16 276 résultats
200433196Yale University Press. New. 2004. Paperback. 0912804424 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- clean and crisp tight and bright pages with no writing or markings to the text. -- with a bonus offer--; 4to - over 9¾" - 12" tall . Yale University Press paperback
198465986Museum. As New. 1984. Paperback. 0888543093 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 240 pp. With 256 ills. 25 col. . 26 x 25 cm. -- with a bonus offer-- . Museum paperback
23334446-nnew. unknown
70297Guildford: Genesis Publications 1991. LIMITED EDITION SIGNED by Eric Clapton and Peter Blake. No.2387 of 3000 copies. Slim Quarto with colour plates and illustrations. Book and scrapbook with additional material. Original green morocco boards gilt edges together with a laminated stage pass guitar picks and a pack of guitar strings plus limited double CD '24 Nights' the whole contained in custom-made clamshell box with card tray. A superb production as expected from Genesis the pioneers of high quality art-rock publications. Fine throughout. 24 Nights is a unique collaboration between Eric Clapton Peter Blake and Derek Taylor. Issued to commemorate Eric Clapton's record 24-night performance at the Royal Albert Hall in 1991. Peter Blake's scrapbook is a collection of pencil sketches charcoal drawings and montages showing Eric and the band during rehearsals and performances. Blake was the Associate Artist of the National Gallery and is probably best known for his graphic cover of The Beatles' 'Sergeant Pepper' album cover. A vast selection of original memorabilia from the concert tour including back stage passes hotel room lists Polaroid photographs seating plans set lists laminates and sheet music are reproduced in the scrapbook many of them tip-ins pasted in by hand. The scrapbook is accompanied by a commentary book by Derek Taylor. Taylor attended rehearsals in Dublin performances at the Royal Albert Hall and the after-show party. His account provides a unique insight into the backstage and on-the-road world of Eric Clapton and his band. A former publicist for the Beatles' Apple Corps as well as the Mamas and Papas The Beach Boys and The Byrds Taylor was one of the most influential music industry professionals of the time. His commentary offers the reader a rare opportunity to experience an insider's perspective on the man who is universally recognised as the world's greatest blues guitarist labelled 'God' during his time with John Mayall Cream and Blind Faith in the mid to late sixties. A very early pop title from Genesis who have published well in excess of 80 music books; preceded only by I Me Mine 1980 Fifty Years Adrift 1984 Twenty Years Ago Today 1987 Songs by George Harrison 1987 and Blinds and Shutters 1990. Guildford: Genesis Publications, 1991 unknown
1246378182. London: March 8 1828 i.e 1825 but published 1826. <br /> <br /> Single leaf recently cleaned.<br /> <br /> § First edition one of 100 sets printed directly onto Whatman wove with the word "proof" removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625-641C. unknown
1246368182. London: March 8 1828 i.e 1825 but published 1826. <br /> <br /> Single leaf recently cleaned.<br /> <br /> § First edition one of 100 sets printed directly onto Whatman wove with the word "proof" removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625-641C. unknown
1077748182. London: March 8 1828 i.e 1825 but published 1826. <br /> <br /> Single leaf recently cleaned.<br /> <br /> § First edition one of 100 sets printed directly onto Whatman wove with the word "proof" removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625-641C. unknown
DADAX0961459409Brand: Kingston Korner 0000-00-00. First Edition. paperback. New. 8.75x0.75x11.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Kingston Korner paperback
3584London: printed in Paris at the Trianon Press for the Trustees of the William Blake Trust 1974. Limited to 32 deluxe copies with extra material proofs stencil etc. 25 colour plates printed using the collotype and hand-stencil method 8 proofs and commentary by Geoffrey Keynes at the end 8 colour facsimile trial proofs 12 pages of text plus an extra suite of 14 states of plate C & D with a matching guide-sheet and pochoir stencil. Folio original full brown morocco in the original morocco edged marbled paper covered slipcase. Very slight fading to spine otherwise extremely good.The longest of Blake’s prophetic books which tells of the fall of Albion Blake’s embodiment of man or the Western World. Six copies were printed between 1820 & 1827 and a further 4 copies were printed posthumously. This is the facsimile of Lord Cunliffe’s copy copy B and Kerrison Preston’s proofs; the colouring differs markedly from the Stirling copy which was the first Trianon Press Blake facsimile published in 1950.Bentley Blake Books A82. One of only 32 deluxe copies printed in Paris at the Trianon Press for the Trustees of the William Blake Trust unknown
193563710hNew York: Peirpont Morgan Library 1935. Book. Fine. Hardcover. 1st Edition. Folio - over 12 - 15" tall. Six fascicles with black cloth-backed grey card covers and front title-labels all in a new cloth clam-shell box with original title-label to spine. Very fine and rarely handled: clean tight and unmarked. Very neat --a sound and handsome set. Peirpont Morgan Library Hardcover
