18 344 résultats
201506717Bruxelles, Blake et mortimer, 2001 ; in-4, 66 pp., cartonnage de l'éditeur. EO : DL septembre 01.
201113530Bruxelles, Blake et mortimer, 2001 ; in-4, 66 pp., cartonnage de l'éditeur. EO : DL septembre 01.
014020606X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
134507Fine. External dimensions 92 × 77 mm; in fine condition. Peake 3878 'Two whales' 1980. Numbered 32/100 and signed in pencil by the artist in the bottom margin; printed on blue paper. unknown
134506Fine. External dimensions 91 × 68 mm; in fine condition. Peake 3874 'Galleon and seagull' 1932. London-born John Charles Goodchild 1898-1980 emigrated with his family to South Australia in 1913; he served on the Western Front with the 9th Field Ambulance AIF. He established himself as an artist educator and arts administrator in Adelaide after the war. He studied in London in both the early and late 1920s; this image would appear to date from the second visit. Consult the 'Australian Dictionary of Biography' for more on this interesting artist. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134510Fine. External dimensions 59 × 50 mm; in fine condition. Peake 3887 'Pegasus' 1933. The small plate is numbered 9/15 and signed in pencil by Thake in the bottom margin. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134508Fine. External dimensions 132 × 90 mm; in fine condition. Peake 3883 'Bookstalls with church tower behind' - the Bouquinistes of Paris with Notre-Dame in the background. A signed proof copy inscribed by the artist 'Opus 22' dated 1980. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134505Fine. External dimensions 114 × 73 mm; in fine condition. Peake 3873 'Devil's face' 1934. A remarque proof signed in pencil by the artist in the bottom margin. John Barclay Godson 1882-1957 artist and art teacher was born in England and emigrated to Australia in 1914. He was a founding member of the Australian Painter-Etchers' Society. In 1933 Geoffrey Ingleton published 'John Barclay Godson Bookplates' under his Golden Lantern Press imprint in an edition of only 150 copies. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134509Fine. External dimensions 93 × 124 mm; in fine condition. Peake 3885 'Tree embracing maps of Canada & Australia' 1943. A proof copy signed in pencil in the bottom margin by the artist. Offered together with a photocopy of a 1943 autograph letter to Muir from this Canadian artist primarily regarding the bookplate. It appears Smith produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. 2 items. unknown
132768The archive comprises: <p>1. Sara Eugenia Blake: an etched bookplate Peake 3869: 'Juvenilia H.B. Muir'. One signed copy with the original zinc plate. <p>2. Sara Eugenia Blake: an etched bookplate depicting a Persian or Mughal figure Peake 3870: 'Indian Man'. Six signed proof copies printed in different coloured inks one extensively hand-coloured with the original zinc plate. <p>3. Tom R. Bond: a process bookplate Peake 3871: 'Mask' incorrectly dated 1937. One proof copy signed and dated 1933 by the artist and numbered 10/10 plus ten further proof prints on different paper stocks some untrimmed. With the original India ink drawing and process block. <p>4. Adrian Feint: a process bookplate Peake 3872: 'Desk open window river' 1936. One copy signed by the artist and another on Japanese paper likely a proof. With the original ink drawing and process block. <p>5. John Barclay Godson: an etched bookplate depicting the devil Peake 3873: 'Devil's face' 1934. One signed remarque proof with a preliminary pencil drawing and the original copper plate. With a list in Harry Muir's hand regarding distribution of copies of the bookplate. <p>6. John Goodchild: a process bookplate depicting a ship at sea Peake 3874: 'Galleon and seagull' 1932. Four copies two identified as proofs by Harry Muir on the reverse 'Delmonts proof of bookplate. 