"" despite at almost the same time Boccaccio preparing his Latin work recording a selection of noble women De Claris Mulieribus. Other's claim that surely Boccaccio must have been jilted by a widow to write such a scathing work. About Boccaccio - Giovanni Boccaccio 1313 1375 was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Born in the town of Certaldo he became so well known as a writer that he was sometimes simply known as ""the Certaldese"" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars including Vittore Branca define him as the greatest European prose writer of his time a versatile writer who amalgamated different literary trends and genres making them converge in original works thanks to a creative activity exercised under the banner of experimentalism. His most notable work is The Decameron. About the Printer from the website Printing in France - ""In 1549 Morel decided like many before him to get involved in the book trade. He became a proof-reader for Charlotte Guillard d. 1557 one of the famous woman printers of sixteenth-century Paris. In 1557 Morel decided to become a printer himself following the death of Charlotte Guillard in the same year. By 1570 Fédéric I Morel was one of the most prestigious printers in Paris. It is thus not surprising to see him being appointed royal printer on 4 March 1571 following the move by his wifes cousin Robert II Estienne to Geneva."" Provenance - Ex-libris plate of George Benson Weston a Harvard and Columbia graduate who edited a work on Italian literature. Also his inscription stating that he bought the book in Naples in 1904. Also the ticket of the Naples bookseller F. Casella established 1852. Bibliographic Details - Universal Short Title Catalogue USTC number 130039 found in many of the world's best libraries. Pettegree Walsby and Wilkinson - 58272 Physical Attributes - Measures approx. 11 x 17 x 1.75 cm. Signed in 8 octavo. Hardcover. Marbled paper covering pasteboards and a leather spine. Spine broken into six compartments by five gilt fillet lines title in gilt in one compartment five compartments with a blind tool roll of circles and palm fronds making the top and bottom border. Edges sprinkled brown. Pages - xvi 174 all numbered pages present but missing one blank leaf. Collation - A-G8 H7 I-L8 missing H8 a blank leaf that went between two sections and was not included in the numbering which is perhaps why it was removed Condition - This copy missing one blank leaf which would be the 8th leaf in the H gathering between two sections. Binding with some wear at edges corners and spine. Bookseller ticket and ex libris of George Beson Weston on pastedown. Blank unnumbered endpapers stating Gamba 205 and that Weston purchased the book Naples July 5 1904. Some toning and foxing throughout. Occasional thumb. Title page with an old manuscript provenance inscription under the title. A manuscript note in the fore-edge margin of page 111. Morel
157417322AB1574. Fiorenza Giunti 1574. 20 : 145 cm. 20 leaves 142 pages 8 leaves with 2 woddcut portraits and two woodcut initials. Contemporary vellum First edition rare. - From the library of M. Landau with his Exlibris. - The first pages at the edges a bit rubbed occasionally some foxing the last pages with some waterstains at the edges not affecting the text; binding a bit wrinkled edgas a bit damaged. hardcover
152770195senza luogo Londra senza note editoriali Tommaso Edlin 1527 ma 1725. In 4° piena pelle coeva con bei fregi nervi e titolo al dorso qualche minima traccia di consunzione d'uso ma comunque molto buona. Bella antiporta incisa B. Baron con leone unicorno e allegoria della Musa che accompagna il Poeta piccolo angelo indica il cielo frontespizio dell'originale del 1527 con piccola marca tipografica segue una carta con la dedicatoria di Paolo Rolli tavola con ritratto inciso del Boccaccio cc. 6 n.n. con la vita dell'A. scritta da Filippo Di Matteo Villani altra carta con la riproposta del frontespizio originale che al retro propone i dati editoriali effettivi cc. 284. In fine sono poste 7 cc. non numerate con i "Nomi dè Signori sottoscriventi" e "Tavola sopra il libro chiamato Decameron cognominato Principe Galeotto ." seguono ancora 49 cc. con le Osservazioni dell'editore che provocarono aspre censure del Buonamici. Esemplare in ottimo stato di conservazione ad ampi margini tagli rossi; curiosa etichetta coeva in carta posiziona questo volume fra quelli "Proibiti". Gamba 186. Bacchi della Lega pag 49 senza luogo (Londra), senza note editoriali (Tommaso Edlin) unknown