19251277651925. BLAKE William. The Writings of William Blake. Edited in Three Volumes by Geoffrey Keynes. WITH: WILSON Mona. The Life of William Blake. London: Nonesuch Press 1925-27. Together four volumes. Quarto original half vellum marbled boards uncut and unopened. $1850.Limited Nonesuch Press edition of Blake's Writings number 943 of 1575 copies printed on Vidalon handmade paper the first complete edition of the poet's writings. Together with Mona Wilson's important Life of William Blake number 376 of 1480 copies.This is the first attempted collection of Blake's prose and the first edition to contain all of his poetry and prose. It includes many previously unpublished and important letters and fragments and draws on the poet's annotations and manuscripts to present corrected texts of numerous poems. Keynes arranges Blake's writings chronologically so the reader can clearly see how his mythic system evolved. Contains over 80 plates reproducing Blake's paintings and engravings. Wilson's Life printed in like format with an additional 24 tipped-in collotypes is still considered the standard biography. ""I have always regarded her book as the most important biographical account of Blake to have appeared since the second edition of Gilchrist's Life in 1880"" Keynes. The Nonesuch Press was founded in 1923 with the intent to make books ""for those among collectors who also use books for reading"" Ransom 169. Bentley 2981. Bookplates; owner penciled annotations on rear pastedowns of The Life and Volume I of The Writings.Interiors clean and fine. Spines slightly darkened as often; a touch of rubbing to corners. A handsome set in near-fine condition. hardcover
140945032New York: Viking Kestrel 1988. First American Edition. Hardcover. Near Fine. Advance reading copy of the first American edition and uncommon in this format. Bound in publisher's original yellow wraps printed in black. Near Fine with light soiling light wear and light toning to wraps several stray ink marks to the textblock edge. Contents toned. The beloved young adult novel that inspired a film adaptation in 1996 illustrated by Quentin Blake. Viking Kestrel hardcover
140943860London: Jonathan Cape 1980. First Edition. Near Fine. Advance uncorrected proof of the first edition. Bound in publisher's red wraps printed in black. Near Fine with light edge wear fading and tiny scrape to spine "Sept/Oct 80" penned to top margin of front cover light foxing. A rare format. Jonathan Cape unknown
105372London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours 1991 on wove paper signed titled and numbered 49/95 from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77 cm. 40.4 x 30.3 in.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
105374London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours 1991 on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77 cm. 40.4 x 30.3 in.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
105381London Waddington Graphics and Corianda Studios 1991. . Screenprint in colours 1991 on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77 cm 40.4 x 30.3 in.<br /> <br /> London, Waddington Graphics and Corianda Studios, 1991. unknown
105389London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours 1991 on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77 cm. 40.4 x 30.3 in.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
105390London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours 1991 on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77 cm. 40.4 x 30.3 in.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
105369London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77cm.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
105370London Waddington Graphics and Corianda Studios 1991 . Screenprint in colours on wove paper signed titled and numbered from the edition of 95 in pencil published by Waddington Graphics and Corianda Studios 102.5 x 77cm.<br /> <br /> London Waddington Graphics and Corianda Studios 1991 unknown
1793259455London: Printed for John Stockdale 1793. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. Contemporary full straight-grained red morocco covers stamped in gilt with outer roll border flat spines divided into 6 compartments 2 with title and volume number the rest gilt with small tool a.e.g. marbled endpapers. Light wear to extremities some foxing to title-pages. Bookplate of Frasier W. McCann. First Stockdale edition and first with the Blake plates first issue with the long 's' throughout. 2 engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. ii xii 225; ii vii 188 pp. 2 vols. 8vo 10-3/8 x 6-3/4 inches. A tall copy in contemporary binding of the Stockdale edition of Gay's Fables with 12 engravings by Blake who freely adapted his source material. Ray considers this one of the best examples of Blake's work as a reproductive engraver. Bentley & Nurmi 371A; Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI Printed for John Stockdale unknown