1st Sept 1932' and 'Hassells proof of bookplate from Delmonts zinc block'. With a preliminary pencil drawing signed by Harry Muir identifying the artist the final large ink drawing 146 × 102 mm with a pencil note to 'Reduce ¼ size' and the original process block. <p>7. John Goodchild: a process bookplate depicting a one-legged pedlar selling prints Peake 3875: 'Autolycus selling from tray' 1932. With the original process block. <p>8. John Goodchild: a three-colour linocut and process bookplate Peake 3877: 'Glass enlarging galleon plate' 1943. One copy with the three original blocks two linoleum and one process block. <p>9. Peter Hosokawa: a bookplate featuring two whales Peake 3878: 'Two whales' 1980. Number 31 of 100 signed copies; printed on blue paper. <p>10. Jane Hylton: a process bookplate depicting poppy kernels Peake 3879: 'Poppy kernels'. With the original process block heavily tarnished. <p>11. George David Perrottet: a three-colour linocut bookplate depicting a ship under a crescent moon Peake 3882: 'Sailing ship against crescent moon' 1933. Two copies one untrimmed and signed by the artist. With all three original linoleum blocks plus three process blocks heavily oxidised possibly prepared for Muir's 1942 publication on Perrottet's bookplates. <p>12. George David Perrottet: a hand-coloured two-colour linocut bookplate for Muir's books by and on John Galsworthy Peake 3880: 'Monkey with orange' 1936. With both original linoleum blocks. <p>13. George David Perrottet: a two-colour linocut bookplate featuring the exterior of Muir's bookshop Peake 3881: 'H B Muir bookshop' 1939. One signed proof copy on fine paper plus a copy of the standard version. <p>14. Derek Riley: a woodcut bookplate featuring bookstalls Peake 3883: 'Bookstalls with church tower behind'. One signed proof copy inscribed by the artist 'Opus 22' dated 1980. With the original woodblock. <p>15. Derek Riley: a woodcut bookplate featuring a tiki Peake 3884: 'New Zealand tiki'. Signed proof copy inscribed by the artist 'Opus 35' dated 1981; mounted in a card bifolium also signed and dated and a copy of the standard version. With the original woodblock. <p>16. Leslie Victor Smith: an etched bookplate showing maps of Canada and Australia Peake 3885: 'Tree embracing maps of Canada & Australia' 1943. One copy signed by the artist. With the original copper plate and an autograph letter 1943 with the original envelope to Muir from this Canadian artist primarily regarding the bookplate it appears he produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. <p>17. Eric Thake: a process bookplate for Muir's collection of books on Bligh and the 'Bounty' Peake 3886: 'Three figures from "Bounty" mutiny' giving the date 1947. With two ink drawings a preliminary version and the final version dated '1945-1948' and the original process block. <p>18. Eric Thake: a process bookplate featuring a chained Pegasus Peake 3887: 'Pegasus' 1933. Number 9 of 15 proof copies signed by the artist plus two further copies one signed. With the original ink drawing and two lists in Muir's hand regarding distribution of the proof copies. <p>19. Noel Wood: a linocut bookplate Peake 3888: 'Eagle on rock' 1932. One untrimmed remarque proof number 5 of six copies almost certainly printed by the artist two copies of a more crisply-printed version possibly process; one with Muir's annotation on the verso stating that it is a 'Hassell's print'. With a preliminary ink drawing mistakenly giving Muir's middle initial as M not B. <p>20. John Goodchild: an offset-printed bookplate for Muir's holiday house Petrel Cottage at Encounter Bay Victor Harbor Peake 3876: 'Seagulls' 1938. <p>21. George David Perrottet possibly: two linoleum blocks for a second bookplate for Petrel Cottage a two-colour linocut very much in the style of Perrottet. This bookplate was apparently never published. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. A quantity. unknown
1979M9076Bethesda:: U. S. Department of Health Education and Welfare 1979. 1979. First edition. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt stamped gray cloth. Ink inscription front free endpaper. Very good. U. S. Department of Health, Education, and Welfare, 1979. hardcover
19259065London: Nonesuch Press 1925. Vellum Binding. Very Good binding. Quarto. xviii 364 1; vii 1 397 2; vii 1 430 1 pp. frontis plates illus. Limited edition number 573 of 1500 copies. As issued in quarter vellum with marbled paper over boards. Very minor mellowing to vellum of the first volume else all spines are very bright and bindings with only trivial shelf-rubbing else near fine. A beautiful set and one that Francis Meynell himself thought “to rank with the Shakespeare as the most useful and most generally creditable of Nonesuch publications.†Dreyfus 24. Nonesuch Press unknown
1376526Paris: Galerie Claude Bernard, 1984 in-8, 43 pages, planches hors texte en noir et en couleurs. Broché, couverture illustrée en couleurs, bon état. Texte français et anglais.