152011556Jehan & Gourmont o. J. 1520 1520. priv. Einband . 4°.117s-. fachmännisch Restauriert einige Seiten mit geringem Textverlust sonst in gutem Zustand AZB7LS4 HC Jehan & Gourmont, o. J., (1520), unknown
1547008609Venetia: Venice: Pietro dei Nicolini da Sabbio 1547. This is an original edition published in the year 1547.Collation 264216 i.e 4321pp woodcut decorative capital's throughout. Recently bound in full antiquarian calf blind flat bands leather title label ruled blind lines on boards. Slight crease line along edge of spine. Binding in very good clean firm condition with strong hinge joints. Internally no loose pages title page slightly dusty very small nick on margin first few pages with light stain to extreme margin otherwise text in remarkably clean condition throughout. A very nice copy in a very good attractive binding.F. Full Calf. Very Good. Small 8vo. Venice: Pietro dei Nicolini da Sabbio, Hardcover
1571289674Venetias.: Giorgio Angeliieri. 1571. Contemporary plain parchment. Good text detached from covers “Boccaccio†inked out on title page old ownership stamp to title page some mostly marginal dampstains old ink notes to pastedowns. . 12 mo. 13x8 cm. . Italian text. An uncommon edition of this prose romance. weight: 0.2 lb. Woodcut initials. Giorgio Angeliieri. unknown books
15382986Paris: Jean Réal for Philippe Le Noir Guillaume Le Bret and others 1538. 8vo 144 x 85 mm. 8 196 leaves. Title printed in red and black bâtarde type small typographic manicules pointing hands used throughout. Half-page woodcut of an author presenting his book to a seated dignitary with reserved space for letterpress name here "Jehan bocasse"; a variety of metalcut floriated initials final verso with woodcut device of Guillaume Le Bret Renouard 588. Title with old repair at top slightly affecting 2 letters a couple of tiny holes worming in or near gutters catching a few letters in quires R-T skillful discreet repairs in ff. CC3-6 small stain in quire M. Nineteenth-century French blue straight-grained morocco ca. 1820 covers with gilt rule border enclosing blind roll-tooled neoclassical frame and central blind-stamped lozenge spine gold-tooled and lettered board edges gold-tooled gilt edges green patterned pastepaper endleaves corners very lightly bumped else fine. A few old effaced inscriptions.An attractive copy of the second edition of De mulieribus claris in French using the text of Antoine Vérard's edition of 1493. Although Vérard had tried to pass the translation off as his own it was in fact a slightly revised version of an anonymous French translation made ca. 1401. Vérard's editions of Boccaccio in French had made the writer more accessible to a French public but it was not until the sixteenth century that his works became more widely known and frequently imitated. This was the "golden age" for Boccaccio in France which would draw to a close with the restrictions placed by the Church on the racier passages of the Decameron.On Famous Women was the first biographical survey devoted exclusively to women in Western literature. But in spite of the plethora of surviving Latin manuscripts of the text Boccaccio's survey of 106 women of distinction some for their vices drawn from the Bible mythology history and from amongst Boccaccio's contemporaries was of less interest to sixteenth-century French readers than Griseldis Fiametta or indeed the Decameron. Forty-five years had passed since the appearance of the first printed edition in French before a group of Paris publisher-booksellers decided to publish the work anew. In order either to blanket the market to obviate pirate editions or to spread the risk no fewer than thirteen booksellers shared this pocket-sized edition. The first and last quires containing the titles colophons and publishers' devices appear to have been reset for the various issues cf. Hortis's transcriptions. The present copy bears the imprint of Philippe Le Noir and the woodcut device of Guillaume Le Bret. The printer was recently identified as Jean Réal whose metalcut capital initials are used at the head of each chapter. This was the first book from his press. The typographic manicules in the text were added by the printer as a finding aid to signal the Latin articulating phrases left in by the translator the Latin phrases appear also in Vérard's edition but without any specific typographic mark highlighting them.Two US copies located at Princeton and Smith College. Moreau V 742; BM / STC p. 71; Brunet I 990-91; Bechtel B-224; Hortis Studi sulle Opere Latine del Boccaccio 1879 pp. 798-800. Cf. BnF Boccace en France 1975 123. [Jean Réal for] Philippe Le Noir, [Guillaume Le Bret, and others] unknown books
