16 276 résultats
19211279601921. First Edition. BLAKE William KEYNES Geoffrey. A Bibliography of Wiliam Blake. New York: Grolier Club 1921. Thick quarto original half navy morocco gilt top edge gilt uncut. $1400.Limited first edition one of 250 copies printed at the Chiswick Press London for the esteemed Grolier Society of New York with four color plates 36 monochrome and 12 in-text illustrations.""Keynes massive and monumental bibliography vastly increased our knowledge and understanding of Blake. The undertaking and the difficulties were enormous and the accomplishment splendid still of very great importance for independent judgements Bentley Blake Books 617A. . Bookplates including that of noted art and book collector Cortlandt Field Bishop. Bentley Blake Books 688. Faint scratch to front board. A beautiful copy in very nearly fine condition. unknown
187010325<p>R. Ackermann. London. 1813 Circa 1870. PORTFOLIO OF 13 PLATES. No text as issued. Paper size 14.9 x 11.3 inches. The portfolio is 15.5 x 12 inches. Portrait of Blake by T. Phillips RA; Engraved title page dated 1808 and 11 plates all stating Ackermann as publisher dated 1813 and engraved by Louis Schiavonetti after Blake's designs. The pages have a little bumping to the edges but well away form the engraved area. Plates a little dusty and toned but the impressions are good. The original portfolio is brown Morocco grained cloth with elaborate blind tooled designs to both boards. Gilt lettering to the front board. Only one small piece of one silk tie remaining. Yellow coated endpapers. 3 small clippings from bookseller catalogues each listing copies of the Blair/Blake book tipped in to the front pastedown endpaper. Some minor rubbing and bumping to the cloth but the gilt is still very bright and the cloth clean. Overall a very good example of this rare edition. ----- "When Gilchrist's Life of William Blake 1863 made the artist's name familiar again a deposit of prints left over from 1813 came to light probably in Ackermann's storehouse. Somebody possibly John Cameron Hotton reissued the books. There are no new title pages no dates or places indicated; but the bindings are in mid-Victorian style and could not have been made in the first half-century." A Blake Dictionary: The Ideas and Symbols of William Blake By Samuel Foster Damon. ---- "My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings."--Essick.</p> R. Ackermann. London. 1813 (Circa 1870?) hardcover
1971125904<p>A First UK printing published by Latimer UK in 1971. The BOOK is in near FINE condition. The WRAPPER is complete and in near FINE condition with some mild tanning as usually encountered. The Sir Peter Blake wrapper artwork looks striking in the removable Brodart archival protector. Illustrations and photographs by Michael Tyzack Sir Peter Blake Adrian Henri P.G. Findlay & R. Elson Jeff Cloves Patrick Hughes Shepard Sherbell Gabi Nasemann Michael Horovitz Michael Bloom Paul Kaplan John Furnival Bob Godfrey Pete Morgan Jeff Nuttall David Oxtoby Adam Ritchie Colin Self John Furnival Richard Hamilton Stephen Morris Jeff Goldner Nick Roberts Marigold Hodgkinson Mike Francis Ron Sandford David Hockney Michael Foreman Feliks Topolski Gabi Nasemann Mal Dean Tom Phillips Mike McInnerney. This is number '75' of only 100 special numbered copies signed by the author and all of the 30 the contributors including Hockney Blake & Hamilton. The publisher's errata slip is present as issued. The book is an extraordinary collection of British art luminaries of the age. Very scarce with such attributes. More images avilable on request. Ashton Rare Books welcomes direct cotnact.</p> Latimer, UK hardcover
2036<p><strong>BOOK IS NOT SIGNED BY ROALD DAHL</strong></p><p>Brand new. 2022 Suntup Press</p><p>This copy is #181. Signed by the introducer Donald Sturrock and publisher Paul Suntup</p><p>The Numbered edition is limited to 350 copies and is a full leather handmade Bradel binding with gold leather adorning the spine and brown leather boards with a debossed front cover. The edition is printed letterpress on Mohawk Via with a spot color throughout. The color illustrations are printed offset. The edition is housed in a gate fold clamshell enclosure covered in Japanese cloth and lined with suede.</p><p> Includes mini print and bookmark. Book will be mailed double boxed in the original publisher's packaging.</p><p>A signature will be required for delivery. 2b2</p> Suntup Press hardcover
