(BEATLES). BLAKE, JohnBiblio.com
18 344 résultats
1980386544No place: John Blake 1980. Unbound. Near Fine. Photocopied loose quarto sheets. 305 serially numbered leaves followed by two hand-numbered leaves all printed rectos only. Very near fine in a worn hand-lettered envelope. The manuscript dutifully shows evidence of corrections deletions and emendations but seems like a reasonably close to final draft. The book a study of what became of the Beatles in the aftermath of their breakup culminating in the murder of John Lennon was published in New York by Perigee Books in 1981. Included is a copy of the book. John Blake unknown
19157P., British Council et Galerie René Drouin, 1947, in-4, br., couv. rempl. illustrée, 42 p., 18 reproductions, textes de Eric Maclagan, A. Gide, P. Soupault, J. Wahl, Archibald G. B. Russel. Ex. num. sur vélin du Marais. Beau catalogue.
20628Dir. : Jean Lescure. P., Messages, 1939, in-4, br., 68 p. Textes de J. Lescure, Jean Vagne, Jean Audart, Denis Saurat, Geoffrey Stutfield, Herbert Read, Poèmes de Jean Wahl. Notes par David Friedlander, bibliographie par Geoffrey Keynes. 2 hors-textes. Ce numéro est rare.
24420Paris, Les Editions Rieder, Maîtres de l'art moderne, 1928, in-8, broché. William Blake - Note bibliographique - Avec 40 planches en noir et blanc en hors-texte en héliogravure. Table des planches.
24423Paris, La Colombe, 1954, in-8, br., 124 p., frontispice. Bande annonce jointe.
3-77420Canberra Australian Institute of Aboriginal Studies 1971 8vo brossura originale con copertina illustrata pp. 109. Ottime condizioni. unknown
1895001225London: Seeley. GOOD book. TEG. Gilt lettered marroon cloth. Bevelled boards. 1895. Hardcover. GOOD book. Bright & tight. Cover extrems worn some plate margins foxed o/w VG inside. . Frontis struck from an original Blake etching copyright Mar 8 1825 by Will Blake N3 Fountain Court Strand. Titled in the etching "When the morning stars sang together and all the Sons of God shouted for Joy" titled below the etching "The Sons of God. Design fromn the book of Job." Tho struck 70 years later image still bright & clear. There's no evidence the plate was reworked. The last section on Davis has 4 steel engravings by him. . Seeley hardcover
198742248London: The William Blake Trust 1987. Text volume only. Folio. 27 1 pp. Publisher's quarter tan morocco over marbled boards gilt lettered direct to the spine. Very good. An out-of series copy of just the text from one half of this scarce collection without any of the accompanying illustrations or the matching box that they would have originally been issued in. London: The William Blake Trust unknown
1956stela1313n.p.: Nonesuch Press 1956. 1956. 4to. pp. xi plates. 56 b/w illus. cloth. dw. some wear to edges. Edition limited to 1440 copies of which this copy is number 318. Hardcover. Very Good/Dust Jacket Included. n.p.: Nonesuch Press, 1956. Hardcover
1977stela1312London: Published by the Trianon Press for the William Blake Trust 1977. 1977. 4to. pp. 155. 52 b/w illus. quarter morocco. cloth slipcase spine sunned. Edition limited to 562 copies of which this is one of 500 bound in quarter morocco. Hardcover. Very Good. London: Published by the Trianon Press for the William Blake Trust, 1977. Hardcover
196545214London: Jonathan Cape 1965. Uncorrected Proof. 8vo. 176 pp. Publisher's printed card covers. Illustrations in the text throughout. Some general but mostly light edge wear else very good. London: Jonathan Cape unknown
200241025London: Alan Cristea Gallery 2002. First edition. 4to. 63 1 pp. Publisher's grey cloth black lettered to the spine dust jacket with wide flaps with loosely inserted two letters between McKeever and the Blake Trust regarding the copyright of Morton Paley's transcription of the Blake's text and a photocopies of their reply and their forwarding on of the query to Paley. Colour illustrated. A lovely copy. London: Alan Cristea Gallery unknown
1952stela1375London: Published for The William Blake Trust by Faber and Faber Limited 1952. 1952. 8vo. pp. 263 illus. 64 b/w illus. cloth spine torn at outer joints spine sunned corners worn. First Edition. 1st Edition. Hardcover. Very Good. London: Published for The William Blake Trust by Faber and Faber Limited, [1952]. Hardcover
1992stela484Jerusalem: The Israel Museum 1992. 1992. 4to. pp. 77 English text 64 illus 59 Hebrew text. English & Hebrew text. profusely illus. in b/w & colour. biblio. boards minor wear to tail of spine. dw. scuffed head of spine bumped. Published in conjunction with an exhibition. Hardcover. Very Good/Dust Jacket Included. Jerusalem: The Israel Museum, [1992]. Hardcover