1590D6205Venice: appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni 1590. Hardcover. Very Good. 4to 210 x154mm. 8 544pp 92 index epithets glossary by Ruscelli. Collation: ast. 4; A-2M 8; 2N 2; 2O-2R 8; 2S 4. Woodcut printers device to title. Oval woodcut portrait of Luigi Groto Cieco dAdria 1541-1585 facing first text page 10 woodcut illustrations numerous woodcut initials most historiated with griffins putti other figures or foliage and decorative chapter head- and tailpieces. Text in italic type; headlines chapter headings and marginalia in Roman. Printed marginalia. Early vellum; title with upper margin stained cancelled inscription and small tear some wear mostly on preliminaries; joints starting. Collection inscription in abbreviated Italian on front pastedown dated 1841 possibly from a Jesuit Society. Early booksellers stamp C. Simms of Manchester. <br/><br/>Good large quarto copy of Giovanni Boccaccios Decameron redacted by Luigi Groto 1541-1582 from the edition edited by Girolamo Ruscelli 1500s-1556 and first published two years previously. Groto a minor Venetian writer reworked Boccaccios famous tale; retaining parts of the original parable but also creating his own tangents. Groto for instance created a predicament concerning a young man who finds himself confronted by three different ladies he has been secretly courting. When his deceit is discovered he must answer as to which of them is his true love. The lengthy narration of the amoroso imbroglio is Grotos own literary stamp and he hoped with these revisions he would gain literary fame stating I will give life and light to Boccaccio and he will do likewise for me . I will rescue him from darkness and burial and he in turn will rescue me from obscurity Ironically Grotos retelling of the Decameron remains known for it deformations of the tale rather than its celebration. Each of the ten sections are preceded by an overview written by Ruscelli the well-known editor of Ptolemys Geographia of 1754 and a large woodcut illustration depicting narrative scenes of the Decameron tale. Brunet I 1002; STC Italy I: p.256. appresso Fabio e Agostino Zoppini fratelli e Onofrio Farri compagni hardcover books
1574D11148Venice: Giovanni Antonio Bertano 1574. Paperback. Very Good. 4to 204 x 148mm. 1 16 263pp. 2 leaves including final blank. Signatures: A-KK 8. Front flyleaf with likely 18th-century half-title added in manuscript calligraphic script over undulating ownership inscription on ribbon De Me Giovanni Agostino Panater and palm or quill on island in sea with ship signature repeated on title. Woodcut printers device of Bertano of young stork bring food to decrepid parent in the nest and motto on filial piety Pietas Homini Tutissima Virtus Compassion is the safest power. Few woodcut initials throughout. Italian translation by Giovanni Betussi. Dedicated to Count Collaltino di Collalto. Contemporary limp vellum ms. title to spine; spine darkened head cap chipped with loss text block loose in binding; intermittent browning title with old owners signatures cancelled minor marginal worming added half-title with ink oxidation. The whimsical added title complements this monumental Italian humanist work; a defense of poetry and a synthesis of ancient mythological sources which justified the study of pagan literature within a Christian context. <br/><br/>Betussis Italian translation of Boccaccios medieval work on progeny in classical times a veritable mythological encyclopedia that aimed to solve questions about lines of succession. Boccaccios Genealogia sought to preserve the past from oblivion by creating an almanac of inter-related families including the competing noble houses in order to organize lines of descent. With the Genealogia Boccaccio aimed to solve contradictory accounts of hereditary matters by assuming the existence of pagan gods and organizing their progeny - Jupiter I and Jupiter II for instance. Perhaps most contentious was Boccaccios identification of Demogorgon as the ultimate progenitor of all pagan divinities description starting on page 5 who was also associated with Satans netherworld conspirators. The Genealogia reputedly had been copied and transmitted before its completion apparently without the consent of Boccaccio. The earliest Latin editions all follow the first of 1472. This is a later edition of Giuseppe Betussis Italian translation of the Genealogia; Betussis first was printed in Venice by Comino da Trino di Monferrato in 1547. Nearly a dozen subsequent editions follow this date well into the seventeenth century. Betussi was a prominent man of letters in Paduas Accademia and was at the avant-garde of those promoting the substitution of Italian for Latin