SONG0134043227Pearson 2015-02-01. 3. hardcover. Used: Good. 8.70x1.20x11.10. Buy with confidence. Excellent Customer Service & Return policy. Pearson hardcover
114740New Jersey Princeton University Press in conjunction with the William Blake Trust 1991-1995. . First U.S. editions; 6 volumes 4to 30.5 x 22 cm; internally fine; publisher's gilt cloth with original pictorial dust-jackets a touch of rubbing otherwise fine.<br /> The complete set of this profusely illustrated set designed to make high quality reproductions of Blake's work more accessible.<br /> New Jersey, Princeton University Press in conjunction with the William Blake Trust, 1991-1995. hardcover
197447959Paris / Clairvaux.: The Trianon Press. 1974. Original publisher's morocco-backed marbled boards title gilt to spine matching marbled paper-covered board slipcase. Folio. 374 x 272 mm. Frontispiece pictorial title and 23 plates of text and illustration by Blake numbered 1 - 25 at upper right leaf with section title 'The Trial Proofs' and 8 further plates all facsimiles after Blake leaf with details of the publication five leaves with 'Commentary and Bibliographical History' by Geoffrey Keynes final leaf with colophon and justification. The Trianon facsimile of the first twenty-five hand-coloured plates of 'Jerusalem' from the collection of Lord Cunliffe. From the edition limited to 558 on Arches with this lettered copy one of 26 reserved for the Trustees of the William Blake trust and the Publishers.This facsimile is not to be confused with the first Trianon publication in 1950 the facsimile of the Stirling copy of 'Jerusalem' the only known complete hand-coloured copy. In Lord Cunliffe's copy presented here a copy that precedes the Stirling copy only the first twenty-five plates i.e. the first chapter of the book were hand-coloured and in a different colour scheme. Four proofs from the collection of Kerrison Preston are also included.The facsimiles of the illuminated leaves have been reproduced by collotype and pochoir a hand-stencilled process and printed on Arches pure rag paper to match the paper used by Blake each page being watermarked with his monogram. In addition to the facsimile of the published book eight trial proofs are reproduced. The Trianon Press. hardcover
74015London: Queen Anne Press Enitharmon Editions 2013. Modern classic FIRST EDITION THUS Deluxe Edition. Quarto 42 x 32cm in case pp.173. Number 55 of 100 copies SIGNED BY THE ARTIST with a separate signed and numbered original print entitled ''The Sailor's Arms''. Publisher's original green cloth with Blake illustration inlaid to upper card folder containing print housed in an elegant blue cloth solander box with Blake portrait of the author to lid blocked in gilt to the spine. A fine as-new copy. The classic work in a brand new letterpress edition by Michael Mitchell of the Libanus Press illustrated and introduced by Peter Blake. The Queen Anne Press was originally run Ian Fleming and is now managed by his niece Kate Grimond and nephew Fergus Fleming. Blake also illustrated the cover for Fleming's From Russia With Love 2009. London: Queen Anne Press, Enitharmon Editions, 2013 unknown
ABE-1518460521566Mount Abraxus Bucharest 153 of only 155 copies printed and obviously this is very rare and always will be. It has a lush and lavish double heavyweight jacket; it has a loose insert; it has a few transparent pages; and it has a frankly stunning heavyweight binding which has an indented illustration on the front and a fabulous textured board cover. Dan Ghetu has signed and numbered this. It is a heavy and wonderfully bound volume and every aspect of it is so gorgeously produced it is difficult to describe. This is an exceptionally great production by this exceptional small press. It is a hefty volume to send through the post. Please ask because a surcharge for postage will be necessary depending on destination. A simply great example of book production. RARE AND DELECTABLE! Language: eng. Signed by Author. Limited Edition. Hardcover. New/New. Mount Abraxus Bucharest hardcover