196951346London: Routledge & Kegan Paul 1969. First British edition. Two volumes. 4to. Publisher's purple cloth gilt lettered to the spines dust jackets. Colour frontispiece to volume I plus 193 illustrations in the text across both volumes mostly black and white. Jackets generally worn but sound with one small reinforcement on the verso the spines faded contents very good. London: Routledge & Kegan Paul unknown
184426600New York: Alexander V. Blake 1844. hard cover. Good/No jacket. New York Historical Collections American Anecdotes Historical Anecdotes and other Works on History and Biography. New York:Alexander V Blake. 1844. 252pp. Illustrated with two portraits. Hardcover. Bound in full leather but quite worn and scuffed with wear along edges spine ends chipped and edge points bumped and worn to boards. Both boards while still firmly attached are cracked along external gutters. Internally end pages are age toned with some foxing to first few pages including portraits. There are no previous owners marks or signatures but there are occasional spots of foxing or smudges scattered throughout. Overall a good solid copy. New York: Alexander V. Blake hardcover
1806220643London: T. Bensley for Longman Hurst Rees and Orme 1806. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. UNCUT in the original boards; rebacked in cloth endpapers renewed. Fine tall copy. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. A book of paramount importance to Blake studies. Malkin was a personal friend of William Blake with whom he shared an interest in radical politics and on the death of his gifted six-year-old son Thomas in 1802 Malkin commissioned Blake to design the frontispiece for Malkin's FATHER'S MEMOIR. In his Preface to this work Malkin gives what the DNB calls the "first and fullest" account of Blake's early life and career and it was with this very tribute to his friend's idiosyncratic genius that Malkin first gave impetus to a more general appreciation of William Blake's art. Keynes 80; Bentley Blake Books p. 18 T. Bensley for Longman, Hurst, Rees, and Orme unknown
1964345124New York: Orion Press 1964. Hardcover. Very Good/Very Good. First edition. Quarto. Small dampstain on top page and cloth corners else very good in a very good age-toned dust jacket with corresponding dampstain on top corners and front panel. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Orion Press hardcover
197155365Clarendon Press Oxford. 1971. Second Edition. DW. WITH FASCINATING HAND-WRITTEN LETTER FROM KEYNES STILL IN HAND ADDRESSED ENVELOPE loosely inserted. The letter is on William Blake Trust headed paper with the address corrected by hand by Keynes. He has completely filled the two sides of the letter even writing in the margins. The letter dated 25 May 1917 covers in much detail the way that Blake produced his coloured printing. Keynes admits much is guess work at this time. 263pp including index. Frontis with illustrations. A few stains to upper edge o/w a very nice copy in shelf worn and slightly soiled wrapper sunned to spine and slightly worn along top edge. A unique copy. Near fine. unknown
11664-Oxford University Press 2000-. First edition. xiv365 pages with index. Illustrated. Cloth. Fine in fine dustjacket. Blake's Critique of Transcendence is the first full-length book to examine in any detail or consistency the relation between Blake's text and the visual designs in The Four Zoas one of the most important works in Blake's oeuvre. It uncovers a Blake deeply engaged with the cultural discourses of his time in profound dialogue with Swedenborg Locke and Young. In the course of this conversation Blake anatomizes a remarkable variety of cultural practices including religion science and art designed to achieve transcendence. He focuses in particular on the fate of the body in cultures of transcendence developing perhaps the first theory of sexual sublimation. Blake's radical visual and verbal strategies in this poem are part of an attempt to defer the movement of transcendence long enough for the reader to see the warring elements of the fallen world as the dismembered body of humanity. Literature Blake's Critique of Transcendence. Love Jealousy and the Sublime in the Four Zoas. 019818719x -Oxford University Press, 2000- hardcover