as the language of scholarly literature. To his edition Betussi added a ten-page biography of Boccaccio and alphabetical indices corresponding to page numbers not book or chapter. The Genealogia became a standard reference works for readers who wished to disentangle the complexities of Greco-Roman mythology. The work was enormous in scope covering approximately 950 individuals groups and beasts both named and unnamed in fifteen books and 723 chapters with over a thousand citations from Greek Roman medieval and Trecento authors. Near the end of the sixteenth century the Genealogia while mostly out of the public eye still provided source material for numerous authors including Edmund Spenser and his work on Christianized paganism. This edition rare OCLC lists one other in Toulouse. Giovanni Antonio Bertano paperback books
1552184537Venetia: V. Valgrisio 1552. Leather bound. Fair heavy wear to leather boards with sections worn off. Expected age toning to pages but text is otherwise clear and binding is fairly tight. Bound in brown leather boards; five raised bands and gilt tooling on spine; all edge red tinted; red and blue marble illustrated end papers; bw illustrated title page; 10 487 10 pp. The rear of the book contains a separate section titled "Vocabolario Generale di Tutte le Voci Vsate dal Boccaccio." which is 67 pp. Text in Italian. "La vita di m. Giovan Boccaccio descritta da m. Francesco Sansovino": p. 1-6. V. Valgrisio unknown books
152011557J. Gourmont & J. Petit Paris 1520 1520. Opb 4° 109s. Fraktur. fachmännisch restauriert am Ende des Buches restaurierte Fehlstellen mit geringem Textverlust. sonst in gutem Zustand AZA8 SL2. HC J. Gourmont & J. Petit, Paris 1520 (?), unknown
1551ABAA25-4<p>Lyon Guillaume Rouille 1551.</p><p>12mo 158 x 101 mm of 384 pp. 4 ll the last one doubled numerous ornamented initials two tiny holes in title small stain in lower margin of pp. 17-20. A fine copy.</p><p>Red morocco triple gold fillet around the covers spine ribbed richly decorated with the special crowned dolphin lace at the foot decorated edges inner gilt roulette gilt edges on marbling. <em>Bound in the 17th century.</em></p><p><strong>One of Boccaccio's most famous works the 'De claris mulieribus' written in Latin around 1360 is a book both erudite and amusing intended for a wide audience</strong>. Following the model of Petrarch's <em>Hommes illustres</em> Boccaccio recounts the lives of 104 famous women queens and courtesans virtuous and promiscuous from Eve to Pope Jeanne.</p><p><strong>First edition of this translation by Denis Sauvage. </strong>This is the first French translation after the Italian version due to Denis Sauvage; it replaced that which L.A. Ridolfi had given according to the Latin original.</p><p>Written in 1361-1362 Boccaccio's <em>De mulieribus claris</em> <em>The Illustrious Women</em> is the first collection of women's biographs in western history.</p><p>Inspired by Boccaccio's own admission by his friend Petrarch's <em>De viris illustribus </em><em>The Illustrious Men</em> this work offers a reasoned compilation of "stories" both pagan and Christian of remarkable women whose excellence in good or evil Boccaccio highlights even if it means drawing from this "evil" the appropriate moral lesson. We thus find the great figures traced by Titus Livius Pliny the Elder or Suetonius but also from Saint Jerome or the Bible the book begins with a "biography" of Eve. There is certainly no lack of the traditional depreciatory remarks inherited from the two antiquities on the weakness of women's character but in the praise of figures such as Nicostrata or Epicharis a certain evolution of mentalities is already apparent provoked by the prodromal stages of humanist reflection on female virtues.</p><p><strong>This book quickly translated into French</strong> Laurent de Premierfait or into German Heinrich Steinhöwel strongly marked its time since Chaucer drew on it for The Canterbury Tales and Christine de Pisan in 1405 for her Livre de la cité des dames.</p><p><strong>In this newly inspiring work Boccace therefore gives the modern reader an overview vast and often picturious of medieval attitudes to women</strong> at a time when the renascent elites were going to change their view of women's potential Jean-Yves Boriaud <em>Les Femmes illustres</em> / <em>De Mulieribus claris</em>.</p><p>"<em>The work written between 1360 and 1362 amplified and recast in later years contains the biography of 104 famous ladies of all times from Eve to Queen Joan of Naples; it is dedicated to the beautiful Andrée Acciaiuoli sister of the great seneschal Nicolas Acciaiuoli second wife of a Count of Altavilla.