198487851London: Quartet Books 1984. First Edition stated Presumed first printing limited to only 10000 copies. Hardcover. Very good/Very good. Rebecca Blake Photographer. The format is approximately 1125 inches by 13.5 inches. DH has slight wear and soiling. Unpaginated. Preface Nocturnes Fairy Tales Night visions Forbidden Dreams Virgins and Vampires Index. Afterword. Profusely illustrated in color. Signed and dated on the title page after the verso. Concept by David Leddick. Design by Vincent Gagliostro. Preface by Lina Wertmuller. This is an oversized book and if sent outside of the United States will require additional shipping charges. Seventy-eight fashion photographs combine eroticism violence surrealism and a sense of mystery. Passion glamour eroticism irony these are Rebecca Blake's obsessions document here in seventy-eight photographs that sear--and chill--with a dry-ice intensity. While issuing form the concerns and conventions of fashion photography Blake's work transcends that or any other genre sometimes achieving the character of the psychological portrait sometimes that of the cinematographic tableau. Always sumptuous--never more so that when they flirt with the violent the gritty the ambiguous these images are of a complexity that rewards and occasionally defies multiple viewings. Rebecca Blake was an acclaimed music video/commercial director and fashion photographer perhaps best known for her collaborations with music artist Prince. Born in Antwerp Belgium Blake came to the United States at a young age and her European roots are evident in her work and aesthetics. She attended the prestigious High School for Music and Art as a piano major before attending New York University where she earned her Bachelor’s Degree studying music and art history. After graduating college Blake quickly established a career as a successful commercial photographer working with some of the world’s most prestigious fashion and beauty brands: Estee Lauder Revlon Elizabeth Arden Yves St. Laurent and Clairol among others. In 1977 she was hired by director Irvin Kershner to work closely with both himself and actress Faye Dunaway as special photographic consultant on the feature film The Eyes of Laura Mars which starred Dunaway as a New York fashion photographer who has premonitions of murders. At the same time Blake was commissioned by Columbia Pictures to create a series of erotic photographs which were featured in the film alongside work by German fashion photographer Helmut Newton. Blake quickly moved into directing commercials for clients such as L’Oréal Pantene Revlon Shiseido Victoria’s Secret Guess Maybelline Citroen and Volkswagen. Over the course of her career Blake worked with an extensive list of the top models musicians and actors of our time: Angelina Jolie Claudia Schiffer Kate Moss Cindy Crawford Hallie Berry Jessica Lange Monica Bellucci John Travolta Christie Brinkley U2 Duran Duran Debbie Harry Sheena Easton Sheila E. Michael Bolton KISS George Benson Pattie La Belle Stephanie Seymour Lauren Hutton Paulina Porizkova Brooke Shields Grace Jones Vanessa Williams John Malkovich Kevin Kline Darryl Hall and Luis Miguel among others. Blake was a trailblazer in many ways being one of the handful of women who were able to break into the traditional “boy’s club†of advertising and music video production at a time when females were relegated to lesser roles. Blake’s photography is in the permanent collections of the International Center of Photography The Brooklyn Museum and The Mellon Collection of Surreal Art. Her work has been exhibited at The Rizzoli Gallery Nikon House The Hastings Gallery The Witkin Gallery and The Light Gallery among others.<br /> I. Quartet Books hardcover
18931270451893. London: Quaritch 1893. <br /> <br /> Large 4to xxi pp. text 54 leaves printed in outline in reddish brown. Original half hardgrain morocco first blank and title-page foxed otherwise internally a very fine copy with some light wear to the backstrip.<br /> <br /> § A very scarce companion volume to the colored version both issued by Quaritch at the same time. Bentley Blake Books 173. Bookplate at the front of Pickford Waller and in the back that of Harris Elliott Kirk. unknown
1081121987. Paris: Trianon Press for the Blake Trust 1987. <br /> <br /> 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. <br /> <br /> § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
193579441935. New York: Pierpont Morgan Library 1935. <br /> <br /> Large 4to text illustrations including 63 color facsimile plates in six fascicles in original wrappers with labels; near fine copy small stain to one wrapper enclosed in the original blue cloth box rather worn. <br /> <br /> § A magnificent production showing for the first time the three colored sets done by Blake and the drawings for the smaller set as well as reproducing in fine facsimile the proof issue of the first printing. Issued in a small edition and hard to find in good condition. Bentley BB 374. "The 134 plates of this excellent edition include Blake's pencil drawings and watercolors and proofs of his engravings. For the genesis of Job it is of crucial importance." Despite the Trianon Press edition of 1987 this edition is still a necessity as it reproduces in color a set not reproduced in color in the Trianon edition. unknown