1791025208London: J. Johnson 1791. 2nd Edition . Hardcover. Very Good . 11 15/16" Tall. Frontispiece Portrait By William Blake. Iii Viii Iv 756 Vii. One Volume Quarto Edition With The Blake Frontispiece Complete With Two Preliminary And Two Final Blanks. The Beginnings Of Western Scientific Philosophical Psychology Here Enlarged From The 1749 German Original With Additional Notes And A Biographical Sketch And Portrait. Original Spotted Calf Five Bands Morocco Label All Compartments Tooled With Gilt Designs And Rules. Edge Wear Front Hinge Cracked Externally But Binding Sound Original Endpapers Not Re-Backed No Names Or Marks Except A Few Pencil Notes On The Front Pastedown. Per Wikipedia David Hartley Frs 1705 - 1757 Was An English Philosopher And Founder Of The Associationist School Of Psychology. Like John Locke He Asserted That Prior To Sensation The Human Mind Is A Blank Slate. By A Growth From Simple Sensations Those States Of Consciousness Which Appear Most Remote From Sensation Come Into Being. And The One Law Of Growth Of Which Hartley Took Account Was The Law Of Contiguity Synchronous And Successive. By This Law He Sought To Explain Not Only The Phenomena Of Memory Which Others Had Similarly Explained Before Him But Also The Phenomena Of Emotion Of Reasoning And Of Voluntary And Involuntary Action. His Attempts At Explicit Albeit Somewhat Obvious Analysis Of The Mechanics Of Mental Activity Laid An Important Framework Of Discussion For Subsequent Academic Psychology. <br/> <br/> J. Johnson hardcover
4643Clairvaux: Trianon Press 1976. Hardcover. NF. . Near Fine. Copy XIV of 32 copies published by Trianon Press for the William Blake Trust in London. An edition of 538 copies 32 copies roman numeral numbering bound in full morocco each with a set of plates showing the progressive stages of collotype and hand-stencil process with a guide sheet and stencil. Another 480 numbered copies and 26 copies A - Z reserved for Trustees of The William Blakce Trust and the publishers. Near fine book with some sunning of the spine but boards and internally book is in fine condition. NF Slipcase. Edition marked with beautiful copper plate in the back. Provenance: From the Library of Naim Attallah CBE. Trianon Press hardcover
17841266411784. London: Harrison and Co. 1784-1785. <br /> <br /> 2 vols. in one 8vo 1-9 10-485 1; 1-5 6-193 1 pp. Lacking the folding frontispiece but with the 4 other plates engraved by Blake after Samuel Collings. Contemporary half morocco with pebbled cloth boards. A neatly restored copy plates with some closed tears and repairs.<br /> <br /> § Only edition quite scarce. "These are the only caricature prints engraved by Blake. The graphic style is appropriately broad and rugged particularly in the barnyard scene. 'Fun I love but too much fun is of all things most loathsom' Blake to Trusler 1799. Blake may have felt that the great rage for caricature prints in the 1790s was a hindrance to the sale of his own original graphic works." Essick CBE p. 37. Bentley Blake Books 513. Essick William Blake's Commercial Book Illustrations XVI. unknown
198490838Quartet Books Ltd. Very Good in Very Good dust jacket. 1984. First Edition. Hardcover. 070432475X . First edition of 10000. Black cloth boards with lettering in blind. Photographic jacket. Signed by Blake on the title paged and dated 1984. Rebecca Blake was born in Antwerp Belgium and came to the United States when she was five years old. She received her bachelor's degree from New York University where she studied English literature music and art history. As a photographer she specialized in fashion beauty and protrait projects. Her photographs are included in several permanent collections including The International Center of Photography and the Brooklyn Museum. A tight and clean copy. Jacket with rubbing and toning and minor shelfwear. Interior pages unmarked. Photos upon request. International shipping billed at cost.; Folio 13" - 23" tall; 126 pages; Signed by Author . Quartet Books Ltd hardcover
17981006531798. London: J. Johnson 1798. <br /> <br /> All 4 full-page copperplate engravings after Fuseli signed by Blake as the engraver. Matted good impressions of the plates complete with the imprints untrimmed.<br /> <br /> § One of Blake's scarcer works seldom seen in the trade or at auction; there was also a volume on English history published in the same year. We have had one other copy in the last seven years and one other separate set of the plates. The plates are strong and lively renditions of moments such as the death of Cleopatra; with the recent discovery of an original drawing by Fuseli for Allen's English History now in the Essick Collection we now are quite sure that the illustrations for both volumes were drawn by Fuseli. Bentley BB 416. Essick CBI XXXVII. unknown