</em></p><p><em>The example of Petrarch and his treatise on illustrious men had a significant influence on Boccaccio as he himself acknowledged. The narrative vein expands with some freedom as in the pages devoted to the life of the papess Joan the voluptuous length on the love affairs of Thisbe and the story of the naive Paulina a Roman beloved of the God Anubis which is rather reminiscent of the tale of Lisette and the angel Gabriel in the Decameron. . Taken as a whole the volume is a compromise between historical scholarship and storytelling a pleasant book of scholarship intended not only for men but also for women - who says Boccaccio for his excuse being accustomed to hear stories have a greater need of them and are entertained by a copious exposition</em>." T. F. G. Rouville.</p><p>Beautiful italic printing by Philibert Rollet with nice initials and some ornaments. The title is set in a remarkable wood frame reproduced by Baudrier.</p><p><strong>Fine copy of exceptional elegance covered with a fine seventeenth century binding the spine of which bears the crowned dolphin lace.</strong></p><p>Label of the <em>Pierre Berès</em> bookshop on the first flyleaf it appeared under n°32 of its 1951 catalogue <em>Livres Français des quinzième & seizième siècles</em> at a price of 45 000 fr.</p><p>FR</p><p>Lyon Guillaume Rouille 1551.</p><p>In-12 de 384 pp. 4 ff. le dernier doublé nombreuses initiales ornées deux infimes trous ds. le titre pte. tache ds. la marge inf. des pp. 17 à 20. Exemplaire réglé.</p><p>Maroquin rouge triple filet or autour des plats dos à nerfs richement orné avec la dentelle spéciale au dauphin couronné en pied coupes décorées roulette intérieure dorée tranches dorées sur marbrures. <em>Reliure du XVIIe siècle</em>.</p><p>158 x 101 mm.</p><p><strong>Une des œuvres célèbres de Boccace le 'De claris mulieribus' composé en latin vers 1360 est un livre à la fois érudit et amusant destiné à un large public</strong>. Suivant le modèle des <em>Hommes illustres</em> de Pétrarque Boccace y raconte les vies de 104 femmes célèbres reines ou courtisanes vertueuses ou libertines d'Eve à la papesse Jeanne.</p><p><strong>Edition originale de cette traduction due à Denis Sauvage.</strong> Il s'agit de la première traduction française d'après la version italienne due à Denis Sauvage ; elle remplaçait celle que L.A. Ridolfi avait donnée d'après l'original latin.</p><p>Rédigé en 1361-1362 le <em>De mulieribus claris</em> <em>Les Femmes illustres</em> de Boccace constitue <strong>la première collection dans l'histoire occidentale de biographies féminines. </strong></p><p>Inspiré de l'aveu même de Boccace par la lecture du <em>De viris illustribus</em> <em>Les Hommes Illustres</em> de son ami Pétrarque cet ouvrage propose une compilation raisonnée des " histoires " païennes et chrétiennes de femmes remarquables dont Boccace met en exergue l'excellence dans le bien ou le mal quitte à tirer de ce " mal " la leçon de morale appropriée. On y retrouve donc de grandes silhouettes tracées par Tite-Live Pline lʼAncien ou Suétone mais venues aussi de saint Jérôme ou de la Bible le livre commence par une " biographie " d'Eve. Les propos dépréciatifs traditionnels hérités des deux antiquités sur la faiblesse de caractère des femmes nʼy manquent certes pas mais transparaît déjà dans la louange de figures comme celles de Nicostrata ou Epicharis une évolution certaine des mentalités provoquée par les prodromes de la réflexion humaniste sur les vertus féminines.</p><p><strong>Ce livre vite traduit en français</strong> Laurent de Premierfait ou en allemand Heinrich Steinhöwel <strong>marqua fortement son époque </strong>puisquʼy puisèrent aussi bien Chaucer pour <em>The Canterbury Tales</em> que Christine de Pisan en 1405 pour son <em>Livre de la cité des dames</em>.</p><p><strong>Dans cet ouvrage d'inspiration nouvelle Boccace donne donc au lecteur moderne un aperçu vaste et souvent piquant des attitudes médiévales à l'égard des femmes</strong><strong></strong> à un moment où les élites renaissantes vont changer leur regard sur les potentialités féminines. Jean-Yves Boriaud <em>Les Femmes illustres / De Mulieribus claris</em>.</p><p><em>" L'œuvre écrite entre 1360 et 1362 amplifiée et refondue dans les années postérieures contient la biographie de 104 dames de renom de tous les temps d'Ève à la reine Jeanne de Naples ; elle est dédiée à la très belle Andrée Acciaiuoli sœur du grand sénéchal Nicolas Acciaiuoli épouse en secondes noces d'un comte d'Altavilla.