1878List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna†depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante.<br /> <br /> Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!†The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1<br /> <br /> Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. <br /> <br /> 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92†Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
201900093Paris, First editions, 2012 ; in-8, 336 pp., br. Livre + 2cd.
200773718London: Aurum 2007. First edition. 418 pp w/index. Very near fine in like dust jacket. A well-regarded account. London: Aurum unknown
13662Le Nouveau Commerce, 1972.
6336Numéro spécial de LA TOUR DE FEU, n° 47, Jarnac, automne 1955. In-8 (226 x 143 mm), broché, 176 pages.
4147Paris, Librairie Plon (Collection Carte du ciel, n° 2), (22 juin) 1946. In-4, broché, (14)-144 pages, couverture rempliée.
12723La nouvelle revue française, n°107, 8/1922. In-8, broché.
10178[QUATRE-VINGT-QUATRE]. 84. Collection complète du n° 1 (mars 1947) au n° 18 (mai-juin 1951). De nombreux bandeaux et papillons ont été conservés. Ensemble en très bon état.
11596Pierre Klossowski sur Kafka. Georges Bataille sur William Blake. Bon état.
11356Collection complète, du n° 1 (mai 1940) au n° 13 (été 1948). Sont joints treize avis de parutions pour divers volumes des éditions de l'Arbalète (Arthur Rimbaud, Franz Kafka, Henri Michaux, Jean Genet, Antonin Artaud, Henri Pichette). Ensemble en très bon état. /// Les 7 premiers numéros sont rares ; le premier, " rédigé par des soldats ", fut censément tiré à une centaine d'exemplaires et il est d'une très grande rareté. A partir du n° 9, le tirage atteint 2.000 exemplaires. /// Ecrits de Jean Wahl, Antonin Artaud, Jean Genet, Georges Hugnet, Michel Leiris, Raymond Queneau, Louis-René des Forêts, Olivier Larronde, Ernest Hemingway, Guy du Montcel, Gustave Thibon, Pierre Boutang, Paul Eluard, Rainer Maria Rilke, William Blake (poèmes traduits par René Tavernier), Klabund (poème traduit par Camille Bryen), Jean Tardieu, Martin Heidegger, Louis Aragon, Federico García Lorca, Henri Michaux, Marc Beigbeder, Marc Barbezat, Fernand Lot, Robert Ganzo, Arthur Rimbaud (poèmes présentés par Pascal Pia), C.- F. Ramuz, D. H. Lawrence, Franz Kafka, Albert Camus (" L'Espoir et l'absurde dans l'uvre de Franz Kafka "), Jean-Paul Sartre, Mouloudji, André Rouveyre, Boris Vian. Le n° 9 est entièrement consacré à la littérature américaine.
11330Numéro consacré à William Blake. Arthur Symons, Swinburne, Marcel Brion. Choix de poèmes de William Blake, traduits par Annie Hervieu et Auguste Morel. Portrait de William Blake hors texte et dessin inédit à pleine page. Etat convenable.
9929LES ECRITS NOUVEAUX. Paris (100, rue du Faubourg Saint-Honoré). Editions Emile-Paul, frères. Directeur : Maurice Martin du Gard. Comité de rédaction : Edmond Jaloux, Valery Larbaud, André Germain, Philippe Soupault. Gérant : Paul Budry. 60 numéros (dont 6 doubles) ont paru en 54 livraisons de novembre 1917 à décembre 1922. (Vasseur, p 37) (Destribats, 80)