196914163London: Published by the Trianon Press for the William Blake Trust 1969. With 17 colour plates reproduced from the original edition of 1794 each watermarked with Blake’s initials. Illustrated with water-colour washes added to partial colour printing. Original quarter brown morocco over marbled boards in the original marbled slipcase. The illuminated pages were reproduced in Paris on rag paper specially manufactured to match the paper used by Blake. A fine copy of a beautiful facsimile. Limited edition number 71 of 480 copies. Published by the Trianon Press for the William Blake Trust unknown
17971045881797. London: R. Noble 1797. <br /> <br /> Large 4to pp. 87/88 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso.<br /> <br /> § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown
17971045861797. London: R. Noble 1797. <br /> <br /> Large 4to pp. 23/24 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso.<br /> <br /> § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown
17971045851797. London: R. Noble 1797. <br /> <br /> Large 4to pp. 15/16 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso.<br /> <br /> § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown
192715514London: Nonesuch Press 1927. First Edition Thus Limited Edition. Hardcover. Very Good bound in 1/4 vellum and marbled paper-covered boards with gilt titles on spine. Owner bookplate inside front cover of three Writings volumes. No markings to text. Small 4to 11"h x 8"w. Personal copy set of author Robertson Davies with his bookplate inside front panel on Life volume and on front end page of Writings volumes. Nonesuch Press hardcover
1028821971. London: Trianon Press 1971. <br /> <br /> Small folio 72 pages with 16 color facsimile leaves suites of progressive plates and 116 monochrome illustrations. Marbled boards morocco backstrip slipcase. Signed by Keynes. A fine copy as issued.<br /> <br /> § Limited to 28 copies so inscribed and signed by Geoffrey Keynes this particular volume is labeled no. 2. This is the de luxe edition of the trade version of the Gray issued by the Trianon Press in 1972 using 8-color printing. Although the three-volume folio edition is a magnificent piece of book making this version is more accessible and easier to use and enjoy and the quality of the color printing is Trianon Press at its best. <br /> <br /> The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.<br /> <br /> Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf-then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.<br /> <br /> The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon's collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. unknown
1271072009. N. P.: The William Blake Trust 2009. <br /> <br /> Folio 95pp. Original black silk binding with morocco labels stamped in gilt to top board and backstrip black cloth-covered slipcase; illustrated throughout with color reproductions of watercolor drawings as well as engravings. As new. <br /> <br /> § First edition limited to 186 copies out of print on publication. From the announcement: "These watercolor designs which disappeared from the public eye from 1836-2001 came to light in a Glasgow bookshop and were later offered as an entity to institutions and collectors at a price which as it turned out none could afford or at least was prepared to pay. Eventually in the face of much protest the portfolio and the 19 designs were offered for sale in 20 separate lots at Sotheby's New York in 2006. The drawings are now widely dispersed and it is most unlikely that they will ever again be seen together." The sale was roundly condemned at the time as an act of cultural crime. This book and the facsimile portfolio in the de luxe issue are now the only record we will ever have of the original series. Happily the Blake Trust created a superb book which is and will surely remain the single most valuable reference work on these remarkable Blake drawings. unknown