</em></p><p><em>L'exemple de Pétrarque et de son traité des </em>Hommes illustres<em> influença notablement Boccace ainsi qu'il l'a reconnu lui-même. La veine narrative s'y élargit avec quelque liberté comme dans les pages consacrées à la vie de la papesse Jeanne aux voluptueuses longueurs sur les amours de Thisbé à l'histoire de la naïve Paulina Romaine aimée du Dieu Anubis qui rappelle d'assez près le conte de Lisette et de l'ange Gabriel du Décaméron. … Dans son ensemble le volume est un compromis entre l'érudition historique et le conte un plaisant livre d'érudition destiné non seulement aux hommes mais aussi aux femmes - lesquelles déclare Boccace pour son excuse étant habituées à entendre des histoires en ont un besoin plus grand et se divertissent d'un copieux exposé. "</em> T. F. G. Rouville.</p><p>Jolie impression en italique de Philibert Rollet avec de jolies initiales et quelques ornements. Le titre est placé dans un remarquable encadrement sur bois reproduit par Baudrier.</p><p><strong>Exemplaire réglé d'une élégance exceptionnelle revêtu d'une fine reliure du dix-septième siècle dont le dos porte en pied la dentelle au dauphin couronné.</strong></p><p>Etiquette de la librairie <em>Pierre Berès</em> au premier contreplat il a figuré sous le n°32 de son catalogue <em>Livres Français des quinzième & seizième siècles</em> de 1951 au prix de 45 000 fr.</p> hardcover
1569146435Paris: Federigo Morello 1569. Rare sixteenth century edition of this literary work in the original Italian. Duodecimo original full vellum. In near fine condition with light splitting to the front interior hinge. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Federigo Morello hardcover
158272228Firenze Florence: Nellastamperia 1582. Seconda Editione. Hardcover. Good. 23 x 16 cm. Octavo. 585pp 78pp. Bound into worn flexible vellum paper spine label. Second edition with the censorship of Lionardo Salviati: Italian humanist philogist and writer. Salviati modified 52 of the short stories leaving 48 intact. Decorative initials. Previous owners stamps on title page Giusep: Talinu. There is staining effecting some of the last and first few dozen pages. The staining avoids the text on most but not all pages. Binding remains tight. Nellastamperia hardcover
158852227Venetia: Fabio & Agostino Zoppini Fratelli & Onofrio Fari Compagni. Good. 1588. Hardcover. Contemporary vellum with small loss to spine head. Title page with engraved vignette. With front and rear blanks. Some worming affects text on last pages marginal staining to early pages. Mild foxing some toning. Pp. 8 564 68. ; 8vo 8" - 9" tall . Fabio & Agostino Zoppini Fratelli, & Onofrio Fari Compagni hardcover
1552184537Venetia: V. Valgrisio 1552. Leather bound. Fair heavy wear to leather boards with sections worn off. Expected age toning to pages but text is otherwise clear and binding is fairly tight. Bound in brown leather boards; five raised bands and gilt tooling on spine; all edge red tinted; red and blue marble illustrated end papers; bw illustrated title page; 10 487 10 pp. The rear of the book contains a separate section titled "Vocabolario Generale di Tutte le Voci Vsate dal Boccaccio." which is 67 pp. Text in Italian. "La vita di m. Giovan Boccaccio descritta da m. Francesco Sansovino": p. 1-6. V. Valgrisio hardcover
1573047703Florence: Giunti 1573. Early Edition. Hardcover. Very Good Condition. Later quarter calf front cover and free endpaper detached rear board just about detached. Mild dampstain over first 100 pages scattered foxing and browning but generally quite bright otherwise. Two small worm holes in gutter of final colophon leaf. Two portraits Boccaccio and an unidentified woman and lovely historiated initials throughout - a finely printed Giunti edition of Boccaccio's masterpiece. 32 580 1pp. Admas B2156 Brunet I 1002 note Pettas Giunti of Florence 496.<br /> <br /> The first of the famed Council of Trent editions - having been unable to ban a book as widespread and beloved as The Decameron it was censured in 1564 the council of Trent instead removed all mention of priests clergy and the Church from the work while leaving all the erotic bits that would have been too easily missed. Marketed as a "correction" of earlier supposedly erroneous editions. Provenance: Kimbolton Castle copy with case/shelf ticket inside front cover.<br /> <br /> Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 047703. Giunti hardcover
159056659Venetia Fabio & Agostin Zoppini Fratelli & Onofrio Farri 1590. 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. 854490 pp. Many large initial in woodcut 10 large woodcut illustrations in the text 3/4-page woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine. <br/><br/><em>Brunet I1002. - Not in Adams. </em> hardcover