1793259455London: Printed for John Stockdale 1793. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. Contemporary full straight-grained red morocco covers stamped in gilt with outer roll border flat spines divided into 6 compartments 2 with title and volume number the rest gilt with small tool a.e.g. marbled endpapers. Light wear to extremities some foxing to title-pages. Bookplate of Frasier W. McCann. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. A tall copy in contemporary binding of the Stockdale edition of Gay's Fables with 12 engravings by Blake who freely adapted his source material. Ray considers this one of the best examples of Blake's work as a reproductive engraver. Bentley & Nurmi 371A; Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI Printed for John Stockdale unknown
185<p>A Limited Edition. Large Folio 6 volumes housed in two slipcases the first housing the text volume and a portfolio of plates including all 21 plates in several states 21 fascicules and the plate-by-plate commentary; the second slipcase housing The Colour Versions of the Book of Job and three separate volumes of illustrations all bound in quarter-morocco with marbled paper covered boards with solander boxes fitted inside each slipcase printed on Arches pure rag paper. Published by the Trianon Press for the William Blake Trust 1987. This particular copy is enhanced for being accompanied with the rarely found two 1987 Prospectuses with the specimen plates inside 4 additional colour plates the original order forms a compliments slip from the William Blake Trust a small envelope; all loosely inserted in the original William Blake Trust envelope.</p><p>A wonderful production of this impressive and important work.</p><p>The condition is near fine; a slight crease to one page in the text volume the prospectuses slightly creased some very minimal wear to the slipcases two small marks to the top edge of one of the solander boxes.</p><p>The finest William Blake production by Arnold Fawcus and the Trianon Press who starting in 1950 produced the famous series of Blake facsimiles. The plates for this work were printed around 1974 but remained unassembled until 1987 when the sheets were bound up in the present form by Smith Settle of Otley Yorkshire. A total of 392 copies of this limited edition were produced although only 387 are in the limitation statement: This copy is Number 23 of 250 copies from the limitation; there were also 115 Roman numeral copies some of which were reserved for the William Blake Trust however there was no difference in the content or presentation though there were 22 lettered copies specially bound with additional material.</p><p>Please contact us for shipping costs if ordering from outside the UK.</p> Published by the Trianon Press for the William Blake Trust hardcover
1880323501London: Macmillan 1880. Second Edition. A New and Enlarged Edition Illustrated from Blake's Own Works with additional Letters and a Memoir of the Author. Plates Portraits and Facsimiles. xxi 2 1-431; ix 4 1-383 pp. Printed by R. Clay. 2 vols. 8vo. Original gilt-stamped pictorial blue cloth both volumes fine. The Henry Buxton Forman copy with his bookplate. Second Edition. A New and Enlarged Edition Illustrated from Blake's Own Works with additional Letters and a Memoir of the Author. Plates Portraits and Facsimiles. xxi 2 1-431; ix 4 1-383 pp. Printed by R. Clay. 2 vols. 8vo. The original prints - three from electrotypes of woodblocks for Virgil's Pastoral in this second edition printed on India paper and thus preferable to the prints in the first edition of Gilchrist 1863 and 17 from electrotypes made from the original copperplates of the Songs of Innocence and of Experience. One of the highspots of Victorian decorated bindings. G.E.Bentley Blake Book 1680B; H. Buxton Forman 59 Macmillan unknown
1964578625Northampton Massachusetts: The Gehenna Press 1964. Unbound. Very Good. Publisher's Prospectus. One narrow quarto sheet measuring approximately 6" x 14" printed recto only. Illustrated with a portrait of Blake by Leonard Baskin. Light vertical crease in the left margin and light wear at the corners blank verso with modest offsetting from the cardboard stiffener just about near fine in the original mailing envelope. The Gehenna Press unknown
200540499London: The Folio Society 2005. Three volumes - two volumes folio the commentary 8vo. Folios bound in midnight blue goatskin over blue-grey silk boards illustrated and with matching leather title labels to the upper covers commentary bound in dark teal cloth silver lettered to the spine with a blue-grey title panel to the upper cover housed together in a dark blue cloth solander box with matching silver lettered leather title label to the spine. High quality colour reproductions of Blake's illustrations throughout the folio volumes. Some light shelf wear to the case else a lovely example. London: The Folio Society unknown