17751087571775. London: T. Payne 1775/1776. <br /> <br /> 3 vols 4to xx 516; 2 vi 535; viii 602 pp with 31 engravings on the 30 listed plates. A very good and attractive set in clean condition bound in original calf with gilt decorated rules to covers and gilt decoration to spine panels with six compartments and red and black labels.<br /> <br /> § Second edition of Vol. 1 and 2 1775 and only edition of Vol. 3 1796. The three maps are lacking. All other illustrations are present in good condition but including usual offsetting and a few showing minor mottling and browning. Plate XI stated in the List of Plates to be a Bartolozzi engraved plate designed by Cypriani from an original onyx Camaio by the Greek artist Tryphon is the correct plate although in fact it bears no plate No. and the imprint "G. B. Cipriani Del I.K. Sherwin Sculp." Although Bartolozzi normally signs his studio's plates J. K. Sherwin was an apprentice of Bartolozzi's and presumably was allowed to sign his engraving in this instance. The plate's design matches "The Marriage of Eros and Psyche" from Tryphon's Camaio in the Duke of Marlborough's Collection see e.g Wikipaedia: "The Marlborough Gem". Bentley BB 439. Essick CBI p. 117 entry C. unknown
196245234New York: Basic Books 1962. Very Good. New York: Basic Books 1962. First American Edition of the Dorothy L. Sayers translation. Three volumes; octavos; publisher's black cloth spines titled in black red and gilt housed in original paper-covered slipcase with printed paper paste-on to upper panel; black and white plates by William Blake throughout. Spines quite sunned as is often the case and titling rather scratched slipcase a bit rubbed and dust-soiled else a Very Good internally clean and sound set. Basic Books unknown
17931229111793. London: John Stockdale 1793. <br /> <br /> 2 vols. royal 8vo xi 225; vii 187 1 advertisement pp. Engraved title to each part frontispiece to vol. I and 70 plates including 12 by Blake. Full contemporary calf rebacked a bit scuffed and untidy but quite sound internally good despite the usual browning and offsetting.<br /> <br /> § First edition with Blake's plates. The plates in this famous edition are free adaptations from the designs of Kent Wootton and Gravelot who illustrated the earlier printings of Gay's Fables. William Blake completely redesigned and redrew the 12 images for which he is responsible and is listed among the subscribers to the edition as are the other engravers who worked on this project. Blake engraved the plates opposite pp. 1 29 59 73 99 109 125 133 and 181 in volume one; and those opposite pp. 1 105 and 145 in volume two. The first issue is easily identified because it uses the long "s" throughout and the second does not. Bentley Blake Books 460A. Essick William Blake's Commercial Book Illustrations XXVI. Ray The Illustrator and the Book in England 1. Note that in the list of subscribers there is a "Mr. Blake". Very few books are known to have been subscribed to by Blake. unknown
18031050321803. Chichester: J. Seagrave 1803-04. <br /> <br /> 3 vols. 4to 10 table of contents iii-xiii 1-413; 8 1-424; 2 1-iii iv-xxxi 416 4 6 1-122 24 pp. With 5 plates and an engraving in the text one designed and engraved by Blake the others engraved by Blake after other artists. Original polished brown half calf marbled paper over boards. Backstrips of each volume with two black morocco labels lettered in gilt. Hinges and joints of vol. III just starting. Some spotting and foxing along edges of text blocks and within the text itself sometimes within the image. Minor rubbing and wear at extremities. Armorial bookplate of the Corbollis family on front pastedown of each volume. Excellent original copies in fantastic overall condition.<br /> <br /> § Second edition final state of the "Weatherhouse" plate designed by Blake. Hayley's position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley however "the plates for vols i-ii are much more clearly and darkly printed in the second edition so indicated on the title pages than the first. Perhaps many of the lines were cut more deeply when the plates were converted in their second states but more careful inking and printing could account for the considerable tonal differences. One hesitates to blame Mrs. Blake for the poor impressions of the first states but that may indeed be the case" Essick William Blake's Commercial Book Illustrations 86. Bentley Blake Books 468 A. Easson & Essick I VII. unknown